it is a big challenge to leave the grateful. there's no people playing the music these people breathing inside. and so goofy and so sacred. just to try to. instill that. you mean it's really a loss for me because this music. touched me really deep i love every single malt responds it's a must it's. the church of san marco in the heart of milan it was here that you separate entity they

viewed as requiem in 1984 and exactly 145 years later he would like couldn't sing says that the conductor stand. he's directing his music i tell him no orchestra and choir comprised of 180 musicians and 4 vocal soloists. i think the very beginning of a wrecker. on the with the children we spring requirement on them donation don't expect but when it's all these in

a way she discovers these mysterious light comes. in like of whisper of the she might need to from all the centuries it's. some luncheon. meat. and. i.

eat. eat out. a i was. i. you need to getting that kind of. spiritual wandering. spiritual adventure of searching. in the plays and then that one point you fell in the same path and was the composer and then you have a lot of information to bring it here. they voted him as one of italy's most famous composers he wrote 28 operas in one funeral

not the message not record. verdi compose the requiem in honor of italian poet novelist alessandro months on precisely a year after his death bed his requiem had its premiere at the church of sun michael. everybody denies even with some critics that said that there was an altar and not secret music but everybody recognized for all from from the 1st bad moment from the 1st mean you could see that it was a major work of art a masterpiece moving everybody in a way that still. is a sort of fact if this. is so old. since the 1st performance in middle and the about the wanted to get performance of

miss out of a government and it to became one of the most important words by there the and sacred music pieces he notes of in general perform than be thou by by the old that says. i. the composer gets his music in. a certain dimension

and brings his music. to our dimension. because music is not the knowns is these. it's a metaphysic emotion. that you can feel with your how persons about something and then you started to find the way to bring him down. to transcript in language or sound or duties. in another. unspeakable. and undetermined place. and then of course. the composer is not for me this kind of creator that he creates from 0 days she just gets in this environment and

bring through here. now the performer what he has to do is to start from this environment here and go. to this sphere and that the composer was thank the music and brought it here. born in athens and trained in st petersburg. as one of the most exciting conductors of our time. from 2004 to 2010 he was music director of the novosibirsk state opera and ballet theatre it was there where he founded his music ensemble and chamber choir.

when he became artistic director of the para opera and ballet theatre in western russia he took music a town along with him right from the start couldn't see it demonstrated his passion for getting people excited. music. so when i'm doing these all of the bare oldies connection with inside of listening to other numbers standing and every minute what is the function. for you. and then trying to bring this mysterious later. during the performance of everybody gets transformed. and does all these functions and all this quality it doesn't

remains in the 1st layer of quality but becomes a kind of sacred pact between people. who. eat. the. week.

yes. i. i i. i. i live. was. i. was.

a as. was. i. i. i i. i i. i i i live i i live. i feel. obliged if i. when i met him it was for me like a kind of artistic fusion because i i immediately understood what he wanted

maybe i could not give it immediately to him but i understood what he wants and i totally approved what he was looking for so the very special thing about his vision and of course division we are all together trying to bring with him through you. is . finding again the original score and when i mean your original score is that we have to be aware that inferred score very are some moments where it's written 6 pianos and then suddenly you have i think 4 or 5. so in an hour and a half of music we have to find a way to do 6 piano and $540.00 sumo. and you need to to hear does differences.

a god. was. a god. this music takes

a lot of firsts from every musician plain and singers. and of course the main challenge is to. to follow doris fluid vision of this music every. it's a time he changes the details is like never satisfied with what he's doing so he kept those the exact moments of the birth and life of the sound and depending on how would go he can change really. really a lot he could change really a lot. anytime you. 2

least. 2

we all need to be trying to talk in the same language so. considering that we have like nearly 400 people. it's kind of i mean the fish i'm not to get together and and this is this is very hard to get but when you get it it's really something they say amazing. her red. oh oh. oh. 5

0. oh. 2 0. oh. i like the fact that in this piece you feel. being a part of something great and as a soloist you have to of course there are some very exposed solo moments and then suddenly you have to match your voice in the course the trio the kwacha to do it and for example the newsday is just the most exposed moment because you are i do

hope to have with the soprano you see exactly the same thing but it has to sound like a unique voice. think . anything. it. i.

tell her is that mathis that's this very thing to be connecting. with what this constant thing in life which is change and this is something that is very honest and very hard to follow and very hard always for him to find the truth everything

about him is special. to work with him of course it's a great privilege and really deep satisfaction. in the way of creating music together. but also it's a great turn because he's obsessed with the quality i think he's a genius meaning that he is totally in the music he's completely enthralled in what he's doing and for me the genius is this person who is what he explores what he magnifies. her. aura 'd.

the whole. the old.

i'm not i'm surely not ingenues i'm sure i'm not perfectionist. i'm just i think see a little bit different things in scores from other musicians i'm a little bit. individual i would say that's the only thing i can say about myself and the absolute friend of. the composer that i decided to interpret. that as. was. was. that and. yes.

it was a heavy earth. remember the. earth. and. eat eat eat was married him.

regular music great. it's a great form for doing something because. you deal. with something that's a deal every day it should be it is you know with death and life. and the way you do your. you know you are called to. answer 2 to 2 fundamental questions if you believe. in life after death. and if you believe in life before death.

eamonn i mean come on we need them all and take a. deep enough when. the.

thank you. for. very good things from living in the game making noise. miniature models made out of paper and they work just like the real thing. the man or in better go also shall he doesn't give me your romantics next d.w. . did you know it costs $0.50 to feed $100.00 child for

one full day. before god. even. had door with a shared a meal you can share with children with just $0.50 and a tell when your smartphone together am a global hunger please download the app. sleep . carefully. don't simply choose to do to.

discover who. subscribe to documentary on you tube. and amazing natural wonder europe's most active volcano and will be heading to mt etna later on in the show. low and welcome to another exciting edition of your max i'm your host meghan lee here's a look at what else we've got coming up on the.