and so we created radio show is called spectrum if you would like any information on the coronavirus or any other science topic you should really check out our podcast so you can get it wherever you get your podcast you can also find us at. science. you know. if. 'd we need to make women paul or if we need women in palmer man.

what does it take to make films that truly matter to these emerging filmmakers that questions drives their work. back in february some $250.00 of them gathered at the international film festival as part of the ne will challenge. barbara encounter only weeks before trouble shut down. 3 filmmakers. 3 women whose craft is an integral part of their lives. of germany is interested in people who've been left behind. me it's always most important to create a really close relationship with the people to. embrace his creative freedom and rejects boundaries raises eyebrows in israel where she lives i don't know maybe i mean but. these of land has no i don't think it has any meaning.

as a director who lives and works in afghanistan. to stop the times the law the life is not the way that you want but in films we have this power to make the life the way that we want and this is beautiful if. we turn 1st to lorenz see against a documentary filmmaker interested in society's outsiders in the stories they have to tell. if that's with people that i find someone someone in a in a location and i think ok this person it's really touching. her work took her to a high rise estate on the outskirts of cologne where lorenz iau was studying at the academy of media arts at the state she met the protagonist who featured in her 1st full length documentary film. is a neighborhood with

a gritty reputation many of its residents are low income. spent a year volunteering at a local food bank. as it was. in fact that meeting of parents michael much more passionately as i did that i have to go. on and you know national. down. and her co-director robin king both found themselves drawn to the edge in unconventional characters they met. when we decided to make this fair. we didn't know what the film would look like in the end. this is somewhat before i got news but you know. i'm a guy. that's very much. your kid and something that. as we got deeper into the stories of each one of them we thought ok

we have to follow them it's it has to be a long movie so we spent that i think 2 twin a half years just shooting with them like eat 2 and 23 days he went to came back and spent time sylvester to the characters and it's 4 characters so we always we had no cell phone because some of them even didn't have a safe and so we always knocked on the door and say here we are again kid we've been something what are you doing so we had never a appointments or something maybe this is why it took so long but i think the film for example needed this freedom with the people because they always did what they did and never changed kind of for the movie. never going to be. the patients was rewarded with moments of unexpected poignancy. he has to do.

maybe i'm a cry for homefront starch which. is a sentiment. me on line order cheek bones about. it what it does is for sharing issue gets me out and speaking in a small lives in israel in the country figures prominently in her work she often appears before the camera herself wending filmmaking and performance. of this this. and this film with. the law and their fellow ema. and. the video artist studied at the renowned academy of arts in jerusalem her work often tackles cliches with surprising results. i find it very sometimes difficult

to be an israeli filmmaker because being an israeli filmmaker people like to accept you do talk all the time about the palestinian israeli conflict you're not allowed to do films about any other subject other than either the palestinian israeli conflict are the holocaust and sometimes when you want to do a film about something else it's a big problem. usually finds a way. come up with their crazy idea i'm sure i won't be hable to do it people are telling me that it's too dangerous and then i try to do it and then i keep going. where does the back to your. own you don't want.

to have. questions with. the palestinian israeli conflict his sorrow almost like a cliche nowadays i wanted to show just a human istic part of it. a good. idea. and if. one morning i remember waking up with a question what will happen if they used their whenever i am in area located near the separation wall because you know there is a location based app which totally ignores physical boundaries which should ignores

any ideas of nationality race and just give you the matches close to you man behind the. documentary film in which i make contact with the man from the west bank dating apps and websites. and film the conversations and counters with so i used this kind of subversive mechanism to come in can't up with a man who are consider my enemies. is a provocative. 21 even the golden bear. are the best short films.

how can our help disrupt a longstanding prejudice that question also drives director deanna head jamaal. living in a country like afghanistan it's it's not something easy of course for anybody not. for not for any human being. deana dedicated her film. to the women of afghan. in 2009 then afghan president hamid karzai approved a law that once again after years of taliban rule curtailed women's rights so deonna took to the streets to protest provided the impetus for her film.

this law was something to love why lands against women and against human it said something like this that if a woman leave her house without her husband permission the husband can be warse that why. was was. was she was. the was that she was the attack she was on but like i said that i told her that was a lot of kind of talk i know how like i said because that's something i am a part of why it was was like what we are trying to do as afghan

women is to make. space for women to breed to to to be. outside of there was of the house to face the society to be present on the street. video artist in a small ascii film is a political instrument a means to create change. she frequently travel to the west bank to meet men living there. maybe. there is something i missed this year that this is something that the in. the rest of the us on. this. one it's going to be no not at all you are so gentle and quiet and then just all of

you. in dating website unfortunately there are no palestinian women and so if palestinian guy wants to use tin there is results come from the israeli side and when he after times like almost always when they try to talk to an israeli woman she would like. she she she would in in gauge in conversation so the man i matched were really happy that a news really woman is happy to talk to them so you haven't left to gaza strip for 20 years and if you would like to visit me in tel of the. search. for good or for that you would be very much and your promise you would be

a very big question. about that illusion chips between your body and sun the green board. so i began to be like passionate about the idea of internet as met a national space their concern for this kind of fast subversive artistic actions and like yeah the idea of that like it's so weird like care that people are still. fighting over a piece of land in this you know advanced times when everything is so web based. back to germany and the war and see against us sociological study. instead of the political conflict her film shows people who fall into society's cracks. when i started

to come back in the 1st moments in the 1st moment i saw i was in there with the people i was in the very beginning a little bit chalked like with how the some places. i don't know like in the in this day as sometimes they were dragged. from the injections of hillary in and i was really shocked actually this was my 1st moment but somehow after a while i got used to this and ambient and i. love this that i really got close to the people i was portraying one of the residents of the social housing tower florencio got really close to was a big enough. when you're not chunky which cars are gentry who are this is just fishing business.

