tv Arts Unveiled Deutsche Welle October 14, 2023 7:02am-7:30am CEST
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the culture or commons. what's the state of pick know today? i think that's protecting you. push this, especially the popular influence decisions that have on the younger generation and which d j is a putting this stand point take no, now i would say these charts say a lot about the or societies as they don't say anything for me about the underground scene. because that's like a power level or a tech to move the tech. no, it's costa, and more diverse than ever. does like cobra from bullying, a celebration to a star business tech man. right. and it's a multi $1000000.00 industry. now a lot of people who are very successful within this on there. so i'm around to try
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to set the idea of people coming together as like a full month communion and sort of non hierarchical community. and i think in many ways has changed. culture has a reputation to being colorful, open minded, and tolerance. is that still the case? especially with things we have to these. there's a real kind of this for community interesting experiences. and i think nothing really, really wonderful thing, but i think when you start to move into the more mainstream, capitalistic side of that is that, that's when that lack of all set of tests they thought set up here. so we have is the hype happening before we look ahead, let's look back community days of take notes. it was a futuristic sound,
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but got people moving on. the dense flows of detroit. a low temperature use t v show they play the dishonest of rolled in promotion, the heat that sounds dense and outfit to go back and watch some of them and to see the outfits and see the dancing will always be extremely unique. and that type of thing will never be repeated, it just won't. and the influence that, that hit on generations will always be. and so any one to look at them, even though they look at and go back to that and see some of the moves and some of the things that people are doing it. oh, my gosh. the detroit sound is something. i don't care what they say. i notice is the home a techno and yes, techno was created there, but the house came 1st, the tech know when that type of music came to germany. it landed 1st in record
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stores like hot west in berlin, but the to take no. instead of being coolant in frankfurt in the 1918 by d t. a ton of to excell see facts and wisdom and banking capital was one of the centers of the tech. now movements along with the lin frankfurt boasted major events with well known d j's likes, then fed one of the sing 1st big sauce by the middle of the 19 ninety's techno it was a mainstream phenomenon in germany. what's the, what's the music has to be able to accommodate it and i'm going across, i think it's strong enough and then it will keep going to be a bit skewed either they will catch up and have in the school. just a such as i know is very active in the underground scene, just as it's blossoming on a commercial level. you know, the use of, of comments and down the lines between subculture and main screen has long been blood. so the 1996 look parade, the building club to zoom mounted a huge party featuring round the clock, d j cents for 3 days and nights. how
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teacher you draw. what's the most everything that is happening in the, in the club culture, like in an underground music scene. so i like are slowly coming to the mainstream tech no, continue to reach an ever growing audience. and now like every other musical genre, it's available on streaming platforms. what i see is that arrangements off the track they, they just become shorter because people want to listen to, to those subtracts on the spot if i or whatever. so whatever platform they have. and what i also discovered is that people want to have a pop arrangements and a pop and technology. isn't that a contradiction intense? as a musician, john wagner is more time with classical music. as a sound designer,
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he works for the labor owned by the bill and techno club, the con, and does it produce? he makes his electronic music techno and talk. he says the future lies in combining shown risk them take out this contract pop. and if you, if you combine them, this makes it special. 2019, wagner produced to some richard by the trans media artist rosa unsure the it was special because as she has her own style and we were working with closely with closely. and so he decided to make a re mix of it because he heard the energy and the potential off the track to rosa on chips. as part of the spoken word, experiments were mixed with techno
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d. j called pursuit of driving down in states. the mix of genres was considered a breakthrough in the scene. the track quickly went viral, being streamed to millions of times to half the power of, of a 4 on the floor. and compared to a soft and soft vocal tract. it was a huge success to both office that wasn't sure about what, what it meant for me because i was trying to be a big audience. of course, i was also very happy about the we mix. i mean, it's touched many people, but i don't necessarily agree how certain of things i'm being performed because of the end of this also for me i just made call, this is a stop. i think it was initial far artists. and what we did is we
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just opened, okay, to acquire, back to the $138.00 beats per minute. also possible these days the gym and d. j. bennett has re mixed the same as song from a popular film, some trunk of his childhood. the song was composed by bruno class for the course of french film about a boarding school. the trouble boys keeping the take no treatment. the track became of 5 or landing in the top 5, but the demonstrating shots that could be the future of i think me pop music because it is so auntie, everything you have heard the
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d j is like mike's called zill a now on trip to knows who cell stylish fashion as luxury merchandise techno has expanded and developed and become a business model. i think the main difference now is that everything's got very expensive and it's thoughtful, really difficult for to people to take risks often and even of that type of experimentation that is so vital to create of a t and a comes then sometimes just the presence of of people who, who are privileged enough to be able to take those risks, they find that some risk, the tech know it's a lot stop presented by major fashion magazines like vote with the message, be yourself. everything is allowed. the agenda,
