tried to bring heaven down to a late abstract artist also pre-nup. but joining me straight away is john i understand the boss of all druidic records this is a classical record company which is a bit special because it's a nonprofit making co-operative which puts the artists in charge it sounds wonderful joel. but how does it work because you have to make some money to pay people who who work for you of course that we have a team of fifteen effect that we have to pay and that is a talent obviously but the goal with with all to take was to find a way of making. something in the world of something which is not really of the world soul music which is priceless which is not transactional which is as a value completely different from commercial value soul but in some way finding a way to come out of size and to put in a marketplace and to do

a service to the artists who are collaborating with us ok now and i like the way you choose who you will record it's a bit like one of those things on the something called the voice on the television whether you know it's kind of behind the additions as you say you exactly this. is the scientific peer review process that we've co-opted for for arts. again the idea here is that we're trying to find a way to. choose our artist choose a repertoire in a way which is not motivated by a profit motive by marketing decisions and things like this and so what we what we built was a. platform to which people can apply in a demo but then it's evaluated by the actual rostrum members themselves of the label and they receive a link with just the music so we don't know who they are where they're from and a woman. if there are old young famous knots we evaluate really on the basis the

music itself and the interest of the program let's let's hear someone who who got through that is right decision process this is the italian pin is victorio forte playing a piece i write man enough. i should just mention it's rachmaninov but it's an especial range as you know ok. the record strong of the label is seems to be mostly contemporary i mean the very first thing you brought time was some bugs piano music or for c.b.s.

you know i mean that's quite a nice market is not well the interesting thing about this is that it's not a decision of myself or any explicit policy of the label but the music which does make it through this filter which we apply the the pure review filter is the more innovative programming stuff which is less represented stuff which we have already heard thousands of times though just as a natural result of our selection process i think we'd be in the doing ok now you said in an interview although she told me just don't quite buy the cd these days that it's all going to go wild laws so how are you going to make money oh should i say make enough to keep going so it's certainly true that cd players are being built building the cars and the computers is going to go the way of vinyl at some point there are always the collections and always be artists who need to to make see these also because. this is a good business card having

a tangible product is very good but but yes there's no doubt the market is moving towards digital and we're moving in that same direction or developing various online platforms which we hope will positions and a good place to be the interface between musicians the music industry and and the public and you've got a jazz label again let's hit some music this is again an italian artist a massive media know. hopefully pronounce it right and his band that's our quickness. that's. a rainy day on your jazz label just briefly what are you doing here in

germany the home of the mighty dortch a gramophone are you hoping to sort of put them out of business all in all i know there is no there is not even any intention of competition in the sense what we're trying to propose is an alternative to that. so the major labels they control more or less eighty percent of the market but is a dime market it's also also they're struggling and in my opinion. the fact that the digital revolution that's part of it of course but it but it's actually a symptom of i think taking music in the wrong way and so we're trying to present it in a different way which we think is actually a positive way for a way that will get us out and of course the digital revolution for us is a good thing you told sound this is really fascinating we need more enterprising entrepreneurs entrepreneurs in the business especially in the music business which is of course changing good luck with the film anderson thank you from. thank you

very much for joining us you might be interested in this next piece if you want to place in london a little office in london. the olympic park in london encompassed five hundred sixty acres of east london but after the olympics finished in twenty twelve what became of this vast sites well most of the buildings have been put to good use including what used to be the press center an enterprising group of architects have now turned it into a technology par for startups. in east london compact and colorful studios have been built in the space that served as the international broadcast center during the twenty twelve olympics. nicky gaskins works well for conspiring architects he and his colleagues designed the gantry. hugely positive for london i think for the local area but because of the level of

development it happened. it's worked away a lot of sort of local history and so we want to do this project as a way of reminding people about parts of the local history that they could be proud of. the bright colors used to this studios facade for example echoed the rapper's of sweets that used to be manufactured close by. the architects didn't draw inspiration only from local businesses one studio facade commemorates an unusual landmark that used to be in the area. before the olympic games there's a very frank famous local landmark on the canal which was nicknamed fridge mountain . just a few years it was europe's largest white goods dumping ground. the tenants of the twenty one work spaces are as varied as the studios facades the mix includes a record label to music studios architects engineers and designers.

patrick scully is house manager his employer the tramper he was hired by the technology park to look after the studios and its tenants. he explains what really sets the gantry a past. we can make beautiful spaces you can design amazing spaces you can have great views but ultimately the thing that makes this place tick make it last beyond me to the tramp or even as a company will be the stories and the collaboration is a network that happens for people interrupting day to day covering their business to go. there sure to be a lot more fun in these colorful studios. now they are museum just outside born in western germany is named after hands and so feet are up who were two of the pioneers of abstract art in the early twentieth century the current exhibition their features works by auto pina it was actually

one of the great abstract artists of the second half of the trojan century concerning himself predominately with light fire and the culture. how do you bring heaven to earth how do you paint with light how can you reach outer space. the exhibition alchemy just and stormer of the skies explores artist auto pianos universe and finds his work exploding with raw power. like this volcanic eruption which practically flings its lava towards the viewer pina did not paint pictures like this with a brush but with fire here trying to here it really seems to explode on the canvas . it's called the fire because often i painted always took a circle as his starting point and then sprayed it with a normal paint focus. with

a fixative and then ignited the whole thing that's going to end soon and that and then during this process of ignition during the heat the paint would run you can see red spots the pay. red and down like a melting pot so to speak and cemented a certain moment he blew out the fire proof that jesus and what remained was solidified matter up to material. let's hope you know it was using new painting techniques at the end of the one nine hundred fifty s. it was also during this time that he co-founded the artists' group zero. this wasn't season it was a kind of turning point after the second world war that they wanted a more ideal world that was basically a transition to silence to tranquility. so what did peter have to say about that in twenty thirteen he visited an exhibition of his work in cars with. his instinct and with there was a need to see something in the light instead of in the dark against it and go in

the depression into depression or and we wanted to get to know another world a new world and if necessary build it or help to build a new front in there to buy or not a bone health and. an artist whose work was truly inspired by the stars. and then in that museum is in an old railway station on the banks of the river rhine it's quite a place finally one of the world's most famous paintings go reading a letter at an open window by the great lost a young man has been partially restored by the commander they got me interested in and in the course of the restoration there was a sensational discovery parts of the picture had been over painted and not by a man detected by x. ray in the background there was a naked cupid and this figure is now piece by piece revealed and the cupid will be completely exposed to father restoration next year. and

that brings us the end of arts and culture for now check out the website at d.f.w. dot com slash co. all face folks at v.w. culture for more on all those topics but for now thanks very much for watching my thanks the crew of course here in berlin join us again soon bob barr.

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place . this is news live from berlin iran announces its partial withdrawal from the landmark nuclear deal president hassan rouhani says that tehran will stop acting on some of its commitments under the deal and set a timeline of sixteen days for new terms to be reached the move comes amid mounting tension with the united states.