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tv   Arts.21  Deutsche Welle  June 13, 2021 9:30am-10:01am CEST

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to lack sustainable. 45 minutes long, w y d s is on its way to bring you more conservation. how do we make students greener? how can we protect habitats? we can make a difference. global ideas, environmental theories in global 3000 on dw, and online the, it's never been this much filming. it's going to have never been as many productions in germany as right now. he's a radical progressive and groundbreaking out. yeah, because i'm a certainly rotate to art history.
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the spelling felt like a city someone had called the clock on like a capital on hold. but now city life is starting up again and some culture then use open thanks to low infection rates. we took a trip through a city making it's come the 1st stop a cup of legend. yeah. you could huge tentacles. draw us into the cosmos of artist joey christ summer. the con, damage dots. berlin scoop use bow is showing a retrospective in honor of the 92 year old japanese artists who adds a spots of color to everything. oh,
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so the instance real, i think, desire of her to create nearly like a parallel uni worth in which she sometimes lives in. so the poconos are way to create also for us the completely different ways of looking you up to summarize one of the world's most important contemporary artists. well, she create to psychedelic and i probably cut us for summer has suffered from panic attacks and hallucinations since childhood, cheapest thieves, us flashes of light come to mind to installation provided new into in a wells like that. like the yellow room. you know, you get slightly busy, you suddenly think what's happening with the floor and if you look longer on the wall, you suddenly feel like i was actually the wall. there is this kind of going into into debt. so it is a for the kind of way of playing with the way we see in our vision. and i think she's very good in kind of irritating how we can see. and therefore,
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also of course, questioning what is the normal way of looking to the last 2 decades. cuz time i had chosen to live in, it's like cross patrol and co q. every day she works. it is to do next to painting dose and move in the i am not sure if it is a suggestion from my own or whether it is because i am totally absorbed in the piece that you really do not resemble when i am creating my work. everything disappears around me and my hands creates my work was good. so my friends is self contained, confuse, have approached, as she calls self obliteration to art has been a form of self therapy to escape a traumatic childhood. she created her own universe as playfully capture as a child like fascination that she still retains to this day. but this
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is, you know, struggling. going to go to school. my desire for people to crazy for my son, predictability and the john, she's mystery of the universe to into the world. so someone welcome to the retrospective traces, artistic journey to 7 decades of wild creativity. in the 900 sixty's castanan left her homeland of japan and went to seattle and then new york, finding her place among the flower children to protest against the vietnam war and prudish sexual most. she organized happenings that were political, irreverent and shocking. including painting her, poke all sorts of naked bodies. yeah, because i'm a sub who wrote his article, he was one of the 1st, you know, who did make it performances and even at the time in new york,
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that was shocking. and i mean that is something of course with has, has revolutionized also the, the presence of the bonnie, the idea of that we can be naked sexual. but it also shows vulnerability. it shows a way of how the human body connect with the environment as one of the few women in the art scene at the time because someone had to fight male dominance while top contemporaries like andy warhol, shot to fame and fortune, who summer was barely able to make ends meet her work is full of status symbols crossed the question, is it the man's world? she also talks about a fear of the penis, which i think i think she was very good and also writing stories about herself. so i looking at the works, i don't feel it's a fear. i mean it's, it's, it's clearly no obsession. it stands for the man, it's been so kind of, you know, something a woman also just to kind of reflect on the relationship between women and men and how in her time also. i mean, even if she wouldn't call us as a feminist, she definitely changed the perspective on women. you achieve that rare feet have
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been both controlled and impulsive. works playfully push boundaries from gender to personal, spatial luminous infinity. mirror rooms gives us few as a cosmic glimpse, as seen by the artist. the berlin is fully booked. never has there been as much building in the german capital as there is right now. the back lot of studio babbled burg looks quiet, but behind the scenes where we're not allowed to shoot things are as busy as ever. one year after cobit 19 shut down, everything production is in full swing again. quite a year ago i was stunned. every production was suspended and the international filmmakers who were here in the country,
