a jim was 6 winning offers in the world wide and for every language level, learning german has never been simpler german to go. the 2 great composers for concerts 8 symphonies, highlights from the homes, target inputs in 2022. as the ones that i did up how to conduct each bronze symphony with one by dollars jack, that is probably one of the most beautiful music ever written from symphony on the channel is physically and emotionally, very, very talent, life joy. and it's this wrong song for intensive weeks of rehearsals, concerts,

and conversations, joining us as we follow the creative process of the symphonic cycle, the it's one of the most beautiful beginnings in music in the history of music, the, as a for me, it's brahms greatest symphony the,

the, it so, so it seems like this music has been there forever. and even when we stop playing, the actually have a personal connection to this piece because it was definitely the 1st symphony of problems that i ever studied. the may wonder whether she knew this is less symphony when she was writing the today is the time for the, for the symphony of brahms, the minor symphony, the symphony, those thoughts of minor and m, as in minor brahms. with this last symphony decides to stay in this,

a heavy and tragic tone is very simple sometimes and then a sending in cedar rapids here. and this is the only way that this structure is so progressive. begin to and that's very pioneering oaks to, to clean. it makes me think of all gone back. good is actually 12 tone scale the

so after this 1st movement is beautiful movement, then he starts his 2nd movement with his tent. that could be the baritone or the tenor in the church. that is a, or an oregon sound were different octave, some layers of the same champ are added from the horn to the wood, wins the it makes you feel like you could be in a yeah. in an older time in the fridge, in mode in, which is

a mode where you don't really know where the ground is. and then from this beginning of attempt recurring, that's come in and then they tell, you know, it's actually going to be a major. and that change that shift in color and that shift in place is i think one of the most jimmy is moments that i ever experienced in, in, in, in, from. 2 2 the . ready the

i loved the beginning of the 2nd movement and you know, we have to pick c capital in the string section. and for me it's a really special sounds a bit like a prayer. yeah. you know, like if a person screams, sometimes you're not listening, you know, it's a screamer. but if someone is talking really quiet and isn't listening and this is kind of this place, it's really intense. the i really love this is this place where is the pizza catch? who stays by itself and we play. mm hm. mm hm. this as a really special bar for me, i don't know. i love you understand?

yes. the continues, it is wonderful, nostalgic, seemingly, clarinets that develops from part to part in a very chamber like quality that is so unique and beautiful. and he's able to, to develop seem after seem from the most basic uh, so to the most gorgeous variations and the structure, the same thing. and that's, that's my favorite moment i think. and then we get the happy, cheerful, uh, as if she wanted to give the audience the chance to be happy. and who have that

sort of finale of feeling some bottom bottom from the system that escaped. so it is your cause of the scale of the to withdraw closes as you can. so in to what usually it's of kansas are more than 3, but it's a schedule. yeah, because it's funny. she decides to put the big fiesta in the 3rd movement. she knew he wasn't going to end up up. and i'm, i'm, let's say, cheerful and hopeful and asking for a big a plus with his last moments it had a fairly made a plan. and so she decides to put in the 3rd moment in a sort of skipped so minor with lots of humor and with this yeah, really joyful. and maybe sometimes could be even sarcastic tone,

where he's going from loud to soft from wins the strings from, from all of the greatest contrasts of, of the color of the orchestra. the months a sudden it says some say it's such a force to me and kind of violent happiness. give that you would call that true happiness. we've been services that can look it's very rhythmic. and i love to get a good day with the difference at the to them. and then the triangle is done. yeah . being itself, i mean, the

nice things a lot of movement is, is one scene real. 2 2 6 the very simple crowd line that is searching upward towards god and then falls of a sudden escape basically with chromatism which he loves so much the

. 2 0 the. 6 the and then he, besides to make certain variations with this theme and every variation has its own, what else? that's why it cannot be performed in the same simple because each, each variation demands different things from the orchestra. so it's really fun to

play because you have to change most characters. sounds, articulation within less than a minute. as we go along in the last moment, which we call up past, like i left because the theme comes from the base and it continues developing the younger, i mean this is for and we have this example of the box contest mode here. these are this contact uh, number 150 inbox, catalogue of workers, text or the teeth titles of the can talk to you have a for the, oh lord, i long to let's does, that's what a dish, according to i live, the chicago and the separate movement to know to my days of suffering, god and then that and then comes the last part of this, which i don't think of problems implemented, never the less enjoy than not to for it. mm hm. but what i'm promising actually the

