what secrets lie behind. discover new adventures in 360 degree. and explore fascinating world heritage sites. w. world heritage 368 get me up now. if you simply shut them see the grateful. it's not the people playing the music these people reading them say. it's all good for the soul surfer it. is to try to insult. me it was really a loss for me because this music. touched me really deep i love every single

response it's a must see. the church of san marco in the heart of milan it was here that you separate entity they viewed as requiem in 874 and exactly 145 years later he would like couldn't see it was that the conductor stand. he's directing his music i attend an orchestra and choir comprised of 180 musicians and 4 vocal soloists.

i think the very beginning of the record. on the with the chamber. was a requirement and. donation don't expect but one don't think it's all these in the way she discovers these mysterious light years. and lack of we spur of the she my need to from all the sensuous. some luncheon. meat.

i. know. the. the. week. the. dow the. way i was the end i.

jus needs to get in the kind of. spiritual wandering. and spiritual adventure of searching. in the plays and then that one point you fell in the same path of was the composer and then you have a lot of information to bring it here. verity is one of italy's most famous composer. he wrote 28 operas in one funeral mass the message on. their decomposed the requiem in honor of the telly and poet novelist allison 3 months on precisely a year after his death requiem had its premiere at the church of sun michael. everybody denies even with some critics that said that there was an altar and not

secret music by that the body recognize for all from from the 1st bad moment from the 1st mean that was a major work of art a masterpiece movie as the baddie in a way that stephen. is it's sort of fact if this. is so old. since the 1st performance in middle everybody wanted to get the performance of miss out of a government and it to became one of the most important words by verdi and sacred music pieces enough aid in general perform than be the body by the old it says. i.

i. the composer gets this music. from. a certain dimension and brings this music to our dimension. because music is not the know it's is this. the same metaphysic emotion. that you can feel with your how person says about something and then you start to find the way to bring him down. to transcript in

language or sound what it is. in another. unspeakable. and undetermined place. then of course. the composer is not for me this kind of creator that she creates from syracuse she just gets in this environment and bring through here. now the performer what he has to do is to start from this environment here and go. through this sphere and that the composer was thank the music and brought it here.

horn in athens and trained in st petersburg to do a quran sees as one of the most exciting conductors of our time from 2004 to gazan 10 he was music director of the novosibirsk state opera and ballet theater it was there where he founded his music ensemble and chamber choir. when he became artistic director of the param opera and ballet theater in western russia he took music on a town along with him right from the start couldn't see demonstrated his passion for getting people excited about music.

so what i'm doing is ordered to bear all these connection with inside of me singing into other numbers standing in every minute what is the function. and then trying to bring this mystery. there is a light. during the performance of everybody gets transformed and there's all these functions and all this quality and doesn't remains in the 1st layer of quality but becomes a kind of sacred pact between people. eat

. eat. eat eat. eat eat eat. i play. i played was. i played the. i. i i am.

2 i the. was.

i. when i met him it was for me like a kind of artistic fusion because i i immediately. understood what he wanted maybe i could not give it immediately to him but i understood what he was and i totally approved what he was looking for so the very special thing about his vision and of course the vision we are all together trying to bring with him through you. is finding again the original score and when i mean your original score is that we have to be aware that inferred is score very are some moments where it's written the 6 shadows and then suddenly you have i think 4 or 546 so

in an hour and a half of music we have to find a way to do 60 i know and 540 sumo. and you need to hear these differences.

this music takes a lot of efforts from every musician playing and seeing it. and of course the main challenge is to. to follow doris fluid vision of this music every time she changes the details it's like never satisfied with what he's doing so he kept the exact moments of the birth and life of the sound and depending on how would go he can change

really. really a lot he could change really a lot. and you time. 2

to. sleep. i. lead. we all need to be trying to talk in the same language so. considering that we have like nearly 400 people. it's kind of i mean the attention not to get together and and this is this is very hard to get but when you get it it's really something they say amazing.

5 0. 2

i like the fact that in this piece you feel. being a part of something great and as a soloist you have to of course there are some very exposed solo moments and then suddenly you have to match your voice in the court the trio that what you are owed to do it and for example the newsday is just the most exposed moment because you are i do hope to have with the soprano you see exactly the same thing but it has to sound like a unique voice. think . anything.

i. think.

it. still though is that mathis that is varying to be connecting. with what is constant in life which is change and this is something that is very honest and very hard to follow and very hard always for him to find the truth everything about him is special. to work with him of course it's a great privilege and really deep satisfaction. in a way of creating music together. but also it's a great turn because he's obsessed with the quality i think he's a genius meaning that he is totally in the music he's completely

enthralled in what he's doing and for me the genius is this person who is what he explores what he magnifies. her. order 'd. the.

form. the. i'm not i'm surely not ingenues i'm sort of not perfectionist. and just i think see a little bit different things in scores from other musicians i'm a little bit. individual i would say that's the only thing i can say about myself and absolute friend of the composer that i decided to interpret.

it it. was. there. was. no doubt that. there. was death that. really. hurt. and.

eat eat eat was an american. i. reckon you should break. it's a great form for doing something because. you feel.

when something that you delivering they attribute is doing with death and life. and while you do wreck them your. you know you are called to. unser 2 to 2 fundamental questions if you believe. in life after death and if you believe in life before death. the bit on it go on we need them all the way they are. deemed not where they are in.

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