on the world stage in 60 minutes on dw me, what secrets lie behind me discover new adventures in 360 degrees and explore fascinating world heritage sites he w world heritage 360 now ah ah . busy it's so painful to see so many people leave the country now because they just don't see any future here anymore. ah,

is the time in history where we could do it? if we fail, if i failing, but it's still nice, a lot of energy to go forward. making films against all the rules, creating images that have never existed before highlighting problems. that's what filmmaking is about. for many young people. we've met a lot of them over the years and the another challenge program which always take place at the same time as the burning international film festival. bringing together over $200.00 up and coming to makers from all over the world. we wait for them again and i show is coca from saddam constantine vault and christopher from germany and lebanon. andrew, by

a host thing from bangladesh. ah, has you qu concerns? he wants to make films for his people. we met him in berlin in february, when it was freezing cold. he was visiting friends and taking a break from the stress and so damned thing in times of the to ship. you can never be your true self. so you never know what your identity is. so i feel like for us to, to become really who we are as a people. we need this freedom, we need to face and we need to be able to play. and i feel like our culture is cinema. is that space for us to play, to try to understand who we are and to show it to ourselves. we 1st met how she was cooking in 2016. he was living in the middle of

a war zone in the new mountains and south sudan. he participated in the bella non talents program after making the award winning documentary beat of the anti, the film about music identical ways to learn about the war using music within that country, music and culture on daily life and concentrated on people. we actually moved to the new mountains in 2012, as a war raged between the government and ethnic groups fighting for independence and the right to their own cultural identity. it was a war for resources, self determination, and over the role of religion. you scared like you naturally scared everybody around you scared. everybody is running

into foxholes. there's a moment when you come out that you want to make sure everybody's ok. there's that moment of fear. but as soon as you noted everybody's ok, then there's that moment of extreme happiness. lou has huge coco won the dance talk commentary audience award at the 2014 toronto film festival before moving to the new mountains. he had left in new york, but he gave up a secure existence to support his people. living in brooklyn, there had my little 60 bike that i love. and it's an easy life is these fun is very creative. but my work there doesn't matter. wow, the simple thing of being in hawaii on just my presence makes a difference. i just kind of walk as a wall chronicler, organized theater workshops, and set up an artist collective in 2018. he made his 1st fiction film,

an anti war comedy. akasha is about up none a soldier and his girlfriend, lena, after they spend the night together, at none gets into trouble. when lena becomes jealous with some of the ship, you know, but then the shopping in front of the meal and the dish. and the funny little, you know, the last year to direct to shop the phone with a small team area without running electricity. it premiered at the 2018 venice film festival. when we 1st started making the film with the film that we were making for ourselves, we felt we need, we, we, we had that need for coming together and celebrating. and this is what i discovered

from my 1st documentary be said that enough. so with a cash out, we wanted to create a film that had the backdrop of war, but still had enough humour and life and whatnot and questioning of revolution and what it means that it means a lot to us. and it was amazing that the film actually also ended up in huge festival and went around the we met constantine bulk and christopher our own when they participated in the 2019 berlin olive talents program that weren't together on the international co production. kappa. now konstantin balkans, editor and christopher own as a cinematographer cath, i know, put the spotlight on people fighting for their survival. poor children in the slums of a root like 12 year old zane. it was the moment when you realized that the fiction that we're doing that the reality of surpassing the fiction that we're doing and that made everyone realize how important this fictionalized version that

we're creating here is and that these topics do need to be talked about children without a childhood you'd see those goods on the streets everywhere you'd see so many is also between lanes and on the highway. you're just just ignore them. you just treat them like animals or like ghosts that, that don't exist, but they're everywhere. a non professional lankton were plucked from the streets and much of the film was shot from them. perspective. it was not so much the story, but the ra, direct and truthful way of telling the story that made the film so exceptional. in 2018 at one the jury prize at the cannes film festival and in 2019 it was nominated for an oscar. it's easy to blame people, but it's much harder to understand why they act the way that they act. what is wrong with the system that makes them act this way? how were they brought up?

ah, we caught up with him again this year, but not together. kevin now may not have one the best foreign film oscar 2 years ago, but the nomination propelled their careers forward and christ of our own one the germans cinema. telegraphy of constantine bulky is currently in beirut, conducting research. while christopher is on a plot of insurer, they were both invited to join the academy of motion, picture, arts and sciences after the oscar nomination. the whole experience in l. a. for us, with a door open or even beyond the academy, what it meant, 1st and foremost, and this is very important to us. they are to get to put in the doors that we signed with an amazing agency there. and they set up a lot of meetings and they really encouraged us to, to take that step. and especially for, for you, chris, i get kids from, from, from across the world at the moment to choose from which,

which is what i would have been looking for. oh, last summer he was the cinematographer for the international co production, the man who sold his skin janisa, submitted it as its entry for the best foreign film oscar. and it made a short list of 15 films. yeah, this is enough story that bekins in syria. some ali is in love with a b was when henry and henry detective with the deal with the way that you can use the revolution will be his own. doing literally one hudson gown causing him to feel like no one stays behind. mary's diplomats and moved to belgium.

