that is for me. is for. beethoven is for him beethoven is for her. and beethoven is for. beethoven is for every ma beethoven 2020. and 50th anniversary here on d w. i had to simply challenging the grateful. it's not people playing to music these people breathing inside the sleep. it's so beautiful and so sacred. i just try. it for all.

the means really a lot for me because this music. touched me really deep i love every single malt of christmas it's a must see. the church of san marco in the heart of milan it was here that you separate betty they viewed as requiem in 1904 and exactly 145 years later he would like couldn't see is that the conductor standing. he's directing his music i tell no orchestra and choir comprised of 180 musicians and 4 vocal soloists.

and. i think the very beginning of the record. on the with the changing we spring recruitment and donation don't expect but when it's all these in a way she discovers these mysterious light. like of whisper of the humanity from all the centuries it's. some luncheon.

and. i. eat. a i. am the way

a was i. she needs to get in the kind of. spiritual wandering. and spiritual adventure of searching. in the plays and then at one point you fell in the same path and was the composer and then you have a lot of information to bring it here. separate entities one of italy's most famous composer he wrote 28 operas in one funeral mass the message record. there to compose the requiem in honor of italian poet novelist allison 3 months on precisely a year after his death bed his requiem had its premiere at the church of sun michael.

everybody tickled nies even with some critics that said that there was an old friend not sick with music by the everybody recognized for all from from the 1st bad moment from the 1st me to that it was a major work a bar a masterpiece movie as the baddie in a way that stephen. is a sort of fixed if this. is so old. since the 1st performance in middle everybody wanted to get performance of miss out of a government and the it to became one of the most important words by verdi and sacred music pieces enough of it in general perform than be that by by the old it says.

i. was. the composer gets these music in. a certain dimension and brings this music. to our dimension. because music is not the know it's is these. the same metaphysic and motion.

that you can feel with your help or senses about something and then you start to find the way to bring can down. to a transcript in language or sound wide tities. in another. unspeakable. and undetermined place. and then of course. the composer is not. for me this kind of creator that she creates from syracuse she just gets in this environment and bring through here. now the performer what he has to do is to start from this environment here and go. to this sphere of the composer was think the music and brought it here.

born in athens and trained in st petersburg. as one of the most exciting conductors of our time. from 2004 to 2010 he was music director of the novosibirsk state opera and ballet theatre it was there where he founded his music i turn on sample and chamber choir. when he became artistic director of the para opera and ballet theatre in western russia he took music a town along with him right from the start couldn't see demonstrated his passion for getting people excited about music.

so what i'm doing is all of the bare oldies connection inside of me singing to other now understand and every minute what is the function. if you and then trying to bring this mysterious late in during the performance of everybody gets transformed. and does all these functions and all this quality and doesn't remains in the 1st layer of quality but becomes a kind of sacred pact between people.

knowing. the. heat. was the heat eat. the meat was. i. was. i. the. i.

i. i. was. was.

i. when i met him it was for me like a kind of artistic fusion because i i immediately understood what he wanted maybe i could not give it immediately to him but i understood what he wants and i totally approved what he was looking for so the very special thing about his vision and of course the vision we are all together trying to bring with him through you. is finding again the original score and when i mean your original score is that we have to be aware that infer the score they are some moments where

it's written 6 pianos and then suddenly you have i think 4 or $546.00 so in an hour and a half of music we have to find a way to do 6 piano and $540.00 sumo. and you need to to hear does differences.

gave. was. this music takes a lot of efforts from every musician playing and seeing is. and of course the main challenge is to. to follow doris fluid it's a vision of this music every time she changes details it's like never satisfied with what he's doing so he kept the exact moments of

the birth and life of the sound and depending on how would go she can change really. really a lot he could change really a lot. any time.

the. police. we all need to be trying to talk in the same language so. considering that we had like nearly 400 people. it's kind of i'm in the fish i'm not to get together and

and this is this is very hard to get but when you get it it's really something they say amazing. oh.

0 2. i like the fact that in this piece you feel. being a part of something great and as a soloist you have to of course there are some very exposed solo moments and then suddenly you have to melt voice in the course of the trio the question or i had to do it and for example the newsday is just the most exposed moment because you are i do have with the soprano you see exactly the same thing but it has to sound like a unique voice. think.

anything. it. it. it. it.

it. tells her is that not this that this very thing to be connecting. with what this constant thing life which is change and this is something that is very honest and very hard to follow and very hard always for him to find the truth everything about him is special. to work with him of course it's a great privilege and really deep satisfaction. in the way of creating music together. but also it's a great turn because he's obsessed with the quality i think he's

a genius meaning that he is totally in the music he's completely enthralled in what he's doing and for me the genius is this person who is what he explores what he magnifies. her. aura busy busy busy. the whole.

board. the. i'm not i'm surely not ingenues i'm sure i'm not perfectionist. and just i think see a little bit different things in scores from other musicians and a little bit. individual will say that's the only thing i can say about myself

and the absolute friend of. the composer that i decided to interpret. it. was was. it. was. that it. was. a record was tested out that. really.

hurt. that it. eat eat was. i reckon he's a great. it's

a great form for doing something because. you deal. with something that you deal every day actually it is dinner with death and life. and the way you do requiems you're. you know you are called to. unser 2 to 2 fundamental questions if you believe. in life after death. and if you believe in life before death. emerged on it only made them all take a. deep enough when. the moon.

the. if.

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