in factories of detroit, to the warehouses of funding. a deep dive into vitale. raves the parts unveiled the letters to us. that's why we listen to their stories. reporter, every weekend dw, the electronic dance music is more popular than ever locked down social distance thing . anyone remember that now read news even faster than before the pandemic. the scene has grown bigger, stronger,

and more diverse. at festivals, i'm going clubs, everything is full on again, including techno, to have lots of paul out across. many things are possible. that's up to the future . what's the story of even today it's mainly men who are the full front of the tech they've seen. but there was some legendary female details as well. the brings between the, the magic, the music at the end of the social media defend base is growing rapidly. and this huge interest in the origins of technology below, like the silver mile generated stuff. and i had to wait 30 years in order for a whole new generation to kind of come to it. you know, now, now they're finding it the roots of tech,

there will be in v discovery celebration. it shows that 1st of all, we were ahead of part time, hours ahead of mind. to find out more about the history of the genre. we were in berlin, where else, but the capital of texas. since there is no closing time here, you can party all night long at clubs like twice or more than 30 years after its founding to do it is still considered at the, at the center and best place of protect them is meant when it comes to fix know you come to despise. i think that the is one of the most the far sunset drive being beautiful is global tech. i think that tech know what's the force that shape berlin into the image that we have of it today. so the image

was in 1989 before the full of the will fill in was a divided city in the socialist east, the state controlled and regulated almost all aspects of life. in secrets, however, the use of the ddr stay tuned into what was going on in the capitalist west here on the other side of the will in the inside of, of west. and then people enjoyed a special status and much more freedom. and he had felt isolated and cut off it was actually very important that the wall came down that that was actually more space in town. you know, everybody's on the east came through the call us what's happening then everybody from the west try to start its own research and it was in that that's fine. and those tests to take the rudy no one to dig him on and others of the west for an

underground scene explode abandoned places in the form of the area that had lain center for decades. and we were really lucky to find the location that both very new located near the wall actually in the honda building. this building was in an area where nobody could go even from the east side. it was like in this very close to the wall, so it was like, untouched over 45 years. technically literally took place underground in the basement fault of the department store was extremely loud music. and how to do that when we opened it, it was the 1st day and it was really according to that piece of music, was just it happened at the top of the house, didn't make it, but the tech no, that was things of people like they were also ready to dance

for a long time. no one was really interested in way of the music came from or who was playing. it was or just moves and one atkins with the thing from the very beginning . many of them came from the declining industrial city of detroit and the us and they shaped what is now known as the sound of put in. my name is blake rene, back in troy usa tech house sol, capitol, of united the detroit is known for its also industry and music scene. it's also considered the place where the 1st techno attracts, were created. this was awesome for gas and you know, detroit comes and goes and comes and goes like, it's like, it's like

a cycle added to the so in the phone from detroit, the decline of industry in detroit and the doing of a new technological age inspired juan atkins, and other musicians in the early eighty's to experiment with futuristic sounds or the next european electro music with african american don speeds i guess the arrival of the technological revolution, so to speak. it was the industrial age kind of came to a close and by detroit be one of the major industrial hurts in america. the city was kind of like just to clean it because the robots took over most of the manufacturer and they experimented with new electra sounds and was celebrated as techno rebels. even just a kid and later some,

some more kids just tinkering with, with this new technology. you know, a lot of this was kind of spontaneous. i mean, nobody had a blueprint or a plan. i mean, we had an idea of doings what we want us to do, sort of like an experiment and you mix a lot of different ingredients. and the results came out 10 times better than we thought it would come out. you know, the change of location on an old hymns finished. he produced the music for the evening himself. oldham started out as a radio host and the choice lay to illustrated for in the labels and soon became a ha my or it has always been the way it is, but it just seem to, when tech know came along, it seemed to fit along with the actual futuristic or the science fiction elements from the beginning of the ninety's island old him got involved in the tech. they're

seen as a member of the d. j. connective underground resistance known as you are know, one man was bigger than the music and the music. it was the message, not the personality, and we all had a co names and that i chose to 1000 for my he was the cutting edge nano technology terminate. superior to our new in every way. right. so that, that's the basis behind the jamie, the salvation in the disturb you in the world was how i didn't all to him depicted techno in a comic book for the techno level plus age in the early ninety's. they asked me to do a comic book for their label. is like, hey man, you know,

just come up with something cool. you are is there the detroit police are robots, but you are hates the robot costs. so you go the others in the resistance group. they're trying to restart this thing called the random noise generator, which creates music, creates techno music. and they installed the device and then the, the random noise generator shakes to life. and then you see all the electricity and sound waves coming out of it. and here's all the sound waves, techno and it's touching everywhere in the planet. that's basically what that was. this is how in check the real. absolutely. but from, from detroit, the, the hype around detroit funding theme assume that it's way around the globe, pushed by music freaks promises on march out until signing a 2nd home in berlin,