will some ever see her again? an artist offers a promising solution and sam becomes a living canvas to apply. so i want to go home and feel as though she is showing in a list of don don and i like the idea of turning into this over there was a means to that person to become a piece of art. and that gone to just blew me away with my legacy flooring. you real fighting and travel around the world is going to look and all this work about as a signature. we had that idea of having each scene look like

a bathing and have the be like a gallery or museum you're, you're, you're walking onto and looking at those different pieces of art. so the, so the idea was to have it different it was so we created those in the data from each other, but also all of them connected. and i was scared. he knew my biggest shooting this movie. well that at the end it turns out like a music video because it's all not because i've seen looking that different, deceitful art world staged in a visually lash fashion. the critically acclaimed film celebrated its premier at the venice film festival. it also stars,

monica bellucci as the cynical gallery. oh no. use me. this part of the expression, the real, what is inside. i almost feel like you guys were sort of like subconsciously inspired by the artist that did this in real life. them that he had to the real guy, the work is called tin. he, he turned the human being into a piece of art which inspires color to write the script. and i feel like, yeah, that twisted and this is, is still in how you guys translated that with your visual beauty and the wickedness of the group. while christopher own was busy shooting a co production in the summer of 2020 constantine bark was in bay route. on august the 4th 2020 the same day that 2750 tons of ammonium nitrate exploded in the port. he witnessed the nightmare up close

and then the mushroom appeared out of nowhere and then took a few seconds before the shock wave it out. but you know, i think the scary thing was not knowing what's going on as to what does this mean, this war and someone attacking or what, what's happening were just so foolish and didn't realize what was going on. ah, ah months later it's john carr, who is to blame for this heretic catastrophe, but many blame the politicians, and lost faith in the state. the federal for less than 2 minutes till the mon, during the young

people in particular, don't see a future. they route or 11 or 90, more constant in bulk, entities to video, his musician, friends. i think that the fraction really go beyond the physical destruction and really destroy something and people in, in our friends or family in their hearts and souls. and that destruction is much, much harder to fix if it's even possible than the physical destruction of constantine bulk. one to prime sense the images interrupted research on a project and together with the nice woman is developing the script for botox, a root, a dog satire that takes aim at the widespread corruption in the country. it's a film from the fashioned scene that tries to highlight corruption and nepotism

behind the beautiful. the near financial support with the development of the screen play has already been approved in germany. constantine bulk plans to shooting a root into. yes. if we want to help in any way, it's by telling stories from here. and it's also by making a film here and employing our friends in the, in the film industry and like, you know, bringing, there's so much talent here. so the best thing we can do is make something here and shoot, ah ah, ah, my young and they are carried commonly

made in bangladesh, towns the story of shima as seems to be working in a factory. an accident occurs, a colleague dies, and shima realizes how defenseless the work is on. and i should say, but i'm one of those to be fun. i was hoping to talk to him about how much i think those would be the only the women can help themselves. you know, quite a be sort of with them. i got to go to the next financial agreement. cool in a double team that they said that act must be british on this thought provoking statements by the activist springsteen and fuels. seamus, anger. she decides to form a union. it's based on a true story that has been stress. dalia director ruby at hussein met her while

researching the textile industry. when i met her, she immediately expressed interest. i also feel that her life story was also very traumatic. that leaving home when you're 12 and coming to the city already said something about this young woman, if she won't get defeated, you know, she will fight. and that's what i think really attracted me to her. that i was like, wow, you know, she has that. there's something special about her when i was writing or talk to her a lot. and of course script we shared with her. she lives in the rehearsal or after she talked to how to operate the sewing machine. so we became, office became friends, you know, the actors and dana, and so we are wanting to tell the story to get back with the film dahlia convinced one because to form a union,

we don't want to do it. we don't know yet. i know voice is effective with them is i'm one of the locals, so i want to, i'm working with them. i think they when things got disciplined, if people started losing their job or the boss finding out that when they turn it to her enemies, because then they're like, no, i don't want to lose my job because i can feed my family to feed my children. it's really important that i have this job. i think these women, these young women are very much aware of their right. but maybe a lot of them do not have it in them to fight to the end. you know, takes

