the culture information, this is the, the news w from mines we've got some hot tips for your bucket list. magic corner check. hot spot for food and some great cultural memorial. w travel off we go. the electronic dance music is more popular than ever locked down social distance things anyone remember that? now revenues or even banks have been before the pun, debit. the scene has grown bigger, stronger mod i bus. at festivals,

i'm going to love everything is full on again, including techno, to have lots of paula because many things are possible. it's up to the teacher, what is the story or even today it's mainly men who are the full front of the tech they've seen. but there was some legendary female details as well. the brings between 911. that's the magic of the music. at the end of the social media, the fan base is growing rapidly. and these huge interest in the origins of technology. people are like the silver mile generated stuff, and i had to wait 30 years in order for a whole new generation to kind of come to it. you know now, now they're finding it the roots of tech now being re discovered how sudden ration

it shows that 1st of all, we were ahead of our time or hours ahead of my time. to find out more about the history of the genre we were in berlin, where else, but the capital of technology, since there is no closing time here, you can party all night long at clubs like twice or more than 30 years after its founding to do it is still considered the epi center and best place of protect them is meant when it comes to fix, know you come to despise. i think that the is one of the most the far sunset drive being viewed is go with tech. i think that tech now what's the force that shape berlin into the image that we have of it today? so the image was

in 1989 before the full of the will fill in was a divided city in the socialist east. the states controlled and regulated almost all aspects of life. in secrets, however, the use of the ddr stay tuned into what was going on in the capitalist west. here on the other side of the will in the inside of, of west berlin people, i enjoyed a special status and much more freedom. and he had felt isolated and cut off. it was actually very important that the wall came down that that was actually more space in town. you know, everybody's on the east came to the cold us. what's happening then everybody from the west tried to start. it's its own research and it was in that that's fine in those days. so technically, no one can cdc eggman and others of the west and underground scene explode

abandoned places in the form of wooded area that had lain center for decades. and we were really lucky to find the location that both very new located near the wall actually in the pool in this building was in an area where and nobody could go even from the east side. it was like in this very close to the walls. so it was like, untouched over 45 years. techno literally took place underground in the basement fault of the department store was extremely loud music. and how it said when we opened it, it was the 1st day and it was really according to the investors and using close just that happened at the top of the house, didn't make it, but the tech know that was things like that were also ready to dance and

for a long time, no one was really interested in where the music came from or who was playing. it says or moves and one atkins with the tang from the very beginning. many of them came from the declining industrial city of detroit in the us and they shaved what is now known as the sound of good. and my name is blake rene, back in troy usa tech house. so capital of united the detroit is known for its also industry and music. see, it's also considered the place where the 1st ticket attracts, were created. this is often for glossing, you know, the to where it comes and goes and comes and goes like it's like, it's like

a cycle. added the phone of the soul in the phone from detroit. the decline of industry in detroit and the doing of a new technological age inside juan atkins and other musicians in the early eighty's to experiments with futuristic sounds. the next europe and electro music with african american don speeds i guess the arrival of the technological revolution. so to speak, it was to the industrial age kind of came to a close and by detroit be one of the major industrial hurts in america. the city was kind of like just to clean it because the robots took over. most of the manufacturing that they experimented with new electra sounds and was celebration as techno rebels, even just a kid and later some,

some more kids just tinkering with, with this new technology. you know, a lot of this was kind of spontaneous. i mean, nobody had a blueprint or a plan. i mean, we had an idea of things. what we want us to do, sort of like an experiment and you mix a lot of different ingredients and the result came out 10 times better than we thought it would come out in a change of location. berlin, on an old hymns finished, he produced the music for the evening himself. oldham started out as a radio husband, the choice lay to illustrated for indie labels and same became a ha my or it has always been the way it is. but it just seem to when techno came along, it seem to fit along with the actual futuristic or the science fiction elements from the beginning of the ninety's island. old him got involved in the techno seen as a member of the d. j, connective underground resistance, known as you are know,

one man was bigger than the music. and the music, it was the message, not the personality. and we all had a co names and that i chose a to 1000 for my he was the cutting edge nano technology terminate the superior to our new in every way. right. so that, that's the basis behind the jamie of the salvation and the disturb you and weld was how i didn't altima depicted techno in a comic book for the techno level plus age in the early ninety's. they asked me to do a comic book for their label is like, hey man, you know,

just come up with something cool. you are is there the detroit police are robots, but you are, hates the robot costs. so you go the others and the resistance group. they're trying to restart this thing called the random noise generator, which creates music, creates techno music. and they installed the device and then the, the random noise generator shakes to life. and then you see all the electricity and sound waves coming out of it. and here's all the sound waves tech now, and it's touching everywhere in the planet. that's basically what that was. this is how it takes no cause to will. absolutely. but from from detroit, the, to the hype around detroit butting themes, assume that it's way around. the club post by music freaks promises on march out