days from the us for floating in to get the cities done. so those chinese still the us seen, we made fun the roots of india on the ground navigating traction in the mainstream . so wanted to come up in europe. the white audience are, were the ones who like techno, a lot of black people did not like it. they did not get it. there was no wrapping in it. they, there was no singing. it was all one thing. it was repetitive and repetitive prove to be the key to berlin. as hans tegler became the new sam track of the city, when it became berlin, then it became centralized. and then more detroit guy started coming over even resort was that was crucial in this checking. it was undoubtedly a creation of african american communities across the atlantic. the fact that as

launch the escaped public consciousness because it wasn't berlin, where techno found mainstream appeals i think it was the right for the lots to build up the whole culture of the job and they won't be very good pulse on dick was born in 1971 in an industrial town in the ged, off and grew up in east and then like many young germans, he fell in love with the news phone from detroit. things and professionally. it's simple, really. i play the music because i love it. i'm a total fanatic to california, i think i really don't teach it because i can make any money when i tell me this money going to good for the income. the few years later,

pull from dick made his break through becoming one of the most successful the days in the world. and the money started flowing check know for the massive years before it was very slow. that was really not the real nice line. a happy night and when house came over as a top and then technology plus great effect weekends with thing about 10000 people in building move from one of the of the clock. and the rest of the story is that if you came to know and we tried john in his office and filled in on that too many people, they just want you to came to 6 months. but the 1st is most of the reason why is this female detail like and then on in also start taking off.

she's one of the most important representative for the bad and take those same to this day. and then on and produces electronic music and runs the label. the pitch control table is like a 2nd time to pull. the roots are in hip hop box. the elusive, underground scene of techno fascination had from the stopped by a golf highway up seemed close to have seen most of the route because i could then for whatever testing i didn't know, which was the fax from the s. as in papa as an after wire i just that's how it can split by the fall love parade, mock the status of a new era for this genre. what started with only

a few 100 visits has seen through hundreds of thousands, many under the influence of the policy drug, ecstasy rate is from the will that came to berlin to be part of the spectacle. 1999 to an incredible 1500000 attendance. you know, back in the rain times, it was just a lot of drugs. people did parties, you know, whatever, whatever. but now it's an emphasis on community. and so emphasis on kind of leaving things better than when you found it. and i think that, that a lot of young people want to create their own spaces. and this is this, the soundtrack for the . so what does the tech know actually mean to play? don't we don't into the all kinds of used culture in buildings, costs back district kids, documents, funds, liens, magazines,

posters, and more compiled, keeping the history of youth and subculture in life this and this book on this sum up here, we have the a tunnel festival program, from 1990 the you could say that this was maybe the 1st tech, no festival in germany to what the for the term techno occurs, but not so often how they talk mostly of house here. when i noticed that at one point they started speaking of the so called techno seen mostly and it was the word isn't quotation on. and so it wasn't get really clear what they really meant by tech know who we speak. so i left them an understood mind as it has a different meaning for everyone. i mean, you know, techno can also be melodic and it can also be chill. but for me, primarily tech no means more aggressive. techno is everything you haven't imagined yet. that's according to jeff mills, legendary d j. m is a shame. polezza. yes. not quite the onset. nice. so your husband looking for she

works at berlin's university of the arts and has been researching techno for several years. in german techno with a capital t has a huge meanings and umbrella term which collects, let's say on the ground events and music related happenings. and also the music itself is part of food that has something you can identify there. and you can explain is something that is underground, something that is locally organized, but this is a huge confusion specially an international um circumstances because an english sectional with another capital t means simply a stronger music genre. one of the genres of electronic dance music take well as i thought a, as the media of the hops 1st and foremost, and it's a be in tech. no, it's harder, very close at times. mostly compared to how sites of tech know features less of the

solely vocals and go and is generally faster, harder and darker. how to do stuff. for some of the techno also means excessive drug consumption. very low is the, this simplification of the club culture that it's just about taking drugs that it's just about attending this i'm going to skip isn't, but i think now on the 21st century, we kind of say that anymore. most of the people that they go out because of clubs, they go out because of the lineup, they go out because of the music, they go out because of the atmosphere. there was always this thing, this idea of which your think about what's going on here. you know what's going on in the space, trying to connect with that and the way, trying to be not afraid of it. the music has something real, but that kind of, you know, distorts to the

type of machine. so i'm, it also has the kind of spacey sounds. lot of electronic music is based on the gear that you use through us. read roland 9. oh, $9.00 fast as a 100 towards the v p. m. and that's why it's called techno because it's been logically advanced gear is on the wrong. that's yet the one um cuz it all started in the underground way. he began spinning records in the 1980s. he's long since become legendary in particular seen. but the status was never a big deal for him. my job is to entertain. because, you know, i've come from it here where, you know, before the d, j was famous and this big d j is got on his out accolades. all your job was to do is to keep the floor busy,

