tv Maybrit Illner Deutsche Welle June 26, 2021 7:00am-8:01am CEST
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me just remind myself because i grew up in a completely different way for the broad pluralistic as a jewish in europe. the 2 point documentary starts july, 5th law d, w ah, this is d w news, and these are our top stories. hooper and one from a us police officer, there is shelven has been sentenced to $22.00 and a half years to the murder of georgia floyd sentencing incentives show up in minneapolis, judge pay to kato, said he based his and making decision on sharpens a piece of his position and the cruelty showed to his big boy family's lawyer hailed the sentencing as a turning point for racial justice in the us. president joe biden has described the sentence as appropriate. germans,
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police say 3 people had been killed and several others injured in a knife attack in the city of boats. book passes by confronted the attacker who is said to be a 24 year old somali man with a history of mental illness. he has been arrested. the debt from the collapse of miami apartment block has risen to fall while more than 150 people remain. unaccounted for the rescue workers are still searching the rubble of the seaside condominium for survivors. heavy machinery rescue dogs and special listening tools are being deployed. the cause of the collapse is not known. this is the deputy news from berlin. there's a lot more on our website that is to be found at d. w dot com, the gold ah,
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202073 architecture. you're not out of the question. how you really live together. ah, we're clearly not happy with the answers we have today. so we're compelled to think the future. we have no other option. ah ah, we human trashing our planet. we wage wars destroy wildlife and bring our climate the boiling point. there is no escape option. we have to hold out on earth together. house answers to this
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question or being an architecture, for instance, at the venice finelli, tennessee. it's challenging times. it's going to become the protagonist of the 17th, which had to be postponed for the panoramic. big division title is how to get the participants from all over the world, especially from africa, latin america and asia. to this question, before the b, analia is used to be about western europe coming together to show off what is new and then the rest of the world will come and copy or follow or be influenced. over the past few be analysis, this has changed. its the valley, bringing all the whole world examples and ideas and innovations from the rest of the world and putting them in front of western europe and america to look at the
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ideas come from around the world like this design from the, from the philippines. the project is not the construction itself, rather than the way it was created. ah, especially how we live together. it's also definitely a lot about how we build together, how we create something to get me. this product is made through a tradition that's called by an am in the philippines and we called the london. all right. and these are forms of mutual support that exists in most countries around the world. these traditions are important because their way of coping in every day . there's a way of coping in the face of natural disasters or post calamities right there in front of the philippines. norwegian architect alexander ericsson and his filipino colleague shawn had come. collaborating with the local community to build a much needed public library. ah,
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the community has been knowledgeable about living in the place where they are from and the context where the, where they're living. they're sharing that to us and we are sharing our knowledge with them. so together at the end of the day, we are working as one in the construction work 2 months. the result of the community driven project is currently on display in venice. it was an exciting collaboration for the concept molly was embodied all these ideas that people who find in the beautiful space in a space which is the bright light. it's when been deleted and it's very open to all of the terms are captured by value on the side of the building had to incorporate that into every decision. so the story is really the doors of our firm. we will, the roof is at the slope. so that you can also bring the air to the building. this
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became a guiding principle, all the design decisions made. so that's what i'm really proud of because there has to be in the library to be brought back to the philippines to the people who built it. me the option to 1000000000 is not about profit. i've got about ordinary people values an approach to life. ah, architecture serves the people. so if we consider their this people, they need what they thought their way of living with them. we cannot create a good fabric of the city. ah, can so many different people really live together in harmony, dealing with cultural and social diversity and honest and respectful way is one of
