the mother of sanity, that i believe was one because it has no boundaries for oh, d w. what secrets lie behind these walls? discover new adventures in 360 degrees. and explore fascinating world heritage sites. d w world heritage 360. get out now. since you waited in the heart of johannesburg, this museum offers a thought provoking, and educational experience. it serves to remind us of the segregation and discrimination under the apartheid regime. welcome to the apartheid museum. within these walls are unique

exhibitions that illustrate the rise and fall of apartheid. later we take a glimpse into the past. so history never repeats itself. but 1st, we had to gone out to see how daniel tay is breathing life into rule spaces where he's modern architecture. then me to ex, comedian turned a restaurant, tear jennifer melendez schmid. we ran here the soothing sounds of dela, do me a spoken word artist living in rwanda. the power flows through my veins. power. my name is pamela. tango and yo watching afy max ah ah ah the fall

we talked to the no less young guanine about the atrocities of a pi tate we shine the light on the way to choir. i can tell you all about the quiet, but you have to experience it yourself. shake this out. oh i. the sounds and stories own filled africa is the way to quiet, wants to bring them into the world and unite people through music. when ever they come from music man's sharing piece, the mother of that happy that i believe works wonders because it has no boundaries coming from a family of choir members in monsters. so wait till res. jimmy moon obeyed the and emmy award winner and the musical director of the soil to choir, which has a diverse repertoire that includes a variety of gospel, spiritual, and traditional african phone. it is important for me to share music with people because we are able to connect to a we are able to express ourselves, our feelings,

driven by a calling to serve. as musicians says, artists, vivid responsibility to actually take a knit embracing issues. oh glenfield, in most cases i raised those on stage through, through singing and that's what i believe that we as people we need to, to share experiences and order to grow together. oh, when they're not until the ensemble meets. and jimmy's parents garage for rehearsal . oh oh, our choir members are from so little. some are born in villages on the country, but to be live here in so a to acquire their only source of income and most of them are educated,

so it had to get jobs. so retired by all means through, you know, come together and create some kind of work for all of us. jimmy. he started singing at the age of 8 in the choir, founded by his grandmother that would later become known worldwide as a way to gospel choir. to branch out on gospel music friend on in his career. jimmy started the soil choir. ah . so it's a big musical culture. we lend music from our homes and, and it stays. so it's something that is within us and when you're around. and so if you're going to work, you know, you'll find yourself singing in the bus or singing into train. it's even difficult to differentiate between a friend around and, and a wedding because they're the energies huge it's, it's a cultural thing. it's just within us. and it yearly serve this drive to, to go out and show music unites us as

a group because we come from different cultural background. so in everything that we do does an inch fusion of all the couches coming together. so in essence, it's and it's a cultural exchange we have performed in many countries. we've been to canada to australia, into the u. k. we've been to most parts of europe. the list is endless. a we incorporate a lot of african started turning through music stories that come from ages ago. we ran workshops out on the world of the schools and all that. and we, we use music to tell those stories that i believe it's good because we believe that our started to be told all around,

through music. it becomes much easier for people to actually get interested. ah, the people all over the world can actually feel what we are doing here even though and, and not yet because of their philosophy of gravity. leg to we are all attached to jimmy has 60 members. he needs choir, eat, bringing their own bit of magic to the music. ah, well, well, at family it is though, my unity, we are very, very close group of people. and it helps a lot when we are performing and also, and we have problems cuz we are human sometimes they'll be differences. but they're easy to be sorted out because this bond that we are, we said,

oh, it was good to see require performing outside the country because it's not only does the but singing, but it's also about learning about how the world operates. but other cultures, it opens up the mind, you know, we, we learn a lot that we come begging of our families and our communities. so there's a lot of contreras sharing, that's how we grow as human because we are citizens of the world. and we need to learn from each other. oh, the parties him showcases the country's history of segregation and discrimination under the apartheid regime. it offers a powerful and poignant reminder of the struggles and chimes off the south african people. i'm joined by the museum manager to newly a strong winey for nurley,

a thank you for making time for us. now. this museum is known as the pre eminent museum. could you please elaborate on what that means? the bothered museum was opened in 2001, and it's known and acknowledged as the pre eminent museum for the reasons that we are dealing with the 20th century of history, of sort of africa. so we, at the heart of thought african history, what specific movements and events in south african history are covered in the exhibits on the about of elysium takes you on a journey the way we focus from the history of the 1886, where you will see people from different age groups and races that journey through the to, to him, his book on following the discovery of gold. then we go in to the updated era away from 1948 to 1995. and we focus on 1960 as

well where the national party then started to save laws to segregate people based on their races. we also showcase the so where to uprising of 1976, the shovel massacre as well. that's what we focus on. so a walk through the museum will illustrate all those events or the moments inside africa that we went through. tell us a bit more about the inter active elements that are featured here in the exhibits. we've got your films, your photographs with good to our, to fix, and that is the into active features that we have to give our visitors. soon to come is voice maps that our people will be able to use as well. you know what they so much wealth of knowledge and i cannot wait to learn more about it. the spoken word is gaining traction in rwanda and the rest of the world. join us as we meet della, do me a young woman who is using her voice to address critical issues,

