to great composers for concerts 8 symphonies, highlights from the behind target inputs in 2022. i love that idea of how to conduct each brom symphony with one by tomorrow jack. that is probably one of the most beautiful music ever written from symphony on the channel is physically and emotionally, very, very tired of life, joy and peace, wrong songs for intensive weeks of rehearsals, concerts, and conversations join us as we followed the creative process of this symphonic cycle the,

it's one of the most beautiful beginnings in music in the history of music news as a for me, it's the bronze greatest symphony. the just like it's just so it seems like this music has been there forever. and even when we stop playing, the actually have a personal connection to this piece because it was definitely the 1st since in the old problems that i ever studied, the may wonder whether she knew this is less

symphony when she was writing. the today is the time for the, for the symphony of brahms, the minor symphony, the symphony, those thoughts of minor ends in minor brahms with this last symphony decides to stay in this a heavy and tragic tone. very simple, well done. and then a sending in cedar rapids here and this is a hopefully that this structure is so progressive again to and that's very pioneering offsets who committed makes me think about bunk bed good

is actually 12 tone scale the so after this 1st movement is beautiful movement then he starts his 2nd movement with his tent that could be the baritone or the tenor in the church. that is

a, or an oregon sound were different octaves and layers of the same champ are added from the horn to the wood, wins the . 2 the. 2 it makes you feel like you could be in a yeah. in an older time, in the frigid mode in which is a mode where you don't really know where the ground is. and then from this beginning of attempt recurring, that's come in and then they tell, you know, it's actually going to be a major and that change that shift in color. and that shift in place is i think one of the most jimmy is moments that i ever experienced in, in, in, in,

from. 2 2 the. 2 the i love the beginning of the 2nd movement. um, you know, we have to pitch the capital in the string section. and for me it's a really special sounds a bit like a prayer. yeah. you know, like if a person screams, sometimes you're not listening, you know, it's a screamer. but if someone is talking really quiet and isn't listening and this is kind of displays, it's really intense. the

i really love this to this place. where is the pizza catch? who stays by itself and we play. mm hm. mm hm. this is a really special bar for me. i don't know. i love you understand. yes. the continues is mournful, nostalgic, seeming the clarinets that develops from part to part in a very chamber like quality that is so unique and beautiful. and he's able to,

to develop seem after seem from the most basic, uh, sales to the most gorgeous variations and the structure, the same thing. and that's, that's my favorite moment i think. and then we get the happy, cheerful, uh, as if she wanted to give the audience the chance to be happy. and who have that sort of finale of feeling some bottom bottom from the system that escaped. so jo, it is your cause of the scale of the to withdraw. cool was this was

a counseling to what usually it's against with are more than 3, but it's a scepter. yeah. because it's funny. she decides to put the big fiesta in the 3rd movement. she knew he wasn't going to end up up. and i'm, i'm, let's say, cheerful and hopeful and asking for a big a plus with his last moment he had clearly made a plan. and so he decides to put in the 3rd moment in a sort of schedule manner with lots of humor and with this. yeah, really joyful and maybe sometimes could be even sarcastic tone where he's going from loud to soft from wins the strings from from all of the greatest contrasts of, of the color of the orchestra. the

months is out and it says some say it's such a force to me and kind of violent happiness. give me that you would call that true happiness and sadness. the lift is very rhythmic and i love to get a good day with the big difference for them to do them. and then the triangle understands yeah, being itself, i mean, the nice thing is allows movement is, is one scene real. 2 2 6 the

a very simple crowd line that is searching upward towards god and then falls of a sudden escape basically with chromatism which he loves so much the . 2 the. 6

6 the, i'm going to get besides, to make certain variations with this theme. and every variation has its own, what else? that's why it cannot be performed in the same simple because each, each variation demands different things from the orchestra. so it's really fun to play because you have to change most characters. sounds, articulation within less than a minute. as we go along in the last moment, which we call up classic, i left because the theme comes from the base and it continues developing the

younger, i mean this is for and we have this example of the box contest mode here. these are this contact uh, number 150 inbox, catalogue of workers, text or the teeth titles of a can talk to you have for the, for the oh lord, i long to let's does, that's what a dish, according to i live, the chicago and the 7th movement to know to my days of suffering, god ends in that and then comes the last part of this much. i don't think the problems implemented never the less enjoy then no to for it. mm. yeah, but what i'm promising actually the sat and probably get. 2 6 6 6 6 6 2 the . 6 6 what do you think it means to you?

