body and soul houses that dang, leaders, skinned, constructs are more than just buildings. he is the son of jewish holocaust survivors. how lucky that i was able to build your present berlin. his architecture is a celebration of democracy and peace and architect of emotions. daniel starts december 18th on d, w. ah, this is d w. news, and these are our top stories. non essential travel between britain and france has been banned. pirates introduced the restriction in a bid to slow down the spread of the on the chron variant. the u. k has seen very high numbers of corona virus cases in recent days. across europe,

health officials are bracing for a new wave of infections. russia has revealed details of the requirements it says must be fulfilled to reach a security deal with the u. s. and nato. the demands were delivered to the us this week. among them are the denial of ukraine's aspirations to join nato and a reduction in the alliance is military deployments. members of germany's biggest opposition party, the christian democratic union have elected a new leader. the party of former german chancellor, anglo michael elected frederick gnats with an outright majority on his 3rd attempt to win the top post. amin la ship, who's been in charge since january is stepping down after leading them to their worst ever election result in september, i saw that this is the w news from berlin. you can get more on our website at the w dot com. ah,

ah ah, the relationship between an orchestra conductor is like almost any human relationship, which is to say sometimes or as magic. sometimes it really works well. ah . you should not be satisfied. just with the ordinary. you should really be looking for and searching for an assist, insisting for exceptional quality. ah, there are certain things that i really would like to accomplish certain dreams,

certain goals. sometimes that means i have to say no to other things. the choices to have to be made always otherwise the quality will suffer ah, tend to nagondo and the dodge is in bonnie or cast down many an almost magical relationship. in his own words, for the american conductor, bringing that magic to audience is the world over, has been his life's work. ah, it's an emotional visit. kent nagondo back on the podium with the dia, so the deutsch is them pony or cast?

our belin nagondo is in his element for 6 years. he was principal conductor here in 2006, he left for the bavarian state opera in munich before eventually moving on to hamburg. but nagondo still feels a strong bond with the berlin orchestra and emotion. he knows how to channel for the audience. it is important to have a very intimate and emotional spiritual, physical contact with the music, or as an interpreter. but during the moment of making music for the audience. and you have to have enough to us since at the same time that you can really be objective in terms of how we're performing to, to public. so the public can feel it. ah

ah ah ah ah ah a day earlier nagondo was leading the final rehearsal in the berlin philharmonic concert hall perfection. kent nagondo once said in an interview should always be

the goal. anything else would be a betrayal of both art and audience in november, 2021. kent nagondo celebrated his 70th birthday, not long before he published his book, 10 lessons of my life in which he described some of the encounters that influence and inspired him. in 1979 nagondo sent some of his orchestral recordings to french composer and conduct or lydia miss young, who years later introduced him to conduct her say g, o z our in the 1980 nagondo studied with composer and conductor pierre booley. another major influence was the great american composer, conductor leonard bernstein. the things that i learned from mr. burns on about conducting are the sorts of lessons that become apparent. many, many years later, he spoke as a humanitarian, also as a great artist and a great musician,

mr. bernstein was one of the most physically organic communicators. he was also very good with, with text he could speak very well, a great communicator, but also if you watch, watch the videos of his movement, it's is quite seductive then showing exactly what it is and when you think about it, this is one of the most i was a fundamental forms of human communication that we have just body communication, body language. and sometimes when we grow up, we can forget this. you know, we, we've had so many social training exercises, but you should not sure how you're really feeling. maybe that's, that's appropriate for certain circumstances. but for making music force, you need to be able to communicate in all all levels.

ah, ah, the news, the news . and yet another source of inspiration came from an unusual friendship. when i grew up in california, my parents, as especially my mother, really had

a problem with this rock music. she thought it was not only not interesting. she thought it was really the wrong direction to go. and i remember once frank sapa and the mothers of invention appeared on the television, immediately was turned off. it was just forbidden. many, many years later when i was visiting, i was invited to visit my store payable as in paris. and i got a tour. and i saw on one of the announcement boards that pierre will as was going to conduct frank zappa. and i was surprised. so when i returned to california, i did contact this out the office and explained to the office that mister bull as will be conducting some of her mistress of music. and i would like to see the music . i heard nothing back for weeks and then out of the blue fun announced the telephone rang and it was frank's up on the telephone. i was quite old.

