kareem explores the land of the farrell's in egypt. contrast, shape society 60 minutes on d. w. ah. what secrets lie behind these walls? discover new adventures in 360 degrees. and explore fascinating world heritage sites. d, w world heritage 360 getty, out now with the system. what you give to others remains what you keep for yourself. that ties still ah, when visit the, the not seems disjoint, so much but not music. they tried but they couldn't. and then it got put,

oh really, how busy the end of the road music is a beautiful thing. it's a religion to be, i believe in the god of music. ah, any others, you know, but i burning with an art 21. this week we explore the many faces of jewish music music that was buried, forgotten we discovered cherished music with connective power. and we start with the dish pot, who's in them. dan cob this schneider from donna hall. so this is daniel cans version of leonard coons, classic tune. hell in

a word beggar his 1st solo album he translated lyrically to unit manager, tex originally written by the likes of curt nicholson and bob dylan. jewish art, explain him the issue item to her daughter, then unquote, combine lean. does the addition lead called your dish? songs are so rich and so deep just because of history and the changing of time, vandal that side. so me, i mentioned freda was written in 1916 by solomon smallwood. it's a ballard about the polio outbreak that swept new york. o.

as the corona virus pandemic regions, the lyric still ring true to day fella for stanley this proclamation. but in man, not many know the language that if you could make it understandable, it opens something up. after it's a shot i originally from the us pan 1st learned yiddish after moving to germany in $25.00. to day he and his wife, russian artist, evil, epsco, live in hamburg with their son. to log on a house boot. at home, they speak english, russian, german, and yiddish. daniel con, loves diversity in his music too. i realize the freedom. sometimes he plays alone. sometimes with his band, the painted bird, his music is steeped in melancholy and anger about all that's wrong in the world. my dear v. i see how people are all over the world. are building up

resistance bowen, for justice of anti racism, antithesis real democracy discharge her freedom of a verb that was inspired by these movements of freedom as a verb is instill headphones, ocean per vague woman. and he combines klezmerson punk blues and folk, and re interprets old song such as mordecai give birth, takes an 18 thirty's him to the jewish worker's movement with lyrics of a sarcastic edge that still sounds contemporary. ah, she'll get other leader d m. i like to play old songs that work like new songs, old songs about war poverty and love. and i try to write new songs that can also grow old. i've been oh using that will stand the test of time. just like that of mordechai could birth. who was

murdered by the nazis in 1942. daniel con shows how closely linked the present is to the past. ah, can music save lives? we spoke to anita lucko, vall, fish who survived the hail of oceans and bergen belsen. ah. it is very difficult to explain to your generation this generation as state of mind at that time. to day i am alive to morrow. i might not be. that's how it was. we didn't think much. we just lift from one hour to the next. ah, but music was a lifeline. i always wanted to play the cello

tent. ask me why. but then the difficulties began when i was older and still wanted to play the cello. there wasn't any cello teaches impress low. today's thoughts left. he would teach a jewish child. ah, anita, alaska. val fish was born into a german jewish family in 1925. she was the youngest child. the nazis came to power in 1933. what happened then was that i was sent to berlin, where a jewish cello teacher taught me. it was not long before the 9th of november, everything changed at that moment. we knew we couldn't stay, but unfortunately it was already too late. the pope rome of november 9th 1938 revealed the extent of the nazi threat anti semitic persecution. gave way to genocide. anita lucko, val fish was deported to oce, fits in december 19. 43. we already knew what out of it's meant that we were going

to be murdered the last station. but nothing turns out the way you expect. because she could play the cello, she became part of the women's orchestra oceans. this saved her life. over a 1000000 people died in the camp between 19401945. most were gast, others were shelter, beaten to death. many died of illness and starvation. we thought as long as they want music, they went put us in the gas chamber. that's all respite if they want music, they need us respite. that's all. ah! we will, marched out early in the morning. we sat at the gate and played marches as thousands of prisoners were sent off to work in factories. the same happened in the evening when that was over,

we were sent back to the block to learn notes. the repertoire by hot there were comes at some sunday. we sat somewhere in the camp. i can't remember how many places we played and it was for the amusement of the gods. but the prisoners could also hear us. and the reactions were very different. for some, it was an insult. but i've also read about people who sent that it helped them to dream they were somewhere other than this. hell for a few minutes. ah, she survived not only the hell of oceans but also winter bergen belsen where many die because of the terrible conditions she was still there when the camp was liberated by british troops in april 1945. ah, you know,

