ever been to hell of a task, but it must feel like this. a heroism fail. i swear. what remains to this? i just want to be free. the, the house on the edge of this, the heart of the last shelter start september, 2nd on dw, the great composers for concerts 8 symphonies, highlights from the behind target inputs in 2022 alone that i did up how to conduct each brom symphony with one by deval jack, that is probably one of the most beautiful music ever written from symphony on the channel is physically and emotionally, the very, very talent, life joy. and it's this wrong song for intensive weeks of rehearsals, concerts,

and conversations. joining us as we followed the creative process of the symphonic cycle, the, it's one of the most beautiful beginnings in music in the history of music news as a for me, it's brahms greatest symphony. the

i like it so, so it seems like this music has been there forever. and even when we stop playing, the actually have a personal connection to this these because it was definitely the 1st students in your problems that i ever studied. the may wonder whether she knew this is less symphony when she was writing the today is the time for the, for the symphony of brahms, the minor symphony, the symphony, those thoughts of minor ends in minor brahms with this last symphony decides to stay in this a heavy and tragic tone,

very simple, well done and then is sending in cedar rapids here. and this is the only way that this structure is so progressively again to. and that's very pioneering also to cuz it makes me think of all gone back. good . it's actually 12 tone scale, the

so after this 1st movement is beautiful movement, then he starts the 2nd movement with his tent. that could be the battery turner, the tenor in the church. that is a, or an oregon sound were different octaves and layers of the same champ are added from the horn to the wood, wins the . 2 2 2 the, it makes you feel like you could be in a yeah,

in an older time, in the fridge, in mode in, which is a mode where you don't really know where the ground is. and then from this beginning of attempt recurring, that's come in and then they tell, you know, it's actually going to be a major and that's changed that shift in color. and that shift in place is i think one of the most jimmy is moments that i've ever experienced in, in, in, in drum. 2 2 2 the . ready the

i love the beginning of the 2nd movement. um, you know, we have to pick c capital in the string section. and for me it's a really special sounds a bit like a prayer. yeah. you know, like if a person screams, sometimes you're not listening, you know, it's a screamer. but if someone is talking really quiet and isn't there listening and this is kind of this place, it's really intense. the i really love this to this place. where is the pizza cat who stays by itself and we play mm hm. mm hm. this is a really special bar for me. i don't know. i love you understand?

yes. the continues is worn, fullness. how's exceeding the clarinets that develops from part to part in a very chamber like quality that is so unique and beautiful. and he's able to, to develop seem after seem from the most basic, uh, sales to the most gorgeous variations and the structure, the same thing. and that's, that's my favorite moment i think. and then we get the happy, cheerful, uh, as if she wanted to give the audience the chance to be happy. and who have

a sort of fanatic feeling some bottom bottom from the system that is scared. so it is your cause of the scale of the 2, which are close as we can. so in to what usually it's of kansas are more than 3, but it's a scepter. yeah, because it's funny. she decides to put the big fiesta in the 3rd movement. she knew he wasn't going to end up up and i'm, i'm, let's say, cheerful and hopeful and asking for a big a plus with his last moment it had a fairly made up plans. and so he decides to put in the 3rd moment in a sort of skipped so minor with lots of humor and with this yeah, really joyful. and maybe sometimes could be even sarcastic tone,

where he's going from loud to soft from wins to strings from, from all of the greatest contrasts of, of the color of the orchestra. the months is and it says some say it's such a force to me and kind of violent happiness. give me that you would call that true happiness. we've been so and this is the look, it's very rhythmic. and i love to get a but i can take it because they would have been given to them to do them. and then the triangle that was done. yeah, being itself, i mean, the

nice things allows movement is this one seem real. 2 2 6 the a very simple crowd line that is searching upward towards the gods and then falls ascending scale basically with chromatism, which he loves so much the

. 2 the. 5 6 6 the, i'm going to give this size to make certain variations with this theme. and every variation has its own what else? that's why it cannot be performed in the same simple because each, each variation demands different things from the orchestra. so it's really fun to

play because you have to change most characters. sounds, articulation within less than a minute. as we go along in the last moment, which we call up my. secondly, because the theme comes from the base and it continues developing the younger, i mean this is for and we have this example of the box contest mode here. these are, this can talk to number 150 inbox, catalogue of workers, text or the teeth titles of the can talk to you have for the, for the oh lord, i long to let's does, that's what a dish, according to i live, the chicago and the 7th movement to know to my days of suffering, god ends in the and then comes the last part of this much. i don't think the problems implemented. never the less enjoy it enough to for it. mm yeah. but what i'm promising actually the sat and probably get. 2 6 6

