attacks from russia and its supporters just how long this pray west to state, even hope to survive. conflict in 60 minutes on dw, how about taking a few risks, you could even take a chance on the rear in to don't expect to happy ending literature west germany. situated in the heart of johannesburg, this museum offers a thought provoking and educational experience. it serves to remind us of the segregation and discrimination under the apartheid regime. welcome to the party museum. within these walls are unique

exhibitions that illustrate the rise and fall of apartheid late. so we take a glimpse into the past. so history never repeats itself, but 1st we had to gone out to see how daniel tay is breathing life into rule spaces where he's modern architecture. then meet x comedian turned a restaurant tear jennifer melendez schmid. we ran here the soothing sounds of dela, do me a spoken word artist living in rwanda. the power flow through my they power. my name is pamela tango, and you're watching after you max. ah, ah, ah, the fall,

we talked to the no less young guanine about the atrocities of apartheid. we shine a light on the way to choir. i can tell you all about the quiet, but you have to experience it yourself. shake this out. oh i, the sounds and stories own filled africa is the way to quiet, wants to bring them into the world and unite people through music. when ever they come from music man's sharing piece. the mother of that happy that i believe works wonders because it has no boundaries coming from a family of choir members in monsters. so wait till res. jimmy moon obeyed the an emmy award winner and the musical director of the soil to choir, which has a diverse repertoire that includes a variety of gospel, spiritual, and traditional african phone. it is important for me to share music with people because we are able to connect to a we're able to express ourselves, our feelings,

driven by a calling to serve. as musicians says, artists, vivid responsibility to actually take a nit embracing issues. oh glenfield, in most cases i raised those on stage through, through singing and that's what i believe that we as people we need to, to share experiences and order to grow together. oh, when they're not until the ensemble meets. and jimmy's parents garage for rehearsal . oh oh, our choir members are from so little. some are born in villages on the country, but to be live here in so a to acquire their only source of income and most of them are educated,

so it had to get jobs. so retired by all means through, you know, come together and create some kind of work for all of us. jimmy. he started singing at the age of 8 in the choir founded by his grandmother that would later become known worldwide as a way to gospel choir. to branch out on gospel music friend on in his career, jimmy started the soil to acquire. ah, so it does with big musical culture. we lend music from our homes and, and it stays. so it's something that is within us and when you're around. and so if you're going to work, you know, you'll find yourself singing in the bus or singing into train. it's even difficult to differentiate between a funeral and a wedding because they're the energies. huge. it's, it's a cultural thing, it's just within us and it yearly serve this drive to, to go out and show music unites us as

a group because we come from different cultural background. so in everything that we do does an inch fusion of all the couches coming together. so in essence, it's and it's a cultural exchange. we have performed in many countries. we've been to canada to australia, into the u. k. we've been to most parts of europe. the list is endless. a we incorporate a lot of african started turning through music studies that come from ages ago. we ran workshops out on the world of the schools and all that and we injury, we use music to tell those stories. that i believe it's good because we believe that i started to be told all around through music. it becomes much easier

for people to actually get interested. ah, the people all over the world can actually feel what we are doing here even though and, and not. yeah. because of their 1st says of gravity, legs, we are all attached to jimmy has 16 members. he needs choir, eat, bringing their own bit of magic to the music. ah, well, well, at family it is though my unity, we are very, very close group of people. and it out a lot when we are performing and also in we have problems cuz we're human. sometimes they'll be differences. but they're easy to be sorted out because this

bond that we are, we said, oh, it was good to see require performing outside the country because it's not only does the but singing, but it's also about learning about how the world operates, about other cultures. it opens up the mind, you know, we, we learn a lot that we come begging of our families and our communities. so there's a lot of cultural sharing. that's how we grow as human because we are citizens of the world. and we need to learn from each other. oh, the party is him, showcases the country's history of segregation and discrimination under the apartheid regime. it offers a powerful and poignant reminder of the struggles and chimes off the south african people. i'm joined by the museum manager to newly i don't winey for nurley

a. thank you for making time for us. now. this museum is known as the pre eminent museum. could you please elaborate on what that means? the bothered museum was opened in 2001, and it's known and acknowledged as the pre eminent museum for the reasons that we are dealing with the 20th century of history of africa. so we, at the heart of thought african history, what specific movements and events in south african history are covered in the exhibits on the about of elysium takes you under journey the way we focus from the history of the 1886, where you will see people from different age groups and races that journey through the to, to him his book on following the discovery of gold. then we go in to the. 3 updated era away from 1948 to 1995. and we focus on

