what secrets lie behind the swap. discover new adventures in 360 degree. and explore fascinating world heritage sites. t.w. world heritage $360.00 get the maps now. i it is a big challenge for a grateful. it's not people playing the music these people breathing it was i was me. and so good from the source of it. i stood up. and still. you mean it's really a lot for me because this music. touched me really deep i love every single response

it's a must see. the church of san marco in the heart of milan it was here that you separate entity they viewed as requiem in 1904 and exactly 145 years later he would like could insist that the conductor stand. he's directing his music i tell him the orchestra and choir comprised of 180 musicians and 4 vocal soloists.

i think the very beginning of the record. only with the chamber. we spirit requirement and. donation don't mix but paper and it's all these in a way since covers these mysterious light. and like of whisper of the shoe money from all the centuries. some lunch.

i. eat. a 2 i was close. i.

you need to getting that kind of. spiritual wandering. and spiritual adventure of searching. in the plays and then at one point you fell in the same path and was the composer and then you have a lot of information to bring it here. to separate verdi as one of italy's most famous composer. he wrote 28 operas in one funeral mass the mesan dothraki. verdi compose the requiem in honor of the tally and poet cannot the list alison months on precisely a year after his death requiem had its premiere at the church of sun michael. everybody denies even with some critics that said that there was an altar and not

secret music by the everybody recognized for all from from that 1st bad moment from the 1st me to that it was a major work a bar a masterpiece moving out of the body in a way that stephen. is as sort fact from this. is so old. since the 1st performance in me that i looked at me about the wanted to get the performance of miss out of a government and it to became one of the most important words by their d. and sacred music pieces enough of it in general form than be that by by the old it says. i.

i. the composer gets this music. from. a certain dimension and brings this music to our dimension. of course music is not the knowns is these. same metaphysic and emotion. that you can feel with your how persons about something and then you start to find a way to bring him down. to

a transcript in language or sound or 2 trees. in another. unspeakable. and undetermined place. and then of course. the composer is not for me this kind of creator that he creates from 0 days she just gets in this environment and brings you here. now the performer what he has to do is to start from this environment here and go back to being this sphere and that the composer was take the music and brought it here. a guy.

horn in athens and trained in st petersburg. seas as one of the most exciting conductors of our time. from 2004 to 2010 he was music director of the novosibirsk state opera and ballet theater it was there where he founded his music ensemble and chamber choir. when he became artistic director of the opera and ballet theater in western russia he took music a town along with him right from the start couldn't see demonstrated his passion for getting people excited about music.

so when i'm doing these all of the boot bear all these connection with the inside of listening to each other not understanding and every minute what is the function we move through. and then try to bring this mysterious later. during the performance and everybody gets transformed. and does all these functions and all this quality it doesn't remains in the 1st layer of quality but becomes a kind of sacred pact between people.

eat. eat. eat eat. me a. list . i live. live. live

. live. close. i live live. live live. at

least live . when i met him it was for me like it kind of artistic fusion because i i immediately. i understood what he wanted maybe i can give it immediately to him but i understood what he wanted and i totally approved what he was looking for so the very special thing about his vision and of course the vision we are all together trying to bring with him through you. is finding again the original score and when i mean your original score is that we have to be aware that infer the score very are some moments where it's written 6 pianos and then

suddenly you have i think 4 or $546.00 so in an hour and a half of music we have to find a way to do 6 piano and $540.00 sumo. and you need to hear these differences.

ok. this music takes a lot of efforts from every musician playing and seeing it. and of course the main challenge is to to follow doris fluid vision of this music every time he changes the details is like never satisfied with what he's doing so he kept those the exact moments of the birth and life of the sound and depending on how would go he can

change really. really a lot he could change really a lot. and it's time. 2 to.

sleep. we all need to be trying to talk in the same language so. considering that we have like nearly 400 people. it's kind of i mean the fish i'm not to get together and and this is this is very hard to get but when you get it it's really something they say amazing.

oh i. oh. 5 0.

i like the fact that in this piece you feel. being a part of something great and as a soloist you have to of course there are some very exposed solo moments and then suddenly you have to match your voice in the court the trio that what you are owed to do it and for example the new status of the most exposed moment because you are i do hope to have with the soprano you see exactly the same thing but it has to sound like a unique voice. think anything.

it. i. take. it.

to her is that mathis that is going to be connecting. with what this constant theme of life which is change and this is something that is very honest and very hard to follow and very hard always for him to find the truth everything about him is special. to work with him of course it's a great privilege and really keep such a spectrum of in the way of creating music together. but also it's a great turn because he's obsessed with the quality and i think he's a genius meaning that he is totally in the music he's completely

enthralled in what he's doing and for me the genius is this person who is what he explores what he magnifies. her. 'd aura. the whole. world.

orbit. the. i'm not i'm surely not ingenues i'm sort of not perfectionist. and just i think see a little bit different things in scores from other musicians i'm a little bit. individual i will say that's the only thing i can say about it and not some good friend of. composer that i decided to interpret.

the. past. was. was. that. was a bit of the air that. really. hurt . and that.

the heat was. i. reckon music great. it's a great form for doing something because. you deal.

with something that you delivering day it should be it is dealing with death and life. and while you do wreck them you're. you know you're cold to. unser 2 to 2 fundamental questions if you believe. in life after death. and if you believe in life before death. me with it on it will mean to them all i'm very very. keen they are.

funny.

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is d w news line from berlin hong kong. paris for local elections on sunday but authorities warn don't call off the boats it violence breaks out again democracy demonstrators want citizens to send beijing a message at the ballot box also coming up people in paris and around france take to the streets to avenge their anger as the mystic abuse reaches unprecedented levels in europe we take a look at what the french government plans to do about.