what, what is it? where are we when use? okay, that's, well it's, it's a very special for, for us flutist because it's, it's not, is very not very difficult in the technical way of playing but, but you have almost the whole range of, of, of notes you play, you go up, you rise up as like a premiere and, and kind of desperation when you reach the top note and then it goes down and tests . for me, it's kind of relaxing and anticipating that there will be something good. 6 2 6 6 2 2

the . 2 the, i just try to dive into these e major chords which are following, and this is such a relief after the emotional tomorrow you are just running for the, this so with the fluids to me is, is really seeing through the solar, all 3 of his rooms that's how i see it. and, and then you see there's always assign for house. he agrees the

of course, the ending it's not, it's torment to us is. yeah, for the list face, holistic companies, fade has spoken up to get and there's no consolation in the end. actually the is kind of can post. i'm just a 2nd. so the end, the end is not. let's have a big applause. uh and bring the house down to sort of and it's is completely up, was it is, this is life. life is not easy and we're here, we're human. we cannot to reach cards even if we want the

of the the, this is one of the symphonies that i think many people didn't know. at least all the musicians in this concert and myself have nothing done. which is a really beautiful challenge with a piece of was which in more, more than a 100 years ago, the

. and we worked really hard in rehearsals and i must say it was a great discovery for us because it seems to me full of color and honesty that clearly shows the, the early younger side of a more dec, really trying to be in the, the stablish forms of the symphonies, the anthony floor jack were doing his 6 infinity, which he actually named his 1st infinity no way. maybe perhaps because he felt that he was, that was really, he's his to be 1st saved into the he could feel proud of the

. 6 2 good, ok, this bit coming up. you guys is, does that sound bohemian to you? the, it's a beautiful piece and it's a very different for jack. it's a very early young young feeling. i feel. what do you think? first will stick feel, boom. there are a lot of bohemian slavic elements to it on to also a lot of stylistic motifs. see if it's an incredibly deliberate piece as well that you don't notice it because it's again this for this. yes, this bohemian means that the permission was it kind of the,

this took a lot more just because you have slightly groups. yeah. my mom is from a but his level and have a lot of family from prague and my grand dad was an opera singer in it, but at this level. but i was born in munich, but still i have nbc, let's have to go back and you feel it in your roots? georgia. yes, definitely. the it was great to do a major romantic work from a 150 years ago with an orchestra that plays everything. and only one person had ever played for like 6, including me. i hadn't either. so you haven't. no, no, just the 1st. what do you think about the piece? i like it. i like it a lot,

but it's i think to really find the right interpretation. it's a lot harder the or the in the 6 it's a little you have to do something with it. so something is going to happen or you make it special, all the moving notes thing and the notes disappear. just the and there is this condenser in the flute, and we had a really funny moment because i think i imagined it one way you were made into the different way. i actually thought perhaps it's kind of a both solo and i just have to play around it. and so it was

a very strange moment. and when, when we read the symphony and i was there with my true and everybody else stopped and i thought, okay, this is a cut then. so the direct contrast time you play cut dentists in one breath is set some time. so for 4 players and so i told her, well perhaps it would be just one gesture and i have to do it in one breath. so i do it in a fit fast or temple and the hardest nestled. oh, god sees most happy. no, i was just like, what is it?

i the bill because it went so much faster than i thought. it was beautiful. the the as interesting movement i think is the 3rd. and the 3rd movement is pure mor deck with a 40 and he uses this, this rhythmic distance and rhythmic displacement of the 3 against 2. that is so characteristic of this 4 key dams of his homeland check the dumb, dumb, dumb, dumb. yes is, but it's tie it does. yeah. it's like like here's hoping some. yeah,

it'll be the vision and then also the a yeah. you can see people drinking wine and dancing and having fun the do you have a special favorite part? it's definitely the 3rd move. yeah, i like to the beginning of the 3rd movement because it reminds me of this lovely cube dances. and i really liked this and feeling you get that he's like playing would you mind? cuz you don't hear the 3 quarters here. but

this right, this is not, this is not the beat is and he's like playing mind games and i really liked this. and then some of the you find back into you find the one is and it's not where you expected it. and i think if you just a listener, not even the musician is really fun. i like music people, you know, like, i like great people who are a little crazy because that's, that's interesting. and i think it was, that was a little bit. the s c a bit to it's a very virtue offset for the orchestra team. the themes are worked with a lot. so

a garnishment and yet it's also organic and it doesn't be will forced on guess things. yeah, this is very simple, honest, but also very quite classical, sometimes a huge short. yeah. uh, you know, with the phone ball and beethoven is of course the that was arts unveiled at the bombs target into its in 2022. thank you for joining us until next time. the

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