still. so many different walks of life some are on bad and ugly and twined but all of them come straight from the heart look for see you before the morning until the marsh. has come. from members of the world to their final resting place the russians are d.w. documentary. i think there's a good chance for the grateful. it's not people playing the music these people reading them say it's me. it's so good for them so secret. is to try to. instill.

the mainstream it was for me because this music. touched me really deep i love every single malt responds it's a must it's. the church of san marco in the heart of milan it was here that you separate entity they viewed as requiem in 874 and exactly 145 years later he would like couldn't see is that the conductor stand. he's directing his music i tell orchestra and choir comprised of 180 musicians and 4 vocal soloists.

i think the very beginning of the record. only with the chamber. was very requirement and. anation don't expect but one would think it's all these in the way she discovers these mysterious light. and lack of whisper of the shoe money from all the centuries. some luncheon.

the. week in. a i. am the

lead acid i. jus needs to getting that kind of. spiritual wandering. and spiritual adventure of searching. in the plays and then at one point you fell in the same path of was the composer and then you have a lot of information to bring it here. you said to verity is one of italy's most famous composer. he wrote $28.00 operas in one funeral mess the mess on the truck. there decomposed the requiem in honor of italian poet novelist allison 3 months on precisely a year after his death requiem had its premiere at the church of sun michael.

everybody tickled nies even with some critics that said that there was an old friend not sick with music but at the body recognize for all from from that 1st bad moment from the 1st me to that it was a major earth a bar a masterpiece moving out of the body in a way that still. is a sort of fact if this. is so old. since the 1st performance in me that i look at everybody wanted to get the performance of miss out of a government and it to became one of the most important works by there the and sacred music pieces enough said in general perform than be thou by by the opus.

i. the composer gets this music. from. a certain dimension and brings this music. to our dimension. because music is not the know it's is these. the same metaphysic and emotion.

that you can. feel with your how persons about something and then you start to find a way to bring him down. to transcript in language or sound or to tease. in another. unspeakable. and undetermined place. and then of course. the composer is not for me this kind of creator that he creates from 0 days he just gets in this environment and brings you here. now the performer what he has to do is to start from this environment here and go. to beings that the composer was take the music and brought it here.

horn in athens and trained in st petersburg. as one of the most exciting conductors of our time. from 2004 to 2010 he was music director of the novosibirsk state opera and ballet theatre it was there where he founded his music ensemble and chamber choir. when he became artistic director of the param opera and ballet theater in western russia he took music i attend along with him right from the start couldn't see demonstrated his passion for getting people excited about music.

so when i'm doing these all of the bear all these connection with inside of listening to other now understand and every minute what is the function. for you. and then trying to bring this mysterious later. during the performance of everybody gets transformed. and these all these functions and all this quality it doesn't remains in the 1st layer of quality but becomes a kind of sacred act between people.

eat. eat eat. a. 2 live. live. live.

live . 1 was. i live. live.

live. live live . when i met him it was for me like it kind of artistic fusion because i i immediately. i understood what he wanted maybe i can give it immediately to him but i understood what he wants and i totally approved what he was looking for so the very special thing about his vision and of course division we are all together trying to bring with him to you. is finding again the original score and when i mean your original score is that we have to be aware

that infer the score very are some moments where it's written 6 shadows and then suddenly you have i think 4 or $546.00 so in an hour and a half of music we have to find a way to do 6 piano and $540.00 sumo. and you need to hear does differences. eat. eat.

was. a little. game. this music takes a lot of efforts from every musician playing and singing. and of course the main challenge is to. to follow doris fluid vision of this music every time he changes details is like never

satisfied with what he's doing so he captures the exact moments of the birth and life of the sound and depending on how would go he can change really. really a lot he could change really a lot. any time you. please. please.

2 2 please please. i. we all need to be trying to talk in the same language so. considering that we have like nearly 400 people. it's kind of i'm in the station not to get together and

and this is this is very hard to get but when you get it it's really something they say amazing. oh. oh. oh. oh.

oh. 2 0. oh oh i like the fact that in this piece you feel. being a part of something great and as a soloist you have to of course very some very exposed solo moments and then suddenly you have to melt voice in the core the trio the kwacha or i would you do it and for example the newsday is just the most exposed moment because you are i do hope to have with the soprano you see exactly the same thing but it has to sound like a unique voice. think . anything.

it. i. take.

it. tell her is that not this that this dying to be connecting. with what is constant in life which is change and this is something that is very honest and very hard to follow and very hard always for him to find the truth everything about him is special. to work with him of course it's a great privilege and really deep satisfaction out of him in the way of creating music together. but also it's a great turn because she's obsessed with the quality i think he's

a genius meaning that he is totally in the music he's completely enfold in what he's doing and for me the genius is this person who is what he explores what he magnifies. her. or.

the whole. goal. the. i'm i'm not i'm surely not ingenues i'm sort of not perfectionist. and just i think see a little bit different things in scores from other musicians i'm a little bit. individual i will say that's the only thing i can say about myself

and the absolute friend of. composer that i decided to interpret. was. that it. was and. that it. was. a record was a doubt that. the.

earth. and. eat eat eat was. i.

recommend you say great. it's a great form for doing something because. you feel. when something that you delivering day is in with death and life. and while you do wreck them you're. you know you're cold to. unser 2 to 2 fundamental questions if you believe. in life after death. and if you believe in life before death. me bit on it all me them all hate me mary. dean a a. beautiful

.

it's like a creature from another planet it's revolutionary not only by appearance it's also a technological marvel the secluded d.s. and. goddess it's still required by killers fans all over the world to.

hear them float away. rather. than 30 minutes on. lady gaga might be much. the same close interest phosphates. even heidi klum eats pina bausch had. to talk her face down been you know gets close to the stomachs. by selling what they call an airy preference that's not. your romance. in 60 minutes on d w. how does the virus spread. why do we panic and when we'll all miss. just 3 of the topics covered in the weekly radio prog show is called spectrum if you

would like any information on the clone a large breasts or any other science topic you should really check out our podcast you can get it wherever you get your podcast you can also find us at twitter dot com and slash science. ruins moreover a. symbol of a long conflict in the philippines and between the muslims and the christian population. structures occupied the city center in 2000 the president do searches response was. i. will never again will hold. the reconquest turned into tragedy this is not the kind of freedom that we want how did morality become a gateway to islamist terror. an exclusive report from

a destroyed city. filling in the sights of. stars may 20th on d w. w news from easter under lockdown churches around the world celebrate the holy day without congregations and rome pope francis called for global solidarity in fighting the coronavirus pandemic and for ceasefires and all conflicts st peter's square normally packed with tens of thousands of horse or 1st stands deserted.