sat and so we get. 2 2 6 6 6 6 the . 6 what do you think it means to you? what, what is it? where are we when use? okay, that's, well it's, it's a very special for, for us flutist because it's, it's not very, not very difficult in the technical way of playing but, but you have almost the whole range of, of, of notes you play, you go up, you rise up as like a premiere and, and kind of desperation when you're reach the top note and then it goes down and

tests. for me, it's kind of of, of relaxing and anticipating that there will be something good. 2 6 2 6 6 the . 6 the i just try to dive into these e major chords, which i following. and this is such a relief after the emotional tomorrow you are just running through the,

this solo with the fluids to me is, is really seeing through the soul of, you know, how does rooms, that's how i see it. and, and then you see this always assign for house, he agrees the of course the ending it's not it's torment to us is yeah, for the let's face it listed. company spade has spoken of it and there's no consolation in the end. actually the is kind of can post, i'm just a 2nd. so the end,

the end is not. let's have a big applause. and bring the house down to sort of and it's is completely up, was it is, this is life. life is not easy. and we're here, we're human would come off to reach clubs even if we want the, the the,

this is one of the symphonies that i think many people didn't know. at least all the musicians in this concert and myself have nothing done, which is a really beautiful challenge with a piece of was which in more, more than a 100 years ago. the . and we worked really hard in rehearsals and i must say it was a great discovery for us because it seems to me full of color of honesty, that clearly shows the, the early younger side of a more dec, really trying to be in the establish forms of the symphonies, the anthony floor jack, we're doing his 6 symphony,

which he actually named his 1st symphony and away maybe perhaps because he felt that he was, that was really his, his to the 1st 70 that he could feel proud of the . 6 2 good, ok this bit, coming up, the place is does that sound bohemian to you? does the, the, it's a beautiful piece and it's a very different project. it's a very early young young feeling. i feel what do you think 1st will

stick feel, boom. there are a lot of bohemian slavic elements to it on the also a lot of stylistic motifs. see if it's an incredibly deliberate piece as well that you don't notice it because it's again this for this. yes, this bohemian needs are. the permission was to come to. 6 the, let's talk about more just because you have slightly groups. yeah. my mom is from about his level and have a lot of family from prague and my grand dad was an opera singer in it, but at this level. but i was born in munich, but still i have a new se, let's have select that i you feel it in your roots of georgia? yes, definitely. the

it was great to do a major romantic work from a 150 years ago with an orchestra that plays everything. and only one person had ever played for like 6, including me. i hadn't either. so you haven't. no, no, just the 1st. what do you think it was a piece? i like it. i like it a lot, but it's i think, to really find the right interpretation. it's a lot targeted. the on the, in the 6, it's a little you have to do something with it's. so something is going to happen or you make it special, all the moving notes thing and the notes disappear, just the

and those is good. then sat in the suit and we had a really funny moment because i think i imagined it one way you might into the different way. i actually thought perhaps it's kind of a both solo and i just have to play around it. and so it was a very strange moment and when, when we read the symphony, and i was there with my true and everybody else talked and i thought, okay, this is a come then. so the

direct and jessica, the time you are, you play cut into us in one breath is set some time. so for 4 players and so i thought, well, perhaps it would be just one gesture and i have to do it in one breath. so i do it in a bit faster. campbell: and this is vanessa. oh god, she's most happy. you know, i was just like, what is it? i want to go because it went so much faster than i thought it was beautiful. the or the, the most interesting movement i think is the 3rd. and the 3rd movement is pure mor deck with a 40 and he uses this,

this rhythmic distance and rhythmic displacement of the 3 against 2. that is a sole characteristic of this 4 key dams of his homeland check the dumb, dumb, dumb, dumb. yes is, but it's die. it does. yeah. it's like like this whole thing. so yeah, it'll be the vision and then also the a yeah. you can see people drinking wine and dancing and having fun the

do you have a special favorite part? it's definitely the 3rd move. yeah. i like the beginning of the 3rd movement because it reminds me of this lovely cube dances. and i really liked this feeling you get that he's like playing with your mind, cuz you don't hear the 3 quarters here. but this right, this is not, this is not the beat is and he's like playing mind games and i, i really like this. and then some of the you find back into you find to one is and it's not where you expected it. and i think if you just a listener, not even a musician is really fun. i like music people, you know, like i like great people who are a little crazy because that's, that's interesting. and i think it was, that was a little the, the

as see a bit to, it's a very virtuous. it gets to the orchestra team and the themes are worked with a lot. so a garnishment and yet it's also organic and it doesn't be will forced on guess things. yeah, this is very simple, honest, but also very quite classical. sometimes i hear short. yeah. uh, you know, with the phone ball and beethoven is of course the

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