the motor sports, all of our scoring we say they're about never giving up sports flies every weekend on d w. the great composers for concerts 8 symphonies, highlights from the behind target inputs in 2022. i love that idea of how to conduct each brum symphony with one by dollar shock. that is probably one of the most beautiful music ever written from symphony on the channel is physically and emotionally, very, very talent, love joy. and it's this wrong song for intensive weeks of rehearsals, concerts,

and conversations join us as we follow the creative process of the symphonic cycle . the, it's one of the most beautiful beginnings in music in the history of music news was it for me it's brahms greatest symphony. the

i just like it so, so it seems like this music has been there forever. and even when we stopped playing, the actually have a personal connection to this piece because it was definitely the 1st students in your problems that i ever studied. the may wonder whether she knew this is less symphony when she was writing. the today is the time for the, for the symphony of brahms, the e minor symphony, the symphony, those thoughts of minor and m as in minor brahms. with this last symphony decides

to stay in this. a heavy and tragic tone is very simple, well done. and then is sending in cedar rapids here, and this is of the hopefully that this structure is so progressively again to and that's very pioneering offsets who committed makes me think of all gone bad. good is actually 12 soon scale the

so after this 1st movement is beautiful movement, then he starts his 2nd movement with his tent. that could be the baritone or the tenor in the church. that is a, or an oregon sound. were different octaves and layers of the same champ are added from the horn to the wood, wins the . 2 2 the, it makes you feel like you could be in a yeah,

in an older time, in the fridge, in mode in, which is a mode where you don't really know where the ground is. and then from this beginning of attempt recurring, that's come in and then they tell, you know, it's actually going to be a major and that change that shift in color. and that shift in place is i think one of the most jimmy is moments that i ever experienced in, in, in, in, from. 2 2 the

i loved the beginning of the 2nd movement. um, you know, we have to put c capital in the string section. and for me it's a really special sounds a bit like a prayer. yeah. you know, like if a person screams, sometimes you're not listening, you know if it's grammar. but if someone is talking really quiet and isn't listening and this is kind of this place, it's really intense. the i really love this to this place. where is the pizza catch? who stays by itself and then we play. mm hm. mm hm. this is a really special bar for me. i don't know. i love you understand?

yes. the continues is mournful, nostalgic, seemingly, clarinets, that develops from part to part in a very chamber like quality that is so unique and beautiful. and he's able to, to develop a scene after scene from the most basic uh, so to the most gorgeous variations and the structure, the same thing. and that's, that's my favorite moment i think. and then we get the happy, cheerful, uh, as if she wanted to give the audience the chance to be happy. and who have that

sort of finale of feeling some bottom bottom from the system that is scared. so joe, it is your cause of the scale of the to with your causes a cancer and to what? usually it's of kansas are more than 3, but it's a scepter. yeah, because it's funny. she decides to put the big fiesta in the 3rd movement. she knew he wasn't going to end up up. and i'm, i'm, let's say, cheerful and hopeful and asking for a big a plus with his last moments it had a fairly made up plans. and so he decides to put it in the 3rd moment in a sort of skipped so minor with lots of humor and with this yeah, really joyful. and maybe sometimes could be even sarcastic tone,

where he's going from loud to soft from wins the strings from, from all of the greatest contrasts of, of the color of the orchestra. the months is undecided. so some say it's such a force to me and kind of violent happiness. give it, you would call it true happiness, fitness, honest, this is very rhythmic and i love to get a good day with the different that the to them. and then the triangle is done. yeah, being it's tough. i mean the

nice things that allows movement is, is one scene real. 2 2 6 the a very simple crowd line that is searching upward towards god and then falls ascending scale basically with chromatism which he loved so much the

. 2 the. 6 6 the and then he decided to make certain variations with this theme. and every variation has its own way. that's why it cannot be performed in the same simple because each, each variation demands different things from the orchestra. so it's really fun to

play because you have to change most characters. sounds, articulation within less than a minute. as we go along in the last moment, which we call up classic, i left because the theme comes from the base and it continues developing the younger, i mean this is for and we have this example of the box contest mode here. these are, this can talk to number 150 inbox, catalogue of workers, text or the teeth titles of the can talk to you have for the, for the oh lord, i long to let's does, that's what a dish, according to i love the chicago and the 7th movement to know to my days of suffering, god ends in that and then comes the last part of this much. i don't think the problems implemented never the less enjoy, then not to floyd. mm. yeah, but what i'm promising actually the sat and probably get. 2 6

