tried to bring heaven down to a late abstract artist also pino. but joining me straight away is john anderson the boss of all druidic records this is a classical record company which is a bit special because it's a nonprofit making co-operative which puts the artists in charge it sounds wonderful joel. but how does it work because you have to make some money to pay people who work for you of course we have a team of fifteen effect that we have to pay and that is a talent obviously but the goal with with all to take was to find a way of making. something in the world of something which is not really of the world soul music which is priceless which is not transactional which is as a value completely different from commercial value soul but in some way finding a way to come out of size and to put in a marketplace and to do

a service to the artists who are collaborating with us ok now and i like the way you choose who you will record it's a bit like one of those things on the something called the voice on the television whether you know it's kind of behind oldish and that's these are you exactly this. is the scientific peer review process that we've co-opted for for arts. again the idea here is that we're trying to find a way to. choose our artist choose a repertoire in a way which is not motivated by a profit motive by marketing decisions and things like this and so what we what we built was a. platform to which people can apply in a demo but then it's evaluated by the actual rostrum members themselves of the label and they receive a link with just the music so we don't know who they are where they're from man or woman. if they're old young famous knots we evaluate really on the basis the music

itself and the interest of the program a let's let's hear someone who who go for it as a side dish and process this is the italian fan as victoria will forte playing a piece i man and. i should just mention that it's right man and all but it's an especial range isn't it ok. the repertoire of the label just seems to be mostly contemporary i mean the very first thing you brought time was piano music for c.b.s.

you know i mean that's quite a nice market well the interesting thing about this is that is the decision of myself or the explicit policy of the label but the music which does make it through this filter which we apply the peer review filter is the more innovative programming stuff which is less represented the stuff which we have already heard thousands of times though just as a natural result of our selection process i think we need to be in the doing all. now you said in an interview although she told me it's not quite the cd is doing it it's all going to go all of law and so how are you going to make money or should i say make enough to keep going so it's certainly true that cd players are being built on the cars and the computers is going to go the way of vinyl at some point there are always the collections and always be artists who need to to make see these also mean. this is a good business card having

a tangible product is very good but but yes there's no doubt that the market is moving towards digital and we're moving in that same direction or developing various online platforms which we hope will position send a good place to be the interface between musicians the music industry and the public and you've got a jazz label again let's hear some music this is again an italian artist a massive media know. hopefully pronounce it right and his band that's quickness. please pull a rainy day on your jazz navel and just briefly what are you doing here in germany

the home of the mighty torch of gramophone and you're hoping to sort of put them out of business all in all there is no not even any intention of competition in the sense what we're trying to propose is an alternative to that. so the major labels they control more or less eighty percent of the market but is a dime market it's also also they're struggling and in my opinion. the fact that the digital revolution that's part of it of course but it but it's actually a symptom of i think taking music in the wrong way and so we're trying to present it in a different way which we think is actually a positive way for the way that will get us out and of course the digital revolution for us is a good thing. this is really fascinating we need more enterprising on for pros. in the business especially in the music business ventures of course changing good luck with still manderson thank you from. thank you very much for joining as you

might be interested in this next piece if you want to place in london a little office in london. the olympic park in london encompassed five hundred sixty acres of east london but after the olympics finished in twenty. what became of this vast sites well most of the buildings have been put to good use including what used to be the press center an enterprising group of architects have now turned it into a technology park for a start up. in east london compact and colorful studios have been built in the space that served as the international broadcast center during the twenty twelve olympics. nicky gascon splits before can sprout architects he and his colleagues designed the gantry. hugely positive for london i think for the local area but because of the level of

development it happened. it's worked away a lot of sort of local history and so we want to do this project as a way of reminding people about parts of the local history they could be proud of. the bright colors used this studio's facade for example echoed the rapper's of suites that used to be manufactured close by. the architects didn't draw inspiration only from local businesses one studio facade commemorates an unusual landmark that used to be in the area. before the olympic games there's a very frank famous local landmark on the canal which was nicknamed fridge mountain . just a few years it was europe's largest white goods dumping ground. for the tenants of the twenty one work spaces are as varied as the studios facades the mix includes a record label to music studios architects engineers and designers.

is house manager his employer the tramper he was hired by the technology park to look after the studios and its tenants. he explains what really sets the gantry up passing. we can make beautiful spaces you can design amazing spaces you can have great views but ultimately the thing that makes this place tick make it last beyond me at the time pretty even as a company will be the stories and the collaboration and the network that happens for people interrupting day to day growing a business to go. there sure to be a lot more fun in these colorful studios. now the art museum just outside barn in western germany is named after hans and sophie are who were two of the pioneers of abstract art in the early twentieth century the current exhibition their features works by auto pina and was actually

one of the great abstract office of the second half of the tried this century concerning himself predominantly with light fire and the color. how do you bring heaven to earth how do you paint with light how can you reach outer space. the exhibition alchemy list and stormer of the skies explores artist auto pina's universe and finds his work exploding with raw power. like this volcanic eruption which practically flings its lava towards the viewer pima did not paint pictures like this with a brush but with fire here friday here it really seems to explode on the canvas. it's called the fire because all pino always took a circle as his starting point and then sprayed it with a national paint focus manipulated it with

a fixative and then ignited the whole thing that's going to ensue and it and then and during this process of ignition during the heat the paint would run you can see red spots the pay. red and down like a melting pot so to speak and meant at a certain moment he blew out the fire line. and what remained was solidified match up the material. was using new painting techniques at the end of the one nine hundred fifty s. it was also during this time that he co-founded the artists group zero. this wasn't season it was a kind of turning point after the second mode war that they wanted a more ideal world that was basically a transition to silence to tranquility. so what did pina have to say about that in twenty thirteen he visited an exhibition of his work in cars which. is in shanghai and there was a need to see something in the light instead of in the garbage that indoor in the

depression in that it was your own we wanted to get to know one another world a new world and if necessary build it or help to build a new country and there to own it a bone here from. an artist whose work was truly inspired by the stars. and then in that museum is in an old railway station on the banks of the river rhine it's quite a place finally one of the world's most famous paintings go reading a letter at an open window by the great loss a young man has been partially restored by the command of the galaxy in dresden and in the course of the restoration there was a sensational discovery part of the picture had been over painted and not five a man detected by x. ray in the background there was a naked cupid and this figure is now piece by piece reveals and the cupid will be completely exposed to further restoration next year. and

that brings us the end of ops and culture for now check out the website at d.w. dot com slash co. all facebook d.w. culture from all on cold blows topics but for now thanks very much for watching my thanks for crew of coal share and by then join us again soon bob barr.

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