100 while rescue themes are still struggling to bring survivors out of the rubble and flattened villages around modern catch. we're going to leave it there for now, but don't go anywhere up. next is sports life with more news at the top of the hour . so don't go anywhere, i'll see you there. and wayne would croft control the issue. how many platforms can you handle single attain usually without having the feeling that is just too much you might see me. how much can we do simultaneously?

multitasking these the modern methods because if we do too much as we get it all wrong, we mess things up risking brain damage. so let's stop this self sabotage humans and multitasking. watching our new to v w documentary robots contacting orchestra's author of being performed in virtual reality and generative a. i helping create an entire ballet. how high tech innovation can revolutionize the stage. our topic today on ship the world robots really started replacing us in the us world with the rise of a i and cutting us robotics. the debate is definitely heating up the robot. all 3 made a name for itself in 2020. when it doc that an orchestra in the u,

a eats the reviews with this side of the makes the 3 years later, south korea is giving the computerized conduct to another chance to lead an orchestra. let's take a look. this is no ordinary concept. today the korean chamber orchestra will be led by 2 conductive to 2 and eve, all 6, a humanise rowboat. the d o takes tens and conduct together, but i don't think bridging the gap between 9 and machine gun requested or conducted by a conductor are very detailed to see. the robot was able to present such details much better than i had imagined, but he's all 6 men to mimic conduct. his business with motions have to technology, but why he can set tempe and rhythms accurately. the human touch is missing the

channel. yeah, yeah. make eye contact, but by focusing on best string, the robot and human well, according to comedy, steve, all 6 focuses on structure 10, inductive to surfaces on improvisation. to have it on the, i think it was a recital that showed the robots and humans conclude exist. and complement each other regency rather than the one replacing the other man and machine quiet the team. indeed a i to has taken to the stage recently the fusion project for example of features drummond, ballet company, british b books. and general they, they are in the fusion valley artificial intelligence, trans artificial artist, is considered the world's 1st p. i. valley choreography and music created using

artificial intelligence. the setting functions are inspired by e, i to fusion to the stage at live c holcroft for this summer. season, a composer harry yes, uses a i to generate some static voices he can use and performance is fine. i've collected hundreds of vocal techniques for on the walls and creating my own data sets my own collections of voice to then create new phrases, new expressions. so there are versions of me that are not me singing and that is something i find very, very fascinating. the idea. ready we can create 2nd cells, something that we can interact with and learn from that is from us, but not us. terry yet because worked closely with digital technology for 15 years for fusion, be trained as a i with over a 1000 hours of his vocals. life beat boxing melted with you

digitally altered ellipticals with the help of the eye. he explores the limits of the human voice. the i feel like my ability to unlock my voice. i've been able to control my voice in a way that has never happened before. and is that level of control and that level of expertise in my hype especially, isn't i very much. oh, to how i've embrace working with machines. the dancers of the live sleep valley react to impulse is given by us with assignments, setting their bodies in motion. the valley shows her in humans concrete art together the, the systems of the $200.00 a human potential which can be beautiful and can be exciting. and it's very much, it's a stay and i think we should lean in and understand and help younger generations know how to use this power appropriately. instead of covering our eyes and is and

pretending it does not exist. when it comes to experimenting with new text, the else book state theater is a real trailblazer. here you can see industrial robots as ballet, dances or entire operas and be off for you can dive into argument as reality. this q r code is concealing a world of serial adventure. leonora carrington's production and flannel knocked him, takes place and documented reality. outlook state theater is taking the stage to the city streets with this radical new production. the q arc which are everywhere on the streets, on postcards and online because of him spending this instead of heart, the same body or slab, buying a ticket or choosing an access to this you can just experience the theater in the city, benjamin. so i try to make that happen, is 3 d models make the stage for the actors were recorded in front of a green screen into d. that introduces an interesting challenge for them. the

