so the 0 is the fullest, assess of our bar up a whole probably inches and the future of russia, which she is determined to have a say and we will end it there up. next we have shift of living in the digital age, on how tack is changing yards with everything from robot conductors to a i inspired by lane that's after the bank. and of course you can always visit our website, dw, dock. com. a micah local, more news at the top of the, the one of main kinds, oldest ambitions could be within reach. what is it really is possible to reverse the researchers

and scientists all over the world for you know, race against time? they are peers and rivals with one daring goals to help smart nature. the more likes watching it on youtube. dw documentary, the for all of us contacting office, dress author of being performed in virtual reality and general to the eye. helping create an entire about a how high tech innovation can revolutionize the stage. our topic today on ship the world robots really started replacing us in the us world with the rise of a i and cutting us through a bodies. the debate is definitely heating up. the robot all to 3 made

a name for itself in 2020. when it conducted an orchestra in the u, a. e, the reviews would the side of the makes, the 3 is made of south korea is keeping the computerized conduct to another chance to lead an orchestra. let's take a look. this is no ordinary concept. today the korean chamber orchestra will be led by 2 conductive to 2 and eve. all 6, a humanized robot. the d o takes tens and conduct together. but i don't think bridging the gap between 9 and machine. the can take the table, whose name is by a conductor, are very detailed to see. the robot was able to present such detailed, much better than i had imagined. but he's 6 men to mimic conduct. his visits with motion capture technology. but why he can set tempe

and rhythms accurately the human touch is missing to channel. yeah, yeah. make eye contact with 9 focusing on best strength, the robot and human well forwarding to comedy. steve, all 6 focuses on structures in 10 conductive to surfaces on improvise. ation who appear to have it on the i think it was a site to show the robots and humans conclude exist, and complement each other. regency rather than the one replacing the other man and machine. quiet the team. indeed, a i to has taken to the stage recently, the fusion project, for example of features, drummond, ballet company, british be books and general they, they are in the fusion valley artificial. and elgin's turns artificial artist

is considered the world's 1st p. i valley choreography and music created using artificial intelligence. the southern questions are inspired by e, i to fusion to the stage that live seek or profit this summer season. a composer harry yes, uses a i to generate some static voices he can use and performance is fine. i've collected hundreds of vocal techniques for on the walls and creating my own data sets my own collections of voice to then create new phrases, new expressions. so there are versions of me that are not me singing, and that is something i find very, very fascinating. the idea that we can create 2nd selves. something that we can interact with and learn from that is from us, but not us. terry yet because worked closely with digital technology for 15 years for fusion, be trained as a i with over a 1000 hours of his vocals. life beat boxing melted with you

digitally altered ellipticals. with the help of the eye, he explores the limits of the human voice, the i feel like my ability to unlock my voice. i'd been able to control my voice in a way that has never happened before. and is that level of control and that level of expertise in my hype especially, isn't i very much. oh, to how i've embraced working with machines the dancers of the live 6 valley. yet the impulse is given by us with asylum, setting their bodies in motion. the valley shows her in human concrete art together the, the systems of the 2 and look a human potential which can be beautiful and can be exciting. and it's very much, it's a stay and i think we should lean in and understand and help younger generations

know how to use this power appropriately. instead of covering our eyes and is and pretending it does not exist when it comes to experimenting with new text, the else book state theater is a real trailblazer. here you can see industrial robots as ballet, dances or entire operas and be off for you can dive into argument as reality. this q r code is concealing a world of serial adventure. leonora carrington's production and flannel knocked heb takes place and documented reality. outlook state theater is taking the stage to the city streets with this radical new production. the q arc which are everywhere on the streets, on postcards and online. is a hedge fund, anything state arts, the same barriers, loud buying a ticket or choosing an access to this? you can just experience the theater in the city, benjamin. so i try to make that happen, is 3 d models make the stage for the actors were recorded in front of

