still struggling to bring survive is out of the rubble and slice and the images newmarket as a waste of time full of next robots conducting orchestra's ends. valet, inspired by a i r tech. so shift looks at how technology is changing the state. i might need to look in and thanks so much for watching the diesel being used on this and the note. 7 manyels and didn't you belong to the 77 percent to come to i just got on 65 last last those top 5 years. 3 reasons why 1115. we are here to help you make up your mind. we are here on please find your mind. so all of the topics i'm much up to you from couple fixed

a new culture. and in 15 minutes, let's say together, nicholas talks about community life on the surface of this research is now on the role of us conducting orchestra's author of being performed in virtual reality and general to they, i helping create an entire about a how high tech innovation can revolutionize the stage. our topic today on ship. the will robots really started replacing us in the us world with the rise of a i and cutting us robotics. the debate is definitely heating up the robot. all 3 made a name for itself in 2020. when it started in august,

right in the u. a. the review as well. this side of the makes, the 3 is made of south korea is keeping the computerized conduct to another chance to lead an orchestra. let's take a look. this is no ordinary concept. today the korean chamber orchestra will be led by 2 conductive to 2 and eve. all 6, a humanized robot. the d o takes tons and conduct together with all thank bridging the gap between 9 and machine. the can take the table, whose name is by a conductor, or very detailed unity. the robot was able to present such details much better than i had imagined ease uh, 6 men to mimic conducted business with motions have to technology. but why he can set tempe and rhythms accurately the human touch is missing the channel. yeah,

yeah. make eye contact. but by focusing on best drink the robot and human well forwarding to comedy. steve, all 6 focuses on structures conducted to surfaces on improvisation. then we would pay to have it on the i think it was a site to show the robots and humans concludes this and compliment each other rather than the $1.00 replacing the other man and machine. quite the team. indeed, a i to has taken to the stage recently, the fusion project, for example of features drummond, ballet company, a british b books, and general day they are in the fusion valley, artificial intelligence turns artificial artist is considered the world's 1st. the valley choreography and music created using artificial intelligence. the southern

questions are inspired by e, i to fusion to the stage that live seek or profit this summer season. a composer how or yes uses a i to generate some static voices, he can use and performances fine. i've collected hundreds of vocal techniques for on the walls and creating my own data sets my own collections of voice to then create new phrases, new expressions. so there are versions of me that are not me singing, and that is something i find very, very fascinating. the idea that we can create 2nd selves. something that we can interact with and learn from that is from us, but not us. terry yet because worked closely with digital technology for 15 years for fusion, be trained as a i with over a 1000 hours of his vocals. life beat boxing melted with you

digitally altered and looked vocals with the health of the eye. he explores the limits of the human voice, the i feel like my ability to unlock my voice. i've been able to control my voice in a way that has never happened before. and is that level of control and that level of expertise in my hypoth specialist? and i very much. oh to how i embrace working with machines, the dancers of the live c valley, react to impulse is given by us with assignments. i think their bodies in motion the valley shows her in humans concrete art together the, the systems of the $200.00 a human potential which can be beautiful and can be exciting. and it's very much, it's a stay. and i think we should lean in and understand and help younger generations know how to use this power appropriately. instead of covering our eyes and ears and

pretending it does not exist when it comes to experimenting with new text. the else book state theater is a real trailblazer. here you can see industrial robots as ballet, dances or entire operas and be off for you can dive into arguments as reality. this q r code is concealing a world of serial adventure. leonora carrington's production and flannel knocked him, takes place and documented reality. outlook state theater is taking the stage to the city streets with this radical new production. the q arc which are everywhere on the streets, on postcards and online. is a hedge fund, anything instead of harnessing barriers, lot, buying a ticket or choosing an access to this you can just experience the theater in the city. and even so i to make that happen is 3 d models make the stage for the actors were recorded in front of a green screen into d. that introduces an interesting challenge for them.