2829 years old. never been to a rock concert, never in my life, a new experience. so my 1st rock concert was to go to at the invitation of mister south to go to his concert. and at the intermission a body guard took me back and i met frank zappa, and frank said, nice, very nice to meet you. you're kenlegato. i'm frank sapa hero. i brought you some scores and it was a mountain scores. they said these are for you taken home. look them over. let me know what you think, and if you are interested we can talk another few months went by and the next telephone call was to invite me to elaborate with him with the london symphony orchestra to record 3 records of his music. and because of that, we became very, very close, not as rock star or young conductor,

but just purely as to people who are compulsive about music and wanting to make it at the highest way possible. ah . in 2010 years after german reunification, kenton tagano arrived in berlin, a city in the throes of reinventing itself, his time as artistic director and principal conductor of the d. s. so was another formative experience right from the start. he felt a great affinity with the orchestra. ah, this is kind of a miracle. because when we met each other from the 1st moment, it was like we found the, we send english, a soulmate. and the orchestra had just gone through

a generation change. and at that time, it was just my beginning in germany as well. and we began this voyage together. there have now been 2 generation changes since i began in 1999. which is an incredible think, but yet somehow we've grown in a similar way so that the relationship feels every time i return as if we've just picked up from yesterday. so it's, it's kind of her, a miraculous or more magical relationship is the relationship between an orchestra conductor is like, almost any human relationship, which is to say, sometimes or this magic. sometimes it really works well. in 2021. the d. s. o, celebrated it's 75th anniversary. for nagondo, the orchestra's unique sound remains a lasting source of fascination. no matter who is the principal conductor,

no matter how many generation changes, there have been the idea. so sounds like the dea shows, it's really fascinating that some of the colleagues say it must have something to do with d and a of the, of the org is to somehow it lives on and it's communicated how to describe it. well, how would describe it is to dia, so as always had a virtual so aspect. they've always had a lot of soloist stick capability within the orchestra. ah, the concertmaster is always been a big personality. the woodwinds have all the solar woodwinds, of all had big personalities. strong personalities that as in the public, when you go to see the dia, so you, you see them actually as they play. ah,

but even before he'd signed his contract, as principal conductor in 1999 nagondo took the orchestra on a concert tour of japan. it feels like it was yesterday actually, and it was the feeding of a new beginning with an orchestra conductor relationship, a new beginning for the dia. so to go to japan for the 1st time after many, many years and a new beginning that japan would actually, well, a chaplain is american with a german orchestra. something that had never really happened before. that's why i think all of us, all of the d. s. o, who remember that to her? they don't forget, it either says something very special and vision lungs. it was quite strange. communicating with a japanese choir. okay. speaking german and english. and it was especially

attention for me because i look like i should be able speak japanese, but my japanese is his horrific. it's really nearly nonexistent. it was a bit of a surrealistic situation for me as a, someone of japanese heritage working with a japanese court and speaking english and german at the same time to invite them to work with german orchestra. it was who has a little bit upside down. but of course they're saying they're saying very, very well, and there was no problem at all. ah, i, what's most interesting about tours is that one has the opportunity to spend quite a bit of time together with your colleagues outside of what the normal

lifestyle is. and it's an opportunity where you control closer together, where you get to know each other. so that was also um, a great opportunity to come together as non sambal in 2006, the maestro and the deutsche as m bonnie orchestra bellin began work on a unique project. can't nagondo conduct classical masterpieces in cooperation with deutsch havana. that was a, i feel for something very visionary of m deutsch. avella. as far as i know, something of the skills as i was his kind of historical had never really been done