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the greatest challenges facing every city. nothing keytric tool that takes a look at the venezuelan capital. in the 1950, the development of the oil industry created an economic, the 50 triggering widespread internal migration. ah, how may i guess if you have let me think of them being crescent but parallel? don't build city also telling make, i mean like, oh no, because you cannot make them atlanta acquisition laws, not giving them well. the people who contributed to this if they have their own home for 2 years. so. gotcha. ah, gradually, simple body developed no problem and don't know them and that is not an event this way. but in latin america, in the whole world of urban fabric exists, one which has planned one which is improvised gets me again. and when you are not
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out on street, you get an understanding of spatial structure in the barrio and i keep it to studied law. pull a mirror, a neighborhood incorrect. ah, i, we feel, i mean, i feel there's prejudice and discrimination. and that my, my seed with many difficulties that make living together a challenge into it. come on home mailman, their own trade. i took the studio to use truck understanding the body of the they carefully recorded traditions and ancestral knowledge of the habits. herbalism discovered beautiful and inspiring things such as baffling sidewalks, ah, dependent places to promote a sense of community and connection to the rest of the city. ah, no,
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no, not about poor people. who are outsiders? of the city lives like this. and after many generations, the progression of living there are doctors and lawyer professor, now let me go on, i will, that's really time to understand that this isn't the city and city with 2 different structure. to that go the he will be fighting new perspectives on cities, integrated strategies for living together nigerian installation. ah, the better understanding for one another is how we'll get together. so i decided that i was going to go to my philosophy and to try to find my answer. and the answer please in your by provo, that's these that people are like doors. and when they open up to you,
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you become that to keep up secret doors to getting to know ways to becoming our fear of the unknown. but not a mexican installation has a strong emotional impact and it triggers the feeling of being on a blocked part. no wall, insurmountable. she my name is steve young, we did some research and we time to try and displacement is one that's yeah, it's really one that socio cultural and we know what is known as migration. you've got to burn your graphic positions in the usa in latin america, america, latino. but we believe that there are many other types of displacement, including other species. what came flow in the spaces, sand, water,
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and animals, no, no borders. it also causes them, as we often make the echoes and we live in indivisible assist last seen b, c, b. so these really convenient focus is precisely on the seacoast system. one display of remains of animals which have been displaced from their natural habitat in each room. if the past decade. some species have been completely washed down. mm. ah prover. it has a lot of advantages for humans. but i think we need to reconsider our relationship with nature. ah, even activity has had a catastrophic impact. inform the person in the name of progress and ideology. ah black ghost,
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he's just fine animals on the palestinians. have been almost in tiny medicaid buddy is randy who came from europe as they to the factory, tells me i think that you can see the tension and this conflict in this sacred holy land for many people as through the stories of the animals are moving in the fight for resources is threatening, how many adults ah, destruction and conflict between the government teaches population to cheat them up and she refused to be oppressed by the spanish colonialists. they experience displacement and discrimination under the chilean government to this day. they resist and hold fast. they close to live in harmony with nature. they fight all projects which endangered the environment such as
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deforestation. julian started take a handle on seeking a solution to this conflict of conflict. ok again it's, there are nomic political, legal, and cultural components to this conflict rather than architecture's role. here is to offer a synthesis and the face of the complexity of synthesis, which is the result. many meetings and conversations me in as a process, going to be more, and that's no process. we learned about them. i have an ancient tradition when it comes to solving constantly. and this is exactly the question of this be knowledge almost as how will we live in the future. you get a look what they have are parliament. and these have one condition condition that there should be a symmetry of knowledge on both sides. before you negotiate and you have to know
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who you're dealing with, the name ok over them, i put a se one. we know what she les in, but she has no idea who we are. we cannot put them on the sort of mobile to since these parliaments didn't have a dedicated building, and athena is designing one. ah, we can figure out, i know we took some of our inspiration from the religious architecture of the my food chain, which we integrated like the circle shape which is typical for oral culture orientation towards the east is essential for all activities of them are facing the sunrise side, so we had to make that visible, and by visible we mean something vertically become a meeting between them. up to she grew in a timber company, willing to negotiate with planned to be an i, because of pandemic related travel restrictions. it couldn't take place yet. can such neutral places such hopeful conflicts? even if they help only a little bit important step,