1960 as well where the national party then started to save laws to segregate people based on their races. we also showcase the so where to uprising of 1976. the shovel massacre as well, that's what we focus on. so a walk through the museum will illustrate all those events or the moments inside africa that we went through. tell us a bit more about the inter active elements that are featured here in the exhibits. we've got your films, your photographs with good to our, to fix, and that is the into active features that we have to give our visitors. soon to come is voice map that our people will be able to use as well. you know what the so much wealth of knowledge and i cannot wait to learn more about it. the spoken word is gaining traction in rwanda and the rest of the world. join us as we meet della,

do me a young woman who is using her voice to address critical issues, della to best words matter. they're addressing critical social issues, challenging stereotypes and redefining long accepted norms. i and the frantic upsurge of metallic energy charge my kinetic them pill is symmetry, and that's a definitive decision. i'll be remembered through poetry and pros and verse for my eyes, cold persists in atlanta is mentality and celeste feel body power flows through my veins. power della is a young, creative spoken word artist who uses the power of words and performance to tell stories and talk about the human condition while encouraging people to use their voice to be known and heard. did i do? it was born and raised in hover on what so i know that is where i learned a lot about african culture and african history has spent a lot of time performing as a kid with my, with my

a siblings. we absolutely loved being on stage and we would do it at chairs. we do it at school, would do it anyway. we had the chance to share our voices in our talents and we had an absolute blast. you've got the brown log, it's music runs through my veins. so it was always easy and spoken word is i believe language of the conscious. so bringing all these different items together really helps me achieve what i want to creatively. and it lets me expand the breadth and depth of my message with a not a like is that one of her open mike sessions where she performs a piece that talks about the bon mobility in lovers. having more to life than just living oneself and a call to action to spread the love, the peace also exposes the longing and emptiness attached to the fear of loneliness in face to

face. with all will truly our voices we only chance 5 in the dark. a low insatiable, riddled with finally, akin to the unholy hour. thank god mean plummeting feet drawn to the reflected deep in search of a new religion. we'd rather go blind than through old and dry. sanity is amiga price. a fight from beacon i took della is a full time student here. she shows us her favorite spots at her campus, which she claims is one of her safe spaces. she likes to get away from the noise so that she can, we sent her rethink to reflect and organize her thoughts and put them down in to sound writing either on her phone or note booking. but you. so at the raptor of the celestial sphere. take my flesh to

a body of liquid crystals that gleam at the sight of the golden sun. ah, i really, really enjoy. express myself the different odd forms i have. it's helen for a spoken word, poetry, music, theater, drama, and creative, directing as well. so what i do is when i'm thinking about a piece or thinking about a creative piece, i really think about what would bring the subject matter out in the best way. who am i trying to communicate with? and theater. i'll speak about that a bit has really been a great way for me to become a child again, because there are theater on stage. you were a persona. and the onus is on do to completely explore what that carry. so ha, my role models include yasha haiti. she recently graduated from harvard, and i think that's amazing to the full time address, but also killed it at school. that's something that i drawn the ration from

musically people like nina simone. lauren hill have strong lyrical progress and strong characters as well. so women like these really inspired me to be more than ordinary and to make serious impact who work before crossing limbo or the blue and white, ny, creating creative faces for artists upcoming artists, children as well to be expressive enough and to be daring to think about the things that really matter, i'm really passionate about advocating for children in the space because there isn't enough emphasis on protecting these young minds. i also like to organize some music for people to come through and collaborate and create. that's how i contribute. and i hope to do more in the future much just by tonight, but a few years ago i been out of believe that there is no choice that i'm making at believe