with so much visual or interviews and discussions about the composer. and until today, i haven't really seen anything but thing so ambitious as, as, as huge project. that even as you recall, some animation sectors were involved, really free thinking very her imaginative em explorations. the feeling within the orchestra was that this was an opportunity to explore at this time, new technology to try to reach millions of people and throughout the entire world. and that was what made the orchestra so excited about the project as, let's try to play for the international her audience, the international public that we can reach through too much of a classical

masterpieces showcased 6 important symphonies by 6 master composers. one was johan is but arms, symphony number 4, ah ah ah, with 4th is symphony. i do have a personal relationship with it. now the piece to me seems like an unusually strong

statement of the future. her not at all conservative, it's something that actually is nearly a radical sign post towards the future. and that's why it remains so active in my repertoire to day it is noise music. so to say, ah, ah ah, what makes repertoire? so wizell is that the composer will bring the sounds of the future,

bring us to the future so that the public is really anchored in the future. but a composer also will let us hear the past while we're in the future. so the last movement of, you know, in the for symphonies, the pasa kaya and ancient form that brahms brought back as a part of the future. the pasta kaya that's been used since, since broke times, and even before. so for us it, it may be, today's doesn't feel so radical, but at the time he was a clear sign post that the 20th century is coming for our tradition is going forward. that's why i feel today the for symphonies such a pivotal symphony and why, for example, sharon back faber and are so fascinated with with this. mm hm.

yet contemporary composers have always played an important role for kent nagondo as well. a try at least to search for works and search for composers that i feel are not ordinary. but extraordinary. so that what i offer to the public, i honestly have to believe that it is of exceptional quality and has something profoundly meaningful to say. my personal experience is that are more often than not of a piece that it is all our time that i've chosen to playing the public will be at the very least willing to listen to it, willing to give it a chance. and very often they are like the piece in

october 2021. the conductor premiered the piano concerto, terra nostra at the philharmonic in berlin. a work by the french composer for war doll bruno boomy, born in 1982, a lot of years old. and he plays them on the fridge river. and of course nagondo was wielding the baton for the dsl ah, the piece is special because we've been talking about the past, present and future. so one of the things that are in burnable me is playing with is exactly this putting layers of time together, independent voices that are traveling in, in time together,

coordinated of course. but from a melodic standpoint, completely free and, and moving, ah, the pull of any is taking place primarily between the 3 trumpet solos and the string movement. at the same time, the piano and the percussion, they are playing off times very, very vertically, hulma phonic. so you hear these corps that are moving vertically. well, the rest of the orchestra is moving horizontally. paula, frantically and the tension that comes from the vertical and the horizontal colliding together.

japanese pianist, marie coma, was the soloist at the premier and the source of inspiration for poo, no bullying work. a beethoven expert, she has performed many works with a d. s o and nagondo at the helm. and she's been married to the conductor for more than 30 years. when mary and i 1st met we, there were, there was no question of any romance of an air. there was no spark of falling in love or something like that. we met as professionals on the concert stage, and we gave man a many conscious together and i always enjoyed it because with mary and me we were so close musically that her for a little discussion was needed. and when i would hear her play, it felt a m,

a so close to my own feeling or my own aesthetic that them it, it was very natural, very organic. and he was only after many, many years that we actually came together as a, as a, as a couple and, but still whenever we're appear on the stage together, i still count myself is very fortunate because the musical connection is a very, very natural one. so come yeah, sometimes i can get in trouble if i don't conduct correctly. al ridi here in a very strong way that i should be better. but we do haven't quite an open dialogue as professional musicians am. and that to somehow doesn't get in the way of personal dialogue as well.