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future questions are pushing us. we're clearly not happy with the answers we have today. so we're compelled to think the future. we have no other option, no other option, but to recognize our social responsibility. and this isn't just the way it's definitely worth visiting venice during the be analysis. but those who can't make it in person can spell it for parts of the acquisition online. for example, with a virtual visit to the german pavilion, the german civilian takes us on a journey into the future. to teens visit the mtv and all the gardens in the year 2038, speaking for all future generations,
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they are. so little was going for the common good in 2021. i huh. i in the actual building there's little to see. just start was with he work. these are lot short films. imagine realities in which today's major problems have been overcome. the business called 2038 the new serenity. but i think it's mr. diesel is 2038 isn't paradise. i see how it. but it's a world where things are better than a lot to show the people who are involved on the ideas and the model. this approach stops visitors from immediately saying that can't work because we show word off tuttleton yet when they deliver to science, you to think the positive vision transports people to the future. and then from there they can keep on coming out on the things the vision includes urban planners,
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texas was the 1st economist and journalist that for 2030, tells humanity manage to turn things around and make the world a better place in collective intelligence, being part of how decision making process or taking in the city hall became the way that our cities that are not only carbon neutral, but help clean the pollution or stop any form of pollution whatsoever. so together a i and humans are a joint venture, not imposing force. the extradition makes clear that humidity was only able to solve this major problems through cross disciplinary cooperation to different voices. in the pavilion, nearer this message, the italian tension comes to me to gather from seeing how and what gets opened by the spaces in between.
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knows in july and the time we realize we're part of a larger system though it seems unlikely we'll achieve serenity by 2038th. that's another reason we need utopia to help us find our way to a better future. so how can architecture help even the architects are very good at understanding complex systems resigning my mission. s my 1st and what they need to realize their job isn't about beyond below the facade that it's not about constructing a beautiful building. they need to start thinking in terms of sustainability. they need to think about how they can make the world a better place that someone feel free to call 20. 38 is an urgent call to action. hardly ever is determined civilian and this optimistic
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we or if it change your values in terms of what we see to be important, then what isn't. but we also need to express it. we need to create an aesthetic that truly represents this new attitude and creative architectural ideas on just on display. at the venice be knowledge, there's bringing up all over the world. the dream was to create a place where people laid work and play real. we're leaving the car manufacturer, toyota is building a tiny prototype city of the future by mount fuji. the project was developed by danish star architect, bianca, especially with the amount of every project. the prototype is called woven city as seeks to weave a multi layer transportation system. construction followed the latest environmental standards using wood stand and concrete. the foundations don't was just recently
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late. next year professor tatyana schneider says the futuristic projects are based on old ideas to your time. what we're sitting is wooden city in sooner projects. a lot of people living with a bar traces. they cory different mentioned the living with the workers comp's classes. and this was in and actually off, and i found this is reminiscent industrial revolution shipping over in northern saudi arabia. there are plans for me on the line 170 kilometer long, 0 carbon emissions city. further, smart cities have been designed for dubai. and many of which are green, or at least pretending to be the, the 1st was a carbon neutral city in abu dhabi,
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which was supposed to be completed by 2014 the then came the financial crisis and the completion date was shifted to 2030. but except for the buildings designed by architects or norman foster, they're still little to see. the problem is that these utopias tarnish quickly assess spanish architect be sent there. i was in my star and my studies over this was a good idea in the year 2008. and they have a plan to do a c, d, w. in fact, very expensive because he was elevated on a podium in the same way that these, the line is how the avia it will not be done because it's impossible to do. city that has a huge on the right infrastructure. why yard is planning his version of smart cities in the hills near barcelona rather than transfer motor vehicles into
