content teaching next generation touches. using each other as a bit smaller. and more determined to build something here for the next generation to live. beyond barmen series of global 3000 on g.w. and all mine. i played violin since i was 5 and then switched to be a lot it's always been the amazing music that you get to play with so many amazing people and get to travel everywhere and so it's always been so attracted there so i have had this passion for it so long and then at some point i guess i couldn't do anything else.

this festival has so much kind of hype it's like a big festival it's a big thing there's no kind so it's really great for us to get to come here and play and like several years in a row we get to come here and that's very exciting to come back and play for this audience because it's always a packed hall and it's so much like energy from the audience as well.

yes .

a low the. the play a role.

for world. war i the. the. the. the poor. world. will. pay.

a. way. out of. the old boys in the hole in the flames a way a way.

2 2 2 2 it's really amazing to play with this many young musicians it gives me a certain fired brings me back to. my degrees me back to towns where i felt vulnerable where i was scared where i was afraid and i empathize with them that also brings the certain excitement think that i remember and i sort of adopt it from my life right now so it keeps me on.

her. her in my own jazz is in essence an extension of the national youth orchestra program pretty hard to do as we took the audition process from n.y.u. and we adopted that to a jazz ensemble and so there are 16 different states represented on with $22.00 wonderful young musicians that have come together through an audition process that includes musicianship and interview to represent the best of the united states and jazz around the country. music is very important for young people not just because new music look for what it means and humanity on it brings out the best in us they're able to use the notes

and sounds silences to express themselves to express the height of their emotion the depth of their emotion and it also helps them understand a certain level of discipline that other ways of learning discipline may not be there for them so it's very important. good for any musician has to be a professional at what they do is to believe that. you can learn. the theory. that your voice is worth sharing with the world it doesn't mean anything to believe in.

the book.

the book. or. let's. live . live live. live. live. live.

live live look for. live. let. live. live. live.

live. live. live. live live play.

thanks. thanks thanks. thanks.

thanks thanks thanks thanks. my name is schmidt i'm a cellist from cork in argument and i'm currently based and disappear from study but i are jewish and for you y.-o. 6 years ago. you know. me. you i always with

i was a day and then value both for training young musicians who hope to become professionals . we will be a whole new set of eyes if you do something wrong you. will be good so this right here we are welcome to the speedboat. having the opportunity to work with some of the world's best conductors and best soloists and these include and that's. real life as an orchestral musicians so you also have to deal with you know balancing your tie and energy and yeah but i feel really extremely privileged to have the opportunity to be a part of this ensemble many people have described it as the best possible investor of the new we want peace in europe we want to work together we want the future to be a safe place for everyone i think that's that's what we stand for. i'm

i'm 2 i'm.

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