hence, nagondo still maintains a full concert schedule. in his free time, he enjoys windsurfing back home in california. it's a great way to recharge. nagondo is still brimming with plans and ideas for musical projects. at earlier phases. you just want to simply do as much as you possibly can all the time, but choices do have to be made always. otherwise the quality will suffer. on the other side. and here i will quote frank sapa, because someone asked frank south of the same thing. don't you ever get tired of touring with your band? and the way over and safa said, actually, i feel i'm one of the most privileged people there. because i have the privilege of making music and this is what i would like to do in my free time. not everyone has the wonderful situation where they are able to

have as their occupation, something that has also their passion. so in that sense i, i feel very fortunate. and that is a stroke of fortune for us. kent nagondo, a life in music ah . a grand finale and the closing chords of this edition of arts, 21. until next time. good bye. and al vitti zane

ah, ah, with or on the 77 percent. courageous willis. creative women, athletic with ladies, a

defense, a 77 percent. next on d. w. india is wrong. are transforming the scooter boom has begun. but hold on. what exactly does this mean? is traffic in india turning green. now brands are models and possibilities. red 60 minutes on d w. my 1st by psycho was a sewing machine where i come from, women are boned by this ocean. even something as simple as learning how to write a vice. i thought, even since i was a little girl, i wanted to have

a bicycle of my own, but it took me years to months. my family. finally, they gave up and went to buy me on my side, but returned with a sewing machine sewing, i suppose, was more appropriate for girls than writing a bite. and now i want to reach out to those woman back home for bone to buy their duties and social rules and inform them about that basic rights. my name is the about the home and i work with a guy is welcome to the magazine, but sales of the day, the 77 percent, a platform that gives the voice to africa. young. my name is bruce a money and it feels great to be almost be like sure fit. the stage was strong, empowered, female voices,

been bugging musician, been by his doings in the studio today, gander. we meet the foster from one of the country and in somali land an all female basketball team. the boundary of a male dominated perfect august for the is not only a great musician been by his moodle is of imbibing singer actress and dance choreographer best in the netherlands in 2018. she calls with her music video, or window, shows herself almost naked, in put in 19, been by posted pictures of ourselves in the new on the ground. and introduces him as well as praise for breaking one of the biggest scenes calling on time unity. take a look. i me a lot of thing by the mother, by an artist. i'm being biased by cars in my

a lot of things. so yeah, i have a lot of different descriptions before i am. depends on i was asking and i knew oh music in very, very important to me because one, it's easier for me to express. why am i to express my feelings with things that i'm thinking about my day to day life? also music, heels so into heels. me the singer, it also heels, people will listen to what i play and what i see. the reason i'm a diverse i do so i can sing coral over from the traditional because of course i studied music as

a subject and i studied if one is ecology from africa and also from european side in because music is a universal language. i can explore and do more, so i don't limit myself. sometimes it's so important that you have to have your own self esteem challenged by youth, not by other people or somebody else. coming to say a comment on all you look like that or you look like that. you have to, to, to have this self awareness of look. and this is just the metal, the abs, or not a good point, belly or whatever. the thing that count how, how do i feel in my body? i. 6 i always believed that traditional instrument helped me to guide me from where

i'm coming from. i always believe when you know where you're from, your destination in your direction of where you're going makes it very easy to navigate. because i'll always have to relate from where i'm from and where i'm from and when people support you from, from your good to go indeed. and if the by the metal, welcome to the 77 percent. thank you. thank you for having me. i'm really excited to hear you so beautiful. thank you. i mean, you've done quite a lot. what could you highlight so far? i would say in agree, i think it's the creativity of the maintainance of my cultural beliefs and i think the music history everything. so i'm really happy with everything that i've accomplished sofa also worked with the of cause, all of them to africa lead in that and say he must have had an influence on your

craft. yes. well, if i used to always say that you know of him by, there's always this moment where you are, you have to be in the crowd and then you're going to sit at the back and then you wait for people to come and take you from that back and put you in front. so i've always taken that as a thing. and today i feel like i feel really honored because i had somebody calling me for interview and see please can you come through and i was like, oh my god, somebody sees the, the, the things that i do and they appreciate. so i'm really on it of course you've been nominated for civil awards with them. some of them. yes. as in bob were musical was, was nominated 2 years in a row. and also this dive in musical was then yeah, i think those 2 and also when now we wait for this year bessie, in the us stop. but you know, you are not new to control the see. i mean,

