oh, every day for us and for our planet. golden ideas is on its way to bring you more conservation. how do we make cities greener? how can we protect habitats? we can make a difference. global ideas, the environmental series in global $3000.00 on t w and online. ah, the system, what you give to others remains what you keep for yourself. that ties still. ah, this is the, the nazis disjointed so much. but not music. they tried but they couldn't. and

then it got put, oh really, really? how busy and then the music is a beautiful thing. it's a religion to be, i believe in the god of music. ah, any others you know, but are burning with on odds. 21. this week we explore the many faces of jewish music. music that was banned, forgotten. we discovered cherished music with connective power. and we start with the dish. oh. is in them than cobra? dish mud from donna hall. so this is daniel cans version of and her cohen's classic

tune, hull in a word beggar his 1st solo album he translated lyrically to unit manager. text originally written by the likes of curt nicholson and bob dylan. jewish artillery, explain him the issue item to her daughter then, unquote, by me, does the addition lead called you to think songs are so rich and so deep just because of history and the changing of time, vandal that side. so me wrong with me. mention freda was written in 1916 by solomon smallwood. it's a ballard about the polio outbreak that swept new york. o

. as the corona virus pandemic regions, the lyric still ring true today. fella for stanley, the sugar commission. but then, man, not many know the language that if you can make it understandable, it opens something up. after a shot i originally from the us, pun 1st learned yiddish after moving to germany and $25.00. to day he and his wife, russian artist, eva lisco, live in hamburg with their son, to the owner house boot. at home, they speak english, russian, german, and yiddish. daniel con, loves diversity in his music too. i realize the freedom sometimes he plays alone. sometimes with his band, the painted bird, his music is steeped in melancholy and anger about all that's wrong in the world. when you my dear v, i hope people are all over the world,

are building up resistance bowen, for justice of her anti racism, antithesis real democracy, discharged her freedom of a verb that was inspired by these movements of freedom as a verb is in stillia translation per vague omen. and he combines klezmerson punk blues and folk, and re interprets wolf song, such as mortar cag, berty 19 thirties, him to the jewish workers movement with lyrics of a sarcastic edge that still sounds contemporary. ah, she'll get on to lead a d. m. i like to play old songs that work like new songs, old songs about war poverty and love. and i try to write new songs that can also grow old. i've been oh using

that will stand the test of time. just like that of mordecai kathy who was murdered by the nazis in 1942. daniel con shows how closely linked the present is to the past. ah, can music saved lives? we spoke to anita lucko vol. fish who survived the hail of oceans and bergen belsen ah, it is very difficult to explain to your generation this generation a state of mind at that time. to day i am alive to morrow, i might not be. that's how it was. we didn't think much. we just lift from one hour to the next. oh, but music was a lifeline. i always wanted to play the cello.

don't ask me why. but then the difficulties began when i was older and still wanted to play the cello. there wasn't any cello teaches impress, low to days, fought left. he would teach a jewish child. ah, a neat alaska of all fish was born into a german jewish family in 1925. she was the youngest child. the nazis came to power in 1933. what happened then was that i was sent to berlin, where a jewish cello teacher taught me. it was not long before the 9th of november. everything changed at that moment. we knew we couldn't stay, but unfortunately it was already too late. the pope rome of november 9th 1938 revealed the extent of the nazi threat anti semitic persecution gave way to genocide. anita lucko, val fish was deported to ocean, sits in december 19. 43. we already knew what out of it's meant that we were going

to be murdered the last station. but nothing turns out the way you expect. because she could play the cello, she became part of the women's orchestra of oceans. this saved her life. over a 1000000 people died in the camp between 19401945. most were gast, others were shelter, beaten to death. many died of illness and starvation. we thought as long as they want music, they went put us in the gas chamber. that's all respite. if they want music, they need us respite. that's all. ah, we will marched out early in the morning. we sat at the gate and played marches, as thousands of prisoners were sent off to work in factories. the same happened in the evening. when that was over,

we were sent back to the block to learn notes. the repertoire by hot they become sits on sunday. we sat somewhere in the camp. i can't remember how many places we played and it was for the amusement of the gods. but the prisoners could also hear us. and the reactions were very different. for some, it was an insult. but i've also read about people who sent that it helped them to dream. they were somewhere other than this. hell for a few minutes. ah, she survive not only the hell of oceans but also a winter. bergen belsen where many die because the terrible conditions she was still there when the campus liberated by british troops in april. 1945. ah you know,