a green screen into d. that introduces an interesting challenge for them. the ones i get from the beginning of that 5 of you can call you can most really on a speech in the studio, we have the challenge of living on a 2 d plane. i'm in, we were acting with a green screening and had only ever seen the set is a 3 d model in the monroe as id, more than a gives him and another project ellsberg state theaters performing the opera of autism. but this time as an interactive game of, i think the transaction will become a v, our game ends up so that arnold sion, there's offer of x, which is a $360.00 degree walkable environment on. it says that the audience can experience in 1st person, you mcgee buffet, and switch along with the perspective change the right. but even if they have to sole tasks and that of the piece will be a completely different approach experience. so the form for an open,

the 5 on some of us know model of isaac it. it's a new experience for senior sally. do want to reduce scans are used to create an avatar. then she'll be film singing using face tracking technology. the software will then project her feet to expressions, onto the advertising. the technology that we now have will change. i think a lot in the theater. i would prefer not to be too big because for me it's so important to have my connection with the audience. and it's nice all folks program of the future will continue with both conventional and digital productions. the possibilities are endless. coat and for the all works particularly well in scenes that are huge. seems that would wolf, any normal stage having to fulfill it already? did we model the entire underworld, the actual realities when the capacity today,

the theaters offering 12 productions and virtual reality, dens, drama, and concerts, the theater should. so the, our goal is to audiences in germany, in australia. but you can also buy a download and watch performances on your own b r device. you're leaving the boxes as well. so there's and lots of interest. and we have a surprising target group. influence is between 40 and 60 psi steepest. they get, the bianco goes delivered and give them to the parents who are around 80 and their own children who are around $21.00. that means we're reaching a whole family and an incredibly wide range of people arms and his pulse of bunk site and has on fox sports. the are productions are reinvigorating theater and breaking barriers for audiences everywhere. i think it's a great idea for theaters to reach people who might not otherwise be inclined to go

and it's a wonderful opportunity for those who kind come in person. next step is a theater in berlin, which has replaced is backed up with holographic projections. the felix is room project uses 3 d scans to bring a so called you wouldn't house on stage in the nazi era. jews who had been expelled from their homes with forcibly relocated to a such houses. the play gives an insight into life there. a holographic projection, recreate the room in which jewish couple felix and on a dense lived before the deputation and murder. 1944. the place felix is room tells the tale of the time here. the couple was expelled from the home by the nazis in 1942 and assigned a room and a so called a union house. the projections show was it was like that. felix is great, grandson adam guns tells the story. it's

a building or in sambal fia to that is from the protagonist, including a sketch of the room in spite of the walk to hold on plastic birthdays. and then i thoughts, wisdom. i need to rebuild the space, feet up on, on the 51st page i knew it was possible with light are scanning technologies can technology. so what's had such time the bridges studio scan lab projects designed to the actual set. it took 152 months to recreate the expenses written using his sketches. they use line to technology to create 3 d models. from them. the scans all projected onto translucent cuttings from 5 angles. that allows the moon to be rotated as desired. but how designed to work to an instrument about this size, it sits on a trifold and over the course of between 5 minutes or an hour,

depending on the resolution that you're off to. if 5 millions of lays opposes in every direction. so every point that that laser touches we mock in space and we end up with this really accurate 3 dimensional replica of the space which the scanning speed in the piece gives a unique glimpse into selection and a dentist post as well as the match. and the watching the rehearsal today is a special guest sharing handbook and felix guns is brand nice is comfortable, and especially from australia, they wasn't to, you know, some of the scenes are incredibly powerful over the scene. and the for me is seen when they get smaller and smaller, it really cost to ship it to the nazi era. so millions of jews expelled. persecuted, nodded felix, and out against a story. it's just one as many, 3 d projection technology is a tremendously powerful tool,

giving the audience an intimate glimpse into this heart wrenching stories, the photographic protections and virtual environments allow for different kinds of personal interaction with theater, opera, and music. in this case, it adds a whole new dimension to a truly moving story. but what about a high off is something intrinsically human. so should we be using a for it at all automatically? is would be up to the out is i think that needs to be somehow connected to our reality. but that reality today is one which is increasingly influenced by technology. so, why not involved robots in general to say i, what do you think? can they, i add to the outward without taking anything away. we would love to hear from you. see you next time. i

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