is the answer to almost everything our documentary series with glover, groundbreaking questions. kennedy's going see after life are sitting, saving the world, 42, the answer to almost everything. start september 10th on dw, the great composers for concerts 8 symphonies, highlights from the bronze target inputs in 2022. i love that idea of how to conduct each brom symphony with one by dollar shock. that is probably one of the most beautiful music ever written from symphony on the channel is physically and emotionally, very, very talent, life joy, and it is wrong on sounds for intensive weeks of rehearsals,

concerts, and conversations join us as we follow the creative process of the symphonic cycle, [000:00:00;00] the, it's one of the most beautiful beginnings in music in the history of music news as a for me,

it's brahms greatest symphony. the it's just so it seems like this music has been there forever. and even when we start playing the actually have a personal connection to this piece because it was definitely the 1st sims in your problems that i ever studied. the may wonder whether she knew this is less symphony when she was writing. the today is the time for the, for the symphony of brahms, the minor symphony,

the symphony, those thoughts of minor and m as in minor, bronze, was this last symphony decides to stay in this. a heavy and tragic tone is very simple, well done. and then is sending in cedar rapids here, and this is of the, hopefully that this structure is so progressively again to and that's very pioneering also to create it makes me think of all gone back the games actually 12,

some scale the so after this 1st movement this is beautiful movement, then he starts his 2nd movement with his tent. that could be the baritone or the tenor in the church. that is, a or an organ sound were different. octaves and layers of the same champ are added from the horn to the wood, wins the

. 2 2 the. 2 it makes you feel like you could be in a yeah, in an older time, in the fridge, in mode in, which is a mode where you don't really know where the ground is. and then from this beginning of the attempt recurring, that's come in and then they tell, you know, it's actually going to be a major and that change that shift in color. and that shift in place is i think one of the most jimmy is moments that i ever experienced in, in, in, in,

from. 2 2 the i loved the beginning of the 2nd movement. i'm, you know, we have to pitch the capital in the string section. and for me it's a really special sounds a bit like a prayer. yeah. you know, like if a person screams, sometimes you're not listening. you know it's a screamer, but if someone is talking really quiet and isn't listening and this is kind of this place, it's really intense. the i really love this to this place. where is the pizza catch?

who stays by itself and we play. mm hm. mm hm. this is a really special bar for me. i don't know. i love you understand. yes. the continues is mournful, nostalgic, seeming the clarinets that develops from part to part in a very chamber like quality that is so unique and beautiful. and he's able to, to develop seem after seem from the most basic, uh, sales to the most gorgeous variations and the structure, the same thing. and

that's, that's my favorite moment, i think um and then we get the happy, cheerful, uh, as if she wanted to give the audience the chance to be happy. and who have that sort of fanatic feeling some bottom bottom from the system that escaped. so it is your cause of the scale of the to which will cause a counseling to what usually it's against with are more than 3, but it's a scepter. yeah, because it's funny. he decides to put the big fiesta in the 3rd movement. he knew he wasn't going to end up up, and i'm, i'm, let's say, cheerful and hopeful and asking for a big a plus with his last moment he had to clearly made a plan. and so he decides to put in a certain moment in

a sort of sketch. so minor with lots of humor and with this. yeah, really joyful and maybe sometimes could be even sarcastic tone where he is going from loud to soft from wins to strings from, from all of the greatest contrasts of, of the color of the orchestra. the months is out and it says some say it's such a force to me and kind of violent happiness. give me that you would call that true happiness and sadness that can look it's very rhythmic. and i love a think i got a perfect day with the big difference for them to do them. and then the triangle understands. yeah. being itself, i mean,

the nice things allows movement is this one seem real. 2 2 6 the a very simple cro line that is searching upward towards god and then falls the ascending scale basically with chromatism which he loves so much

the . 2 the. 6 the, i'm going to give the size to make certain variations with this theme. and every variation has its own what else?

that's why it cannot be performed in the same simple because each, each variation demands different things from the orchestra. so it's really fun to play because you have to change most characters. sounds, articulation within less than a minute. as we go along in the last moment, which we call a prospect earlier. because the theme comes from the base and it continues developing the younger, i mean, this is for, and we have this example of the box contest modes here. these are, this can talk to number 150 inbox, catalogue of workers, text or the teeth titles of i can talk to you have a look for the oh lord, i long to let's does, that's what a dish, according to i live, the chicago and the separate movement to know to my days of suffering, god and then that. and then comes the last part of this much. i don't think the

problems implemented never the less enjoy than not to floyd. mm. yeah, but what i'm promising actually the sat and so we get. 2 2 6 6 6 6 6 the . 6 6 what do you think it means to you? what, what is it? where are we when use? okay, that's, well it's, it's a very special for, for us flutist because it's, it's not, is very not very difficult in the technical way of playing but, but you have almost the whole range of, of, of notes you play, you go up,

