for so long buddhism and abuse, the very want to know what makes it love and binding thing except for away from the fund. i'm not even allowed to go to my own car and everyone was later holes in every single day stuff getting you ready to meet the driven can join me, right. just do it on dw, the electronic dance music is more popular than ever locked down social distance thing . anyone remember that? now revenues are even better than before the pandemic. the scene has grown bigger, stronger, and mod i bus at festivals and everything is full on again,

including techno, to have lots of colorado because many things are possible. it's up to the teacher, what is the story or even today it's mainly men who are the full front of the tech, the scene. but there was some legendary female details as well. the brings between the, the magic, the music at the end of the social media, the fan base is growing rapidly and there is huge interest in the origins of technology. people like the silver mile generated stuff, and i had to wait 30 years in order for a whole new generation to kind of come to it. you know now, now they're finding it the roots of tech now being re discovered how celebration

the shows that 1st of all, we were ahead of our time, hours ahead of mind. to find out more about the history of the genre. we were in berlin. where else, but the capital of tex, since there is no closing time here, you can party all night long as clubs like twice or more than 30 years after its founding to do it is still considered at the, at the center and the best place to protect them is meant when it comes to fix, know you come to despise. i think that the is one of the most the far sunset drive being viewed is global tech. i think that techno was the force that shape berlin into the image that we have of it today. so the image was

in 1989 before the full of the will fill in was a divided city in the socialist east, the states controlled and regulated almost all aspects of life. in secrets, however, the use of the ddr stay tuned into what was going on in the capitalist west here on the other side of the will in the inside of, of west and then people enjoy the special status and much more freedom. and he had felt isolated and cut off it was actually very important that the world came down that that was actually more space in town. you know, everybody from east came to the cold us. what's happening then everybody from the west trying to start its own research and it was in that that's fine and goes to to take the rudy know what he can do me take him and others of the west,

the underground scene explode, abundant places in the form of wooded area that had lain center for decades and we were really lucky to find the location that pools, very new located near the wall. actually in the honda building. this building was in an area where and nobody could go even from the east side. it was like in this very close to the wall, so it was like, i'm touched over 45. you know, this really took place on the ground in the basement fault of a former department store was extremely loud music. and how to do that. when we opened it, it was the 1st day and it was really cool incident that is usually close just as the top of the house didn't make of technology. that was things of people like they were also ready to dance and for a long time,

no one was really interested in where the music came from or who was playing it says or just moves and one atkins with the tang from the very beginning. many of them came from the declining industrial city of detroit and the us and they shaped what is now known as the sound of good in my. my name is blake renee baxter, i'm from detroit usa tech house. so capital of united the detroit is known for its also industry music scene. it's also considered the place where the 1st ticket attracts, were created. this is awesome for glossing. you know, detroit comes and goes and comes and goes like, it's like, it's like

a cycle added to that. so in the phone from detroit, the decline of industry in detroit and the doing of a new technological age inspired juan atkins and other musicians in the early eighty's to experiments with futuristic sounds. a mixed european electro music with african american don speeds i guess the arrival of the technological revolution, so to speak. it was to the industrial age kind of came to a close and by detroit be one of the major industrial hurts in america. the city was kind of like just to clean it because the robots took over most of the manufacturing jobs. they experimented with new electra sounds and was celebration as techno rebels. even just a kid and later some,

some more kids just tinkering with, with this new technology. you know, a lot of this was kind of spontaneous. i mean, nobody had a blueprint or a plan. i mean, we had an idea of doings what we want us to do sort of like a mix spearman, you mix a lot of different ingredients, and the results came out 10 times better than we thought it would come out in a change of location. berlin and an old hymns finished. he produced the music for the evening himself. oldham started out as a radio husband, the choice lay to illustrated for any labels and soon became a ha my or it has always been the way it is. but it just seem to when techno came along, it seemed to get along with the actual futuristic or the science fiction elements from the beginning of the ninety's. ellen old him got involved. and the techno scene as a member of the d. j, connective underground resistance,

known as you are know, one man was bigger than music. and the music, it was the message, not the personality. and we all had code names and that i chose to 1000 for my he was the, the cutting edge, nano technology terminate. superior to arnold in every way. right. so that, that's the basis behind my d. j name the salvation in the disturb here in the world was how i didn't all to him depicted techno in a comic book for the techno level plus age in the early ninety's. they asked me to do a comic book for their label. is like, hey man, you know,

just come up with something cool. you are is there the detroit police are robots, but you are hates the robot costs. so you go the others in the resistance group. they're trying to restart this thing called the random noise generator, which creates music, creates technical music. and they installed the device and then the, the random noise generator shakes to life. and then you see all the electricity and sound waves coming out of it. and here's all the sound waves, techno and it's touching everywhere in the planet. that's basically what that was. this is how it takes no cause to real. absolutely. but from from detroit, the, the hype around detroit butting themes, assume that it's way around. the club pushed by music freaks promises and much owls until finding