or to keep people smile. manual, happy, and dancing. and a lot of that is do you made up from when i 1st started these days? one. adkins doesn't only feel dogs closed, but also the foyer of the lens. venerable philharmonic, the actually i had no idea that i would even be leaving detroit or going around the world, you know, from the underground to the hallowed holes of classical music. this home festival brings together the entire spectrum of electronic music, turning technology into high culture. the, it's the time it's come that this music is being welcomed here as well. that's

quite a statement. the technical built its own institutions. and now with a level where one set of institutions noticed as the other and see like, well maybe it's interesting what you're doing and we stood for the lights going it shows the 1st of all, we were headed back house ahead of mine, i think. and it, and it shows the staying power because i had this vision of the future. this is kind of perpetuating itself now, because that was kind of the idea, the

well, the choice, african american communities of finding the receiving long overdue recognition for inventing text though the impulse and role played by women artists and to create a scene is still under acknowledged and those who called tv show gave a feeling for what was going on in detroit at the time. it wasn't the b james who with the stars, but the don't. so is to go back and watch some of them and just see the outfits and see the dancing will always be extremely unique because that type of thing will never be repeated. it is. and the influence that, that hit on generations will always be. and so anyone to look at them even then if they look at it and see some of the boots and some of that they were doing it. oh my god, the, the choice sound is funky. i don't care what they say. i notice is the home a techno and yes, techno was created there, but the house came 1st,

then tech no. only now the question is, who did what? when and what did they bring to the scene? i got the biggest kick of flipping to record over but i thought how cool is that? because this is a real factory. now, this was not a fake factory. they were really working. unlike the details as to and tables. oh no, what, nothing plug. definitely. we looked like we would good when we looked like we would get, but i don't care what it is. every type of music happens because of some other type of music. the film black to take no re examines the story. and also how nights the roll women played in detroit. it's never one history. we're talking about thousands of different histories and stories . and that's how we silence out to people like the peer come into or the females to

chase and producers from that time. because there is no books or sources like this thing for their stories. so this is why i think it's now we are in this moment that to be has to push, you know, further their story is and not only who is asking the same people. what happened just some of the opportunities that were given to man, we're not given as well to women. and so we have to still kick down doors to make things happen. and we're just now in this last decade, getting the recognition that like we weren't there can call the detroit to talk to the 19 seventy's and eighty's towards stacy how everything she knows, she quickly made a name for himself as a house d j and became pulse of detroit's queer music scene the fact that they also had a major influence on the development of techno as only now were you much i think what is happening that they're doing their homework,

the 10 they're reaching out to, you know, says so thank god, here's social media because at the time that i was evolving there was no social. it was a paper flyer, a tx on a page or, or in a phone call. stacy hail has been deja in producing teaching and doing radio shows for about 40 years. she's one of the few female teachers i've had generation to make a name for himself in detroit then and people are now taking an interest in what that is on the other side of the atlantic we're up to so many years ago. and not just any way, but in the cities most famous and in some is techno, except that time i need a select few are allowed in here and that goes for everyone. even the days i know that it had a history and is well respected and you know, that's,

that's all i know. so my friends was, they found that i was going to be here. they just said it is the place of. i had no idea these days, the bill in clubs seen aims for more diversity in lineups to extract the real roots of techno and the whole spectrum of electronic music. you know, i knew of many things going on. but most of the time, things like this, you know, was all screwed to the man. and so getting this opportunity to come here to represent i'm so excited been in the city with tech no made it big hasn't missed as one of the most important music metropolis is in the world. and stacy have now finally has the chance to contribute to it. i want to tell a story to me, that's what the thing is about. and i think in

a culture that again playing music, even if it's a set time happening in the world or within a city or even in your home and you put on music to make the chaise your feeling aside. it's all about letting loose and feeding the moments wherever you are in berlin, the choice or anywhere else at the movement festivals. the best place of techno is we discovering its rates and celebrates electronic music. the

depths, cold bread for europe, for every year terrible fires rage across the continent. protecting these ecosystems from the flames is more important than ever. we meet people from spain

and germany who want to make a difference. they share their ideas and their great passion for the for close out or in 15 minutes on dw, by boat to be assigned to the sea. crowd is a successful cab business. returning home, valuable experience. they're all 108000000 displaced people worldwide. visa, some of the stories was the minutes you the free clinic reading news,

told me about sugars paralyzed between your societies, computers and governments that go crazy for your data. explain how these technologies work. so that's how they can also watch it. now. the one of mankind's oldest ambitions could be within re what do you see? it really is possible to reverse the researches and scientists all over the world for you know, race against time. they are peers and rivals

with one daring goals to help smart nature. the more like what janelle, on youtube dw documentary, the, this is the deputy news line from butler. israel says it is right to the militant strong halls in the occupied. westbrook is ready, forces use drugs strike targets in the time of janine. and what it says was a counter terrorism operation of the stadium official site least 8 people look hills describe the move.