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they've had the full tumbling training. every square centimeter of the studios filled, you hadn't listed so many. there was nobody there because no one knew how things were you on kind of give us this way. but while the berlin government stumbled from locked down to lockdown, babbles berg was able to press restart and finish production on big blockbusters, including the 4th matrix film starring keanu. read. welcome, green. with coven safety measures now in place and demand for entertainment higher than ever prospects for 2021. look very good. the happens is that we have at least 3 big filters this year. 2 big series streaming services, which are great for the workload because they stay a lot longer to the for the us us on toes and was a, was a feeling and
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keanu reeves will be coming back to berlin this summer, promising to shoot up the german capital and the 4th film of the john wick action franchise, the with series and film production booming across the city, babbled berks, biggest problem these days is keeping up with the demand. it's never been so much in production as there is right now. and i can't find cruise this year because there's never been too much filming in germany as there is right now. you can't walk 2 blocks in berlin these days without stumbling over a film set. like this one for german td epic, babylon, berlin. the show's producers had 3 series on the go and cove. it hit, they had to learn fast how to shoot safely in a panic. we had to set up a protocol very fast for the 3 shows. and we use this knowledge and always adjust this protocol for all productions which we do
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afterwards. you know, we included doctors, medical adviser and people like this. always to be right in time with the newest information that debit or since then production has been nonstop. x. crime drama. julia shot in the middle of the 2nd wave of cove. it with crew shuffling between scandinavia and berlin with german romantic comedy, i'm your man even manage to shoot up hacked and math placene and bought a house. berlin. the city's 1900 twenty's dance club, had a t extra as dancing with each other. flirting kissing each other,
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plus the crew of at least 30 people, plus the actors off, but we did it on district corona conditions. one moment the film's producer cast actual couples for the dance scenes to keep the number of households and possible infection risks at a minimum producing under cove. it is more expensive and time consuming, but so far it hasn't changed how filmmakers tell their stories. thank a shit the berlin producers are proud of the solution. they found that there is still frustration in the sector caused by the months of lockdown politicians. maybe they do not have the time to hear the cultural sector right now. does, because you know, the cinema, see it as everybody has a concept to go back to work right now. but they are not able to to
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use it. they are not allowed to open thankfully, cinemas and other than use are now allowed to open. but the public sector is still being careful. and so for now, parties like this can only be on screen. after years of renovation, the noise national cannot be in berlin. it's finally reopening, and it's monumental. simplicity is as impressive as ever. the renovation of berlin to national gallery took 5 years to complete. currently, the museum by look, nice founder, can be seen completely unadorned. and judging from the exterior, everything looks the same. the building remains a temple of light to indiana of this whole is unparalleled in terms of opening. and
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there isn't another museum in the world like it could not preserve that and didn't change this openness. often we crammed lots of technical equipment into the ceiling where it can be seen, got cancer or not after the renovation can be summed up in the credo as much nice as possible. the german born american me found a ra, became the icon of modern architecture. the extreme clarity and simplicity of his designs is always striking. yet the new national, the most radical ro with commissioned to design the museum in the early 916-1200 metric tons of steel had to be welded together on sites into one giant plate. hydraulic jackson lifted the roof into place a top a pillars. it was a masterpiece of engineering and attracted many visitors. the museum was the last building nice sandoval completed the dentist of his career. the goods on this guy's
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minority national gallery opened $968.00, and became a cultural highlight, 1st of west berlin, and then of the re unified city. it hosted one major exhibition after another and maintain its own important collection of 20th century art clutch. after 50 years, the buildings technology had become outdated. i renovation was needed. english architect david chipper field had fallen in love with the founder of building early on radical, uncompromising piece of architecture. it was quite shocking, very impressive in the elements being very ident 5 and comprehensible your you know, everybody can understand how this doesn't work, chip or field who had previously overseen the reconstruction upper lens war, damaged noise museum, one the contract for the national color fees renovation. it was an immense
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undertaking. $14000.00 granted plates had to be removed, restored and reinstalled. the entire structure was guarded from the electric outlets to the light switches. everything was meticulously inventory and later reassembled, like a massive puzzled renovation in the spirits of miss fan means holding back what was needed from david chipper field architects was not design but practical solution because of also on the glass, the shuffle, the biggest challenge was acquiring the glass on the food as a new, almost all the outer pains were split before the renovation because it had no longer been possible to obtain such wide glass pains on the island. and we found the glass manufacturer in china and the logistical pain and getting the approval for a one off glass product from china without a certification was definitely the most complicated part of the renovation. they could be complex government at the lower level exhibition spaces have also been