della to best words matter. they're addressing critical social issues, challenging stereotypes and redefining long accepted norms. i am the frantic upsurge of metallic energy charge. my kinetic them pill is symmetry, and that's a definitive decision. i'll be remembered through poetry and pros and verse for my eyes. cold persist in atlanta is mentality and celeste feel body power flows through my veins. power della is a young creative spoken word. artist who uses the power of words and performance to tell stories and talk about the human condition while encouraging people to use their voice to be known and heard. did i do it was born and raised in hover, or any of what? so i know that is where i learned a lot about african culture and african history has spent a lot of time performing as a kid with my, with my a siblings,

we absolutely love being on stage and we would do it at cherish. we do it at school, would do it anyway. we had the chance to share a voice in our talents and we had an absolute blast. you've got the grown love again. it's music runs through my veins. so it was always easy and spoken word is i believe language of the conscious. so bringing all these different items together really helps me achieve what i want to creatively. and it lets me expand the breadth and depth of my message with a like is that one of her open mike sessions where she performs a piece that talks about the ability in lovers having more to life than just living one's self and a call to action to spread the love, but the piece also exposes the longing and emptiness attached to the fear of loneliness in

face to face. with all will truly our voices, we only transcribe in the dark, a low insatiable, riddled, which finally akin to the unholy hour, is that god mean permitting to feed a, drawn to the reflected deep in search of a new religion. we'd rather go blind than through old and dry. sanity is amiga price. a fight from beacon i took della is a full time student here. she shows us her favorite spot at her campus, which she claims is one of her safe spaces. she likes to get away from the noise so that she can, we sent her rethink to reflect and organize her thoughts and put them down in to sound writing either on her phone or note. but you. so at the raptor of the celestial sphere. take my flesh to

a body of liquid crystals that gleam at the sight of the golden sun. ah, i really, really enjoy. express myself the different odd forms i have. it's helen for a spoken word, poetry, music, theater, drama, and creative, directing as well. so what i do is when i'm thinking about a piece or thinking about a creative piece, i really think about what would bring the subject matter out in the best way. who am i trying to communicate with? and theater. i'll speak about that a bit has really been a great way for me to become a child again, because there are theater on stage. you were a persona, and the onus is on you to completely explore what that carry. so ha, my role model incurred yasha haiti. she recently graduated from harvard, and i think that's amazing to the full time address, but also killed it at school. that's something that i drawn the ration from. music . people like nina simone. lauren hill have strong lyrical progress and strong

characters as well. so women like these really inspired me to be more than ordinary and to make serious impact who work before crossing limbo, the blue and white, ny, creating creative faces for artists upcoming autistic children as well to be expressive enough. and to be daring to think about the things that really matter, i'm really passionate about advocating for children in the space. because there isn't enough emphasis on protecting these young minds. i also like to organize some music for people to come through and collaborate and create. that's how i contribute, and i hope to do more in the future. my stuff, my, my night a few years ago i been out of believe that there is no choice that i'm making at believe that it's something i was born to do. but i think over the years,

choosing to be more intentional about the messages that i put out there has what has made me go for the you know, my words and my messages. i really what helps me get into doors that i probably wouldn't have been qualified for, but because i'm using my voice to make a change, you'd be surprised how many people need to hear that'll need that reminder of how amazing they are. and also just raising awareness and issues that we often sideline . so my poetry, my voice, my music has always been a gateway to big platforms, reaching new audiences and making a change as a whole. new world, god. oh no, just to try. oh, i know that to use a new layer, what impact to these exhibits have on visitors, both emotionally and intellectually stuff. i think museum takes you on a journey of darkness. so walk into apart the museum, you will see

a whole lot of darkness. so with the visitors that we get at are part of thickness, g m, it is a both emotionally draining. it is emotionally training, but at the same time it is a moment of healing. it is a moment of education. it is important also for that, but it didn't museum to remain an educational institution. so we want people to actually understand that we are not putting them in a position to be political, but to also just understand that we have to display the information that we have. so it's important while people to engage with the museum once we once they walk into the museum. thank you so much for your time and sharing this wealth of knowledge. i hope more people come and visit they do and we're calling on more to come in visit and educate themselves. thank you so much for your time. i could take like daniel tay are modernizing rural. i could take her while staying to, to the aim of helping the community around them was. i completed architecture

school i made, it's one of my life missions to play a rule. her middle school might be to find a way of improving the lives in such communities. we want to use our designs to bridge the gaps between them or the social constructs. we also want to switch him where our designs enable us to engage more comfortably with one another in so doing meets expectations of our people. a very powerful tool to do that. so we're very mindful of the opportunities that are also offers in that direction. ah, be mindful of the environmental impact resulting from providing civil infrastructure