when you look at your social media handles, for example, instagram picture view posting new, then this has really divided a fun ways, especially bucking in his bub with well, for me. i feel like we have a tradition as africans. if you see most, in most africans, people sometimes in villages or still don't care about wearing any clothes. they were animal skin and the pride, the culture like that. for me, i feel like odd is supposed to speak in that in certain ways. that tells a story behind the story. when i look at some of the pictures for some of them, they talk about, we have been displaced as people, as africans where we have everybody all over the world. because of the hardships we go through from our b, from our big kids. so such stories, sometimes they have to be very provocative to be able to express that so people can

understand exactly how much depth there is in that story. so i look at it from the history point of view from the cultural point of view, and from the telling the story point of view. so there's a lot to do with it. well indeed, we asked 77 percent of what they think of showcasing their body on social media. and let's have a look at what they had to say. well, i think that nudity, in general, is not something that we should put onto social media because social media is abroad cause nowadays. and it's very important to remember that social media has a lot of audience. it's got a lot of reach. and especially when it comes to go children, we have 2 or just children in general, we have to be very careful as to the morals and the principles of passing on. at some point in life, i would want to be employed some yeah, maybe i'm going for interview to linda, my opportunities, you see. and at some point in the, in our lives life, we have family. what if i children see such a big chest of our community is debility,

i think may be fun and creative like the whole process of taking, taking pictures of videos, most of the so called know the i tend to see as so many different views, always looking at it instead of given the way by then they also know we can therefore, so again, took over the last week that when somebody i took the text of the various employees that you're putting on your new the question is, how is it in the printed? what's the messaging around it? and how is it you as a form to communicate what they've been by. you've seen the different reactions to this topic, which is a very sensitive and vertical, i mean what you take well, well, 1st of all, i like to say before the missionaries came to invade us. we didn't have worries about what we, where our mothers used to just walk around with everything showing and it was just

did nothing to do with sex or how a woman looks or the appeal or it was just a way of life. there was nothing to it. this is why i use it in my artistry sometimes. okay. and then there's a story about if you want to say and, and if you want to project a very provocative message, you have to literally say the weight is, that's how no data comes out is like burying it all. you have to literally go there and buried all. that's how you say the story. yeah. but clearly many african societies are still critical about this is a 6 and the body. i mean, why do you think now it's right? time to speak about such things as building public. ok, so i feel like we have put sex. like it's very, very important. i know it's important in the aspect that we, we have children through 6. it's not as important. it is just

a part of what is supposed to happen in a relationship. it's not the most important thing. if you, you can have sex but not to have the rest of the things in the relationship. that's not a relationship. so i think we need to talk more about our positive energy, how we directing our stories to the right to the right topic without just saying ok, i've seen their skin so they must be immoral. i think that's the most where people use the immoral part. you are immoral because you have shown us the skin from here to there, but we also see immortality even with the people wearing suits and ties. and so i think we, we value too much 6 and, and we make it like it's something very, very, very, very important. but it's just one of the thing. well a someone who is very famous of windows

t. how do you handle such controversies with coming away? normally i try to hear people out and then i tried to explain. if somebody asked me in a very nicely, then i'll explain what it actually means in some people actually say, oh, i didn't know that this is what you're talking about. now that i do, i appreciate it and then some people will just ignore it. so you can never make everybody happy. social media. everybody has their own opinion though. ok. i'm speaking of the booth cleopatra qu fast. 20 woman in uganda. many l g b t q i people live 6 people void harassment from all those views and the public. she believes talking about pumps and gender identity as mid some people are more tolerant to what sexual minorities, what's her story? ah, she'll petrochemical is no ordinary ugandan, identified as a boy at birth, campbell felt she was in the wrong body. fisher, they are treated in for as

