as we take on. that matter. what ever. cut. it out ready ready. we need to make women paula we need women empowerment.

what does it take to make films that truly matter are these emerging filmmakers questions drives their work. back in february some $250.00 of them gathered at the international film festival as part of the any more talents program. barberin encounter only weeks before travel shut down. 3 filmmakers. 3 women whose craft is an intricate part of their lives. on the red sea against germany is interested in people who've been left behind. me it's always most important to create a really close relationship with the people to. embrace his creative freedom and rejects boundaries which raises eyebrows in israel where she lives i don't know maybe i mean he but. these of land no i don't think it has any meaning.

as a director who lives and works in afghanistan. to stop the times the law the life is not the way that you want but then fail so we have this power to make the life the way that we want and this is beautiful if. we turn 1st to lorenz a documentary filmmaker interested in society's outsiders in the stories they have to tell. it sets with people that i find someone someone in a in a location and i think ok this person it's really touching. her work took her to a highrise a state on the outskirts of cologne where lorenzo was studying at the academy of media arts at the state she met the protagonist who featured in her 1st full length documentary film. is a neighborhood with

a gritty reputation many of its residents are low income. spent a year volunteering at a local food bank. and. in fact sat waiting in paris markham much more passionately as an example i have to go. on and you know national to measure. the rents here and her co-director robin king boat found themselves drawn to the edge in unconventional characters they met. when we decided to make this fair. we didn't know what the film would look like in the end. this is so wonderful i. got mixed up with you. and make i. remember. you know it was something that. as we got deeper into the

stories of each one of them we thought ok we have to follow them it's it has to be a long movie so we spent that i think through 2 and a half years just shooting with them like eat in 23 days he went to came back and spent time sylvester to the characters and it's 4 characters so we always we had no cell phone because some of them even didn't have a safe and so we always knocked on the door and. here we are again came we've been something what are you doing so we had never a appointments or something maybe this is why it took so long but i think the film for example need at this freedom with the people because they always did what they did and never change kind of for them we. never want to be. her patients was rewarded with moments of unexpected poignancy. she has to.

cry for long term storage which. and this is and. this is fact most of. them suck me on line order she. owns about an. evolved decision sharing a few this piece hear me out and speaking in a small lives in israel in the country figures prominently in her work she often appears before the camera herself wending filmmaking and performance. of. this one is someone. who looks and they're alone a month. and . video artist studied at the renowned academy of arts in jerusalem her work often tackles cliches with surprising results. i find it very sometimes difficult to be

an israeli filmmaker because being an israeli filmmaker people like to accept you do talk all the time about the palestinian israeli conflict you're not allowed to do films about any other subject other than either the palestinian israeli conflict are the holocaust and sometimes when you want to do a film about something else it's a big problem. usually finds a way. come up with their crazy idea i'm sure i won't be hable to do it people are telling me that it's too dangerous and then i try to do it and then i keep going. where does the back to your. own you don't want.

to have. questions. the palestinian israeli conflict is sorrow almost like a cliche nowadays i wanted to show just a human istic part of it it is. a law and a bomber issue on. one morning i remember like waking up with a question what will happen if they used their whenever i am in an area located near the separation wall because you know there is a location based app which totally ignores physical boundaries which already

ignores any ideas of nationality race and just gives you the matches close to you man behind a wall he is a documentary film in which i make contact with the man from the west bank dating apps and websites and films the conversations and counters with so i used as this kind of subversive mechanism to come in contact with a man who are consider my enemies. the result is a provocative. 20 teen it one in a small dos keep the golden bear. the best short film

2 2. how can our help disrupt a longstanding prejudice that question also drives back and director deion's ahead jamal. living in a country like afghanistan it's it's not something easy of course for anybody not. for not for any human being in the. d'anna dedicated her film. to the women of afghanistan. in 2009. then afghan president hamid karzai approved a law that once again after years of taliban rule curtailed women's rights so deonna took to the streets to protest provided the impetus for her film.

this law was something foolish of why lands against women and against human it said something like this that if a woman leave her house without her husband permission the husband can be warse that why. was that was the attack he was and i could see that the tough guy was not a kind of tough guy over the guy that said look i have something i must punch out why it was she was was like what we are trying to do as afghan women

is to make. space for women to breed to to to be. outside of there was of the house to face the society to be present on the street. video artist in a small ascii film as a political instrument a means to create change. you frequently travel to the west bank to meet men living there. maybe out there is something i missed this year that this it's something that the in. you know on the bus to the soul in the in the. one that's going to be no not at all you are so gentle and quiet and then just all

of you. in dating website unfortunately there are no palestinian women and so if palestinian guy wants to use tin there holly is results come from the israeli side and when he after times like almost always when they try to talk to an israeli woman she would like. she she she would in a gaijin conversation so the man i matched were really happy that a news really woman is happy to talk to them so you haven't left the gaza strip for 20 years and if you would like to visit me in tell of the. girls i'm. certain you are going to care for them you would be very much and your promise to you to be