. daniel employees, how you stand as of procedure to execute project by taking into consideration quality, health, safety and the environment to ensure sustainability. his designs aim at achieving timelessness by offering aesthetic pleasure and attention to detail, to unifying ship behavior in order to elicit the per, she was of a holistic development from the one we understood that this project should not impact the environment in negatively. so we are sure that none of the workers would live within the site. those 2 are beds in stands of pollution and you know, air latrene and stuff like that. we don't going to these companies with the intentional bringing on, you know, people from the cities to work. we try to engage the youth off the communities,

bring in experts to help shape their mindset around projects. we engage about 500 young men and women. this has of course, a direct impact in the economy and quite apart from that, there's a long term impact where some of these people who worked with us on the project or even i haven't worked with us before, are encouraged to continue with the operations of the resorts bear 5 physically the or the past 5 years. so safari valley came to the town. i, for one have benefit immensely from the one i had the opportunity to provide building materials. this really made me expand my business and employ a lot of young people about it, but i have managed to afford university education for my children. most young people in this town are gainfully employed. as carpenters, chefs, landscapers,

and other jobs. even 2 of my kids, i employ as copying test there as well. and what we have been that way before he knew what architecture was, daniel, who was always driven naturally to make space is more useful. mostly materials are we use here are whereas others will consider them with we actually found a will for use in them. so we recycled. a lot of timber. there's been a lot of attempts at sustainability and the client wanted to execute the resort in the forest. we were looking for some peculiar attractions for the sites that brief had to make room for the introduction of animals create opportunities for residential accommodations. we needed also to create room for recreation to engage people. so primarily as we developed,

it's as intended to help people rejuvenates themselves. and then hopefully with that refreshing experience, they'll be able to go back to the cities or wherever they come from and impact society. possibly, we recently won a competition to design the gap insurance college in adam or a bit of a unique circumstance. as majority of the people in that community at this or blanked, we're hoping that through the zine would draw attention to the community. hopefully, gain assistance for their welfare and then also be able to provide them with some as skills to fend adequately for themselves and their families. daniel and manages his own architectural fem wood, a team of professionals who provide secure services to clients by 10 and fish new

ideas into value added functional, an aesthetically pleasing product, but locally and globally ganna is surely an architectural paradise. we now travel to germany, to meets king and born a jennifer melinda schmidt, who decided to open a traditional restaurant in berlin. ah, jennifer melinda schmidt has lived in berlin since 2005 marcus and i like it when something's happening and things are always going on here in berlin. but it's unpredictable. and by i in 2016, she opened her restaurant shots a heidi in berlin, and has been serving swiss classics ever since. sometimes even wearing a journal. and of course, she reveals her most important tips and tricks. emma,

you have to swirl it in a figure 8 here. i'll show you all of the red drop. that means you have to pay the next round. now that really high per restaurant is called shots, a heidi or black heidi. it was also the title of a comedy show she developed, inspired by the world famous swiss children's book character heidi, the trained actress wanted to play more than just the usual cliches in berlin. the basic premise is that the swiss girl, heidi has fallen into her grandfather's pot of chocolate and suddenly turned black believe schmidt performed the show in berlin from 2009 to 2011. is it really did break through the ceiling because there are so few women doing comedy hall and and a black woman and

a swiss woman. on top of the eyes sitting jennifer melinda schmidt was born in kenya in 1982, her ugandan mother, a flight attendant. moved with her to switzerland when she was still a baby. there, she grew up with her swift step father and 3 siblings mannequins. hey, my childhood was really very lovely. fact maybe it's because i was able to speak swiss german so well that i often didn't notice that i looked different unless else i was only reminded from time to time when i looked in the mirror up. but actually i just felt the same and i never really had any problems. and he had the dicky, me probably in the self confident girl got in front of the camera at an early age. hold it slow. she studied drama in munich, then made a career as a comedian when she stopped doing that. she became a restaurateur, kept the image in mood. i've always had the courage to do something. you muscle this and i've always had the confidence that i can do anything shuffled. this

yellow shuffled around the founder, hooter in berlin's fredrickson district, opened from november to february. it specializes in swiss cheese fondue. it's the best fondue beyond the alps. at least melinda schmidt says, so. her favorite is fun. do with truffles? of course, it tastes even better with your loved ones. becoming most affordable. i feel like a little all who came to berlin and who now has a restaurant, which is still such a dream for me. my looks, even when my restaurant is full, i think, why are they coming here? i got but then it makes me so happy. why? we spent bonds in it. i don't think i could achieve what i've achieved here in switzerland. it's was a huge ice taba in us. right. i hit the m jennifer melinda schmidt, a berliner from switzerland. ah, and that is out. today's episode comes to an end. i hope you enjoyed it and learned

as much as i did remember to take us out a d. w dot com forward slash after maxwell ward, until next time goodbye. ah ah, ah ah ah ah ah ah

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