until finding a 2nd home in berlin days from the us with floating in to get to cities done. so those chinese still the us seen, we made fun. the roots of india on the ground navigating traction in the main stream. so wanted to come up in europe. the white audience are, were the ones who like to know a lot of black people did not like it. they did not get it. there was no wrapping in it. there was no singing. it was all one thing. it was repetitive and repetitive proved to be the key to berlin. as hans technically became the new sam track of the city, when it became berlin, then it became centralized. and then more detroit guy started coming over evil to resort was that was crucial in this checking. it was undoubtedly a creation of african american communities across the atlantic. the fact that as

launch the escaped public consciousness because it wasn't berlin, where tech no sound main stream appeals i think it was a ride for play, the music and the last bill of the whole d. j culture of the job and the technology. they won't be very good. pulse on dick was born in 1971 in an industrial town in the ged, off and grew up in east and then like many young germans, he fell in love with the news phone from detroit. things and professionally. it's simple, really. i play the music because i love it. i'm a total fanatic of color for not because i really don't teach it because i can make any money when i tell me this money brings you good. so do you come in a few years later, to pull from dick made his break through becoming one of the most successful,

the days in the world. and the money started flowing checking though for the masses use before it was very slow. that was really not a real nice line a happy night. and when the house came over as a talk and then technology was great. if at the weekends with things about 10000 people involved in move from one of the of the clock and the rest of the story is that if you came to know which way john, of his came international magazine writing office and filled in on that too many people, they just want you to came to 6 months, but the 1st 6 months visualize this females detail like and then on in also started taking off. she's one of the most important representative

for the bad and take those same to this day, the and on and produces electronic music and runs the label bead pitch control table is like a 2nd time to pull, though his roots are in hip hop box. the elusive, underground scene of techno fascinated head from the start that's via x. we have to go far away from zip up seemed positive of seamless, removed because i could then for whatever reason, christmas to fax from the s as in papa as an after. while i us, that's how it can slip by the fall. love parades, mock the status of a new era for this genre. what started with only

a few 100 visitors seen through hundreds of thousands, many under the influence of the policy drug, ecstasy, rate is from the world as it came to berlin to be part of the spectacle. 1999 to an incredible 1500000 attendance. you know, back in the rain times, it was just a lot of drugs. people did parties, you know, whatever, whatever. but now it's the emphasis on community. it's emphasis on kind of leaving things better than when you found it. can i think that, that a lot of young people want to create their own spaces, and this is this, the soundtrack for the . so what does take no, actually mean to play? don't we don't into the all kinds of used culture in buildings, costs back district to documents, funds, liens, magazines,

posters, and more compiled, keeping the history of use and subculture in life. and this book on this from here, i have the a total festival program from 1990. you could say that this was maybe the 1st tech, no festival in germany, to what the for the term techno occurs, but not so often how they taught mostly of house here. when i noticed that at one point they started speaking of the so called tech, no seen mostly, and it was the word isn't quotation on. so it wasn't get really clear what they really meant by techno, who wasted thomas them. an understood mines as it has a different meaning for everyone. i mean, you know, tech know can also be melodic and you can also be chill. but for me, primarily tech no means more aggressive. techno is everything you haven't imagined yet. that's according to jeff mills, legendary d j. m is the same color. so yes, so it's not quite the onset me. so your husband looking for she works at berlin's

university of the arts and has been researching techno for several years. in german techno with a capital t has a huge remaining number la term, which collects, let's say, oh, underground events and music related happenings. and also the music itself is part of faith. it has something you can identify either and you can explain is something that is underground, something that is locally organized. but this is a huge confusion specially an international circumstances because an english sectional with another capital t means simply a stronger music genre. one of the genres of electronic dance music take well as i thought, i, as the media of the hops 1st and foremost. and it's a be in tech. no, it's harder, very close at times. most like compared to house sites will tech know features less of the solely vocals and go and is generally faster,

harder and darker. how to do stuff. for some of the techno also means excessive drug consumption. very low is the, this simplification of the club culture that it's just about taking dogs that it's just about attending this i'm going to skip isn't. but i think now on the 21st century, we kind of say that anymore, most of the people that they go out because of clubs, they go out because of the lineup. they go out because of the music, they go out because of the atmosphere. there was always this reading, this idea of, let's see, or think about what's going on here. you know, what's going on in the space. trying to connect with that and the way, trying to be not afraid over the music has something robot that kind of, you know, just thoughts to the

type of machine. so i'm, it also is the kind of spacey sounds. lot of electronic music is based on the gear that you use through us. read? roland 9. 09 fast. doesn't higher. it's hard to vpn and that's why it's called technology because it's technologically advanced gear. it's on the wrong. that's yet the one um cuz it all started in the underground way. he began spinning records in the 1980s. he's long since become legendary in particular seen, but the status was never a big deal for him. my job is to entertain because you're not from it. here where you know, before the dca was the same as in this big days, got honest out accolades. all your job was to do is to keep the floor busy or to