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updated in the case of the fire, the original $960.00 stores will now close electronically clear forms, steel, stone, and wood fried from everything. superfluous means vanderbilt signature style is still present. the artworks are set to be moved back into the museum and the sculpture garden this summer gets the classical modernism went on and then into move on to show up from often 1945 and with a special emphasis on east and west for east german collections from via a very much look forward to buy will have to continue in this way until we can display the entire collection with the new building. the new building is the museum of 20th century being built right next to the new national gallery. but while that is still in the works, me standard building can be rediscovered right now. i think it goes, it's the one major work of me under ro,
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as in germany or in europe after world war 2 or so it will automatically regain its place. because i think everyone has been waiting for answers and once the building is re integrated into the urban space, there will be new exhibitions and new se perience. here though, we're very much looking forward to this building, being open to the public once again since the north national gallery may still be empty, but the building alone is worth a visit. the museum is set to open with an alexander calder exhibition in august. if all goes well, berlin has been rubbed the legendary night life of one year, many close the struggling, but they haven't given up the fights. no music and no people. just empty quiet, don't flores? i froze for a year. the pandemic has 10 persons club seen into a wasteland. and a new photography book entitled the hash captures, the skyland photographer musician got visited as the 40 clubs for the book.
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she worked the germans for many years and wanted to document the effect locked down as had on these places. and you know, my love as if there's no basis that normally stand for the music, extra t fun and letting loose. and now they're just empty and there's a hush, which is also the title of the book on is glover and none of us realized just how important the spaces are for people, engines and pre covered berlin clubs. attracted people from all over the world and pasted the capitals reputation as a party city. but they also provided livelihoods to balances, manages, and bartenders. for them the closing of their club means financial worries 1st and foremost. but that's not all which she knows this. i'm fast down there will for
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many, it's the place they feel good to colleagues and guests give it a family like atmosphere. it's a piece of home to much, many, not the trying to maintain to satisfy, even if it's just online clubs like connections keep in contact with the community over streaming platforms. because it's an operator, pamela shaw, this also has a club commission. she says, thing in touch helps those who are worried. the lawlessness has proposed recently, we had a facebook post and a guest wrote that seeing us staying present the fighting, doing our streaming and making an effort, and clearly believing that will survive authentic. he believes that you value and that helps him that have blocked out up to 15 for over a year. now the club scene has managed to scrape by, but everyone knows streaming. can't replace that real live experience. stinker,
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the community? sure. i think about the community while i play. i know people are watching the main parts missing that sense of close clubs without outdoor space is, are closed indefinitely because of the pandemic or they're still working on code concepts. recently there was a pilot concert during which everyone had to have a negative covert test to enter where a mouse could maintain social distance. great, we had to concert among people, even if you call move around. and i'm glad to get dressed up again and go to a cultural event even for dance, since the beginning of june, things have been able to open up further thanks to the low inspection rates. soon open air parties will be allowed. the story is another for indoor venue full time. we very much understand that our indoor spaces aren't compatible with the panoramic to the combination of aerosols. and so moving outdoors as the only
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possibility for being on both ends, fatal for all of us, that this prospect is now being taken away from us. and even though we all know that events aren't really the problem, the finished, i don't envision list of problems. and just how long can the scene hold out? well, the book hash, wind up being a requiem for another culture. as a matter of course, i really want to the clubs due to arrive and hopes that we will be able to party again without fear. but right now, i can't quite believe it. i hope they'll all survive, but there's still no end in sight. because the clock is ticking for many of the lens clubs, and some fear time is running out out here under the open sky on temple offer feld. life goes on despite cove it an exhibition,
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exploring how europe is doing is now finally open. temper used to be located in west berlin, surrounded by the wall, where it was a breach to the free world. these days there are no more planes landing on its runways, but people from all over the world still room here. and an exhibition is now creating another bridge to the world. diversity united features 90 artists from 34 countries and depicts a europe of disparities vitally well over 400 pieces by no means do we want to say that this is an absolutely comprehensive view of europe and fashion that it simply gives an insight into the artistic face, that was our intention, was made clear that an exhibition austin was chosen boys once said dr. is like a permanent name for the what lies ahead for europe,