6 6 6 the . 6 6 what do you think it means to you? what, what is it? where are we when use? okay, that's, well it's, it's a very special for, for us flutist because it's, it's not, is very not very difficult in the technical way of playing but, but you have almost the whole range of, of, of notes you play, you go up, you rise up as like a premiere and, and kind of desperation when you reach the top note and then it goes down and tests

. for me, it's kind of of, of relaxing and anticipating that there will be something good. 6 2 6 6 2 the . 2 the, i just try to dive into these e major chords which are following, and this is such a relief after the emotional tomorrow you are just running for the,

this so with the fluids to me is, is really seeing through the soul of the, on his rooms that's how i see it. and, and then you see there's always assign for house. he agrees the of course, the ending it's not, it's torment to us is. yeah, for the list face, holistic companies, fade has spoken up to get and there's no consolation in the end. actually the is

kind of can post. i'm just a 2nd. so the end, the end is not. let's have a big applause and bring the house down to sort of and it's is completely up, was it is, this is life. life is not easy and we're here, we're human would come off to reach chords even if we want the of the the,

this is one of the symphonies that i think many people didn't know. at least all of the musicians in this concert and myself have nothing done, which is a really beautiful challenge with a piece of was which in more, more than a 100 years ago. the . and we worked really hard in rehearsals and i must say it was a great discovery for us because it seems to me full of color of an honesty that clearly shows the, the early younger side of a more dec, really trying to be in the establish forms of the symphonies, the anthony more jack were doing his 6 infinity,

which he actually named his 1st infinity in a way, maybe perhaps because he felt that he was, that was really his, his to the 1st 70 that he could feel proud of the . 6 2 good, ok this bit, coming up, the place is does that sound bohemian to you? the it's a beautiful piece and it's a very different poor jack. it's a very early young young feeling. i feel. what do you think? first will stick feel, boom. there are

a lot of bohemian slavic elements to it on to also a lot of stylistic motifs. see if it's an incredibly deliberate piece, is this or that you don't notice it because it's again this for this? yes, this bohemian needs are the permission unless it comes with the let's talk about more just because you have slightly groups. yeah. my mom is from a but his level and have a lot of family from prague and my grand dad was an opera singer in it, but at this level. but i was born in munich, but still i have nbc this hospital like how you feel that in your roots of georgia? yes, definitely the

it was great to do a major romantic work from a 150 years ago with an orchestra that plays everything. and only one person had ever played for like 6, including me. i hadn't either. so you haven't even know. no, just the 1st. what do you think it was a piece? i like it like it's a lot, but it's i think, to really find the right interpretation. it's a lot harder the or in the 6. it's a little you have to do something with it. so something is going to happen or you make it special. all the moving notes thing and the notes disappear, just the

and there is this good. then sat in the suit and we had a really funny moment because i think i imagined it one way you were made into the different way. i actually thought perhaps it's kind of a both solo and i just have to play around it. and so it was a very strange moment. and when, when we read the symphony and i was there with my true and everybody else talked and i thought, okay, this is a cut then. so the

direct contrast time you play cut dentists in one breath is set some time. so for 4 players, and so i told her, well perhaps it would be just one gesture and i have to do it in one breath. so i do it in a bit fast or temple. and this is vanessa. oh, god sees most happy. no, i was just like what to do because it went so much faster than i thought. it was beautiful. the the as interesting movement i think is the 3rd. and the 3rd movement is pure mor deck with a 40 and he uses this,

this rhythmic distance and rhythmic displacement of the 3 against 2. that is a sole characteristic of this 4 key dams of his homeland check the dumb, dumb, dumb, dumb. yes is. but it's tie, it does. yeah. it's like like here's hoping some. yeah, it'll be the vision and then also the a yeah. you can see people drinking wine and dancing and having fun the

do you have a special favorite part? it's definitely the 3rd group. yeah, i like to the beginning of the 3rd movement because it reminds me of this lovely cube dances. and i really liked this and feeling you get that he's like playing would you mind? cuz you don't hear the 3 quarters here. but this right, this is not, this is not the beat is and he's like playing mind games and i, i really liked this. and then some of the you find back into you find the one is and it's not where you expected it. and i think if you just a listener, not even the musician is really fun. i like music people, you know, like, i like great people who are a little crazy because that's, that's interesting. and i think it was like, was a little bit the

s c a bit to it's a very virtuous it for the orchestra team and the themes are worked with a lot. so a garnishment and yet it's also organic and it doesn't be well forced on good strength. yeah, this is very simple, honest, but also very quite classical, sometimes a huge short. yeah, uh you know, with the homebound and beethoven is of course the

that was arts unveiled at the bombs target into its in 2022. thank you for joining us until next time. the

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