6 6 2 the . 6 what do you think it means to you? what, what is it? where are we when use? okay, that's, well it's, it's a very special for, for us flutist because it's, it's not very, not very difficult in the technical way of playing but, but you have almost the whole range of, of, of notes you play, you go up, you rise up as like a premiere and, and kind of desperation when you're reach the top note and then it goes down and

tests. for me, it's kind of of, of relaxing and anticipating that there will be something good. 6 2 6 6 the . 6 the . 2 i just try to dive into these e major chords which are following, and this is such a relief after the emotional tomorrow you are just running for the

this solo with the fluids to me is, is really seeing through the soul of the, on his rooms. that's how i see it. and, and then you see there's always assign for house. he agrees the of course, the ending it's not, it's torment to us is. yeah, for the list face, holistic companies, fade has spoken up to get and there's no consolation in the end. actually the is

kind of can post. i'm just a 2nd. so the end, the end is not. let's have a big applause and bring the house down to sort of and it's is completely up, was it is, this is life. life is not easy and we're here, we're human. we cannot to reach chords even if we want the, the, the,

this is one of the symphonies that i think many people didn't know. at least all of the musicians in this concert and myself have nothing done. which is a really beautiful challenge with a piece of was which in more, more than a 100 years ago, the and we worked really hard in rehearsals and i must say it was a great discovery for us because it seems to me full of color of honesty that clearly shows the, the early younger side of a more dec really trying to be in the establish forms of the symphonies, the anthony floor jack were doing his 6 symphony,

which he actually named his 1st infinity no way. maybe perhaps because he felt that he was, that was really his, his to the 1st 70 that he could feel proud of the . 2 good was this bit coming up. the place is does that sound bohemian to you? the it's a beautiful piece and it's a very different poor jack. it's a very early young young feeling. i feel. what do you think? first will stick feel, boom. there are

a lot of bohemian slavic elements to it on to also a lot of stylistic motifs. see if it's an incredibly deliberate piece as well that you don't notice it because it's again this for this. yes, this bohemian means that permission was to come to the let's talk about more just because you have slightly groups. yeah. my mom is from a black his level and has a lot of family from prague and my grand dad was an opera singer in it. but at this level, but i was born in munich, but still i have nbc, let's select the i you fit it in your roots of georgia. yes, definitely. the

it was great to do a major romantic work from a 150 years ago with an orchestra that plays everything. and only one person had ever played for like 6, including me. i hadn't either. so you haven't. no, no, just the 1st. what do you think it was a piece? i like it like it's a lot, but it's i think to really find the right interpretation. it's a lot harder. the on the, in the 6, it's a little you have to do something with it's. so something is going to happen or you make it special, all the moving, not thing and the and the no, no, to disappear. just the

and there is this good. then sat in the suit and we had a really funny moment because i think i imagined it one way you were made into the different way. i actually thought perhaps it's kind of a both solo and i just have to play around it. and so it was a very strange moment and when, when we read the symphony and i was there with my true and everybody else stopped and i thought, okay, this is a cut then. so the

direct contrast, it goes time. your you play cut into us in one breath is set some time. so for, for, but players. and so i thought, well, perhaps it would be just one gesture and i have to do it in one breath. so i do it in a bit fast or campbell and the hardest. no thought, oh god sees most happy. you know, i was just like one of the go because it went so much faster than i thought it was beautiful. the or the, the most interesting movement i think is the 3rd. and the 3rd movement is pure mor deck with a 40 and he uses this,

this rhythmic distance and rhythmic displacement of the 3 against 2. that is so characteristic of this 4 key dams of his homeland check the dumb, dumb, dumb, dumb. yes is, but it's tie, it does. yeah. it's like like this whole thing, some of the visual names and then also the a yeah, you can see people drinking wine and dancing and having fun. the

do you have a special favorite part? it's definitely the 3rd group. yeah. i like to the beginning of the 3rd movement because it reminds me of this lovely cube dances. and i really liked this and feeling you get that he's like playing would you mind? cuz you don't hear the 3 quarters here. but this right, this is not, this is not the beat is and he's like playing mind games and i, i really liked this. and then some of the you find back into you find the one is and it's not where you expected it. and i think if you just a listener, not even the musician is really fun. i like music people, you know, like, i like great people who are a little crazy because that's, that's interesting. and i think it was, that was a little bit. the

s c a bit to it's a very virtuous, it gets to the orchestra team and the themes are worked with a lot. so a garnishment and yet it's also organic and it doesn't be will forest on gets things. yeah, this is very simple, honest, but also very quite classical, sometimes a huge short. yeah. uh, you know, with the phone ball and beethoven is of course the

that was arts unveiled at the bombs target into it's in 2022. thank you for joining us until next time. the,

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