it is a big challenge and grateful. it's not people playing the music these people breathing inside the sleeve. it's so good for the soul surfer it. is to try to instill to us. do you mean it's really a loss for me because this music. touched me really deep i love every single malt just because it's a must see. the

church of san marco in the heart of milan it was here that you separate entity they viewed as requiem in 874 and exactly 145 years later you would like couldn't see it because of the conductor stand. he's directing his music i know orchestra and choir comprised of 180 musicians and for vocal soloists.

i think the very beginning of the record. only with the changing we spend requirement on them donation don't expect but when it's all these in the way she discovers these mysterious light years. and lack of whisper of the human need to from all the centuries just. so munch. will. eat. the.

meat. was 2. a i was led was i. you need to getting that kind of. spiritual wandering. and spiritual adventure of searching. in the plays and then that one point you all fell in the same path and was the composer and then you have a lot of information to bring it here. they

voted as one of italy's most famous composer he wrote 28 operas in one funeral not the message. verdi composed the requiem an honor of a talian poet novelist alessandro months on precisely a year after his death bed his requiem had its premiere at the church of sun michael. everybody tickled nies even with some critics that said that the was an altar and not sacred music by the everybody recognized for all from from that 1st bad moment from the 1st mean that it was a major work a bar a masterpiece movie as the baddie in a way that stephen. is a sort of effect if this. is so old.

since the 1st performance in middle everybody wanted to get performance of miss out of a government and the it to became one of the most important words by their the and sacred music pieces enough of the in general performed and b. that by by the orders. i.

lived. the composer gets his music in. a certain dimension and brings this music. to our dimension. because music is not the knowns is these. it's a metaphysic emotion. that you can. feel with your how persons about something and then you started to find a way to bring him down. to transcript in language or sound or through trees. in another. unspeakable. and undetermined place. and then of course. the composer is not for me this

kind of creator that she creates from 0 days she just gets in this environment and bring through here. now the performer what he has to do is to start from this environment here and go. to these sphere of the composer was take the music and brought it here. born in athens and trained in st petersburg. as one of the most exciting conductors of our time. from 2004 to 2010 he was music director of the novosibirsk state opera ballet theatre it was there where he founded his music i attend ensemble and chamber choir.

when he became artistic director of the param opera and ballet theatre in western russia he took music i turn along with him right from the start couldn't see demonstrated his passion for getting people excited. music. so what i'm doing is all of their oldies connection done some inside of listening to other number standing and every minute what is the function. for you. and then trying to bring this mysterious and light. during the performance and everybody

gets transformed and does all these functions and all this quality and doesn't remains in the 1st layer of quality but becomes a kind of sacred pact between people. eat. eat. eat

eat. eat eat. 2 meat. i. i i. i. i feelin. 2 2 was. i.

was. i. i i i. i i. i i live i i oh i. i feel the beat i.

when i met him it was for me like it kind of artistic fusion because i i immediately. understood what he wanted maybe i could not give it immediately to him but i understood what he wanted and i totally approved what he was looking for so the very special thing about his vision and of course the vision we are all together trying to bring with him through you. is. finding again the original score and when i mean your original score is that we have to be aware that infer the score very are some moments when it's written 6 pianos and then suddenly you have i think 4 or $546.00 so in an hour and a half of music we have to find a way to do 6 piano and $540.00 sumo. and you need to hear does differences.

eat. eat. your. food. was. a live.

game. this music takes of force from every musician plain and seniors. and of course the main challenge is to. to follow doris fluid vision of this music every. he changes the details is like never satisfied with what he's doing so he kept the exact moments of the birth and life of the sound and depending on how would go he can change really like really a lot he could change really a lot. in the time.

2 2 of the. leak.

we all need to be trying to talk in the same language so. considering that we have like nearly 400 people. it's kind of i'm in the fish i'm not to get together and and this is this is very hard to get but when you get it it's really something they say amazing.

5 0. oh. 2 0. i like the fact that in this piece you feel. being a part of something great and as a soloist you have to of course there are some very exposed solo moments and then

suddenly you have to match your voice in the court the trio that what you are owed to do it and for example the new status of the most exposed moment because you are i do have with the soprano you see exactly the same thing but it has to sound like a unique voice. think. anything. it.

i. tell her is that math is that this very thing to be connecting. with what this

constant thing life which is change and this is something that is very honest and very hard to follow and very hard always for him to find the truth everything about him is special. to work with him of course it's a great privilege and really deep satisfaction. in a way of creating music together. but also it's a great turn because he's obsessed with the quality i think he's a genius meaning that he is totally in the music he's completely enthralled than what he's doing and for me the genius is this person who is what he explores what he magnifies. her.

'd ordeal 'd. the.

the. i'm i'm not i'm surely not ingenues i'm sort of not perfectionist. and just i think see a little bit different things in scores from other musicians i'm a little bit. individual i would say that's the only thing i can say about myself and absolute friend of. composer that i decided to interpret. that it. was. was. that it.

was a get out the last. bit. and . the heat was. on.

i reckon he's a great. it's a great form for doing something because. you deal. with something that you delivery day actually it is and you know with death and life. and the way you do wreck them as your. you know you are called to. answer 2 to 2 fundamental questions if you believe. in life after death. and if you believe in

life before death. me that i mean for me to them all and take a. deep enough when. the .

lady gaga likes lady much. thank you same both enjoys class. i'm even heidi if came after i said. thank you for talking with dan brown you know i guess close to the stocks. by selling what they call an airy pressure and

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