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tv   Arts.21  Deutsche Welle  November 24, 2019 2:30pm-3:00pm CET

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sustainable banking. 60 minutes on d w. what secrets lie behind. discover new adventures in 360 degree. and explore fascinating world heritage sites. p.w. world heritage $360.00 get to happen now. i refuse and be challenging grateful. it's not people playing the music these people breathing inside the sleep. it's so good for you so separate. just to try. and feel that.
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he seems really a loss for me because this music. touched me really deep i love every single response it's a must see. the church of san marco in the heart of milan it was here that you separate entity they viewed as requiem in 1904 and exactly 145 years later he would like couldn't sing says that the conductor standing. he's directing his music orchestra and choir comprised of 180 musicians and 4 vocal soloists.
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i think the very beginning of a wrecker. only with the children we spring recruitment and donation don't expect but we're going to use all these in a way she discovers these mysterious light. and like of we spur of the she might need to from all the sensuous. some lunch. and.
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the. the. week it. was 2. the
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lead was. unique to getting the kind of. spiritual wandering. and spiritual adventure of searching. in the plays and then that one point you fell in the same path and was the composer and then you have a lot of information to bring it here. you set the verity as one of italy's most famous composers he wrote 28 operas in one funeral mass the message on prickly. verdi compose the requiem in honor of italian poet novelist allison 3 months on precisely a year after his death requiem had its premiere at the church of sun michael.
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everybody tickled nies even with some critics that said that there was an old friend not secret music by the everybody recognized for all from from the 1st bad moment from the 1st me to that it was a major work a bar a masterpiece moving everybody in a way that steve. is it's sort of fixed if this. is so old. since the 1st performance in me that i look at everybody wanted to get performance of miss out of a government and it to became one of the most important words by there the and sacred music pieces enough of the in general perform the beat out by by the opus.
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i. i. the composer gets this music in. a certain dimension and brings this music. to our dimension. because music is not the knowns is these. same mental fees. and motion. that you can feel with your how person says about something and then you start to
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find a way to bring him down. to transcript in language or sound or duties. in another. unspeakable. and undetermined place. and then of course. the composer is not. for me this kind of creator that she creates from syracuse she just gets in this environment and brings her here. now the performer what he has to do is to start from this environment here and go. to these sphere of the composer was think the music and brought it here.
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horn in athens and trained in st petersburg. as one of the most exciting conductors of our time from 2004 to 2010 he was music director of the novosibirsk state opera and ballet theatre it was there where he founded his music ensemble in chamber choir. when he became artistic director of the para opera and ballet theatre in western russia he took a turn along with him right from the start couldn't see demonstrated his passion for getting people excited about music.
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so what i'm doing is all of the bare oldies connection with inside of me singing each other no understanding and every minute what is the function. and then trying to bring this mysterious late in during the performance of everybody gets transformed and these all these functions and all this quality and doesn't remains in the 1st layer of quality but becomes a kind of sacred pact between people.
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eat. was the day a week. the week week was. i played. the. i. and the. i. i.
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i. 2 was. 2 was. i. was.
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i. when i met him it was for me like a kind of artistic fusion because i i immediately. understood what he wanted maybe i could not give it immediately to him but i understood what he was and i totally approved what he was looking for so the very special thing about his vision and of course division we are all together trying to bring with him through you. is finding again the original score and when i mean your original score is that we have to be aware that inferred is score very are some moments where it's written in
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6 shadows and then suddenly you have i think 4 or $546.00 so in an hour and a half of music we have to find a way to do 6 piano and $540.00 sumo. and you need to hear these differences.
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god. this music takes of efforts from every musician playing and singing is. and of course the main challenge is to. to follow doris fluid vision of this music every time she changes details is like never satisfied with what he's doing so he kept the exact moments
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of the birth and life of the sound and depending on how would go he can change really. really a lot he could change really a lot. anytime you. please. oh.
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2 please. we all need to be trying to talk in the same language so. considering that we have like nearly 400 people. it's kind of i mean the fish i'm not to get together and
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and this is this is very hard to get but when you get it it's really something they say amazing. oh i. oh.
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2 0. i like the fact that in this piece you feel. being a part of something great and as a soloist you have to of course there are some very exposed solo moments and then suddenly you have to match your voice in the court the trio the kwacha to do it and for example the newsday is just the most exposed moment because you are to have with the soprano you see exactly the same thing but it has to sound like a unique voice. think anything.
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eek. eek.
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eek. eek. tell her is that not this that is playing to be connecting. with what is constant in life which is change and this is something that is very honest and very hard to follow and very hard always for him to find the truth everything about him is special. to work with him of course it's a great privilege and really deep satisfaction. in a way of creating music together. but also it's a great turn because he's obsessed with the quality i think he's
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a genius meaning that he is totally in the music he's completely in fault in what he's doing and for me the genius is this person who is what he explores what he magnifies. order 'd. the.
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forget. the. i'm not i'm surely not ingenues i'm sort of not perfectionist. and just i think see a little bit different things in scores from other musicians i'm a little bit. individual. and that's the only thing i can say about us
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and not some friend of. composer that i decided to interpret. it. was. was. last. night and. there. was a doubt that. the room. and
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. the heat was. regnum is a great. it's a great form for doing something because. you deal.
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with something that you deal every day actually it is dealing with death and life. and the way you do exams you're. you know you are called to. unser 2 to 2 fundamental questions if you believe. in life after death. and if you believe in life before death. me call me them all and take their. heat when.
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the.
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his witnesses starts december 13th on d w. this is e w news. i've are from violating a record turnout in hong kong's local elections is seen as a test of support for the territories chief executive terry now pro-democracy protesters want to send her out beijing a message also coming up vying for her made years presidency incumbent thouse your highness faces the.

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