l o. in 60 d w. these places in europe are smashing records, stepped into a ball venture. the treasure map forms modern globetrotters discover some of you to record breaking into. and now also in book form the life it is a big turn in this great is not people blame the people breathing and so different separate. the man says

it means for me because this music touched me really deep. i love every single month. me the church of san marco, in the heart of milan, it was here that you zip a verity they viewed as requiem, an 874 and exactly 145 years later. he couldn't see that the conductor stand. he's directing his music, italian orchestra and choir comprised of 180 musicians and 4 vocal solomon. mm

mm. mm. i think the very beginning of the rec, on the, with the changing, whispering curriculum and donation looks. but based on these weight, him because those these mysterious light comes unlike if we spare of the humanity from all the sensuous some magic ah

ah ah ah, ah me o me. ah the ah,

you need to get the kind of spiritual, wandering, and spiritual adventure of searching the place. and then at one point you fell in the same path that was the composer and then you have a lot of information to bring up here. yeah, i use that diversity is wanting to italy's nice famous composer. he wrote 28 operates in one funeral mess. the message directly very composed directly in an honor of italian poet, the novelist, alexander my soni. precisely a year after his death, requiem headed for me in the church of son michael the news,

everybody nies. even with some critics that said that it was an opera, not sacred music, but at the body. recognize you from, from, from the 1st bad moments from the 1st media. that was a major work of art and masterpiece. moving everybody in a way that still is so in fact, different so in all europe, since the 1st performance team, everybody wanted to get performance of missed that and it became one of the most important works by the end sacred music pieces. the not some in general performed and by, by the of the

me, ah ah, ah, ah ah, ah, the composer is music in a certain dimension and brings this music to our dimension. goes music is not the nodes. is these the same metaphysic emotion that you can feel with your helper senses about something and then you start to

find a way to bring him down to transcript in language or sound what to do in another unspeakable and undetermined place. then of course, the composer is not for me, this kind of creator that she creates from 0 this she just gets in this environment and brings it here. now the performer, what has to do is to start from this environment here and go back to this share that the composer was, take the music and brought it here. the,

the me born in athens, i'm trained in st. petersburg to do a currencies as one of the most exciting conductors of our time. from 2004, 2010. he was music director of the noble, severe sc. they'd opera ballet theater. it was there where he found it, his music, eternal ensemble, and chamber quire, the, the, when he became artistic director of the opera and ballet theater in western russia . he took music. i turned along with him. right from the start, couldn't, he's demonstrated his passion for getting people excited about music.

so what i'm doing is fair on this connection. we and some inside of listening and gender and understanding. and every mean, what is the function? and then try to bring this mysterious light in doing the performance and everybody gets transformed and is all these functions and all just quality doesn't remains in the 1st layer of quality, but becomes kind of sacred act between the in

the me the the me i, i use i

me. 2 ah ah ah, i yeah, i use

use use i. when i met him it was for me like it, it kind of artistic fusion because i, i immediately understood what he wants said. maybe i can, i'll give it immediately to him, but i understood what he wants and i totally approved what he was looking for. so the very special thing about his vision and of course the vision and we are all together trying to bring with him to you is finding, again, the original score. and when i mean your original score is that we have to be aware

that inverted core, we are a moment where it's written 6 piano, and then suddenly you have, i think, 4 or 514. so in an hour and a half of music, we have to find a way to do 6 piano and $514.00. and you need to, to hear these differences the ah ah, ah, the me.

oh, the me. oh i this music takes a lot of efforts from every musician playing and singing. and of course the main challenge is to, to follow doors, fluid vision of this music. every time he changes details, he's like never just fides with what he's doing. so he captures the exact moment

of the birth and life of the sound and depending on how it goes, she can change really like really a lot. he could change really a lot anytime the ah ah ah, the me the

. 2 me ah, [000:00:00;00] ah, i use we'll need to be saying that the same language. so considering that we are like,

really have 200 people. it's kind of a musician to get together and, and this is, this is very has to get but when you get it, it's really a amazing o o o the oh the . 5 me

ah . 2 ah, oh, i like the fact that in this piece you feel being a part of something great. and as a solar you have to of course, very, very exposed solo moments. and then suddenly you have to mel tro voice in the course, the trio, the quite sure how to do it. and for example, the news day is the, the most exposed moment because you are at the, to, with the soprano. you think that the same thing, but it has to sound like a unique voice. the

ah, the news, the

ah the ah, is not this is going to be connected with this constant in life which is change. and this is something very honest and very hard to follow and very has always for him to find the truth. everything about him is special to work with him. of course, it's a great privilege and that really deep satisfaction of in the, in a way of creating music together. and but also it's

a great challenge because he's obsessed with the quality. i think he's a genius, meaning that he is totally in the music. he's completely involved in what he's doing and for me, the genius is this person who is what he explores what he magnified ah me oh the. busy ah, oh yeah the,

the. busy i oh with ah, this surely not, engine is soon enough, perfectionist. and just i think sue a little bit different things in scores from other musicians. i'm

a little bit individual. i would say that's the only thing i can say among and absolute friends of composer that i decided to interpret the the the, the, the the, the,

oh, me to be in the us the, the, i use

read rate to grade form for doing something because you deal with something that you deal every day actually just deal with death and life. and while you do rec, them your you are called to answer to, to, to, to mental questions. if you believe in life after death. and if you believe in life before death, who need it is going to be

in are all ah all. ah the me the the

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what measures are being taken? what does the latest research say? information and context, ah, i recently updated the special monday to friday on dw, the in december 2019 the european council president show me shows embarked on a ground breaking mission. i have a clear job to meet here of the 1st time it's it's i don't see things on the planet by 2050. not all member states supported and some persuasion is required. so surprising, glanced into the very heart of our hostess who will win the game of diplomatic

poker power plays and the lines is behind the scenes of the finest summit starts august 5th on d. w. the news . this is the w used live for the lien, at least for data. devastating wildfires, ravaged cypress neighboring nation in firefighting plains dozens of houses and whole growth of ancient olive trees have already been destroyed. also on the program, thousands of troops and fire fight as a dropped into search. both survivors of