you rise up as like a premiere and, and kind of desperation when you reach the top note and then it goes down and tests . for me, it's kind of of, of relaxing and anticipating that there will be something good. 6 2 6 6 2 the . 2 the, i just try to dive into these e major chords which are following, and this is such

a relief of the emotional tomorrow you are just running for the, this so with the fluids to me is really seeing through the soul of the, on his rooms. that's how i see it. and, and then you see there's always assign for house. he agrees the of course, the ending. it's not,

it's torment to us is. yeah, the frontier, let's face, holistic companies fade has spoken up to get and there's no consolation in the end . actually the is kind of can post. i'm just a 2nd. so the end, the end is not. let's have a big applause. uh and bring the house down to sort of and it's is completely up, was it is, this is life. life is not easy and we're here, we're human. we cannot reach clubs even if we want the of the

the, this is one of the symphonies that i think many people didn't know. at least all of the musicians in this concert and myself have nothing done. which is a really beautiful challenge with a piece of was which in more, more than a 100 years ago, the, and we worked really hard in rehearsals and i must say, it was a great discovery for us because it said it seems to me full of color of an honesty that clearly shows the, the early younger side of, of the war deck really trying to be in the, the stablish forms of the symphonies,

the anthony war jack were doing his 6 symphony, which he actually named his 1st infinity no way. maybe perhaps because he felt that he was, that was really his, his to the 1st 70 that he could feel proud of the . 6 2 good, ok this bit, coming up, the place is does that sound bohemian to you? the it's a beautiful piece and it's a very different for jack. it's

a very early young young feeling. i feel. what do you think? first will stick feel, boom. there are a lot of bohemian slavic elements to it on the also a lot of stylistic motifs. see if it's an incredibly deliberate piece as well that you don't notice it because it's again, this is for this. yes, this bohemian means that permission was to come to. 6 the, let's talk about more just because you have slightly groups. yeah. my mom is from about his level and have a lot of family from prague and my grand dad was an opera singer in it, but at this level. but i was born in munich, but still i have

a new ac. let's talk select how you feel it in your roots of georgia. yes, definitely. the it was great to do a major romantic work from a 150 years ago with an orchestra that plays everything. and only one person had ever played towards like 6, including me. i hadn't either. so you haven't no, no, just the 1st. what do you think about the piece? i like it. i like it a lot, but it's i think to really find the right interpretation. it's a lot harder the or in the 6. it's a little you have to do something with it. so something is going to happen or you make it special, all the moving notes thing and the notes disappear,

just the and those is good. then sat in the suit and we had a really funny moment because i think i imagined it one way you might into the different way. i actually thought perhaps it's kind of a both solo and i just have to play around it. and so it was a very strange moment and when, when we read the symphony and i was there with my true and everybody else talked and i thought, okay, this is

a come then. so the direct contrast, it goes time you are, you play condense, us in one breath is set sometimes for, for, but when players and so i told her, well perhaps it will be just one gesture and i have to do it in one breath. so i do it in a bit faster. campbell: and this is vanessa. oh god, she's not happy. you know, i was just like, what is it? i don't know. i don't know because it went so much faster than i thought it was beautiful. the or the,

the most interesting movement i think is the 3rd. and the 3rd movement is pure mor deck with a 40 and he uses this, this rhythmic distance and rhythmic displacement of the 3 against 2. that is a soul characteristic of this 4 key dams of his homeland check the dumb, dumb, dumb, dumb. yes is, but it's die. it does. yeah. it's like like this whole thing. so yeah, the vision is and then also the a yeah. you can see people drinking wine and dancing and having fun

the do you have a special favorite part? definitely. the 3rd group. yeah, i like to the beginning of the 3rd movement because it reminds me of this lovely cube dances. and i really liked this feeling you get that he's like playing with your mind, cuz you don't hear the 3 quarters here. but this right, this is not, this is not the beat is and he's like playing mind games and i, i really like this. and then some of the you find back into you find to one is and it's not where you expected it. and i think if you're just a listener, not even a musician is really fun. i like your people, you know, like i like great people who are a little crazy because that's, that's interesting. and i think it was, that was

a little bit. the s c a bit to it's a very virtual, so it's the orchestra team. the themes are worked with a lot. so a garnishment and yet it's also organic and it doesn't be will forest on guess things. yeah, this is very simple, honest. but also very quite classical, sometimes a here short. yeah. uh, you know, with the phone ball and beethoven is of course

the that was arts unveiled at the bombs target into it's in 2022. thank you for joining us until next time.

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