Skip to main content

tv   Arts.21  Deutsche Welle  June 15, 2019 10:30pm-11:01pm CEST

10:30 pm
green solution to find the errors. in 60 minutes. i'm not laughing at the germans because sometimes i am but mostly i'm laughing with you but i don't think deep into the german culture yet you did seem to take that as grandma they owe to you because it's all about who you know i'm right so join me for me to everybody the course. but.
10:31 pm
in april 25th a boat sank in the mediterranean confused 700 migrants drowned this was on his coast of bishop has brought the wreck to the venice biennale and but candy vessel really be classed as aunt tasteless well it's certainly getting people talking and that is very much in the spirit of this being on a now in its 58th edition which aims to open up new perspectives on the world in succeeding let's take a look. fog . steam sic ribbons of the rolling down the facade of the central pavilion. the us official thought envelops the visitors at the entrance. curator ralph
10:32 pm
rudolph promised powerful images and the show begins with one created by lara for a 2nd art that you can physically feel. it's rising from the building because it was a great. collecting all the faults of the visitors who are inside who are engaging in this work. of course as human beings we're not just about things. in our heads we can live in the past in the future but in our bodies we're always living in the rest of the exhibition is entitled may you live in interesting times what does that mean is that a chinese casts as is widely supposed now that's a political mix and in this age of fake news and alternative facts this show urges us to take a closer look at the world around us and to take a stance. was really. really hurt
10:33 pm
by people living. in a small cabinet as the direct created by dominicans are dispersed and joy brittle it's amazingly realistic but where are the animals and other living beings. that it's people more. actually based on photographs of somebody driest places on earth through the desert in chile where there's a for 50 years so while it is looking like something the science museum also making to make about what could be the future of earth with climate change. many die rama's used to offer an insight into the past stage scenes of everyday life this diagram of gives an insight into the future into death this dollarama. also to me is like the earliest form of work for real. rudolph has done. many works
10:34 pm
which are easy to understand and yet have a lasting impact. jimmy durham who won this year's golden lion for lifetime achievement brought a slab of stone his path around the world he detailed. the india. how it's brought them to mom by our travels through the sewers into the free. through it becomes a. story about global work of a bridge. that ends up an office building for you live. weighing in at half a tonne it's dazzlingly beautiful but at the same time it's a symbol of exploitation. rather of isn't one for spectacle nor does he believe in political correctness he thinks that our should be allowed to be an image that burns itself instead of us mind so that it's not forgotten.
10:35 pm
robots wiping clean a surface soil by viscous liquid that looks like blood over and over again. what it is to work in the world. would be spurious good. for you. if you do it in. a relentless and desperate beast that might shatter the glass panels at any time programmed with 32 different motions sequences everything under control. a lot so. yes the last we have reviewed. the work is by the chinese artists one young and 10 you who think that the essence of us. yes is that it cannot be tamed.
10:36 pm
very. very. tragic story. so what are you. think it's possible to reduce how many different love. artists. first free expression. we're going to society that's. structured to confer expression. this is. not dissimilar what's happening. like a murderer whose crime comes back to haunt them. a machine perhaps can be controlled a human being cannot. humans try to seek their own path in
10:37 pm
venice this path could lead perhaps to lithuania's pavillion to some outre with a deeper meaning. i cried so much when i heard that the corals want to exist anymore the girl sings. the way neo is the winner of this year's golden lion for the best national contribution to the venice biennale 0. 0. 000. sun and sea is a performative piece it was created by the artist trio we give low budget 5 a good i need to and lena.
10:38 pm
this is actually one you think that it's a nice one for us between the songster underneath and that there is life. outside informal no there really loves on the slopes soon you'll observe. a lot. going on in the various. experimental tests and something to look at 1st glance they might look like vacationers at the beach but the people in swimwear sing about the impact of everyday travel on our climate or about the mass extinction of species to company text explains how culturally crises unfold today with the ease of a pop song a brilliant piece of work with when you were the winner.
10:39 pm
where to now the longest long is in front of the french but really. is it worth the wait. to. get smokey and folk here to visit a mess of physical pressure cooker or a mystical palace whatever it is it's alluring hotel you've come. really good and deepness of this sort of. visit is have to go around the back. and a month a new one so the for their grand entrance you know i wanted. us to find a new way to life and not know that to end this weekend trip but they're right. there right away and it is. much more special for the back.
10:40 pm
here we out. we've already. so if you do if you want to know they need to get into the back and you just climb up the better you know and if they could you. comment. on. anything. here we started to get turned on to the british so we stayed with a little break that. busy busy busy all around us the detritus of civilization. busy over poor creates miniature installations depicting the end of the world she's interested in the state of transition as well as that of destruction. it's a bit to the end like look green when it's me it's quite close to reality and
