who tried to bring heaven down to a late abstract artist also pino. but joining me straight away is john anderson the boss of all drug addict records this is a classical record company which is a bit special because it's a nonprofit making co-operative which puts the artists in charge it sounds wonderful joel. but how does it work because you have to make some money to pay people who who work for you of course we have a team of fifteen effect that we have to pay and that is a talent obviously but the goal with with all to take was to find a way of making. something in the world something which is not really of the world soul music which is priceless which is not transactional which is as a value completely different from commercial value. but in some way finding a way to come out a size and to put it in a marketplace and to do

a service to the artists who are collaborating with us ok now and i like the way you choose who you will record it's a bit like one of those things on the something called the voice on the television whether you know it's kind of behind oldish and as you say you exactly this. is the scientific peer review process that we've co-opted for for arts. again the idea here is that we're trying to find a way to. choose our artist choose a repertoire in a way which is not motivated by a profit motive by marketing decisions and and things like this and so what we have what we built was a online platform to which people can apply in a demo but that is evaluated by the actual rostrum members themselves of the label and they receive a link with just the music so we don't know who they are where they're from and a woman. if there are all the young famous knots we evaluate on the bases the music

itself and the interest of the program a list let's hear someone who who got through those were additional process this is the italian finnish victorio forte playing a piece. i should just mention that it's rachmaninoff but it's an especial arrangement is that yes ok now the record strong of the label just seems to be mostly contemporary i mean the very first thing you brought time was bugs piano music or first of yes you

know i mean that's quite a nice market well the interesting thing about this is that is not a decision of myself or any explicit policy of the label but the music which does tend to make it through this filter which we have by the pure of you filter is the more innovative programming stuff which is less represented the stuff which we have already heard thousands of times just as a natural result of our selection process i think we are in the doing all. now you said in an interview although we just don't quite buy the c.d.'s decades it's all going to go wild laws so how are you going to make money or should i say make enough to keep going so it's certainly true that cd players are being built on the cars and the computers is going to go the way of vinyl at some point there are always the collections and there always be artists who need to to make see these also because it is a good business card having

a tangible product that's very good but but yes there's no doubts that the market is moving towards digital and we're moving in that same direction or developing various online platforms which we hope will position isn't a good place to be. the interface between musicians the music industry and the public and you've got a jazz label again let's hit some music this is again an italian artist a massive media know. hopefully are pronouncing and his bad let's have a quick listen. please a rainy day on your jazz mabel just briefly what are you doing here in germany the

home of the mighty dortch a gramophone and you're hoping to sort of put them out of business all in all there's no not even any intention of competition in the sense what we're trying to propose is an alternative to that. so the major labels they control more or less eighty percent of the market but it's a dime market it's also also they're struggling and in my opinion. the fact that the digital revolution that's part of it of course but it but it's actually a symptom of i think taking music in the wrong way and so we're trying to present it in a different way which we think is actually a positive way for the way that will get us out and of course the digital revolution for us is a good thing he told sound it's really fascinating we need more enterprising on for prose. in the business especially in the music business ventures of course changing good luck with this film anderson thank you from. thank you very much for joining

us you might be interested in this next piece if you want to place in london a little office in london. the olympic park in london encompassed five hundred sixty acres of east london but after the olympics finished in twenty twelve what became of this vast sites well most of the buildings have been put to good use including what used to be the press center an enterprising group of architects have now turned it into a technology park for startups. in east london compact and colorful studios have been built in the space that served as the international broadcast center during the twenty twelve olympics. making gascon splitsville for conspiring architects he and his colleagues designed began training. hugely positive for london i think for local area but because of the level of

development it happened. it's swept away a lot of the sort of local history and so we want to do this project as a way of reminding people about parts of the local history that they could be proud of. the bright colors used to the studios façade for example echoed the rapper's of suites that used to be manufactured close by. the architects didn't draw inspiration only from local businesses one studio facade commemorates an unusual landmark that used to be in the area. before the olympic. there's a very frank famous local landmark on the canal which was nicknamed fridge mountain . just a few years it was europe's largest white goods dumping ground. the tenants of the twenty one works spaces are as varied as the studios facades the mix includes a record label to music studios architects engineers and designers.

is house manager his employer the transfer he was hired by the technology park to look after the studios and its tenants. he explains what really sets the gantry a past. we can make beautiful spaces you can design amazing spaces you can have great views but ultimately the thing that makes this place tick make it last beyond me to the tramp or even as a company will be the stories and the cooperation and the network that happens for people interrupting day to day covering their business to go. there sure to be a lot more fun in these colorful studios. now the art museum just outside barn in western germany is named after her and sophie are up who were two of the pioneers of abstract art in the early twentieth century the current exhibition their features works by auto pina it was actually

one of the great abstract artists of the second half of the dredges century concerning himself predominantly with light fire and the culture. how do you bring heaven to earth how do you paint with light how can you reach outer space. the exhibition alchemy list and stormer of the skies explores artist otto pinas universe and finds his work exploding with raw power. like this volcanic eruption which practically flings its lava towards the viewer pina did not paint pictures like this with a brush but with fire here trying to here it really seems to explode on the canvas . it's called a fire because all peano always took a circle as his starting point and then sprayed it with a national paint focus to manipulate it with

a fixative and then ignited the whole thing that's going to ensue and it and then during this process of ignition cheering the heat the paint would run you can see red spots the pay. read down like a melting pot so to speak and he meant it as certain moment he blew out the fire line. and what remained was solidified match up the material. let's hope you know it was using new painting techniques at the end of the one nine hundred fifty s. it was also during this time that he co-founded the artists group zero. this wasn't season it was a kind of turning point after the second world war that they wanted a more ideal world that was basically a transition to silence to tranquility. so what did pina have to say about that in twenty thirteen he visited an exhibition of his work in cars with. his instinct and . there was a need to see something in the light instead of in the dark there and shot him in

the depression in the deepest your own we wanted to get to know one another world a new world and if necessary build it or help to build a new front in there to own your own health and. an artist whose work was truly inspired by the stars. and then in that museum is in an old railway station on the banks of the river rhine it's quite a place finally one of the world's most famous paintings go reading a letter it's an open window by the great loss a young man has been partially restored by the commander got to be in dresden and in the course of the restoration there was a sensational discovery parts of the picture had been over painted and not five a man detected by x. ray in the background there was a naked cupid and this figure is now piece by piece reveals and the cupid will be

completely exposed to further restoration next year. and that brings us the end of ops and culture for now check out the website at d.w. dot com slash can. all face folks. now thanks very much for watching my thanks for the crew. join us again so far.

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g.w. . plate . this is the. thousands of civilians fleeing renewed fighting in syria. to say scores of people have been killed in a surge of violence as government forces target rebel held town in villages despite a cease fire. also on the program that his opposition says it will a controversial rerun of his stumbles merril election president obama says he strengthening democracy after successfully overturning the original results.