the w mines very well to justin love, fear about anything except away from the spot. i'm not even allowed to go to my own car. and everyone was made of holes and every single day. just getting you ready to meet the gentleman enjoying me. rachel stood on dw, the great composers for concerts, 8 symphonies, highlights from the behind target inputs in 2022. i love that idea of how to conduct each brom symphony with one by deval jack. that is probably one of the most beautiful music ever written from symphony on the channel is physically and emotionally, very, very, love, joy, and it's this wrong song for intensive weeks of rehearsals,

concerts, and conversations join us as we follow the creative process of the symphonic cycle the, it's one of the most beautiful beginnings in music, in the history of music news as a for me, it's brahms greatest symphony. the,

the, just like it's just so it seems like this music has been there forever. and even when we stopped playing, the actually have a personal connection to this piece because it was definitely the 1st symphony of problems that i ever studied. the may wonder whether she knew this is less symphony when she was writing. the today is the time for the, for the symphony of brahms. the minor symphony assumes any of those thoughts of minor and ends in minor brahms with this last symphony decides to stay in this,

a heavy and tragic tone. very simple, well done and then a sending in cedar rapids here and this is a hopefully that this structure is so progressive. begin to and that's very pioneering or so to conclude makes me think of all gone back. good is actually 12 song scale, the

so after this 1st movement is beautiful movement, then he starts the 2nd movement with his tent. that could be the battery turner, the tenor in the church that is a, or an oregon sound were different. octaves and layers of the same champ are added from the horn to the wood, wins the . 2 2 the,

it makes you feel like you could be in a yeah. or in an older time in the fridge, in mode in, which is a mode where you don't really know where the ground is. and then from this beginning of attempt recline that's come in and then they tell, you know, it's actually going to be a major. and that's changed that shift in color. and that shift in place is i think one of the most jimmy is moments that i ever experienced in, in, in, in, from. 2 2 the

i loved the beginning of the 2nd movement. i'm, you know, we have to pick c capital in the string section. and for me it's a really special sounds a bit like a prayer. yeah. you know, like if a person screams, sometimes you're not listening, you know, it's a screamer. but if someone is talking really quiet and is not listening and this is kind of this place, it's really intense. the i really love this to this place. where is the pizza cat who stays by itself and we play mm hm. mm

hm. this as a really special bar for me, i don't know. i love you. understand the continues is worn fullness. how's exceeding the clarinets that develops from part to part in a very chamber like quality that is so unique and beautiful. and he's able to, to develop seem after seem from the most basic, uh, sales to the most gorgeous variations and the structure, the same thing. and that's, that's my favorite moment i think. and then we get the happy, cheerful,

uh, as if she wanted to give the audience the chance to be happy. and we have that sort of knowledge of feeling some bottom bottom from the system that is scared to jump into cause of the scale to, to withdraw. cool was this was a can so in to what usually it's of kansas are more than 3, but it's a scepter. yeah. because it's funny. she decides to put the big fiesta in the 3rd movement. she knew he wasn't going to end up up. and i'm, i'm, let's say, cheerful and hopeful and asking for a big a plus with his last moment it had a fairly made up plans. and so she decided to put it in the 3rd moment in a sort of skipped so manner. um, with lots of humor and with this yeah,

really joyful and maybe sometimes could be even sarcastic tone where she is going from loud to soft from wins to strings from, from all of the greatest contrasts of, of the color of the orchestra. the months is out and it says some say it's such a force to me and kind of violent happiness. give me that you would call that true happiness. we've been so, and this is the look, it's very rhythmic on. let's take a look at because they would have been given to them to do them. and then the triangle is done. yeah. being itself, i mean the,

i think the last movement is this one seem real. 2 2 6 the a very simple cro line that is searching upward towards god and then falls ascending scale basically with chromatism which he loves so much the

. 2 the. 6 6 the, i'm going to give this size to make certain variations with this theme. and every variation has its own what else? that's why it cannot be performed in the same simple because each,

each variation demands different things from the orchestra. so it's really fun to play because you have to change most characters. sounds, articulation within less than a minute. as we go along in the last moment, which we call up my. secondly, because the theme comes from the base and it continues developing the younger, i mean, this is for and we have this example of the box contest modes here. these are, this can talk to number 150 inbox, catalogue of workers. text. was it the teeth titles of the control to you have for the for the oh lord, i long to let's does. that's what at the shop court. and that's i live this close in the 7th and movement to know to my days of suffering, god. and then the and then comes the last part of this much, i don't think the problems implemented never the less enjoy it enough to for it. mm