10:41 pm
future in their thirty's is here. to help the well a bit of. the work also brings to mind biblical imagery and noah after the flood released to dive to find land. who won the turner prize in 2013 travelled across france inviting artists and performers to come with her to venice to animate the french pavilion. bend we met a magician there can't start getting the table. birds flying out of paintings and we couldn't believe it. so if i can reverse it we carry on the tree joined. a
10:42 pm
because amazing thing if a film journey with real discoveries digital surrealism continuing into the analog world. a marching band at the. minute we met and i don't know where you go here is the file that we met you know you know that went into the film. you know we did in 2 minutes. no paul fishes in the unconscious and discovers the state of the world magnificent but where should we go now after all this strangeness welcome we expect at the
10:43 pm
german trevelyan. hotel should suit up and run want to do something completely different with her head hidden the artist representing germany can't talk right now and has her own spokeswoman. could marking. the artist's real name is no trashing of southern her head here she was born in iran and is now a professor in britain and this is a work of anti representation she simplified her name. to constrain what is a measure of conformity the artist wanted to confront the challenge of curating the german trevelyan in venice and the optimal form for doing this is integration with the optimal form gaffers and. that's how she says he to help man is not a pseudonym but an adaptation. so i don't see what. the artist produced videos for the bee. but depict are journeys to migrant processing centers
10:44 pm
in germany the centers are being called anchor centers anchor here is a euphemism for arrival decision return. to center service holding camps until people are deported or choose to go back to their countries of origin voluntarily. in pulliam in italy the artist visited the spot where migrant harvest helpers were killed in a road accident he. kept not just as you to help them and also i chose the task as you to happen man because she inspires me very much for significance mcnish seen the way she works with different art forms different forms of knowledge and has successful transitions between music installations and the different sensual impatience that are impossible to come. look at the french her body and here to the
10:45 pm
front entrance is closed. inside there are rocks and a dam that reaches to the ceiling it's powerful but permeable. spartan brass all dams hold back water and the accumulation of pressure forms energy says they live in an arch against the pressure that they are expecting but if the pressure is too high or miscalculated and they burst. it's a simple image to illustrate some german people's fear of being inundated with migrants. it doesn't seem as if this wall will hold for very long the other side reveals the simplicity of the installation. the structure is made of wood and cardboard whistle sounds screech from the speakers. the soundtrack of protest.
10:46 pm
message clearly received time to move on. these spaces are meant to be for all races you know follow tribes for all communities that dare to speak the truth because it's mush leave it. to this statement could well be the motto for this year's be a nod to the dominance of the west is over in venice to ask us from the global south especially from asia and africa are represented this year as never before. impossible to miss magnificent self portraits by the south african photographer and activist. who exposed various roles.
10:47 pm
her gaze is seeking. questioning. demanding. we don't have much presentation at museums around the world so i think it's about time. your asia specifically spaces and also to take ownership of our voices to take ownership of our kaif's we write our own narrative is visual narratives of really important and also for us to say that's we are proud of as black people. proud and joyful this was one of the great emotional moments of this year's be anonymous or from ghana celebrated its 1st national pavilion in venice an exhibition that has 120 years old the country's 1st lady came to the inauguration as the top british architect to david adjaye and that's canadian roots and who just signed the valium . the president
10:48 pm
wants to ensure that the gods are central to the development of a country central to tourism subtotal soft part of the country and communicating to the world the kind of incredible benevolence of a country of its people so that's why we're here and not a small pavilion but a very large to really make it very large state with. just designed plays on good nation building traditions creating an intimate space for the sensitive portraits by painter the net your dog watching. the. film and referred to as by felicity a bond ghana's 1st professional female photographer she started taking pictures at the age of 14 and captured the political developments in ghana which in $157.00 was one of the 1st african countries to gain independence from britain and that narrative informs ghana's 1st of all in which is untitled gun of freedom.
10:49 pm
and such a powerful statement we have read you know what does that freedom mean what did it mean that in night if that were any guide the pen then what does it mean now how you know how is that freedom grown or not granted what does it mean for us to be free. 6 artists from different generations offer their viewpoints on these questions. john a conference video installation was commissioned especially it's about migration climate change and threatened environments. the works will be displayed in ghana's capital city opera after the beginning and will be accompanied by a series of debates around the gonna freedom project. it's all very well coming to venice you know with the well heeled crowd and doing something like this but what relevance and what resonance does. actually have been