the ones they get from the beginning of that 5 of you can call you can most really on a speech in the studio, we have the challenges. moving on to the plane. i'm in, we were acting with a green screening that had only ever seen the set is a 3 d model in the monroe as id, more than a gives him and another project, ellsberg stick theaters performing the opera of autism. but this time as an interactive game of, i don't know, transaction will become a v r game. and so so that arnold sion, there's offer of x which is a $360.00 degree walkable environment on. it says that the audience can experience in 1st person, you mcgee buffet, and switch along with the perspective change the very best team, and they have to sol tasks. and that of the piece will be a completely different approach experience sort of form for an open. the 5 home, some of us know model of isaac and it's

a new experience for senior sally. do 123 d scans are used to create an avatar. then she'll be film singing using face tracking technology. the software will then project her feet to expressions, onto the advertising. the technology that we now have will change. i think a lot in the theater. i would prefer not to be too big. because for me it's so important to have my connection with the audience. and it's nice outwards program of the future will continue with both conventional and digital productions. the possibilities are endless. coat and for the all works particularly well in scenes that are huge. seems that would wolf, any normal stage having the full so it already did che, we modeled the entire underworld. so the actual realities and the capacity today, the theaters offering 12th productions and virtual reality, dens, drama,

and concerts. the theater ships. so the, our goal is to audiences in germany, in australia. but you can also buy a download and watch performances on your own device. you're leaving the boxes as well. so there's and lots of interest. and we have a surprising target group. influence is between 40 and 60 steve as they get the vehicle's delivered and give them to the parents who are around 80 and their own children who are around 21. that means we're reaching a whole family and an incredibly wide range of people arms and as close to bump side and as on all sports be our productions are reinvigorating theater and breaking barriers for audiences everywhere. i think it's a great idea for theaters to reach people who might not otherwise be inclined to go . and it's a wonderful opportunity for those who kind come in person. next up is

a theater in berlin, which has replaced is backed up with holographic projections. the felix is room project uses 3 d scans to bring a sole code using house on stage and the nazi era, jews who had been expelled from their homes with forcibly relocated to such houses . the play gives an insight into life there. a holographic projection, recreate the room in which jewish couple felix and a gun lived before the deputation in the 1944. the place felix is room tells the tale of the time here. the couple was expelled from the home by the nazis in 1942 and assigned a room in a so called a union house. the projections show was it was like that. felix is great grand son, adam guns tells the story. it's belinda are in sambal fietta and that is from the

protagonist, including a sketch of the rooms, in spite of the walk, to hold on plastic balconies. and then i thoughts, wisdom, i need to rebuild the space. feet. on the 50 foot station i knew it was possible with lidar scanning technologies, can technologies, so was had switched to the bridges studio scan lab projects designed to the actual set. it took 152 months to recreate the expenses written using his sketches . they use line to technology to create 3 d models from them. of the scans all projected onto translucent cuttings from 5 angles that allows the moon to be rotated as desired. but how designed to work the instrument about this size. it sits on a trifold and over the course of between 5 minutes or an hour, depending on the resolution that you're off to it, 5 millions of lazy poses in every direction. so every point that lays the touch has

to be mocking space, and we end up with this really accurate 3 dimensional replica of the space which the scanning speed in the piece gets a unique glimpse into felix and n a guns has passed as well. the much and the watching the hustle today is a special guest sharing handbook and suit expensive brand nice is comfortable and especially from australia. it wasn't to, you know, some of the scenes are incredibly powerful over the scene and the formula seen when they get smaller and smaller, it really cost to ship it to the nazi era. so millions of jews expelled. persecuted, nodded phoenix in a dentist story. it's just one as many, 3 d projection technology is a tremendously powerful tool, giving the audience an intimate glimpse into this heart wrenching stories.

the photographic projections and virtual environments allow for different kinds of personal interaction with theater, opera, and music. in this case, it as a whole new dimension to a truly moving story. but what about a i r is something intrinsically human. so should we be using a i for it at all? ultimately, it would be up to the artist. i think that needs to be somehow connected to our reality, but that reality today is one which is increasingly influenced by technology. so why not involved robots and generals if i want to use? think, can i add to the add world without taking anything away? we would love to hear from you. see you next time i

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code is parts affinities. check on some great cultural memorials to be traveled regarding the we humans are creatures of habits. it's hard to get us to change always. but like you to not, we're going to have to adjust the re, the practices. but good news is that many of the solutions out there also pricing was simple and workable, sustainable, or.