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where countries and people are drifting apart, where nationalism is driving and hotspots are emerging. whether be a happy ending, and where should we begin? to no man took her own origin as a starting point. but i was born in east germany. it's not all that long ago, but sometimes it feels as far ways the stone age. that's why i found it interesting to combine this idea of the stone age, that of archaeology of ruins, or rubble that wasn't really cleared to something that's still relevant for many people. when i said this above us was relevant for the mention this, this is jim and tennyson. i've combined with an ear piece that looks like it's from the spin. stem cells are also from the, from a flash in the installation. all these pieces of furniture and objects are going to be fix to go. all it's a lot of work must have basically tilted in normal room by 90 degrees. so the
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ground is no longer beneath our scene, which is my attempt to create a visual language to describe what happens when the system she's this takes this from one day to the next room from an old rules are replaced by new unknown ones. figuring this mega enjoy a good one on this can. last of a homeland of ground beneath the feet are important themes in the works of many artists from former socialist countries. some reference lenin oh, patriot holly, nice place on his recollections that the jewelry, his mother burried during the civil war in yugoslavia recreated out of war debris. me not that long ago. more refugees for house here, a capital hoss what seems far away can sometimes be close by in 2007, lucy and jorge, or to created a 10th village in the arctic. the 1st place in the world for which a treaty withdrawn up to ensure all use of the area would be peaceful and
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cooperative. it was an important symbolic to create this village to, to found this world community, the community and terry without us community for cooperation, for sharing, for piece, for collaboration me to global slogan diversity. united runs through the whole exhibition of climate change. war and hunger cannot be combated by countries acting alone. we must act together to succeed, to orders have already issued over $70000.00 passports for their arctic village. since you had them all, it was supposed to take a centrally, this passport, deals with the big problems of society and obliges or invites the holder to transmit that to all generation. this kind of duty and this passport to transmit
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the values and the values are act in favor of sustainable development for simple data acts that we can all do. and the other would be to defend the natural environment on the threat as a global public resource. and fight against climate change generated by human activity and support human humanitarian actions aiding, displace customers of the world. there is darkness and the challenge of humanity is facing. but there is also hope and a trust that things can change for the better. like in the silent picket line by the russian artist it katerina move on to eva. interesting. in these it's a time when there is political speechlessness. often we need social dialogue. we also in the exhibition that demanding could, can build bridges that goes beyond political difficulties. and again,
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this has been a very important experience for us. oh, it's the panoramic allows it, the exhibition look trapped on to moscow where it will attempt to build another bridge. meanwhile, is outside the city of berlin has reawaken and cultural summer is finally taking off. ah, ah, the news the who's
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who's the the who they know that a piece of chocolate. so much their job of chocolate. there's a lot more than just something that you put in your mouth and you place that. i mean, there are so many lie behind that and that's why the chunk of it here and do it on differently graph chocolate been told the lack of sustainable
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15 w that's 77 percent on this you will be talking a lot about african music and asking are what business like for a woman who plays a traditional instruments or a wife? african, my name is borne, raised the 1000000 position. and in general, how big is it actually in times because it 1987 percent minutes had w. ah ah, please listen carefully. don't seem to live today. ah,
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feel the magic the discover the world around you subscribed to the w documentary on you to me young moroccan immigrants. they know the police will they know that the route is not a solution. they know their flight could be sale going back. not an option. peace. i'm on and they are stuck in the spanish border area. alongside other young people there waiting for a chance that will probably never come. shattered dreams starts june
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18th on d w. the ah . ah, ah ah, this is the w news line from berlin. g 7 leaders focus on climate change. on the final day of their summit, heads of the world's richest countries planned to set goals, to cut cobrin admission protests, or say they want more than just hot air will cross to cornwall for the latest. also, israel gets ready for a new prime minister. the parliament is set to vote on a government run by an unusual co.

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