that it's something i was born to do. but i think over the years, choosing to be more intentional about the messages that i put out there has what has made me go for the you know, my words and my messages. i really what helps me get into doors that i probably wouldn't have been qualified for, but because i'm using my voice to make a change, you'd be surprised how many people need to hear that'll need that reminder of how amazing they are. and also just raising awareness and issues that we often sideline . so my poetry, my voice, my music has always been a gateway to bigger platforms, reaching new audiences and making a change as a whole. i mean, when god, oh, i know. oh, now back to use in earlier, what impact to these exhibits have on visitors both emotionally and intellectually stuff? i think museum takes you on a journey of darkness. so walk into the apartment d. m. you will see

a whole lot of darkness. so with the visitors that we get it up, our topic miss young. it is a both emotionally draining. it is emotionally training, but at the same time it is a moment of healing. it is a moment of education. it is important also for the about a big museum to remain an educational institution. so we want people to actually understand that we are not putting them in a position to be political, but to also just understand that we have to display the information that we have. so it's important for people to engage with the museum. once we, once they walk into the museum, thank you so much for your time and sharing this wealth of knowledge. i hope more people come and visit they do, and we're calling one more to come and visit and educate themselves. thank you so much for your time. i could takes like daniel tay are modernizing rural. i could take her while staying to, to the aim of helping the community around them was i completed architecture school

i made, it's one of my life missions to play a rule. her minuscule might be to find a way of improving the lives in such communities. we want to use our designs to bridge the gaps between them or the social constructs. we also wanted resumes where our designs enable us to engage more comfortably with one another. and so doing meets expectations of our people, a very powerful tool to do that. we're very mindful of the opportunities that there are also offers in that direction. be mindful of the environmental impact resulting from providing civil

infrastructure. daniel employees, how you standards of procedure to execute project by taking into consideration quality, health safety and the environment to ensure sustainability. his designs in achieving timelessness, by offering aesthetic pleasure and attention to detail, to unified ship behavior. in order to alyssa to pursue was of holistic development from the one we understood that this project should not impact the environment in negatively. so we ensured that none of the workers would live within the site. those 2 are beds in stands of pollution and to you know, a latrine and stuff like that. we'd all going to these communities with the intentional bringing on, you know, people from the cities to work. we try to engage the youth off the communities,

bring in experts to help shape their mindset around projects. we engage about 500 young men and women. this has of course, a direct impact in the economy. and quite apart from that, there's a long term impact where some of these people who worked with us on the project or even haven't worked with us before, are encouraged to continue with the operations of the resorts. bear 5 is that we the past 5 years since the hurry valley came to the town, i for one have benefited immensely from the i had the opportunity to provide building materials with this really made me expand my business and employ a lot of young people about it but i have managed to afford university education for my children. most young people in this town are gainfully employed as

carpenters, chefs, landscaping and other jobs. even 2 of my kids, i employ as carpenters there as well. and what will happen this way before he knew what architecture was, daniel, he was always driven naturally to make space is more useful. mostly materials are we use here are whereas others will consider them with we actually found a will for use in them. so we recycled a lot of timber, there's been a lot of attempts access sustainability and the client wanted to execute the resort in the forest. we were looking for some peculiar attractions for the sites that brief had to make room for the introduction of animals. great opportunities for residential accommodations we needed also to create room for recreation to engage people. so primarily as we developed,

it's as intended to help people rejuvenates themselves. and then hopefully, with that refreshing experience, they'll be able to go back to the cities or wherever they come from and impact society. possibly, we recently won a competition to design the gala insurance college in adam or a bit of a unique circumstance. as majority of the people in that community at def or blank, we're hoping that through design will draw attention to the community. hopefully game assistance for their said. and them also be able to provide them with some as skills to friend adequately for themselves and their families. daniel owners and managers his own architectural fem would

