you can get up at 10 in the morning and leave the house and no one will bother you at da da da quin em no one who will wake you up from sleepier than a dog and ask you to go to another place at dusk of dark as no one i'll give you any restrictions like in the campuses when you go in, would it bowen to now it is my house and i am in charge. i did um we did the mark um i was like you don't. okay. you could get into the congo and it into the good one of nature is foremost architects, towson tional craft at the buildings known for her creative solutions. just as consultation with the people was key to coming up with designs the reson he had with them. it's very important to me that people should be proud of their home. i think if people have um, pride in where they live at peace of mind, anything can be achieved. it means so much you be able to sleep somewhere in safety and comfort and be able to get up in the morning and go to work and be able to raise your children to be able to turn to walk around, to meet your friends,

to speak with family at peace grandma's on the project is a joint i thought of the bonus did government and the united nations development program and it's donors. the aim is to replicate this model. elsewhere people have been denied for more than a decade. ability to come back. not only to come to home for a decade, they had been in comes and you know, come so important in terms of serializing brought broadened security, but also takes away the good for many people. so she is also coming back to the good. but the insurgency and violent extremism are not banished from bruno steamed completely. there remains concerns about security in many areas. but for the people of an gun, m, the rece, at least a returned to dignity, as they would discover normal life. again. my next guest is the architect who

designed the homes. you just saw in that report toasty in or she know she joins as from lagos. welcome to the diabetes, africa. chelsea and it's good to see you. so you're an architect by trade. how was this project different to the homes that you've designed before? i thank you for having made this is the 1st person that i've done within the humanitarian sector. i do tend to work in the private sector dealing with individual clients. so companies, corporations, and this project specifically was different because it's humanitarian and there were a lot of stakeholders. but ultimately what was really important to me was ensuring that i was still treating the community as, as a private client, the site there was important to me to ensure that i was able to speak them about their requirements, what exactly they needed in their homes. and one of the questions i asked them in one of the consultation meetings was what color they would like the buildings to be . and i had already seen some traditional buildings in the area. and the location

way we have this meeting was in a school and there was a color that's very close. what's going to end up with jeff brown. and that's actually very similar to the color of a building walls. and i realized that this was really a call of nostalgia, which they didn't realize. and it was because of that i was very specific that we would have to ensure that we use the ground condition to create the finish of the walls of the building. so overseas, trying to as much as possible, take them back to what they would have had before the insides around. and it really looks stunning, those, those, those colors or any compelling. but we heard from some of the beneficiaries in the report and they expressed how much it means to them to finally have decent housing . what has this meant for you to be able to be involved in a project that's about restoring the dignity of your fellow countrymen and women who have been the victims of vocal harm? i think it, it means so much it's, it's the most impactful what i've done today to be able to contribute towards that

i'm, it's little things you know, it's making sure that you're providing housing that's comfortable for the end user cross ventilation. making sure that the homes are appropriate, that they're not, that there's no build up of heat having around the areas for them to sit outside because there isn't much kind of the company because of the region. and also because a lot of the base station had been taken down to reduce lines of sight to reduce that complex of lines of sites. so it means so much, and i'm to know that one is really adding value to people's lives and hopefully providing them infrastructure that will give them the opportunity to really get back to what they need to do to have a nice progressive economic development. yes. well, it means a lot incredible stuff and, and thank you for the time you've taken to to be on the program. great look to see us, you know, talking to us from lake austin. thank you. thank you very much, lou. now from people returning to rebuild their lives,

to the return of looted african artifacts. currently in museums in the west, it has been the subject of much debate in recent years now was even inspired as story scripted for stage and screen actually 2 stages, 2 audiences. but one show which brings a 12 century west african sculpture to life, go measure. it wasn't really very common in her 2 venues, nearly 5000 kilometers apart with the live video link being the bridge connecting them. it's a complex attempt at shining the spotlight on an even more complex topic about looted african cultural treasures in european museums, many slumbering in the vaults. one of them, a statue of yen anger, a warrior princess of the medieval de, gone by kingdom. now in modern day, burkina faso awakes to life in munich museum. the play shows what could a stature have seen all over these years?

what could have sentra read off and this, that your dreams of returning to west africa? the actors of the ensemble developed this vision of a return simultaneously a both venues in munich and in law. man. the theatre as a means of connecting people on 2 continents, the colonizing country, and the descendants of the rod for thinking about how, whether it is to be together in their mental way. because you're seeing the same thing, but he are not physically together. this is for me, bizarre and beautiful at the same time a poetic play about the search for justice in dealing with looted artifacts, which has deep significance for the actors and the audience. in ohio. they tell us our history, the history that we sometimes seem to have forgotten. i'm really excited about the conversation to says evoking and like these coming out of the african communities

that like are the most important invoices that we sent it in. this conversation. toggle was a german colony from 1884 to 1916, and many cultural treasures were taken to germany during this time, the debate over their return like princess. yet anger is now alive, and for more on this theatre piece, i am on it to speak to search on may coolly valley. he is the choreographer who worked on the project and he joins us now from what i do go in brooklyn, a fossil welcome to deed avenues, africa search am central to this piece is in anger. that's a legendary berkener, the princess from the 12th century. tell us a little bit more about why you chose her. yes, so i want to a mission because a

lot. and then if you think you need, for example, you can see that she wanted to live there. and so she was, she wanted to be funny. she does a she, she just can't go off and then i'm a lawyer and file a. ready one, she can go and one, i'm actually one of the key on here. so i wanted to open up a, like a, b a,

because i know you are usually on stage as a choreographer. why did you go behind the scenes for this production? actually a lot to be behind it because i'm getting a a becoming difficult to take out my own body. i while you look, you still look very and if that's any consolation, but i do want to end up here search and the piece is called statues. dream 2 visions of return, and so without giving too much away here does printed princes in a guest dream come true in the end. yes is all

fundraising a piece. so i can next year, p a c. i relate a, a, a. so i also the center because it's so easy, so easy a day

. so you can do a and then a black to why? well, thank you. say add the talking to you all the best out with the shows that was acquitted by the talking to say from what i do. good. thank you. and that's if, when i'll be sure to take out our the stories on d, w dot com, forward slash africa. we're also on facebook and on tuesday, i'll see you next time. with

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