let's. sometimes in fact there are scenes that show my protagonist and well in aruba moments very intimate moments i think it's very necessary to show this moments because it's it's the life of them and why should i make like a different tell a different story that's not the truth. you liked. you know. so i tell. you so. yeah this oh for the toilet for me to play. how come. i'm. yeah but it will change and it's moving in my neck and you know.

so much. this unless you knew for sure. you know my i felt that their lives. as maybe all of our lives so it can happen something very hard and he lucio say so she's careful to preserve the protagonist's dignity this is this need i see frightened off benghazi. this into can free t.v. now and again. and then as these there's an awful time cooking. classes fiction and in how it's being interested. and mitch still leave me. floyd is. there to each minute frightening scene then to now been. unleashed by so much take. my need.

to really fighting to get out of it having this positive. dion's i have jamal also knows what it means to keep fighting and to stay positive . the director is a canadian citizen. yet she decided to return to her homeland of afghanistan to live and work as a filmmaker. we didn't have any screening place in called police after. suicide attack 2 french institute that's why we we make these scene amounts very small place very cozy we have one a special day for women and it's good because many women are not allowed to be in a place with other men but this place is good because someday they can come with their friends and watch films without. any imitation.

deonna is convinced that through her films she can make a difference. being a creator is is very important. and i love that. the honest short film. premiered at the venice film festival in 2019. i r is the story of. suffering and pain. as a kid a. 12 year old survived a suicide bomb attack a trauma she deals with alone. i feel certain that our children have been let out

of rejection run of i wonder if all who have left their hurt of 6 brotherhood of family more want to know. more about africa than a father this year you don't know you provide a kind of him by his death. i always suffer when i look at. the children. in my country and. i think they are. of course it's it's hard for everyone but to kids children are so innocent and. the only he they are they are they are little kids they are in. when you compare to other children in the

ward you can see how much software is. in their eyes. like children of my country. they don't know really what is happiness. they never experience happiness. all 3 of these young filmmakers believe in the power of hope. i think i wanted to sort of challenge borders in all senses the rich. people are starting to think about you know gender fluid and gender career and all this kind of movements are happening now in their eyes so i think that i want the next thing to be an in nationality fluid like there won't be any borders and you won't have to answer the question

where are you from or you can just say answer these questions and saying i'm from the world or care i am nationality fluid. oftentimes my films are 3rd party. people like really need human connection you know our society is going. more and more towards dark times where people are really really lonely you see that in the u.s. a lot for example in naked america would just give people like the stage to talk i'm just basically giving them sort of free therapy this is how trauma like me. that's piano so i am. interviewing nature americans about.

masculinity and politics and intimacy and larva and loneliness and what does it mean to be american it's less they think about president trott and more rightly about. society that yes i was 15 or 16 after a massive nursery doing heroin that was exactly. are you enjoying those yes why do you enjoy a. documentary filmmakers often times get accused did they use their characters but i don't think that's true because if someone agree to being in your film he or she. i have a motivation the motivation is usually they want to be listened and her. german documentary filmmaker. loves listening to her protagonists. i really

got attached to their stories and i was really wanting for example cal had to stop drinking. to go to democrat to fulfill her dream the baroness i was helping her to put all the smaller things on the war i really enjoyed the time with them this. was really. i love my protagonist saw the movie and they loved it very much they also said like i feel patrick very well. i think when i make movies generally i don't really have a particular message because i think everyone sees the film different and has its own method but what i like is to get blake to show a public or to make it possible to utter to see played in their lives in the people life i portray so to to open this window. afghan filmmaker dion as

i have jamal opens a window onto a war torn country in the world we know little about. needs me because i'm the one that i can go to the street and fight for today i don't want her to suffer. as much as i did. what i wish. to do is to influence my people to my art in life so. i choose to be in my country. despite all the dangers i know when i leave my house maybe i can come back and then even. when i feel depressed or down.

i think that. it it's not worth it. just look at that it's not worth it life is so precious and. oftentimes i get asked whether there's a border between the really i'm me and like my persona in the movies like in their character of me in the movies. i guess that in my films i try to portray women as both vulnerable but also filled with empathy and. more power for than you would think i wore and could be.

solar powered mobility for everyone. that's the vision of a munich star out. there so no science shows how cars can be different. because what's mine is also your. bread. double.

it's summertime in germany and everyone wants to go to the beach travelling in coronavirus times how does their look like. making sure to follow all the hygiene rules stay got checks in at the baltic sea and visit some tourist attractions that have one thing in common. they are your new school world heritage sites are tricky . w. d t you know that 77 percent. are younger than 65. that's me and me and you. and you know what it's time no voice is part. of the 77 percent he talks about because. this is where.

the 77 percent this weekend on d w. this is some notes story a stubborn rice farmer from thailand. his problem tests. his credo no chemicals. his wife thought he was crazy. and i bought ducks. and his plan was. to step in. step out. to. the students on this stand a chance. by systemizing the farmers free. the final stage production to

top it off. training successful. the cattle. starts july 27th. this is news and these are our top stories. russia and china have again vetoed a bid by western members of the un security council to extend deliveries of humanitarian aid to rebel held areas in northern syria via turkey millions of civilians in. provinces depend on the supplies. clashes have broken out in the serbian capital belgrade on the 4th successive nights of protest.