a 2nd home in berlin. days from the us for floating in to get to cities done. so those chinese still the us seen, we made fun. the rooted in the, on the ground navigating traction in the main stream. so why did it come up in europe? the white audience are, were the ones who like to know a lot of black people did not like it. they did not get it. there was no wrapping in it. there was no singing. it was all one thing. it was repetitive and repetitive proved to be the key to berlin. as hans technically became the new sam check of the city. when it became berlin, then it became centralized. and then more detroit guy started coming over either to resort was that was crucial in this checking. it was undoubtedly a creation of african american communities across the atlantic. the fact that as

launch the escaped public consciousness because it wasn't berlin, where'd take no sound? mainstream appeals to detroit in detroit, and it was the right for them to play the music. and the last bill of the whole d. j. culture of the job and the technology. they won't be big. pulse on dick was born in 1971 in an industrial town in the ged, off and grew up in east and then like many young germans, he fell in love with the news phone from detroit. things and professionally. it's simple, really. i play the music because i love it, but i'm a total fanatic of telephone, not because i really don't teach it because i can make any money when i tell me this might have been good. so do you come the few years later to pull from dick made his break through becoming one of the most successful the days in the world.

and the money started flowing check no for the masses. use before it was very slow. that was really not real. nice line, but happy night. and when house came over as a talk and then technology was great. effect weekends with thing about 10000 people involved in move from one of the of the clock. and the rest of the story is that you came to know which way john, i just came across from that too many people. they just want you to came to 6 months. but the 1st the, this is female detail like and then on in also stuff had taken off. she's one of the most important representatives from the bad and take

those same to this day. the and on and produce is electronic music and runs the label. be pitch control. result is like a 2nd time to pull. the roots are in hip hop by the elusive, underground scene of techno fascinated head from the start that's via text. to call far away from zip up seemed close to the book. students are removed because i click dead for whatever text me. i didn't know which movie christmas to fax from the s, as in papa as an officer, while i just, that's how it can split by the fall love parade marxist. so, so the new era for this genre what started with only

a few 100 visits has seen through hundreds of thousands, many under the influence of the policy drug, ecstasy, rate is from the world that came to berlin to be part of the spectacle. 1999 to an incredible 1500000 attendance. you know, back in the rain times, it was just a lot of drugs. people did parties, you know, whatever, whatever. but now it's the emphasis on community. it's emphasis on kind of leaving things better than when you found it. and i think that, that a lot of young people want to create their own spaces. and this is this, the soundtrack for the . so what does tech know actually mean to play? don't we don't into the all kinds of used culture in buildings, costs back district to documents, funds, liens, magazines,

posters, and more are compiled, keeping the history of use and subculture in life. and you have this book on this from here. i have the a total festival program from 1990. you could say that this was maybe the 1st tech, no festival in germany to what the for the term techno occurs, but not so often how they talk mostly in house here. when i noticed that, but at one point they started speaking of the so called, tech know, seen mostly and it was the word isn't quotation on. so it wasn't get really clear what they really meant by technology. at least the thomas that i just combine. does, it has a different meaning for everyone. i mean, you know, techno can also be melodic and you can also be chill. but for me, primarily tech no means more aggressive. techno is everything you haven't imagined yet. that's according to jeff mills, legendary d j. m is the same color, so yes, that's not quite the onset. nice. so your husband looking full,

she works at berlin's university of the arts and has been researching techno for several years. in german techno with the capital t has a huge meaning number low term, which collects, let's say, oh, underground events and music related happenings. and also the music itself is part of faith. it has something you can identify either and you can explain is something that is underground, something that is locally organized. but this is a huge confusion specially and international circumstances, because an english sectional with another capital t means simply a stronger music genre. one of the genres of electronic dance music take well as i thought, i, as the media of the hops 1st and foremost. and it's a b as in tech. no, it's harder, very pleasant time. suppose it compared to house site. so tech know features less of the solely vocals and go and is generally faster,

harder and darker. how to do stuff. for some of the techno also means excessive drug consumption. very low is the, this simplification of the club culture that it's just about taking dogs that it's just about attending this i'm going to skip isn't. but i think now on the 21st century, we kind of say that anymore, most of the people that they go out because of the club, they go out because of the lineup, they go out because of the music, they go out because of the atmosphere there was always this reading, this idea of which your think about what's going on here. you know what's going on in the space and trying to connect with that in a way, trying to be not afraid of the music has something robot that kind of, you know, just thoughts to the

type of machine. so i'm, it also has that kind of spacey sounds. lot of electronic music is based on the gear that you use. 3 or 3 roland 9. oh, $9.00 faster than a $140.00 pm. and that's why it's called tech. no, because it's technologically advanced. gear is on the wrong. that's yet the one um cuz it all started in the underground way. he began spinning records in the 1980s. he's long since become legendary and the tech they've seen, but the status was never a big deal for him. my job is to entertain because you know, i from it here where, you know, before the d, j was the same as in this big days. got all his out accolades, all your job was to do is to keep the floor busy or to keep people smile.