send me my life has 2 parts. one of them is hell. the other part is normal life. but not cease disjoint so much, but not music. paid china, but they couldn't. ah, composer yara mir vine burger managed to escape the nazis and emigrated to america . his works were largely forgotten, but they're now being discovered ah, ruling stone spring storms was the last operator performed in the weimar republic, details of love and intrigue during times of war. it disappeared from the stage after the nazis came to power. almost 90 years later,

the artistic director of the commercial oper, berlin barry kosky, decided to revive it. to be misled, we had to play sherlock holmes a little hyster because he orchestral score had disappeared armed, but we reconstructed it younger, mocked ah, yes, now that reconstructed version of spring storms, premier didn't berlin? in january 2025, sharon caught her jewish check composer. yara mir vine burger became world famous in the 1920s, thanks to his opera, shonda the bagpiper. it was the most played opera on the german language stages in the 2nd half of the 1920s. it was also celebrated in london and new york. but the composer languished in obscurity, after escaping nazi germany for the u. s. will vine back as an interesting man, man. for a few years he was one of the most famous composers in the world. but he had to

leave after 933 when they need a terrible fate, like many others, he was in america, didn't write much in losses, enthusiasm at that. then he got brain cancer and committed suicide. in other circumstances. spring storms may well have become a world wide triumph. wow. long, big, easy but so the works of jewish artists were labeled degenerate and bond by the nazis. oh, these are, but it is neat videos, operettas, not like others. and it's sort of a spy drum. and stuff, but the fact it premiered in 1933 and the shadow of the war and the sure i'd see she gives it a particular quality district. and bizarre, the quality spring storm seems harmless enough. but for kosky, the oppressive atmosphere at the time is palpable. this work which only had

a short run before the nazis seized power. the strict get its about the love of a russian aristocrat, lydia pub, laska, for a japanese major ito. my or ito ah, uniform club. and i think that 1930. so you just had to turn the russian woman into a german and the japanese man into a jew and it was clear what was meant, yoda, this is clovis district eigen dickies. live a message in the pony. behead bah, lips oh, it's white. as i work as a boat identity, who is who very nobody trusts and nobody how not even the main characters in these . i think that was in the air in 1933. she blabbered thus far in the loft behind burger's new church and music is shot through with melancholy tones. set

designer close greenberg design to dark transformer po box to illustrate the dark historical context. the it is a critical idea of this bugs came from the fact that none of the characters room in the french are all wistful in a foreign country. come, you things come to the surface of a noise, but they're just highlighted like quarter memory. su dreamin. would i be toya? oh, come sure, open is know working on via burgers. 1929 oper, schlander due to premier this year. yes. good. the composers we discovery is long overdue. the celebrating the work of long forgotten art. that's also the heart violence. don't fema, he's one of the most unusual missions of our times. he don't, kramer is a magnificent violinist with the intellectual depth of

a philosopher. ah. that's what he says if i feel obligated to pass on what i have experienced what i can do him. but i think, i think that's the source of my being, the source of all my doing, my thoughts and feelings tunes. when i get done for you, don kramer was born in 1947 in the last few capital rica. his great grandfather, grandfather, and father were all violinists. he surpassed them all, but as never satisfied his achievements, the family legacy weighs heavily on him. on the site and the man his father, the so to speak, my father's 2nd life. he suffered so much during the war $35.00

of his relatives including his wife and his one and a half year old daughter were murdered and the regal ghetto. learned that he was able to escape. and he met my mother, a german after the war. with those that circumstances of my birth it often on so vinnish subdivisions stand. oh i. 2 i a see myself as my father's 2nd life. well, if there's such a tragedy, he wanted to plant something good in me or got me off. he also gave me the strength

to believe that a lot can be achieved. if one is honest and true to oneself, than really spoke on women zelma stick, ah, his jewish heritage and the hopes and expectations of his father continue to preoccupy him to this day. ah, he's up. i'm 4000000 to 5150 the for me then go fish. i have a family history. and because of it's, i feel a duty to do something else for you. i do it for young people. first and foremost, the focus for them. a lot of that's why i founded the cry, murata baltic orchestra 25 years ago with talented people from the 3 baltic states

