tv Euromaxx Deutsche Welle October 27, 2019 7:30am-8:01am CET
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april 25th in a boat sank in the mediterranean at least 700 migrants drowned. coast of british it has brought the wreck to the venice biennale on it but can't of us will really be classed as on or is it just tasteless well it's certainly getting people talking and that is very much in the spirit of this being on a now in its 58th edition which aims to open up new perspectives on the world is that succeeding let's take a look. fog steam thick ribbons of it rolling down the facade of the central pavilion. the
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artificial fog envelops the visitors at the entrance curator ralph rudolph promised powerful images and the show begins with one created by lara. art that you can physically feel. it's rising from the building because it was a great. collecting all the thoughts of the visitors who are inside who are engaging in this work. of course as human beings we're not just about big. in our heads we can live in the past to the future but if our bodies were always with me the rest of the exhibition is entitled may you live in interesting times what does that mean is that a chinese curse as is widely supposed now that's a political myth and in this age of fake news and alternative facts this show urges
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us to take a closer look at the world around us and to take a stance. that was really. really hurt by people. but in a small cabinet is the diagram a created by dominicans artist 1st enjoyed this whole it's amazingly realistic but where are the animals and other living beings. those people more is actually based on old photographs of somebody driest places on earth through the desert in chile where there's a few. so while it is not you know something you know science museums also make you know make about what could be the future of earth with climate change. many die rama's used to offer an insight into the past stage scenes of everyday life this diagram or gives an insight into the future into death in this diner rama.
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also to be is like the religious form of work for real. rudolph has done many works which are easy to understand and yet have a lasting impact. jimmy durham who won this year's golden lion for lifetime achievement brought a slab of stone. parth around the world he detailed. me india. how it's brought good to mom by our travels through the suez canal street. to it becomes a. story about global economic relationship. it ends up with office building for you for live. weighing in at half a ton it's dazzlingly beautiful but at the same time it's a symbol of exploitation. and. noble of it isn't one for spectacle nor does
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he believe in political correctness he thinks that all should be allowed to be an image that burns itself into the viewer's mind so that it's not forgotten. the robots wiping clean a surface soiled by a viscous liquid that looks like blood over and over again. what it is to work in the world. you would wish fury good. for you. if you do it. in a relentless and desperate beast that might shatter the glass panels at any time programmed with 32 different motion sequences everything under control. the gloss over the. yes the flask we did.
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the work is by the chinese artists when young and pen you who think that the essence of us is that it cannot be taint. a jury. to. i. was bored. so i was. i. think it's possible to read this many different love. artists i. see 1st free expression. we're going to society that's. structured to confer expression. this is. not dissimilar to what exactly. like a murderer his crime comes back to haunt them. i mean sheen perhaps can be controlled
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a human being cannot. humans try to think their own power invent this path could lead perhaps to lithuania's pavilion to some accra with a deeper meaning. i cried so much when i heard that the corals want to exist anymore the girl sings. the way it is the winner of this year's golden lion for the best national contribution to the venice biennale 0. 0. 000. sun the sea
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is a performative piece it was created by the artist trio we give love. the vibe that i need to and lena. i. think. it's actually you want to think that it's a nice entres between the songs that are underneath and that there is life on. the side to inform on the over there really loves on the slopes soon you'll observe . a lot. going on in the various. experimental tests and something to look at 1st glance they might look like vacationers at the beach but the people in swimwear sing about the impact of everyday travel on our climate or about the mass extinction of species the accompanying text explains how
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culturally crises unfold today with the ease of a pop song a brilliant piece of work with the way mia a worthy winner. where to now the longest long is in front of the french prevailing. is it worth the wait. it's smoky and funky here too is it a metaphysical pressure cooker or a mystical palace whatever it is it's alluring hotel you come up. when you go into deep snow something else so. full of visitors have to go around the back. and then you want to enter for their grand entrance you know i wanted. us to find
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you a new life and not you know always that you and just began trying for the right. the right way and it's just much more special for the better. living out. weaver right. you. know if you if you want to know they need to get into the back you know just climb up the better you know and there is a good point you see coming. from almost any zoom. in here we're starting to get turned on to the british so we stick with a little break that. busy busy busy all around us the detritus of civilization. 'd creates miniature installations
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depicting the end of the world she's interested in the state of transition as well as that of destruction. it's a big did and the loop current when it's in me is quite close to reality and future in their affairs minister 0. up there well. the work also brings to mind biblical imagery and noah after the flood released to dark to find land. clarke who won the turner prize in 2013 travelled across france inviting artists and performers to come with her to venice to animate the french prevent the and.
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then we met a magician there can start getting the table seeing the birds flying out of paintings and we couldn't believe if there is i can reverse a retiree on the tree and then joined a and it gives amazing thing. if a film journey with real discoveries. digital surrealism continuing into the analog world. a marching band at the palladium. i mean we met and i don't know where you go here is the father of the president that we met you know you know that when we get to fill. in the you know we get into minnesota.
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no cobol fishes into the unconscious and discovers the state of the world magnificent but where should we go now after all this strangeness look we expect at the german to villian. should suit up and run want to do something completely different with her head hidden the artist representing germany can't talk right now and has her own spokeswoman. marking. the artist's real name is no tosh a southerner headgear she was born in iran and is now a professor in britain and this is a work of anti representation she simplified her name. deconstructing what is it with this measure of conformity the artist wanted to confront the challenge of curating the german trevelyan in venice and the optimal form for doing this is integration of the optimal a form got into cuts. that's how much is he to have
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a man is not a pseudonym but an adaptation. so i don't see what. the artist produced videos for the be another but depict are journeys to migrant processing centers in germany centers have been called anchor centers anchor here is a euphemism for rival decision which. the center's service holding camps until people are deported or choose to go back to their countries of origin voluntarily. in pulliam in italy the artist visited the spot where migrant harvest helpers were killed in a road accident. not just as you to help them and also i chose that task as you to happen man because she inspires me very much for significance to make this team the way she works with different art forms different forms of knowledge and has successful transitions between music installations and the different sensual
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their patients that are impossible to. look at the french her body and here to the front entrance is closed. inside there are rocks and a dam that reaches to the ceiling it's powerful but permeable. it's a spot on bras all dams hold back water and the accumulated pressure forms energy says they live in an arch against the pressure that they are expecting but if the pressure is too high or miscalculated they may burst. it's a simple image to illustrate some german people's fear of being inundated with migrants. it doesn't seem as if this wall will hold for very long the other side reveals the
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simplicity of the installation. the structure is made of wood and cardboard whistle sound screech from the speakers the soundtrack of protests. message clearly received time to move on. these spaces are meant to be for all races you know for all tribes for all communities to speak the truth because it's my shelley that. this statement could well be the model for this year's being. the dominance of the west as over in venice to us from the global south especially from asia and africa are represented this year as never before. impossible to miss magnificent self-portrait by the south african photographer and
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