a real leader to do that. oh, i spent 2 years researching before filming in bangladesh. she likes working with women, both in front of the camera and behind it. the director also spends time in the us, but her work focuses on her home country. she wants with n g as late workshops for women and trains female directors. she's also creating an initiative to prevent domestic violence group. i interesting film premier that the toronto film festival and was shown in la cano one of the thanks to a young woman's courage. the 1st garment workers union was founded and registered against the odds. so i think it's happening awareness about women's rights and we have non and i think all of these things have happened because

of the activism of workers. fact director actually coca his comedy akasha has fun with cliches. so the, all a we wanted to make sure is to show the idea of war and how liquid was souvenir driven it soon. and olive, and now good and good, let me know, give i and that none of the super, no, not eliminate the as a says i was going to get the allowed to the look on august. and i wanted to make sure that we don't just keep having this heroic idea of war and why is this amazing thing and to become a man and to become a hero. and to here we go to war so, so i want to destroy that. but at the same time, i wanted to make sure that the causes real so so that balance of

b bar fighting for real rights and all that at the same time fighting the really dumb, crazy thing that hopefully wars will stop. so i wanted all that to be played with shoots during the rainy season, when the fighting stops noted in the loop of mountain villages in the film in the l in a. and i think together your level of mileage move, unless you read one of us, there is a happy ending at 9 remorsefully returns to lena, but he has to learn that women a much stronger than he thought. i'm sad. most the lebanese cinematographer christopher own has enjoyed working with women on films

like the satirical drama, the man who saw his skin. it was a big success for him. thanks to an intensive collaboration with the writer director council. then from tunisia in 2021. the film will net cruise to another nomination for the german cinema tanker fee prize. oh, i just have the feeling that they want to get to the next day. they have a question that haunts them more than men and they want to get to that answer. and there's something that's that doesn't mean the way they are approached instance. and they just feel like being to them and fighting for that. so right now he's on the island to flight ventura. his latest film copilot will premier at the berlin international film festival. he and director and sorta better shape preparing it's very atmospheric,

but it could be anything. the film portrays a love story between 2 students. ashley and i eat. once i eat suddenly disappears, his family comes off to sleep, but the 2 have sworn to keep their secrets. he's telling me when i find this site, if i'm on it, i will, i just like him. you know, i know in my room, my wife and the mom in the u. p is, he's kind of dancing, but it's kind of they need to rock together very close to my mother's no, but he's been, he's been great. i, i don't capture the sense of constant, like in a small stage play into this for by the missing

a phone number of us gets no, no one's called me. he is like to hear my dear. so i may prepare for the films, world premier christ about noon and soda, about a shame, a choosing press photos, heroes. meanwhile, in berlin, hazard cook is recovering from a stressful time in sudan. lots of change that the civil war has eased, but it's a fragile piece. destruction ethnic tensions, and high levels of corruption. slowing development happens. for years, the filmmakers supported the revolution, taking to the streets, among thousands of others. since 2018 there's been in the parents break in the fighting, but there's still no common sudan. the country remains torn apart. it's exhausting and not just by how shoes coca, his hopes have a new beginning,

have been dashed. at the end of last year, he was arrested because of a theater workshop in which women took part displeased the religiously minded police. it took an outcry from international filmmakers to get jewish cook i released from prison, were on the steps of getting into v o. p, but we're struggling with news using we're struggling with a technocrat government that can really deal with running the government alongside this military and the national security and the remainder of the all 3 g with the old mentality with all my chip. so now where, where is that, where like, we could do it is that is the time incidental history where we could do it if we fail, if us failing, but it still needs a lot of energy to go forward as use cooker isn't giving up. he's planning a film about the odyssey of african people trying to reach europe of fullness, pan,

african road trip. despite the challenges these filmmakers will all continue to make films in their own unique way. the the news, the news the news

the news the enter the conflict with tim sebastian. when it comes to foreign policy it's getting harder work out would be used for my guess this week is almost pious. nice chair and powerless, foreign affairs committee. can here play my such a powerful block of nations seems to punch so far below its weight on the world

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goal was right in front of them. they gave it there. then suddenly, we agreed to postpone the or didn't the games that tokyo with $22021.00 thrown off course during the qualifying brown or not for sport payroll. and i'm fired up and ready to count down during lockdown. walk you go to tokyo, starts july 19th on w, frankfurt, airport, international gateway to the best connections, self road and rail. located in the heart of europe, you are connected to the world experiences outstanding shopping and dining offers, enjoying our services. be our guest at frankfurt airport city managed by

fretboard. oh the news . ah, this is d w ally from berlin. a breakthrough on global tax reforms. wealthy nations agree on a minimum corporate tax rate of 15 percent targeting tech giants who do business worldwide, but avoid paying taxes by setting up shop in territories with a lower rate. also coming up on the show, nato and ukraine wrap up 2 weeks of war game in the black sea intended as

a shot across the bows of an increasingly, a sort of russia.