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tunneled. his plan is to avoid them in the architect has just want to pay for a new self sufficient city near beijing. recycling energy production and food production will all be taken care of within the city limits lose, our city should absorb instead of a meteor door. and in order to do it, we need to transform our buildings by that and they should generate energy like i did 3, they generate their own energy. so the new globalization should be based on producing things locally. while we are connected with this done, that was the other think tanks are looking to accommodate the entire world's population in one small state, leaving a space for nature to develop on the rest of the planet. utopia. ideas are
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booming because there's a desperate need for more living than except years. more than 1000000000 people need to be of an eyes. and that means that we need to build a key balance of 150 or 3000000 people. every mouse in the next 30 years. so that means that we are in the middle of a huge process. so for the session, i think we need to find solutions that need to be applied not only to retrofit our cities, but to get new sheets and to create new cities. we produce more than 2 thirds of the carpet in the atmosphere from the building industry to transportation. everything that we do has an impact on the environment and therefore we have to take part of that responsibility in terms of how do we change our building techniques, where we are source or is how we extract them,
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how we ship them, how we assembled them, how we condition our homes, how we light them, how we create environments at work, outdoors, french architect, i'm like i thought, and johnson you said are pioneers in this regard. their bold and i'm the approach has one on the prestigious pisca prize. a typical 1907, these apartment block in bordeaux quickly built ugly and not ecological friendly. so what should be done with it? tear it down and build something new for the french architectural office like a tall and that is simply not an option should never, we never diminish because on ways we have to consider what he's already there. this memory, this life that people spend even in difficult conditions. ready 530
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public housing, you know, small and dark. the architect was an extension rather than demolition. parish modules were mounted on the old facade and the outer world opened up to the new belt. it was a logistical challenge and we did it without removing any family from the, from to believe what we said, i'm vision of transforming the, the space of living in a much better way. and we were expecting that it could really show the relevance of this process of transformation is the result was light field spaces which can be individually configured. outfitted with thermal curtains and insulated glazing, which are usually found only in luxury last. but this conversion cost just a fraction of what demolition and rebuilding would have cost affordable,
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sustainable construction using simple means, like i told him to bring social considerations back into architecture as well as ecological ones. for years, the dual has studied the construction and interior climate is greenhouses over the school. we were interested by greenhouses. i think it's also linguists, transparency that we really are interested in in architecture. and the idea of playing with a climate and not fighting against these 2 buildings in dunkirk really do look like enormous greenhouse why the 1990 s all that remained of the shipyard in the northern french city was a warehouse year marked to become a museum space. the 2 architects didn't want to get rid of his huge interior space . so instead of completely overhauling it, they built a similar warehouse next to it. now it's one of france's most spectacular
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exhibition spaces. the pritzky surprises, recognition of the timeliness of the duel approach to building honoring what's already there. and using minimal means to achieve maximum effect with an emphasis on sustainability and affordability. in a way, we quite never seem opinion, but at the end we are we agreed on everything. so it's, i think it's something like magical ah, that's all from this addition of our 21. let's try to live well together now and in the future. i lose the use
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ah, it's the oldest st legal car on german road. victoria german the offers they had no, no. not even for this 4 wheeled. it's time for another technical field event. victoria's registrations, even in 60 minutes g, w, american, how many portion of lands turned out in the world right now the climate change, the story. this is much less the way from just one week. how much was going to really get we still have time to go. i'm doing to subscribe it all morning is like you say it is good to
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know who didn't but him. he didn't i i don't one welcome to another edition of the 77 percent best is that sure. for africa majority the youth like you and i, eddie micah, julia is the name and i'll be driving you through the program. this week our focus is on art. let's check out what we have for you on the show. street the be takes us. we museum in germany to discuss what should happen. and then we'll meet africa offices who are taking the well by stalled out the logistics