keep people smile. manual, happy and dancing. and a lot of that is do game made up from when i 1st started these days, one. adkins doesn't only feel dogs flows, but also the foyer of the buildings. venerable philharmonic, the actually i had no idea that i would even be leaving detroit or going around the world not from the underground to the hallowed holes of classical music. this whole festival brings together the entire spectrum of electronic music, turning technology into high culture, the years, the time it's come to this music is playing. welcome here as well. that's quite a statement. the

taken all built its own institutions. and now with a level where one set of institutions noticed this, the other and see like, well maybe it's interesting what you're doing and we stood for the lights going it shows day, 1st of all, we were headed back house, i think, and it, and it shows the staying power because i had this vision of the future. dennis is kind of perpetuating itself now because that was kind of the idea the well, the choice african american communities are finding the receiving long overdue recognition

for inventing text though the impulse control played by women, artists to create a scene is still under acknowledged. and those who called tv show gave a feeling for what was going on in detroit at the time. it wasn't the b, james who with the stars, but the don't seems to go back and watch some of them and just see the outfits and see the dancing will always be extremely unique because that type of thing will never be repeated. it is. and the influence that, that hit on generations will always be. and so anyone to look at them even then if they look at it and see some of the move to some of that, these people were doing it. oh, my god, the, the choice sound is funky. i don't care what they say. i notice is the home a techno and yes, techno was created there, but the house came 1st, then tech no. only now the question is, who did what?

when and what did they bring to the scene? i got the biggest kick of flipping to record over. but i thought how cool is that? because this is a real factory. now, this was not a fake factory. they were really working. unlike the d days after 10 tables. oh no, it wasn't, nothing plugged up, but we looked like we were good when we looked like we would get i don't care what it is. every type of music happens because of some other type of music. film black to take no re examines the story. and also how nights the roll women played in detroit. it's never one history. we're talking about thousands of different histories and stories. and that's how we silence out. people like the fear come into or the females, i think jason producers from that time because there's no books or sources like

this thing for their stories. so this is why i think it's now we are in this moment that to be has to push no further. their story is and not only who is asking the same people, what happened just some of the opportunities that were given to man, we're not given as well to women. and so we have to still kick down doors to make things happen. and we're just now in this last decade, getting the recognition that like we weren't there can call it choice, talk to the 19 seventy's and eighty's towards stacy, how everything she knows, she quickly made a name for himself as a house d j and became pulse of detroit's queer music scene, the fact that they also had a major influence on the development of techno as only now were you much i think what is happening that they're doing their homework, the 10 they're reaching out to, you know, says so thank god,

here's social media because at the time that i was evolving, there was no social. it was a paper flyer, a tx on a page or an a phone call. stacy, how has been deja in producing teaching and doing radio shows for about 40 years. she's one of the few female teachers i've had 10 ration to make a name for himself in detroit then and people are now taking an interest in what those on the other side of the atlantic were up to so many years ago and not just anywhere but in the cities most famous and in some is techno, except that time i need a select few are allowed in here and that goes for everyone. even details i know that it had a history and is well respected. and, you know, that's,

that's all i know. so my principals, they found that i was going to be here, they just said it is the place. so i had no idea the change these days, the villain clubs, seen aims for more diversity in lineups. to extract the real roots of techno and the whole spectrum of electronic music you know, i knew of many things going on. but most of the time, things like this, you know, was all screwed to the man. and so getting this opportunity to come here to represent i'm so excited been in the city with tech know made it big, has imaged as one of the most important music metropolises in the world. and stacy have now finally has the chance to contribute to is i want to tell a story to me, that's what the jane is about. and i think in a culture that again playing music,

even if it's a set time happening in the world or within the city, or even in your home, you put on music to make the chaise your feelings aside. it's all about letting loose. i'm feeling the moments wherever you are in berlin, the choice or anywhere else at the movement festivals. the best place of techno is we discovering its rates and celebrates electronic music, the

a pulse, the beginning of a story that takes us along for the ride. it's about the perspectives culture

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that's what they're aiming for. the closest terminal zones of the earth will become you literally uninhabited. today we're talking about 50000000 refugees in the future. we're talking about billions. this is no longer question of whether we get out of coal, oil and gas, but land on the assume about commitment and how about visions and the people behind the way we want to achieve re thinking in society, the burden catastrophe. climate change starts july 13th on dw, the,

the, the, this is the, the, the news coming to live from berlin. israel's military operation in the occupied west bank enters its 2nd day d, w. as in janine following the ongoing rate. it's fairly forces are calling to move a counter terrorism crackdown palestinian officials say it's war against the people of judy also coming out.