is it as boring as it looks. driving him 60 minutes. it takes. us. with a little wonderful dance to make the game so special. for all true for. my. place because more than football. thank. you ed. played.

in april 2015 a boat sank in the mediterranean just 700 migrants drowned. his coast official has brought the wreck to the venice biennale in a but can the vessel really be chastised for is this just tasteless well it certainly gets people talking and that is very much in the spirit of this being on a now in its 58th edition which aims to open up new perspectives on the world is that succeeding let's take a look. fog steam sacredness of the rolling down the facade of the central pavilion. the us official fog envelops the visitors at the entrance. curator ralph rudolph promised

powerful images and the show begins with one created by lara. art that you can physically feel. it's rising from the bill because it was a great. collecting all the faults of the visitors who are inside who are engaging just more. of course as human beings we're not just about big. in our heads we can live in the past in the future but in our bodies we're always living with the rest of the exhibition is entitled may you live in interesting times what does that mean is that a chinese casts as is widely supposed to know that's a political myth and in this age of fake news and alternative facts this show urges us to take a closer look at the world around us and to take a stance. that was really.

bad for them. in a small cabinet is the diagram a created by dominicans are dispersed and joy brittle it's amazingly realistic but where are the animals and other living beings. those people more is actually based on photographs of somebody driest places on earth through the desert in chile work for 50 years so while it is looking like something here science museum also making a make about what could be the future of earth with climate change. many di rama's used to offer an insight into the past stage scenes of everyday life this dire omma gives an insight into the future into death dollarama. also to me is like the religious form of work for real. rudolph as well. many works which are

easy to understand and yet have a lasting impact. jimmy durham who won this year's golden lion for lifetime achievement brought a slab of stone his part around the world he detailed. me india. how it's brought them to mom by our travels through the sewers into history. through it becomes a. story about global economic relationship. and so office building for you. live. weighing in at half a tonne dazzlingly beautiful but at the same time it's a symbol of exploitation. real love isn't one for spectacle nor does he believe in political correctness he thinks that our should be allowed to be an image that burns itself into the mind so that it's not forgotten.

and robots while being clean is surface soiled by the liquid that looks like blood over and over again. was still work in the world. we experience that. for you. if you do it in. a relentless and desperate beast that might shatter the glass panels at any time programmed with 2 different motion sequences everything under control. the gloss over. just the last it's really every bit. the workers by the chinese artists when young and pen you who think that the essence of us. this is that it cannot be taken.

very close. to. john ramsey's or. so i was. think it's possible to read this many different love. artists. first free expression. we're going to society that's. structured to confer expression. this is. not dissimilar what's happening here. like a murder crime comes back to haunt them. a machine perhaps can be controlled a human being cannot. humans trying to think their own power in

venice this path could lead perhaps to lithuania's pavillion to some outre with a deeper meaning. i cried so much when i heard that the corals want to exist anymore the girl sings. it the way it is the winner of this year's golden lion for the best national contribution to the venice biennale 0. 000. and see it's a performative piece it was created by the artist trio. of 5 a good i need to and lena.

it's actually you want to think that it's a nice conference between the softer underneath and the there is a lot. of sides informal no there really loves on the slopes soon you'll observe. a lot. going on beneath the surface. external surface and something to look at 1st glance they might look like they cation years at the beach but the people in swimwear sing about the impact of everyday travel on our climate or about the mass extinction of species be a company text explains how culturally crises unfold today with the ease of a pop song a brilliant piece of work the way nia a worthy winner. where to now

the longest line is in front of the french pavilion. is of course the way. it's movie in focus. is it a metaphysical pressure cooker or a mystical palace whatever it is it's a leering hotel you come on. really good deep snow so this guy says. all of this is his have to go around the back. then you want to enter for their grand entrance you know i wanted. us to find you a way to let you. know you know that you and just begun trip for the right. the right way and it is. much more special for the back.