send me my life has 2 parts. one of them is hell, the other part is normal life, but not cease disjoint, so much, but not music. paid tried, but they couldn't. ah, composer yara mir vine burger managed to escape the nazis and emigrate to america. his works were largely forgotten, but are now being re discovered, ah, ruling stone spring storms was the last operator performed in the weimar republic. it tells of love and intrigue during times of war. it disappeared from the stage after the nazis came to power. almost 90 years later, the artistic director of the commercial,

oprah berlin berry kosky decided to revive it. so we had to play sherlock holmes a little history because the orchestral score had disappeared on us, but we reconstructed it younger man. oh yes. now that reconstructed version of spring storms, premier didn't berlin in january 2025 sion ha, ha. jewish check composer urinary vine burger became world famous in the 1920s, thanks to his opera, shonda the bagpiper. it was the most played opera on the german language stages in the 2nd half of the 1920s. it was also celebrated in london and new york. but the composer languished in obscurity, after escaping mitzy, germany for the u. s. will vine back as an interesting man, a month for a few years. he was one of the most famous composers in the world, but he had to leave after 933 when they need a terrible fate. like many others,

he was in america, didn't write much jude and losses enthusiasm had done. then he got brain cancer and committed suicide. in other circumstances, spring storms may well have become a world wide triumph. aah leaked easy but with the works of jewish artists were labeled, degenerates and bond by the nazis. ah, these are, but i just need to be this operettas, not like others, and it's sort of a spy drum wound just but the fact it premiered in 1933 in the shadow of the war and the sure i'd see she gives it a particular quality give district and bizarre, the quality spring storm seems harmless enough. but for kosky, the oppressive atmosphere at the time is palpable. this work which only had

a short run before the nazis seized power. the strict gets about the love of a russian aristocrat, lydia pub, laska, for a japanese major e to my or ito ah, the from the globe. and i think that in 1033, i just had to turn the russian woman into a german and the japanese man into a jew. and it was clear what was meant, yoda, this is clovis district eigen dickies livable stitching their po, any behead bah, zips. oh, oh, that's right. as i work as a boat identity, who is who very nobody trusts and nobody how not even the main characters in these . i think that was in the air in 1933. she blabbered thus for in the loft. oh, wonders, new church and music is shot through with melancholy tones. set designer close

greenberg designed to dark transformer po box to illustrate the dark historical context. the it is acoustical. idea of this box came from the fact that none of the characters room in the french are all wistful in a foreign country. come, come to the surface and they're just highlighting the memory as women or toys become open. know, working on vineberg, there's 1929 upper funder due to premier and this year the composers we discovery is long overdue. the celebrating the work of long forgotten art. that's also inclusive, the heart violence, dawn fema. he's one of the most unusual missions of our times. he don't. kramer is a magnificent violinist, but the intellectual bit of

a philosopher ah i feel obligated to pass on what i have experienced what i can do. what i think. i think that's the source of my being the source of all my doing, my thoughts and feelings towards my they get done for you. don kramer was born in 1947 in the last few capital rica. his great grandfather, grandfather and father were all violinists. he surpassed them all, but his never satisfied his achievements. the family legacy weighs heavily on him. on the flight and the man, his father, the so to speak, my father's 2nd life. he suffered so much during the war

$35.00 of his relatives, including his wife and his one and a half year old daughter were murdered and the regal ghetto. in the language, he was able to escape. and he met my mother, a german after the war. with those that the circumstances of my birth it often until vinnish. so with his instead i the. 2 in the thing reserve other rules, me say that that's why i see myself as my father's 2nd life. there's such a tragedy. he wanted to plant something good in me about it got me off. so give me

the strength to believe that a lot can be achieved if one is honest and true to oneself than women. so the sailor stick ah ah, his jewish heritage and the hopes and expectations of his father continue to preoccupy him to this day. ah, he's up and for meeting, this is the one thing for meeting the sister. i have a family history and because of it, i feel a duty to do something for the you. i do it for young people. first and foremost focus. that's why i founded the crime rats baltic or orchestra 25 years ago with talented people from the 3 baltic states. estonia that fear,

unless the way near you're hoping we're still together and then we're family hands . and i am at home with the orchestra room a lot about the council halls. i managed to plant something of myself in this next generation, so to speak, before of my attitude towards music and towards life from atlanta, harold saw mazique in my little to leave him ah, southern when the 0 for money. this is from i recently said that i was driven by contradictions. oh her music. and i actually seek them out so opinion. it's important to recognize new things scornful to expand the spectrum of my work paper

and my thought and to transmitted to the audience or the next generation with him. but because i don't want to sound sentimental from your boss. i search every day, lou, but i'm never satisfied with what i find. sophia understood. ah, [000:00:00;00] with been found political on. i've said it over and over again. i'm not a politician. i won't ever be won by the mention of it, but i am a defender of human rights in russia, in germany, in ukraine, in syria, with god knows where else all of that concerns me, little, but i don't go out to answer the barricades over. but i do have an incredible