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and we'll find out how the vaccines against will be 19 meeting. if you're ready, then let's dive right into it. i'm sure you've been wandering. why? there's been an ongoing discussion about for my colonizers with heading africa stolen artifacts. countries across the continent are still struggling to get back. what originally belongs to them. now in kenya, the secret in god's the drum of the puma community on the countries coastline was stalling by british colonial office as more than a century ago. and it's today still kept in london's british museum. it is just one of thousands of artifacts which are now kept in museums abroad. the africans, once back, manually as returns every so often to these groups in shallow on the banks of can, you can a river. he belongs to, the become a community. the grooves once house,
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the book, almost the crypt. gotcha drum which was stolen by british colonial offices over 100 years ago. in the possible, the elder food had been kaji in a place like these to see a secret place in the forest and hide, but not even small children could find their way. the drum or gadget was once reveal does it come with center of sovereign power? it determines their way of life. well, i mean that without it, the grove is no longer sacred and the governing council to reach manuel belongs, has lost most of its authority. since then, god was taken, we have been affected because also no longer has l does like manually have vivid memories of the colonial period,
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but they were too young to have set eyes on the drum themselves after taking the gods from the pl como. it was shipped abroad and kept his storage in london's british museum. the homeless king moran, the youngest of the 7th, and the elders in his kingdom over the drum will never return. like unless i knew my genie, i had the mis with minister the parliament in england. if i had the mess lying some way and they using it as a footstool, what the british it will be sacrilegious to them. it's this isn't drum on savages, but it is which is not only needed, but it has, it has some function. why should you deny an object? it's functions like the for coma. many communities across the african continent
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have been demanding for the return of the plunder, cultural bearing, kenya's, national museum, and exhibition is taking place. the invisible inventory is questioning the results of the object. ah, like visual effects like these empty boxes. because like when you go to a museum, you don't expect to see empty cases. the missing objects include items such as the mass shield, smoking, pine cones, grave markers, drums lining, the invisible inventories program, recorded like 32000 missing object. plan was to create a database of canyon objects that are spread out across the cultural institutions across the world. because because can you know where it's object sign,
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what they are? we decided to visualize every object as a shipping label. because for us, every object that left can was shipped out. right? and honestly, we've covered all the was, but this is only like 2000 in the british museum. one of the largest collections in the world of cultural artifacts, given the breath of its colonial empire. while other former colonial powers have already begun the process of returning lucas at the facts written, still dragging. they've always, you'd cross the laws against movement of objects, which is really strange that you know, you take objects from people and then you create laws to prevent them going back. so now it's if, if illegal to return objects, what says illegal to take them right? tell minor a digital heritage specialist was shocked by how much of the restitution debate and even the actual return of objects takes place behind closed doors. she co founded
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open restitution africa, an online platform that puts together data on restitution and bring african traditional to the forefront of the debate. especially when you look at technology by saying we are saying that more people can access this information. more people who are not in expert cycles, let's say i couldn't weeks, or even in museums and people who on twitter and instagram and have nothing to do with museums or hate age can actually access this information. and i think that's powerful in, in creating awareness that yes, there is material that has been taken to macaroni for comb with king recently got communication from the partition that we would like to talk. a huge step forward from when he 1st lost his initial request. if he ever go his community, which numbers, roughly 200000, live in one of the poorest regions of kenneth many no longer here to the old traditions and question the relevance of the drum today. yet macaroni remains
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adamant about it's important. it is really a very important center for our people, but in the museum, it's just a moment of attraction. here. it is bound to the life of all these. who did it? this is our property. if it was acting, then it would be time to assemble not by for so many hygiene, low food that returns or life in king michael ronnie. and manually, as him both aware, returned to the old days will not be. but sitting here under the lash manga trees by the river, there, hopeful that there society, distinct identity will one day be resurrected. an error for common will. one that's really about restoring a community identity, isn't it?
