stories that people the world over t.w. on facebook and twitter us up to date and in touch and follow us. i had to use them to challenge the grateful. it's not people playing the music these people breathing inside. it's so good for me it's just like it's. just it's right. for. you i mean it's really a work for me because this music. touched me really deep i love every single malt

responds it's a must see. the church of san marco in the heart of milan it was here that you separate entity they viewed as requiem in 1904 and exactly 145 years later he would like couldn't sing says at the conductor stand. he's directing his music i know orchestra and choir comprised of 180 musicians and 4 vocal soloists.

i think the very beginning of the record. on the with the change. we spring requirement on them donation go into the mix but both went into these oldies in the way she discovers these mysterious light. and like of we spare alicia my need to from all the sensuous. song munchak.

i. know now and. the. week. was. a i was. was i. you need to getting the kind of.

spiritual wandering. and spiritual adventure of searching. in the plays and then that one point you fell in the same path and was the composer and then you have a lot of information to bring it here. doucette they voted as one of italy's most famous composers he wrote 28 operas in one funeral that's the message recreate. verdi compose the requiem in honor of the tally and poet cannot the list allison 3 months on precisely a year after his death requiem had its premiere at the church of sun michael. everybody tickled nies even with some critics that said that there was an old friend not sick with music but at the body recognize for all from from the 1st bad

moment from the 1st me that was a major work of art a masterpiece moving as a body in a way that stephen. is sort fact from this. the so old. since the 1st performance in middle and the about the wanted to get performance of mace out of a government and the it to became one of the most important words by their the and sacred music pieces enoughs of the in general performed than by by the opus. i. i.

the composer gets this music in. a certain dimension and brings this music. to water and i mention. of course music is not the know it's is this. the cement i feel sick and emotion. that you can feel with your how person says about something and then you started to find the way to bring him down. to transcript in

language or sound or to tease. in another. unspeakable. and undetermined place. and then of course. the composer is not for me this kind of creator that he creates from syrup is she just gets in this environment and brings you here. now the performer what he has to do is to start from this environment here and go. to be is that the composer was thank the music and brought it here.

born in athens and trained in st petersburg couldn't seize is one of the most exciting conductors of our time. from 2004 to 2010 he was music director of the novosibirsk state opera and ballet theatre it was there where he founded his music i attend the ensemble in chamber choir. it. was when he became artistic director of the pelham opera and ballet theater in western russia he took music i turn along with him right from the start i couldn't see it demonstrated his passion for getting people excited about music.

so what i'm doing is all of the bear on this connection we are inside of listening to other now understand and every minute what is the function. and then trying to bring this mysterious late in during the performance of everybody gets transformed. and does all these functions and all this quality and doesn't remains in the 1st layer of quality but becomes a kind of sacred pact between people.

long. piece. was the. eco. chic was. i played. i. was. i. was. i. i.

i. was. the. the. the. was. i i. i. oh.

i. when i met him it was for me like a kind of artistic fusion because i i immediately understood what he wanted maybe i could not give it immediately to him but i understood what he was and i totally approved what he was looking for so the very special thing about his vision and of course the vision we are all together trying to bring with him through you. is finding again the original score and when i mean your original score is that we have to be aware that infer the score very are some moments where it's written in 6 shadows and then suddenly you have i think 4 or 5 for t.c.p.

so in an hour and a half of use if we have to find a way to do 6 piano and $540.00 sumo. and you need to to hear does differences. to. you. a little. relief to all. you. need to give you a the if you. to

move. a to move a few. old to a hey hey. 8. 8 he. knew. this music takes a lot of firsts from every musician playing and singing it. and of course the main challenge is to to follow the doors flew it's a vision of this music every time she changes the details she is like never satisfied with what he's doing so he kept hers the exact moments of the birth and life of the sound and dependent on how would go so he can change

really. really a lot he could change really a lot. any time soon. 2 2 2

please. please. we all need to be trying to talk in the same language so. considering that we have like nearly 400 people. it's kind of i'm in the fish i'm not to get together and and this is this is very hard to get but when you get it it's really something they say amazing her

a. 5 0.

i like the fact that in this piece you feel. being a part of something great and as a soloist you have to of course there are some very exposed solo moments and then suddenly you have to match your voice in the court the trio the quatro are owed to do it and for example to use day is to the most exposed moment because you are to have with the soprano you sing exactly the same thing but it has to sound like a unique voice. think anything.

anything. it.

still there is that mathis that's this very thing to be connected. with what this constant intellect which is change and this is something that is very honest and very hard to follow and very hard always for him to find the truth everything about him is special. to work with him of course it's a great privilege and really deep satisfaction. in a way of creating music together. but also it's a great turn because he's obsessed with the quality i think he's a genius meaning that he is totally in the music he's completely

enthralled in what he's doing and for me the genius is this person who is what he explores what he magnifies. her. aura 'd 'd. the whole.

orbit. the. i'm not i'm surely not ingenues i'm sort of not perfectionist. and just i think see a little bit different things in scores from other musicians i'm a little bit. individual i would say and that's the only thing i can say about myself and absolute friend of. the composer that i decided to

interpret. the. data. was. was was. it out. to. be a red. state out of the yeah. really. that . eat eat was.

i. read them is a great. it's a great form for doing something because. you deal.

with something that you deliver and they should be it is going to with death and life. the way you do is you're. you know you're cold to. unser 2 to 2 fundamental questions if you believe. in life after death. and if you believe in life before death. me with a dominant call me them all hail mary and. dean they are. be.

going to. be glued to.

fans. if they're attacked they fight back. it seems a rather unfair fight clamps against damage or other dangerous. sometimes. remarkably well. i'll good a good. to morrow to. 30 minutes to.

tell if it is for me. is for. beethoven is for him. and beethoven is for. beethoven is for embryonic. beethoven 2020. the 50th anniversary here on d w. w's crime fighters are back africa's most successful radio drama series continues this season the stories focus on hate speech cholera prevention and sustainable charcoal production all of a sow's are available online and of course you can share and discuss on africa's

facebook page and other social media platforms. crime fighting. no. i can discover your concept discomfort with the bulbs for. the 100 years the ideals of the bombs the more relevant today than they were to. go. to. the people understood design is a way of shaping the sorry. about how often does cassella her. with ideas. for future sound card to our i. told me part documentary stories you may dream job or no.

place . is beat up the news live from berlin the coronavirus false action to boost the price of oil the pandemic hedley just a mom did lead to a big drop in income for the oil producers now they've overcome disagreements and all coordinating news to push the price up also on the show. helping those least able to help themselves in argentina the country has been twice over by a recession by cronenberg's. and how much of an impact will the current crisis pandemic have on society and the.