amount of empathy for all those who suffer valves, images, empathy. oh, so i didn't, did the fun lab whenever i was you with them, was it did it. we tried to make the world a little bit better with music, anthony. and but the world is crazy when you country fight that with music and with them was there is little hope of doing so. i good dismissal from still of the glimmer of hope that exists is what i tried to transmit that with the chrome erotic baltic out about a couple middle, oh oh oh,

making the world a little better with music and ambition shan't. by israeli singer songwriter and producer no guy ever i know no way to go, no future insight. that sort no get and i sings in her bleak and angry song, bad habits. i was born and angry person. the song was born from a feeling that the will she knew was on its way out. it struck a chord with many young people in israel. like you in just this was something that would, was always keeping my mind busy when i was a young girl. when it came to the smallest,

to the largest things like how could it be that way? and i had a lot of energy to channel towards something and, and i think my parents realize that and just whatever it is that i wanted to do, they were there were like, okay, let her do that. i literally have visit the end of the rob. no guy, ever as is a musical voice of a new generation. one that is liberal, open minded and self confidence. ah, yeah gazillion but a burn in the sun never missed one. i'm sick when she things about celebrating life, as she does in end of the road. there's nothing cliched about it. she's from a country that cannot find peace. televi, where she lives is no stranger to terrorism. conflict is constantly present, but she doesn't want to be a protest. singer. every time playing music is defined as political music. well, my instinct is to say, it's not political is just living here,

makes some incidents a part of life. things have happened to you, your parents, your grandparents, it's just, it's just a part of life. but you know, that creates some kind of a atmosphere and it makes people who they are. it designs the texture of humanity here. oh, i know it has isn't afraid. tongue controversial seems in a provocative video for her song bulk header. she dresses like a jewish orthodox man. no, the members of the ultra orthodox community, tel aviv is a city of sin, as opposed to the holy city of jerusalem. i . i

contrasts feature heavenly in her songs, which she writes with her partner or he also way way now we would have an open microphone and headphones and one of us would be just improvising things and jibberish ng things. but even though it happens in such a intuitive way, eventually we build as we'll build songs around that after having conversations about what is important to us. and they are very intimate conversations because i well we have that ability, we're not just music partners, we're life partners. and it's a big part of how i got to for him. my identity is an artist, me. oh, we call the song a children a song for adults. ah ha, i mean mom,

i am winning the pandemic strunk. it is and who so started imagining a different world. a world at a standstill. one without disasters, without bad news. i thought, i mean, but they soon concluded that people would find such a world too boring. and so there's violence, there's, there's conflicts and racism and, and we're, that is life to us. and i've, i've allowed myself to be very innocent and childish for a 2nd. and just imagine, you know, what, what would happen if, if that was in the case, the conclusion that i got to after, you know, thinking

a little bit about what the world would be. i was like, we're not ready for this. we're not ready for the world to be right. her song fire kites was inspired by the attacks of protesting palestinians who flew fire kite bombs over the israel garza border in 2018. if you try to stick a fair finger knocking in it, she talks about all being just as much part of growing up for young women as sex. we don't need bombs. she sings. we got fire tight. we got fired. we don't need bombs. we got cry. ah, does she want to be an ambassador for peace? no, no, no need. will i make peace with my music? is the question. music doesn't have that power. music is a beautiful thing, as i said before, is

a religion to be. i mean i am. i believe in the god of music, music doesn't have the power to change reality. it has a power the way i see it, i think some people would be angry, but i think the way i see it, the one thing that music can do is to help other people realize that they're not alone with what they're going through. maybe i'm wrong, i don't think i'm wrong. i checked it for this week. now i see you next week for another additional $21.00. ah ah,

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people in trucks injured when trying to see the city center. more and more refugees are being turned away at the border. families playing phone tag, see the reason for the credit on that is with people seen extreme around getting 200 people from the agency around the world. more than 300000000 people are seeking refuge. yes. why? because no one should have to flee. make up your own mind. d. w. made for mines. a years ago, the international gathering of peace and cooperation becomes the scene of a horrible tragedy. arab terrors, armed with sub machine guns,

went to the head quarters of the israeli team and immediately killed one man. and that this will be the last time i saw in the night. they're all gone out. i witnesses experienced the terrible events and this the world should not forget the long shadow of the 1972 olympic massacre. start september 3rd on d, w. ah ah, this is dw news fly from berlin. pakistan's government describes a devastating flooding as a climb, but catastrophe. relentless monsoon reigns kill more than a 1000 people. critics say poor planning and corruption also to blame at coming up