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now the invisible inventories exhibition you saw in the report is a collaboration between the national museum in kenya and 2 museums here in germany . this takes us next to cologne's route and straus yas museum, leaving reason awareness about objects and artworks that we're storing from africa and not all parts of the world doing colonial times. at the same time, the museum itself is in possession of many of these objects. now to delve deeper into this, michael lee christine wound to i went there to lead a very engaging debate. the hello everyone. these here are some of african most prized artifacts. they're called the beginning bronzes there, from the ancient kingdom of been in, which is today known as it all states. inside the nigeria. they were stolen by bridge soldiers in the colonial era and sold to buyers in the west since then.
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they've been on display in museums in north america and in europe. now today's st. debates coming to you from b ross and shout us museum in the german city of cologne. that is because this museum is home to 94, been in bronze, but also germany fit to become the 1st country to begin returning the beginning bronzes to nigeria. and so, you know, i want to pick up with you because you're from been in city and state, you know, with thing or 2 about how to make a 1000000000 bronze. tell us what makes them so special beyond art, the core charger, the story of my people. so it's not just looking at t t s. piece of our culture of things we're taking through our language room. we're taking languages we have taken was tripped off of a cloth in of our way of life. right. so it is beyond the pain. i'm going to come to you now, and that's it because you have been the museum director at this museum since 2019
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the conversation about returning the bronze is, has been taking place for very long time. why do you think it's taken germany this long to finally say that it's going to return the bronze? as to niger, i would return the creation. why is germany at the ready to give back one of the most important african harry teaching european museum? and i think because there is no emotional link recently area, for example, the relation between germany and the media because of the genocide fears, genocide in 2020 century is much more difficult. that's where i, for example, at this moment, germany is ready to reassure acute right did been in bronzes and for example, the british museum in london is absolutely refusing even refusing the discussion about paloma. i'm going to come see you now because this is introducing this idea of connection. that's why it may be harder or easier. why do you think it's taken
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germany this long to return these branches? i think it taken so much time because germany or even other european countries have a huge problem, mostly in acknowledging the colonial history and the cold, you know, colonial past and the colony of the museum as an institution itself. and also acknowledging that museums, institutions that actually produce racism or reproduce, reproduce race. and in a way, i think this is something that has just maybe, maybe started to or that people are even more mending. right? and asking into demanding for institutions to consider that and to think critically about their own history. right. i want to pose that question to you and say, how do you feel as somebody of you know, somebody who's got affiliations to the african continent when you walk into museums and you see items that belong to africa, for example, that you know, people on the continent went back, how does it make you feel? the thing is, it's an expression of power. it's the same expression as of power that it used to
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be 5068, hundreds a couple of 100 years ago. so this is why i think that's it needs to be brought back, not only because people need it over there, but because it here it actually does harm in giving the wrong image of african cultures or giving people still the possibility to dwell and to believe in these colonial ideas of possession and this of, and occupation of dominance. yeah. okay. so i'm going to come back to you and say what function should the bending bronze is have when they are returned to nigeria. i saw one of the walks there and i could recognize the dow was taken from a shrine. so we always talking about museums and museums. some walks were broken off the dos of people's houses by the end of the museums. here you see a low pod there. what is low power to you? it means something to our seats more than just an animal. i don't know if your
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parents truly have a connection like a culture, a connection to it. while we're talking about how we will keep our own property is ours. to give you back, jerry, i do want to come to you because you are a historian. do you think that we will be able as a continent to preserve these artifacts when they are returned to us in a way that ensures that they will be the centuries to come? we can accuse the appearance of whatever we like, but they have kept these items. will we do the same in africa? we will, we still have been in bronzes, into 3 centuries. if those been in bronzes and other artifacts are returned to the country. absolutely, i mean they came from mars, so if you were able to preserve them percent for so many generations and passed them on from one's innovation to the next until they were looted. why won't we not be able? when we get them back to be able to do the same process, not only made the been in bronze, but most of the fact that are still in the museum. this is a part of it. but the, so marsh even here, will be a, standing on the seller. you know,