manual, happy in dancing, and a lot of that is do game meet up from when i 1st started these days, one. adkins doesn't only feel dogs flows, but also the foyer of buildings, venerable philharmonic, the actually i had no idea that i would even be leaving detroit or going around the world not from the underground to the hallowed holes of classical music. this home festival brings together the entire spectrum of electronic music, turning technology into high culture, the years, the time it's come to this music is playing. welcome here as well. that's quite a statement. the

taking a lot to, to, to own institutions. and now with a level where one set of institutions noticed this, the other and see like, well maybe it's interesting what you're doing and we stood for the lights going it shows day, 1st of all, we were headed back i think and it, and it shows that staying power because i had this vision of the future. this is kind of perpetuating itself now because that was kind of the idea, the well, the choice african american communities are finding the receiving long overdue recognition

for inventing text though. the important role played by women artists on the quiz seen is still under acknowledged. and this is called tv show gave a feeling for what was going on in detroit at the time. it wasn't the b, james who with the stars, but the don't seems to go back and watch some of them and just see the outfits and see the dancing will always be extremely unique because that type of thing will never be repeated. it is. and the influence that, that hit on generations will always be. and so anyone to look at them even then if they look at a lot and see some of the mood for some of the things that people are doing it. oh, my god, the, the choice sound is funky. i don't care what they say. i notice is the home a techno and yes, techno was created there, but the house came 1st, then tech know what i mean. now the question is, who did what?

when and what did they bring to the scene? i got the biggest kick of flipping the record over. but i thought how cool is that? because this is a real factory. now, this was not a fake factory. they were really working. unlike the details as to the end tables. oh no, what, nothing plug. definitely we looked like we would good when we looked like we would get i don't care what it is. every type of music happens because of some other type of music. film black to take no re examines the story. and also how nights the roll women played in detroit, never one history. we're talking about thousands of different histories and stories . and that's how we silence out. people like the clear coming to or the females. i think j as in producers from that time because there is no books or sources like

this thing for their stories. so this is why i think it's now we are in this moment that we have to push, you know, further their story is and not only who is asking the same people. what happened just some of the opportunities that were given to man, we're not given as well to women. and so we have to still kick down doors to make things happen. and we're just now in this last decade, getting the recognition that like we weren't there and call the detroit to talk to the 19 seventy's and eighty's towards stacy how everything she knows, she quickly made a name for himself as a house d j and became pulse of detroit's queer music scene the fact that they also had a major influence on the development of techno as only now were you much i think what is happening that they're doing their homework, the 10 they're reaching out to, you know, says so thank god,

here's social media because at the time that i was evolving there was no social. it was a paper flyer, a tx on a page or, or in a phone call. stacy hazel has been deja ang producing teaching and doing radio shows for about 40 years. she's one of the few female teachers i've had to interaction to make a name for himself in detroit then and people are now taking an interest in what those on the other side of the atlantic were up to so many years ago. and not just any way, but in the cities most famous and in some is techno, except that time i need a select few are allowed in here and that goes for everyone. even details i know that it had a history and is well respected. and you know, that's,

that's all i know. so my principals, they found that i was going to be here, they just said it is the place of. i had no idea the dish these days, the bill in clubs, seeing aims for more diversity in lineups. to extract the real roots of techno and the whole spectrum of electronic music you know, i knew of many things going on. but most of the time, things like this, you know, was all screwed to the man. and so getting this opportunity to come here to represent i'm so excited been in the city with tech know made it big, has imaged as one of the most important music metropolises in the world. and stacy have now finally has the chance to contribute to is i want to tell a story to me, that's what the chain is about. and i think in a culture that again playing music,

even if it's a set time happening in the world or within a city or even in your home, you put on music to make the change your feelings aside. it's all about letting loose and feeding the moments wherever you are in berlin, the choice or anywhere else at the movement festivals. the best place of techno is we discovering its rates and celebrates electronic music. the

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because given we are not allowed to give in. we have to divide this a do the best as we can for the, for the to, to off or to assume about commitment and hope about visions and the people behind the verdict. catastrophe. climate change starts july 13th on dw, the . this is the w news, and these are our top stories. violence and looting head cities across front and a full smite of riots triggered by the fatal police shooting of a teenager. although the protest with less intense than on previous nights they were over $1300.00 arrests. nice.