. estonia, latvia, unless you ania. yeah. hope and we're still together and then we're a family friends and i am at home with the orchestra room a lot about the concert halls. i managed to plant something of myself in this next generation, so to speak, to 4 of my attitude towards music and towards life from atlanta, oakland. so mazique in mahal totally in awe problems one is 0 for one year. this is from i recently said that i was driven by contradictions lou music and i actually seek them out. so a cannon. it's important to recognize new things scornful to expand the spectrum of

my work paper and my thought and to transmit it to the audience or the next generation image. but because i don't want to sound sentimental, your boss, i search every day lou, but i'm never satisfied with what i find so famous that ah, is arguing with been paying for lucca on. i've said it over and over again. i'm not a politician and won't ever be one by the mention esther, but i am a defender of human rights in russia, in germany or in ukraine in syria with and god knows where else all of that concerns me little but i don't go out to answer the barricades over, but i do have an incredible amount of empathy for all those who suffer valves

images in putty a. so i didn't the, the form loan. how ah ah you with the was it that it we tried to make the world a little bit better with music and but the world is crazy when you country fight, thoughts with music. with them was there is little hope of doing so. a good dismissal from still of the glimmer of hope that exists is what i tried to transmit that with the chrome erotic baltic out about a couple little. oh oh oh oh,

making the world a little better with music and ambition shan't. by israeli singer songwriter and producer no guy as mom and i know no way to go. no future insight. that sort no get and i sings in her bleak and angry song, bad habits. i was born an angry person. the song was born from a feeling, but the world she knew was on its way out. it struck a chord with many young people in israel. like you in just this was something that would, was always keeping my mind busy when i was a young girl. when it came to the smallest,

to the largest things like how could be that way. and i had a lot of energy to channel towards something. and, and i think my parents realised that and just whatever it is that i wanted to do, they were there were like, okay, let her do that. i really, our busy the end of the rob. no guy, ever as is a musical voice of a new generation one that isn't liberal open minded and self confident. ah, yeah. gosh, you know, but i burnin is on the never missed one. i'm sick is when she things about celebrating life as she does in end of the road. there's nothing cliched about it. she's from a country that cannot find peace. televi, where she lives is no stranger to terrorism. conflict is constantly present, but she doesn't want to be a protest. singer every time can use it as defined as political music. while my instinct is to say, it's not political, it's just living here makes some incidents

a part of life. things have happened to you, your parents, your grandparents, it's just, it's just a part of life. but you know, that creates some kind of a atmosphere and it makes people who they are. it designs the texture of humanity here. ah, i am. no, it is, isn't afraid. to touch on controversial themes in a provocative video for her song bulk, hadda. she dresses like a jewish orthodox man. no for members of the ultra orthodox community. tel aviv is a city of sin, as opposed to the holy city of jerusalem with me ah . i contrasts feature heavily in her songs which she run with her partner. oh,

so the way now we would have an open microphone and headphone one of us would be just improvising things and jibberish ng things. but even though it happens in such a intuitive way, eventually we build us will build songs around that. after having conversations about what is important to us. and they are very intimate conversations because i'm, well we have that ability, we're not just music partners, we're life partners and it's a big part of how i got to for him. my identity is an artist, me. oh. * weekly song, a children, a song for adult ha, family, mom. i am winning the pandemic stroke. it

is and who so started imagining a different world. a world at a standstill. one without disasters, without bad news, i thought i named but they soon concluded that people would find such a world too boring. and so there's violence, there's, there's conflicts and racism and, and we're, that is life to us. and i've, i've allowed myself to be very innocent and childish for a 2nd. and just imagine, you know, what, what would happen if, if that was in the case, the conclusion that i got to after, you know, thinking a little bit about what the world would be. i was like,

we're not ready for this. we're not ready for the world to be right. her song fire kites was inspired by the attacks of protesting palestinians who flew fire kite bombs over the israel garza border in 2018. if you try to take a fair finger talking in it, she talks about all being just as much part of growing up for young women as sex 7 . we don't need bombs, she sings. we got 5 kite bombs. we got like, we don't need bombs, we get like, ah, does she want to be an ambassador for peace? no, no, no need. will i make peace with my music? is the question. music doesn't have that power. music is a beautiful thing, as i said before, is a religion to be, i mean i am,

i believe in the god of music. music doesn't have the power to change reality. it has a power the way i see it, i think some people would be angry, but i think the way i see it that the one thing that music can do is to help other people realize that they're not alone with what they're going through. maybe i'm wrong. i don't think i'm wrong. i checked it for this week. now i see you next week for another edition of odds. 21. ah ah, with

who? a pulse. a beginning of a story that moves us and takes us so long for the ride.

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