a team of professionals who provide secure services to planes by 10 and fish new ideas into value added functional, an aesthetically pleasing product, but locally and globally. ganna is surely an architectural paradise. we now travel to germany to meets king and born a jennifer melinda schmidt, who decided to open a traditional restaurant in berlin. ah, jennifer melinda schmidt has lived in berlin since 2005 marcus and i like it when something's happening and things are always going on here in berlin. because unpredictably by i in 2016, she opened her restaurant shot to heidi in berlin and has been serving swift classics ever since. sometimes even wearing a journal. and of course,

she reveals her most important tips and tricks. if you have to swirl it in a figure 8 here, i'll show you all of the red drop. that means you have to pay the next round. now not really high. her restaurant is called shots a heidi or black heidi. it was also the title of a comedy show she developed, inspired by the world famous swiss children's book character heidi, the trained actress wanted to play more than just the usual cliches in berlin. the basic premise is that the swiss girl, heidi has fallen into her grandfather's pot of chocolate and suddenly turned black molina schmidt performed the sho in berlin from 2009 to 2011. please be it really did break through the ceiling because there are so few women

doing comedy hall and, and a black woman and a swiss woman on top of the eyes. so then jennifer melinda schmidt was born in kenya in 1982, her ugandan mother, a flight attendant, moved with her to switzerland when she was still a baby. there she grew up with her swift step father and 3 siblings mannequins. hey, my childhood was really very lovely. fact. maybe it's because i was able to speak swiss german so well that i often didn't notice that i looked different unless else i was only reminded from time to time when i looked in the mirror up. but actually i just felt the same. and i never really had any problems and he had the dicky me problem with the self confident girl got in front of the camera at an early age and hold it slow. she studied drama in munich, then made a career as a comedian when she stopped doing that. she became a restaurateur, kept the image in mood. i've always had the courage to do something. you must with this. and i've always had the confidence that i can do anything shuffled this

yellow shuffled around the founder, hooter, in berlin's. frederick signed district opened from november to february. it's specializes in swiss cheese fondue. it's the best fondue beyond the alps. at least melinda schmidt says so. her favorite is fun. do with truffles. of course it tastes even better with your loved ones becoming most affordable. i feel like a little all who came to berlin and who now has a restaurant, which is still such a dream for me. my looks, even when my restaurant is full, i think, why are they coming here? i got but then it makes me so happy why? we spent bonds in it. i don't think i could achieve what i've achieved here in switzerland. it's was here. i taba writes a guy hit the m jennifer melinda schmidt, a berliner from switzerland. ah, and that is how today's episode comes to an end. i hope you enjoyed it and learned

as much as i did. remember to take us out a d, w dot com forward slash after maxwell ward until next time? good bye. ah ah, ah ah ah, ah ah ah

ah ah ah ah, ah. a conflict with tim sebastian as the fighting grind zone in ukraine. spur thought for some of the countries on the edge of the was a stable of a these days that smoke overs for a minute for me to profess group is gum. who's struggling to come back? i bring the tags from russia and it's supportive. just how long this pro west to

the state, even the hope to survive. conflict with 30 minutes on d. w. d. we saw with eyes, but will stumble on the danger a dash good when the i s troops left rocca, the i said the fighting would go on for another 10 years. they were talking about i . e. d. 's. i said less, but the mind is still that the enduring trauma cause to buy land mines in 60 minutes, john d w. oh. hey guys, it's evelyn share. my welcome to my podcast, love matter. by and by celebrities,

influences and experts to talk about all playing loud thanks from day to you in yesterday. nothing less the south. all these things and more in the new season of the plot can make sure to tune and wherever you get your path and join the conversation. because you know it love matter and guardians of truth. my miss johnson and i have paid almost every price of being a journalist in a country like to key taking on the powers that be. they risk everything. john dunbar asks activists, journalists and politicians living in exile is too much on my shoulders. but i have to hold this weight because i'm responsible for the future fall country for the people who are behind the bus. they move for their mission. people need to

know what is happening there in our series guardians of truth, watch, know on youtube, d. w documentary ah ah, he wasn't, it'll be a news alive from berlin, death and destruction as storms tear through several us states. arkansas declares an emergency and calls in the national guard after multiple tornado strikes, leave a trail of devastation. also coming up on the show. fury as russia takes over the presidency.