ones they get from the beginning of the 5 of you can call you can most really on a speech in the studio, we have the challenge of living on a 2 d plane. i'm in, we were acting with a green screening and had only ever seen the set is a 3 d model in the monroe as id, more than a gives him and another project ellsberg state theaters performing the opera of autism. but this time as an interactive game of, i think the transaction will become a v r gaming. so, so that arnold shen bears offer of x because a $360.00 degree walkable environment on it says that the audience can experience in 1st person. you mcgee buffet and switch along with the perspective change the very best team for them and they have to sol tasks and that of the piece will be a completely different approach experience sort of form for an open the 5 home some of us know model of isaac, it, it's

a new experience for senior sally. do want to reduce scans are used to create an avatar. then she'll be film singing using face tracking technology. the software will then project her feet real expressions onto the advertising. the technology that we now have will change. i think a lot in the theater. i would prefer not to be too big because for me it's so important to have my connection with the audience. and it's nice outwards program of the future will continue with both conventional and digital productions. the possibilities are endless. coat and for the all works particularly well in scenes that are huge. seems that would wolf, any normal stage having to fulfill it already did. we model the entire underworld, the actual realities when the capacity today, the theaters offering 12 productions and virtual reality dens, drama, on concerts,

the theater should. so the, our goal is to audiences in germany, in australia. but you can also buy a download and watch performances on your own b r device. you're leaving the boxes as well. so there's and lots of interest and we have a surprising target group. influence is between $40.60, that steepest they get, the bianco goes delivered and give them to the parents who are around 80 and their own children who are around $21.00. that means we're reaching a whole family and an incredibly wide range of people arms and his pulse a bunk site and has on fox sports. the are productions are reinvigorating theater and breaking barriers for audiences everywhere. i think it's a great idea for theaters to reach people who might not otherwise be inclined to go . and it's a wonderful opportunity for those who kind come in person. next up is

a theater in berlin, which has replaced is backed up with holographic projections. the felix is room project uses 3 d scans to bring a so called you wouldn't house on stage in the nazi era, jews who had been expelled from their homes with forest. it'd be relocated to a such houses. the play gives an insight into life. they have a holographic projection, recreate the room in which jewish couple felix an on a dense lived before the deputation and murder, 1944. the place felix is room tells the tale of the time here. the couple was expelled from the home by the nazis in 1942 and assigned a room and a so called a union house. the projections show what it was like that felix is great. grandson adam guns tells the story. it's belinda are in sambal fietta and

that is from the protagonist, including a sketch of the room, in spite of the walk to hold on plastic balconies. and then i thoughts, wisdom, i need to rebuild the space. feet up on, on the 51st page i knew it was possible with light are scanning technologies can technology. so what's had such time the bridges studio scan lab project designed to the actual set. it took the team 2 months to recreate the expenses written using his sketches. they use line to technology to create 3 d models. from them. the scans all projected onto translucent cuttings from 5 angles. that allows the route to be rotated as desired. but how designed to work to an instrument about this size, it sits on a trifold and over the course of between 5 minutes or an hour, depending on the resolution that you're off to. if 5 millions of lays opposes in

every direction. so every point that that laser touches we mock in space and we end up with this really accurate 3 dimensional replica of the space which the scanning speed in the piece gives a unique glimpse into selection and a dentist post, as well as the much and the watching the rehearsal today is a special guest sharing handbook and feed expensive brand nice is comfortable, and especially from australia they wasn't to, you know, some of the scenes are incredibly powerful over the scene. and the for me is saying when they get smaller and smaller, it really cost to ship it to the nazi era. so millions of jews expelled. persecuted, nodded phoenix and a dentist story. it's just one as many, 3 d projection technology is a tremendously powerful tool, giving the audience an intimate glimpse into this heart wrenching stories.

the photographic projections and virtual environments allow for different kinds of personal interaction with theater, opera, and music. in this case, it as a whole new dimension to a truly moving story. but what about a high off is something intrinsically human. so should we be using a i for it at all. ultimately it would be up to the artist. i think that needs to be somehow connected to our reality, but that reality today is one which is increasingly influenced by technology. so why not involved robots in general to say i want to, you think, can they, i add to the outward without taking anything away. we would love to hear from you. see you next time? i hey,

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