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the so much that he's coming from the whole of the african continent. and it's just kept somewhere, you know, in paper is all, you know, wrapped somewhere. and then this history goes the way you know, we kind of have and then our colonial amnesia within the african continent of the teens that they took. and what actually, that means for us as young african people that we have our histories lying somewhere invisible in duck sellers. i do have a question for you. yeah, it's germany going to return. every single, been in bronze in its position. actually it is. it is really, this is the decision to nigeria to say ok, we want to have everything back. i would say every so we can into preach this paper, these documents on very different levels. my interpretation is now we have this paper and actually everything includes returned to nigeria. ok, and now i'm going to give you the last word now because it's just germany so far
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that made the commitment to return the bronze and number of countries. the brits which have the biggest collection, the british museum, they've not said anything about returning those funds is what is your message to country that still hold onto these artifacts? if you'd already term these walk, you're not taking away from mos, you're taking everything that makes us off. that's what you're taking. and or that's what has been taken before, right? return in the art, it's just one way of saying we did wrong. have this start to learn about your people and that i think it's something that everybody can relate to. and that does it for today's st debate here in the german city of cologne. but the conversation really doesn't end here. of course, we're interested to know what you think about what we've discussed here today. is africa's stone or not? is it going to be safe when it just returned to the continent? and perhaps, what is your message to countries who have not quite taken the decision that
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germany is taken to return to africa? what's rightfully belongs to the continent. so for myself with him on the team has been great having you with us looking forward at you engagement in the coming section. bye for now. the dialogue christine for a very insightful discussion. well, countries like germany and the us, how come at that to retaining the bronzes? i will keep you in the loop on how fast things develop. now, if you want to watch a longer version of the base, you can catch it on our youtube channel. and we already sent us your comments, let me just get to a couple of them stuff in width and the my clang who wrote, i stand against the return of the arts because it is now outdated. they should pay for all the stolen african objects financially. ok, interesting one that thank you very much for that. then donny, donnie wrote, we need to change the narrative. they taught us in history class that is and
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restore our african heritage for future generations. so these i a couple of the comments we had, keep that to be going on. you page. now we are not done talking about art that school meet 3 artists from nigeria and kenya, whose art will blow your mind, especially if you're into science fiction. in the art of cyrus could be discarded. technology is given new life. a bands and radios become space, age communication, device, rusting, bicycles called walk. mom. i turned to sculptures that could have been left here by aliens civilization. the series of eyeglasses called the sun is made to be famous, constructed from trash collected on his travels through mash up of different cultural traditions. to me, after that is for future lake, it's
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a combination of different cultures. decent material from like global to it's how something new currently be. more awesome can least move more a shift. no, it's more awful. pizza kenyon, photographer, osborne lataria, reimagined 10 years. legendary mouth independence fighters as high tech optician to help over throw colonial area. apple futurism is about reimagining, an african pass either stolen or forgotten all african countries from the colonized and people didn't get too subtle fee that history or see themselves in that history. or a lot of us history was not documented or was data rolling images to find the
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mostly negative view of africa seen in western media. we do have that issue, but our issues don't want to revolve around and pull the key some 90. he wore this tory, that we can tell that sort of give a different perspectives my what that all is bold because all is confident the message will be a boy's perception of africa across the continent in nigeria. after futurism is also taking root, a new generation of african artists is looking at their own culture from a new angle, comfortable artist. gee, mckindoe's credits, black panther, aqua cup before no, i've been known to be for about the 3rd was called 3 black pontiff bring seats to the 4th floor and i think was the power that is completely loaded with technology. it was mind blowing. africans everywhere were