a hate official woman, because i'm into maine, but in terms of gender, i do identify the transgender woman. apparently my hands on my board. another thing like what was on my passport and come book with the 1st know and transgender ugandan to be issued. a national id, registering her with a different gender than the one she was given at birth. she called it a big win mainly because uganda is widely said to be a homophobic society for me, it's more main task. it's a huge moment. it basically feels like i'm done it, i've done it. and i hope this is something. yeah. you know, the fact that as i turned into a woman that member id that she'd steve, that things it means no. and that things that it shouldn't have been that that, that i felt like, i feel like i'm wearing a kronos and uganda, many l g b t q i, people live secretly to avoid harassment from authorities and the public. but come,

pooh, is public about her status. she believes talking about her transgender identity has made some people more tolerant towards sexual minority. that's why i think i'm transgender. i talk about these different secret, if on my way it's in my, it's in my instagram, it's on all my for sure. i don't high debate about it and that's about it. i say leave open the program for them and say, you know what, there's nothing wrong with me. and i don't think you should hear doing something. you don't understand. i was fighting for a more inclusive uganda on her social media accounts. she calls for society where everyone is free to decide who they want to be. i exist from here this what a look like, a new plan for me. can you account for me when they go to lake or hospital lake level? if i have an in my passport, i may go and i might be able to is lake bright health. why pap smear, when they feel and having i, since us as a country and look at that christian and fee, does it count all you've done pick

a month is like gender and difficult concentration of people that include the different counting people like what the government era and you actually called humble for dates. i mean live been because it's not being born. kimberly says i'm speaking out for people like her is not an easy task. but she remains convinced that changing society. i take one little push at a time. a really interesting thing by 1st i would like to hear your thoughts on that story wise. i believe everyone is created equal and you should feel free to be whoever you where you are in. bobbie probably will come in, but we're in the country. we don't allow jan. how do you feel that transgender is or gaze, or lesbians, although they are, this will, of course, is the same as in, you know, with their leaving is secret life. but we have, as in bob, when was very popular, was the transgender, and he's very,

i think everything, but we love him. her just not a woman. and she's, she's just living a life. so. ok, let's come back to music. the global funding because really cost havoc across many systems including use mean hooked up, been a very difficult civil li of since the equipment outbreak in many artists have had really difficult to perform and you included how have you been able to manage all this? well, the panoramic has affected the sector more than anything i think. and we have come up with different ideas of doing online shows, which are obviously not the same as being in contact with the audience. we love it when people are shouting and screaming and sweating, but that is not been really happening. but as for the travel bun, we are very unhappy about that because then it, it stops us from touring,

from being in other countries to do different shows. i personally didn't stop. i was traveling through the pandemic. i did everything i could to make sure i don't stop, which means i had to follow every particle from every country i was going to. and if i have to current, i know, get a p c r. i did that so that at least i can continue to make music into what i love . well, thank you so much, bye. moodle for hanging out with us today, and we wish you really all the best in your endeavors. thank you so much for having me. the international travel bonds against many countries in sub saharan africa caused heated the bits. our own entity money is driving right into it, check it out. and when the emergence of the covey 19 on the con variant led to an almost immediate imposition of travel bonds, 2 countries in south africa, africans,

reactive angry africa, is not new to being left behind. singled out or just being ignored in times of global shad crises. we just need to look back to december of 2020 to be reminded how did sometimes happen at the time us secretary general antonio quoterush ones. that vaccine nationalism was moving at full speed. he was, of course, referring to the hording and delays with intellectual property waivers of the vaccines from wealthy countries. 12 months later, that's today. the results are in full display. a recent report from doctors without borders estimates. there are 500000000 excess doses in the united states, even if every eligible american got a booster do. the same report goes on to say, but 241000000 doses could be wasted by g 7. and you countries alone in 2021. now of course, these countries can do with their doses what they want, but when you consider that only 76000 people have been fully vaccinated in chad or