here we out. we've already. so if you do if you want to know they need to get into the back and you just climb up the better you know and there is a good point you keep coming. in. here we started to get out on to the british so we stick with a little break that. busy busy busy all around us the detritus of civilization. busy over pulled more creates miniature installations depicting the end of the world she's interested in the state of transition as well as status of destruction. it's a bit to day and loop current when it's in me it's quite close to reality and

future in earth is it is the c.e.o. . of the well but. the work also brings to mind biblical imagery and noah after the flood released to dark to fine land. who won the turner prize in 2013 travelled across france inviting artists and performers to come with her to venice to animate the french pavilion. if. then we met a magician there you can start getting the table seeing the birds flying out of paintings and we couldn't believe it. there is i can reverse

a retiree on the tree and then joined a a. it is amazing thing if a film journey with real discoveries digital surrealism continuing into the analog world. a marching band at the. minute we met and i don't know where you go here is the father that we met you know i know that went in to tell. me you know we didn't. know fishes in the unconscious and discovers the state of the world magnificent but where should we go now after all this strangeness what can we expect at the german

. should suit up and run want to do something completely different with her head hidden the artist representing germany can't talk right now and has her own spokeswoman. marking. the artist's real name is no touch of solder head here she was born in iran and is now a professor in britain and this is a work of and to your representation she simplified her name. in working with this measure of conformity the artist wanted to confront the challenge of curating the german trevelyan in venice and the optimal form for doing this is integration with the optimized for it. that's how she says you to have a man is not a pseudonym but an adaptation. so i don't i don't see what. the artist produced videos for the bee. but depict or journeys to migrant processing centers

in germany the centers have been called anchor centers anchor here is a euphemism for arrival decision return. the center's service holding camps until people are deported or choose to go back to their countries of origin voluntarily. in pulliam in italy the artist visited the spot where migrant harvest helpers were killed in a road accident. not just as you to help them and also i chose that task as the to happen man because she inspires me very much for significance the way she works with different art forms different forms of knowledge and has successful transitions between music installations and the different sensual impatience that are impossible to come. like at the french per 1000000000 here to the front

entrance is closed. inside there are rocks and a dam that reaches to the ceiling it's powerful but permeable. spot and cross all dams hold back water and the accumulation of pressure forms energy. in an arch against the pressure that they are expecting but if the pressure is too high or miscalculate his best. it's a simple image to illustrate some german people's fear of being inundated with migrants. it doesn't seem as if this wall will hold for very long the other side reveals the simplicity of the installation. the structure is made of wood and cardboard whistle sound screech from the speakers. the soundtrack of protest.

message clearly received time to move on. these spaces are meant to be for all races you know for all tribes for all communities to speak the truth because it's my shelley that. this statement could well be the most hope for the c.s.b. and. the dominance of the west is over and vanished to access from the global south especially from asia and africa are represented this year as never before. impossible to miss magnificent self portraits by the south african photographer and activist. who exposed various roles.

her gaze is seeking. questioning. demanding. we don't have much presentation at museums around the world so i think that it's about time. your asia specifically these spaces and also to take ownership of our voices to take ownership of our kaif's rights our own narrative visual narratives are really important and also for us to say that's we are proud of as black people. proud and joyful this was one of the great emotional moments of this year's be in how the so far ghana celebrated its 1st national pavilion on venice an exhibition that is 120 years old the country's 1st lady came to the inauguration as the top british architect to david adjaye and that's coming in roots and who designed the pavilion . this president

wants to ensure that the gods are central to the development of a country central to tourism subtotal soft part of the country and to really get into the world the kind of incredible benevolence of a country of its people so that's why we're here and not a small pavilion but a very large to really make it very large state with. just designed plays on canadian building traditions creating an intimate space for the sensitive portraits by painter the net your dog watching. you. answer photos by phyllis yabba on ghana's 1st professional female photographer she started taking pictures at the age of 14 and captured the political development in ghana which $957.00 was one of the 1st african countries to gain independence from britain and that narrative informs ghana's 1st pavilion which is untitled ghana freedom. and such