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wow, black panther might have brought half ro futurism to the mainstream. but my kinda believes the next wave of storytelling will be home from that when we talk about after patrol, he says it's like an intersection of prop. i think technology tires, which shows african itala, jewish african traditions and african culture the culture. dom itala, geez. more or we do not attend to from yes. because we are more fun to do. whether in comics, movies, music, or design, the art of acro futurism, combines tradition with imagination, provision, a brighter future for africa and the world that's right. creating a brighter future for africa. and the well, some cool stuff that they east and west,
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combining to give us the best. but let's the in my area, a huge lead creative hub and training center. in my degree is using modern technology ideas, exchange and donor capitol to unleash the potential of young nigeria and photographers and filmmakers. my degree, the federal capital of nigeria is born. i state over the past 10 years, the fight against the terrorist group of bucko rom has repeatedly up ended people's lives. perhaps not the most fertile ground, the young creative thought of. and yet the city has a small emerging start up seen entrepreneurs like mohammed to see a huge potential. and how much is the founder of the co developing hub or cd hub in my agree. this is where he sees the future of the regions job since 2018. the hub has become a training center for tech, enthusiasm, meeting points for creative young people, and allowed to digital storytellers have done so many atomization and innovation
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program for young people, tribunal and the ideas to aspire. to generate ideas, but not only to generate ideas, but also to see how they can be of benefit to society as india, when id, as without much support from people so far more 100 and his team of trained over 1000 people in strategic communication, graphic design, and photography, they also help young people like the shami realized their career goals fell in and all of this land as to be a wedding photographer. i have passion for. that'll go for a long, but i didn't get to know how it is. delight compositions, angles attention about them at 1st, but know that i know about them. i am very happy that my pictures of the more compelling than the science for theory classes, mohammed and his team support makers and spoken word artists splitting their productions to the next level and generate social change across nigeria. 1 august
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behave let one in judy, and this is the disease that has been killing people, not based on gender, religion also. all right, we'll call for god's sake i think you might tell us f o for welcome enemy. i want you to understand you're talking a press, the window place where you're gonna have you ever had the what's the motivation decide to insecurity in the region? well, how much? because you should be it's jeremy vitalize ne nigeria is creative drive. so all hands on deck to beat the challenges in life for a better future. now, i'm sure we all looking forward, we call that and then make free future right for that to happen. we have to take back scenes when we have a chance to many people have their concerns about taking them. so let's help ease your fears with this video that explains why vaccines i see for you. am
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i, rene vaccine this, against cover 19 a safe for you and your genes? social media posts claim that the new coffee 19 vaccines were invest sibley change your genetic material. this is false. them or renee vaccines. a messenger's which gave instructions for a cell to produce a so called spite protein. the spike poaching is found on the surface of the virus that causes causes 19 in the nucleus of your shell, your d. n. a is surrounded by a double membrane blocking the messenger from entering after this fight punch in these created, the messenger vaccine is broken down into smaller harmless molecules. y'all, immune system recognizes that the spike approaching does not belong there,
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and begins building antibodies. shoot the real corona via enter your body. it now knows how to protect itself. contrary to some claims, the vaccine want to reprogram your d n a that provide yourselves with the necessary information to kill device. you know, i recently got my fast job of coven vaccine. so do the same. if you have the chance home that notes, that's all we have for you on the show. you can follow up on the social media and write this an email to 77 at d, w dot com. that's all for me. i am at michael junior. leave you with some music from felipe. upa with both saw us find out
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in the i change africa. what's the story here? what is do they have for their future w dot com for can megacity multi media insights or it's about billions. it's about power. it's about the foundation of the world order. the news silk road. china wants to expand its influence with this trading network also in europe. china is promising this partners rich profit. in europe, there's a sharp warning you want wherever, except money from the new super power will become dependent on in china's gateways . europe starts july 1st on d, w ah,
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ah, is data but he needs live from berlin, former us police officer derick shows and sentence to 22 and a half years for the murder of george floyd. 22 and a half years is not enough. we will serve the life sentence, we can get george back. it's one of the longest jail terms have been down to a former officer for using unlawful deadly force. also coming up 3 did and others injured in the germans, that he was following a knife attack. police say they're not ruling.
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