just a 1000 in burgundy, then the question of moral responsibility really comes into play. these vaccine iniquities reflect long standing social, economic, and political inequality between wealthy and poor nations. these inequality is manifest in empathy response as well. in march of 2016, the l. a times published a piece headlined, why you probably didn't hear everyone talking about these major terror attacks. the piece went on to describe how attacks in african and middle east and countries had gone unnoticed that week. as belgium and france were also reeling back from violent and deadly attacks on home soil. now the world watched as social media giants pushed hashtags and special colored profile pictures in support of the european countries. the world also watched as monuments all over the world war covered in digital, french and belgium flags. and unfortunately, that's where the empathy seemed to run out. that one, no flags,

no hash tags or more prayers to go around. it is impossible to care for everyone's problems everywhere all the time. but when did it become so easy to not care about? most of the problems coming from one part of the world. so often. thank you. it's for but passionate educational overview. if you want more content, more heated debates took out, are you to know when i'll head over to? so maryland, there we see a bunch of passionate young female eclipse fixing another taboo of sort them playing basketball is a porn in the sight of many traditionalists, numberless with girls out of title is in the running against the social norms. we met them on the court. so practicing lay up under the baking sun of some molly land is hard work, but sport woman like hops or oma don't seem to care. when i come here is,

is basically like the best moments of the whole we because i love basketball and i've been playing for 9 years now. the only i nor you thing is like when we're about to come inside here is just like people make some noises, some say something half. so my refers to intruding boys. this basketball court is closed off from the public, but that doesn't prevent some boys from trying to sneak in or watch from a distance. they are very strict towards religion, but i feel like it's only be used for women because men go out to do whatever they want. a lot of these girls have to stay at home per clean. a lot of them don't have jobs to go to as they're, the employment rate here is very, very low. the time that they're training is that the only time that they have some sort of freedom. a jamar hammered is a boxing champion and a professional basketball player from the u. k. live, after graduating, she moved to summerland to encourage sports among girls. now she's manage to set up

their 1st international match ever against you. booty it some feet, considering the ministry of sports previously cancelled and or female football match alleging bureaucratic problems. but i on believes officials bowed to conservative pressure, and we're looking for an excuse to prevent girls from playing sports. somali land is a conservative society. some believe women and girls shouldn't play sports at all. he did that. you well, if girls are playing alone, it is okay, but not to get the with boys. it's normal with the play alone but not with boys. our religion doesn't allow that. very western culture says that as normal, but our culture and religion don't support that. just to la, just our struggle with very few bucketful quotes surrounded by wolves like this one . a young and her team also face harassment on the streets and on social media.

if there were around the street and get recognized, will be respected in the way that they should be respected. it's a very dangerous game that we're playing in general as full. but just as the team from you put the arrives, i gets a call from an intermediary to the ministry of sports. they won't sanction the match. it's a massive disappointment. it's a massive disappointment to me, actually, to national community communities that helped us the, you know, to the part of a company that allowed all of this to happen later live music club in the capital r k. so the 2 teams make the best of the situation by enjoying the evening together . but it's only a temporary distraction from a crushing disappointment. i just hope things change. maybe in can. yes, this is not the thing cases. you know, they need to have better connections, maybe better people, better for me to do better. i am mohammed though as far from giving up. she says

she'll do whatever it takes to see the girls compete on the court. even if it takes another 10 years. tough times for these goes, what makes it even harder? summerland is real recognized of a sobering state and not but of international or even olympic committees. that lack of the resources clear, difficult surroundings, fingers crossed big thing, but the push on to keep your heads up golf. it's time to wrap up the sure hope you've enjoyed, every bit of it. we are eager for your feedback. so get in touch on facebook. youtube, or on our instagram channel, as on if we leave you with some music. and of course there's no better choice today than been by the motto. so here she is in her song, volcanic enjoy and bite for now a big

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