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the generation is, i would say, is one of the 1st in nations now who can really enjoy all those things that the earlier generations were really struggling to pay, then fights for. and now they can play with their identity. they're more open to organize things or talk about things that are maybe tumbled before the look at a career presents a young generation that wants to transcend boundaries. their album quantum stage is about overcoming finery, will views about the chances and dangers of breaking new ground, including music. i took this as my impression is that there are lots of new scientist that takes a lot of maybe micro styles. of course, you know, that's good. i think there's still a lot of flight doris within the job,
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but i really reject that idea because i think tech know, has always been about doing something futuristic and pushing the boundaries. many of the tracks were made together with the john fox. not both musicians have their roots in classical music and experiment with different jo, morris and musical elements to create something new. technical gives you a structure. and in the structure there can be frank and techno, a so hard and so industrial and so on to pop that people want to be different and want to be seen as different than individuals. the techno scene celebrates the underground one at the same time, taking the main stream to represent yourself every minute and social media and a seamless becoming bigger and bigger. i want to show themselves they want to where they want to. where are those close? they are, it originally happened in the dark rooms, you know, something,
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and this is what they, what they were. i don't know. so the salt lake city for fish, which has become the dress code of the young generation of focus to encounter the text though on social media with a present the shown wrong. everything is staged for an audience real or imagined, including the visits to clubs. i think there's been a lot of negative developments coming from the presence of social media within the community and the need for artist and for everything you're doing to be presented online. the tutorials for the right dance move and social media is even influencing music production. everything has to be bigger, costs are harder, stronger people, watch these videos and sometimes i go to a party and everyone,
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that's the thing. and that's so against the spirit of taking a for me just the history of this musical style need to be told a new the legend of tech know is the sound to freedom started to nearly 1990 is after the full of the building will columbus like result popped up in disused or event building some the formerly divided sushi and club, its capacity out of bounce. we feel weekly people in from, maybe from detroit, also from the okay. but mainly from the us. and it was such an excitement in society that was also for building the big child because many clubs spotted in those days, you know, on an illegal base. but it helped actually the musical development. yeah. taking a lot to yeah, it's techno, it just became the signing of the end of east germany. i thought that'd be, that's the but the
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study was the stuff that was the music and the police as it was played. let's compare the east and west germans party together from the status of the very strong narrative and kind of lost his lift out that didn't fit into that. just want to invest in mission deals, not the funding past. so much so that to this day, many friends don't want to believe the tech note isn't a german invention. but an intercultural phenomenon. it's a john wrote with tangled roots, using technical equipment made in japan and electronic beats from europe, brought to dance close by black american de chase. a welcome. one of the few surviving clouds from the early days of the building take no movement is truthful. the club mocked it's more than associated history in 2022 with a huge multi media exhibition. i think the sort of
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a sort of main framework was just kind of how to, we've owned if those different, the threads of the history together to form some sort of patchwork quote. but with the results and price, different events, you know, to keep them was the project manager behind the crystal. and if the 3 is sufficient, she focuses on electronic music and has worked the several record labels. she wants more diversity including female representation in the music industry. ultimately, the music industry is like it might cause them and what else is it effective in society? so if you look at like $4.00 to $100.00 companies where you look to spend money instead of lack of diversity, that's to unlock a representation only now people starting to ask me what when, and who contributed in what way? the film like to take no visits, the history of the genre, and highlights the women at the 10 tables. i don't care what it is.
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every type of music happens because of some other type of music. pushing except to narrative. it's a nice a your is still the linguistic media studies scholar has been studying electronic music since the early 2, thousands with a special focus on diversity. never one has 3. we're talking about thousands of different histories and stories, and that's how we silence out. people like the care come into or the female. um, think jason producers from the time because there is no books or sources existing on their stories. so this is why i think it's now we are in this moment that we have to push no further their stories and not only who is asking the same people. what happened stacy hot likes, hale is a house, music, d, j. the style is considered as a full run of taking a pale, has been some 40 years
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d jane producing teaching and creating radio shows, i think what is happening that they're doing their homework, the 10 they're reaching out to, you know, says so thank god, here's social media because of the time that i was evolving, there was no social. it was a paper flyer, a tx on a page or, or in a phone call. legendary house d j can. claudia was hales. mental in the 1919 stacy hale was able to establish yourself in detroit. this one is for a few women teachers. and she helped to promote the cities music saying this part of take those history is only gradually being re discovered and only now is the interest in the land and discovering what has made hail so successful on the other side of the atlantic.