a powerful statement we have read you know what does that freedom mean what did it mean that in 1000 fifties that when he got out in the pan that he what does it mean now how you know how is that freedom grown or not gravity. what does it mean for us to be free. 6 artists from different generations offer their viewpoints on these questions. john a conference video installation was commissioned especially it's about migration climate change and trust and environment. the works will be displayed in ghana's capital city opera after the beginning and will be accompanied by a series of debates around the gama freedom project. as all very well coming to badlands you know with the well heeled crowd and doing something like this but what the relevance and what resonance does. actually

happening within the country not just in our grasp on our meaning and in the kind of sound now where people you know maybe static large galleries but in communities across the country this is very much part of this place and. thousands of kilometers live between ghana and india but only a few meters separate that tikka billions. the world's biggest democracy is being represented in venice for only the 2nd time the government at the theme of the pavilion pays tribute to a national icon mahatma gandhi this year is the 150th anniversary of his past. every time a times of crisis is addressed then we do look up to gandhi so the idea was to really look at these artists and how they're new to or very subtly you walk him through his ideas and pronounce values of i that believes nonviolence passive resistance minimal consumption ecological concerns and so on. in

1039 mahatma gandhi wrote his 1st letter to as of hitler addressing him as dear friend. that has decided to protect the original manuscript onto a smokescreen gandhi's failed attempt to prevent a war 5 weeks before germany marched into poland remains very moving today. the center of the work is really the viewer who 1st reads the message in 1st person because it as is your friend friends about you would write to you for the sake of humanity and i think it's a moment a reflection of your own position and how you might see in the words your own gestures or actions. force a container called kani to gandhi is a point of reference she explores violence in public space sexual violence india is one of the most dangerous countries in the world for women. the artist's works are wearable. home. so this is for protection for

the female body but the mccann ism is such that when you're reading that you can move too easily you know the hands move in a particular way the head moves in a particular way so you're trapped the body is trapped in a way so i'm talking of both the things the notion of protection and the motion of being trapped. what does it mean to be a woman in a patriarchal society be our sister self or the arm of our performances to do this in the middle of mumbai was courageous. it's getting loud here in the brazilian pavilion. partly fictional documentary that follows the rehearsals for us when garrick

competition this subculture combines folkloric pop and vogue it's a scene of the tracks that involves the l g b t i community and young people from the outskirts of brazil's big says he's. there are poor people from the favelas a socially speaking people who are very relaxed access to things that. a white or more privileged class colonial class of people in the north east have access to so there's a feeling of. collectivity and they space where they got together they recognize each other they understand that they belong to a certain form of exis us and and that is mainly for me a very very beautiful form of resistance despite the public power i mean the state the power.

moreas fighting for self-assertion. there is no hierarchy regarding gender abuse he models just an incredible amount of energy. to. the. disease be an olive deals with some pretty serious topics but also in a very left field and colorful way. shaggy and fairy and this could be chewbacca seen from inside. and here she comes. out. and out of nailed it also known as choppy short for shoplifter alias. the breakthrough had to villian leads from the darkness to the end of the rainbow. into the sky. the material hair extensions from china as cheap and as many as possible.

it's like a place they can't just nest. and be embraced by almost like like you know walking into your children book dream world or being embraced by instead of you a bracing the teddy bear it's. basically my main inspiration as humans and human ingenuity and you know the absurdity of the things are to be mass produced for obscure purposes like most of the color hair extensions to be added to our own hair shop the who was born in reykjavik has been living in new york for a long time. hess sculptors have already been displayed at the museum of modern art and on a record cover. full fare no eyes and. color therapy art seeks to put few is

in a good mood. that was 21 from the venice biennale life with artists and visitors from around the world. thanks for joining us see you again next week.

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to build something here for the next generation the idea is the environment series of global 3000 on t.w. and online. what does an effort t.v. tell us about her. leg let's experience a modern museum center with her playing the cultural heritage foundation live here's the searchers are looking for answers more than 5000000 objects subject to release part of the history. of those who know about secret things how a house like this. hold up it actionable ready to move into the most sublime. the legislation the cultural heritage foundation

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a golan heights settlement trumped by it's to honor u.s. president donald trump for his recognition of israeli sovereignty over the contested territory.