a very big question. about that illusion chips from your body inside the green board. so i began to be like passionate about the idea of internet as met a national space their concern for this kind of subversive artistic actions and like yeah the idea of that like it's so weird that they care that people still. fighting over a piece of land in this you know advanced times when everything is so web based. back to germany and the war and see against as sociological study. instead of a political conflict her film shows people who fall into society's cracks. when i

started to. come back in the 1st moments in the 1st moment i saw came back i was in there and with the people i was in the very beginning a little bit shocked like with how the some places. i don't know like in the in this day as sometimes there were drac. from the injections a few in and i was really shocked actually this was my 1st moment but somehow after a while i got used to this and ambient and what i loved is that i really got close to the people i was portraying one of the residents of the social housing towers. i got really close to it was sabina. it's been a junkie. cause i was. in this is just fishing business.

lets. sometimes in fact there are scenes that show my protagonist and the moments very intimate moments i think it's very necessary to show this moments because it's it's the life of them and why should i make like a different tell a different story that's not the truth. here. sure or do. you know. but. yeah oh for the toilet for me. i'm. no brakes much and it's moving in my neck and you know.

each. new force safety issue will be. an issue my i felt that their lives. that's maybe of our lives. it can happen something very hard and you lose your say so she's careful to preserve the protagonist's dignity is this just lead us to frighten off benghazi from this into can free t.v. now and again. and then as leaders and often cook the. last instruction and in how it's just been interested. and mitch still leaves me don't need troy just. there to each minute frightening scene then to now been. unleashed by some lunch to take. my names.

really fighting to get out of it but having this positive. dion's i have jamal also knows what it means to keep fighting and to stay positive . the director is a canadian citizen. yet she decided to return to her homeland of afghanistan to live and work as a filmmaker. we didn't have any screening place in called police after. suicide attack 2 french institute that's why we we make this very small place very cosy we have one a special day for women and it's good because many women are not allowed to be in a place with other men but this place is good because some day they can come with their friends and watch films without. any imitation.

deonna is convinced that through her films she can make a difference. being a creator is is very important and i love that. beyond short film. premiered at the venice film festival in 2019. her is a story of. suffering and pain. as a kid. 12 year old a coyote survived a suicide bomb attack a trauma she deals with alone. i get a certain level of i have you will reject general of i wonder if you will hold the

terrible hurt of 6 brotherhood of i have all the more i want to. hear more about offering the better product this year you don't like to provide a kind of theme of his death. i always suffer when i look at. the children. in my country and. i think they are. of course it's it's hard for everyone. but to kids children are so innocent and. the only he they are the horror. they are little kids they're in when you compare to other children in the

ward you can see how much software is in their eyes. like children of my country. they don't know really what is happiness. they never experience happiness. 3 of these young filmmakers believe in the power of hope. i think i wanted to sort of challenge borders in all senses the rich. people are starting to think about you know gender fluid and gender queer and all this kind of movements are happening now days so i think that i want the next thing to be an in nationality fluid like there won't be any borders and you want to have to answer the question where

are you from or you can just say answer these questions and saying i'm from the world or care i am nationality fluid. oftentimes my films are 3rd party. people like really need human connection you know our society is going. more and more towards dark times where people are really really lonely you see that in the us a lot for example in naked america where i just give people like the stage to talk i'm just basically giving them sort of free therapy this is how trauma i mother me. sitting here. so i am and interviewing nature americans about.

masculinity and politics and intimacy and love and loneliness and what does it mean to be american it's frustrating about president trott and more i think about. society that have you for like 15 or 1600 hours. doing our success. are you enjoying us yes why do you enjoy a. documentary feel my career's often times get accused did they use their characters but i don't think that's true because if someone agree to being in your film he or she have a motivation the motivation is usually dead they want to be listened and her. german documentary filmmaker. loves listening to her protagonists. i

really got attached to their stories and i was really wanting for example cal had to stop drinking. to go to democrat to fulfill her dream the better ness i was helping her to have to put all the smaller things on the war i really enjoyed the time with them you still need. to leave me. i love my protagonist saw the movie and they loved it very much they also said like i feel patrick very aware. i think when i make movies generally i don't really have a particular message because i think everyone sees the film different and has its own method but what i like is to get blake to show a public or to make it possible to other to bud's of perth disappeared in their lives and the people life's a portrait so to to open this window. afghan filmmaker dion as i have

jamal opens a window onto a war torn country in the world we know little about. needs me because i'm the one that i can go to the street and fight for today i don't want her to suffer. as much as i do. what i wish. to do is to influence my people to my art in life so. i choose to be in my country. despite all the dangers i know when i leave my house maybe i can come back and then even. when i feel depressed or down. i playing at. it it's not worth

it. just for giving it's not worth it life is so precious. and. oftentimes i get asked whether there's a border between the really i'm me and like my persona in the movies like in their character of me in the movies. i guess that in my films i try to portray women as both vulnerable but also filled with empathy and. more power for than you would think i warn could be. and thank.

i'm going. to.

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