. yeah, but what i'm promising, actually the sat probably get. 2 6 6 6 6 6 the . 6 6 what do you think it means to you? what, what is it? where are we when use, okay. that, well it's, it's a very special for, for us flutist because it's, it's not, is very, not very difficult in the technical way of playing but, but you have almost the whole range of, of, of notes you play, you go up, you rise up as like a premiere and,

and kind of desperation when you reach the top note and then it goes down and tests . for me, it's kind of of relaxing and anticipating that there will be something good. 6 2 6 6 2 the. 6 the, i just try to dive into these e major chords which are following, and this is such a relief of the emotional tomorrow you are just running for

the, this solo or with a flute to me is really seeing through the soul of having his rooms that's how i see it and, and then you see this always assign for house. he agrees the of course the ending. it's not it's torment. choice is yeah. the frontier,

let's face it listed. company spade has spoken of it and there's no consolation in the end. actually the is kind of catalyst, i'm just a 2nd. so the end, the end is not. let's have a big applause. and bring the house down to sort of and it's is completely up, was it is, this is life. life is not easy. and we're here, we're human, we cannot reach clubs even if we want the of the the,

this is one of the symphonies that i think many people didn't know. at least all the musicians in this concert and myself have nothing done. which is a really beautiful challenge with a piece of was which in more, more than a 100 years ago, the and we worked really hard in rehearsals and i must say it was a great discovery for us because it seems to me full of color and honesty that clearly shows the, the early younger side of a more dec really trying to be in the establish forms of the symphonies, the

anthony floor jack were doing his 6 symphony, which he actually named his 1st infinity no way. maybe perhaps because he felt that he was, that was really his, his to the 1st 70 that he could feel proud of the . 6 2 good to be this big coming up the place or does that sound bohemian to you? the, it's a beautiful piece and it's a very different for jack. it's a very early young young feeling. i feel. what do you think?

first will stick feel, boom. there are a lot of bohemian slavic elements to it on the also a lot of stylistic motifs. see if it's an incredibly deliberate piece as well that you don't notice it because it's again this for this. yes, this bohemian means that the permission was it kind of the, let's talk about more just because you have slightly groups. yeah. my mom is from a black, his level and has a lot of family from prague and my grand dad was an opera singer in it, but at this level. wow. but i was born in munich, but still i have nbc, let's have select how you fit it. in your roots of georgia. yes,

definitely the it was great to do a major romantic work from a 150 years ago with an orchestra that plays everything. and only one person had ever played for like 6, including me. i hadn't either. so you haven't, no, no, just the 1st, what do you think it was a piece? i like it, like it's a lot, but it's i think to really find the right interpretation. it's a lot harder. the on the, in the 6, it's a little you have to do something with it's. so something is going to happen or you make it special. all the moving, not thing and the, and the no, no, to disappear. just the

and there is this good. then sat in the suit and we had a really funny moment because i think i imagined it one way you might into the different way. i actually thought perhaps it's kind of a both solo and i just have to play around it. and so it was a very strange moment and when, when we read the symphony, and i was there with my true and everybody else talked and i thought, okay, this is a cut then. so the

barrack and jessica, the time you are you play condense us in one breath is set sometimes for, for, but the players. and so i thought, well, perhaps it would be just one gesture and i have to do it in one breath. so i do it in a bit faster. campbell and the whole, you know, thought god sees most happy. you know, i was just like, what is it? i don't know. i don't know because it went so much faster than i thought it was beautiful. the on the, the most interesting movement i think is the 3rd. and the 3rd movement is pure war

deck with a 40 and he uses this, this rhythmic distance and rhythmic displacement of the 3 against 2. that is a sole characteristic of this 4 key dams of his homeland check the dumb, dumb, dumb, dumb. yes is, but it's tie, it does. yeah. it's like like this whole thing. so yeah, it'll be the vision and then also the a yeah. you can see people drinking wine and dancing and having fun the

do you have a special favorite part? it's definitely the 3rd move. yeah. i like to the beginning of the 3rd movement because it reminds me of this lovely cube dances. and i really liked this and feeling you get that he's like playing would you mind? cuz you don't hear the 3 quarters you're here. but this right, this is not, this is not the beat is and he's like playing mind games and i, i really liked this. and then some of the you find back into you find the one is and it's not where you expected it. and i think if you just a listener, not even a musician is really fun. i like music people, you know, like, i like great people who are a little crazy because that's, that's interesting. and i think it was like, was a little the the

as see a bit to it's a very virtual us, it gets to the orchestra team and the themes are worked with a lot. so a garnishment and yet it's also organic and it doesn't the will forest on guess things. yeah, this is very simple, honest. but also very, quite classical. sometimes i hear short. yeah. uh, you know, with the phone ball and beethoven is of course the

that was arts unveiled at the bombs target into its in 2022. thank you for joining us until next time. the

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