10:50 pm
within the country not just in our grasp on our enemy and in the kind of sanity where people you know maybe step to glad galleries but in their communities across the country this is very much part of this press and. thousands of kilometers live between ghana and india but only a few meters separate that type of aliens. the world's biggest democracy is being represented in venice for only the 2nd time the government set the fame the police tribute to national icon mahatma gandhi this year is 150th anniversary of his past . every time measure times of presidents that we do look up to gandhi so the idea was to really look at these artists and how their new to all very subtly he walked him through his ideas and pronounced values of either p.s. nonviolence passive resistance minimal consumption ecological concerns and so on.
10:51 pm
in 1039 mahatma gandhi wrote his 1st letter to as of hitler addressing him as dear friend. that has decided to protect the original manuscript onto a smokescreen gandhi's failed attempt to prevent a war 5 weeks before germany marched into poland remains very moving today. the center of the work is really the viewer who 1st reads the message in 1st person because it is is their friend friends have been urging me to write to you for the sake of humanity and i think it's a moment a reflection of your own position and how you might see in the world your own gestures or actual. force a container called kami to gandhi is a point of reference she explores violence in public space sexual violence india is one of the most dangerous countries in the world for women. the artist's works are wearable. home. so this is protection for
10:52 pm
the female body but the mccann ism is such a little in your reading that you can move too easily you know the hands move in a particular way the head moves in a particular way so you're trapped the body is trapped in a way so i'm talking of both the things the notion of protection and the motion of being trapped. what does it mean to be a woman in a patriarchal society be our sister self or the i am a fire performances to do this in the middle of mumbai was courageous. it's getting loud here in the brazilian pavilion. partly fictional documentary that follows the rehearsals for us when garrick
10:53 pm
competition this subculture combines folklore pop and vogue it's a scene of the tracks that involves the l g b t i community and young people from the outskirts of brazil's big cities. there are poorer people from the favelas a socially speaking you have people who are very well less access to things up in. a white or more privileged class colonial class of people in the northeast have access to so there's a feeling of. collectivity and they space where they get together they recognize each other they understand that they belong to a certain form of exis us and that is mainly for me a very very beautiful form of resistance despite the public power i mean the state the power.
10:54 pm
moreas fighting for self-assertion. there is no hierarchy regarding gender or beauty models just an incredible amount of energy. this is be analogy with some pretty serious topics but also in a very left field and colorful way. shaggy and fairy and this could be chewbacca seen from inside. and here she comes. out of nailed it on a delta also known as choppy short for shoplifter alias. the break through her pavilion leads from the darkness to the end of the rainbow into the sky. the material hair extensions from china
10:55 pm
as cheap and as many as possible. it's like a place they can't just nest. and be embraced by almost like like you know walking into your children book dream world or being embraced by instead of you a bracing the teddy bear it's. basically my main inspiration is humans and human ingenuity and you know the absurdity of the things of the be mass produced for obscure purposes like most of the color hair extensions to be out the to our own hair shop the who was born in reykjavik has been living in new york for a long time. hess sculptors have already been displayed at the museum of modern art and on a record cover. full fare no eyes and. color therapy with art seeks to put few is
10:56 pm
in a good mood. that was 21 from the venice been on life with artists and visitors from around the world . thanks for joining us see you again next week.
10:57 pm
africa. biko africa. was a. lot of play time coming up looking hot. in ghana merry go rounds are creating electricity and enabling people to study as to go. to
10:58 pm
a movie area. in 30 minutes w. . thought you'd have to get through the bundesliga break without a football 6 think again. the big fun with some excitement. not celebs facing 19 lives mug ultimate exults on the detail ng. much of it. linked to news from africa and the world or links to
10:59 pm
exceptional stories and discussion. of easy ally website devil dot com slate 6 join us on facebook to double up for. what does now for t.v. tell us about her. leg let's experience a modern museum center with her place of caution cultural heritage foundation our legislators researchers are looking for answers of more than 5000000 objects played chump change relates to the history of the play by those who know about secret things how a house like this. it's a good actionable reading at the dentist subsequence template cultural heritage foundation
11:00 pm
plays treasure troves our 2 part. starts june 21st on d w. play play play. this is d w news live from berlin hong kong's leader backs down on the extradition chief executive kerry lamb shelves a device of law that would allow people to be handed over to mainland china for a trial to climb down follows the worst political violence of the territory in decades also coming up. a mass in hard hats no introduction to people in
11:01 pm
terrorist holds its 1st service since the devastating fireable swept through the gulf of masterpiece 2 months ago donors have pledged.

51 Views

info Stream Only

Uploaded by TV Archive on