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not just anyone in the, in the didn't the cities most famous and infamous techno club, the con, the club with the notorious dual policy is just as choosing when it comes to d. j. in order to stay on top of the kind is banking on gratian, musical variety and diversity in its programming. including giving black artists and the house music scene. a platform getting this opportunity to come here to represent. i'm so excited. but it was a long road before the scene opened itself up. we had to still kick down doors to make things happen. and we're just now in this last decade, getting the recognition that like we weren't there. what defines dispute to the tech, not the is that the unifying power?
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this music is so often said to have the why is take know, being experienced today is fresh and liberation by new generation of autism. and club goes as seen here in the music video, to a truck by new click a new job, the, it's a, it's entering shaddick. it's deep, it's hypnotic, it's uh, it gives you the president's moment feeling. so when, when you're listening to talking to your, for me in the presence new yob, i grew up in lebanon. she belongs to a younger generation. the discover, the tech, nice thing in the 20 ten's, where i felt was a homeless. when i started parking lot,
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it took some time to get to get to where i am now to to become a d. j. making music as an important creative outlet for java. she started watching her own compositions, 14 and deep into knowledge, while studying at boston spooky college of music, the hard fost, loud music as an antidote to the frightening memories of the 2006. i will in the afternoon when i was in baby, which i didn't have time to think about these things because i was more on survival note. but then when you come to a place where you feel like comfortable and safe, then these trauma starts coming out of this this is what techno gave me when
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i, when i 1st came here and when i 1st discovered it, and very high and, and the parties around, i just felt that there was no more borders and it was really as well. but there are stories from the legendary early days of the tech that is meant to to find less positive. in the many books is stored in a back room of billions of kinds of use culture. it's direct to daniel schneider also collect stories that don't seem to fit with the spirit of tech note. and the contradicts the reputation of the early 19 ninety's building. techno seen as being tolerant. an open minded. if you haven't, that, let's say we have an issue of course magazine with a very long interview with just a lot of interview adjustments. then as far as i knew that it's the 1st time he expressed that you didn't support the narrative, everything was great and wonderful. and everyone came together with discrimination
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on others talked about. and rather, he did actually experience racism in the berlin techno, seem as edited each class as it was a fall when i put in a tech most so you know how to solve it because for example, like when i tell people that i am and use the carts as they act surprised because they don't think someone like me could be a success. when is the car test or i'm taking somewhere on the buy it so we won't let me on for some reason. doesn't believe that i am the passenger. i say i am a techno scene is meant to stand for pushing boundaries being open minded and diverse. is that just a cliche election in benson? is that culture is still on to the age bound on for being, not the most of the divers, let's say, seen,
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but it's really changing fair. talking about the independent and underground scenes. they are very more diverse on like the commercial main street in the underground, still office room for innovation, including artistically underground for me it's a lot about ex perente. she meant to have a space of mutual respect. it's just really encouraging to try out new things and to push the sound towards news for you. there's also groceries knowledge images, the vital role, korea, people play in the same. it's empowering the people, whoever they are, whatever agenda they have, whatever they feel like just to be their interest to be an artist, r a d j clots are really laboratory, is there here. know this kind of experiments with different way of living
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a life or a different way of experiencing things happen. the club scene also inspired tonia to make electronic music and gave her the courage to come out as a trans movement. today, she's an intimate artist. i very much fell into my music career and then i think when i started going, i more of somebody not feeling of isolation, dissipated as i've met people similar to me, that's when i started to get really interested in it. because i was like a product of my own environment totally isn't just the sole attempt to do jane. she's also considered a role model in terms of my career, that's all really that i wanted to to as to not necessarily make myself sizable, but to make my left experience possible. so people know that
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we assessed and read are really, really great things. especially rebuilt about marginalized groups, for example, marginalized communities. the club for them is a refuge. the is a place where they can really express themselves and they can experience their own identities and they can be the pit bulls. and they really want to be the only clubs accept them and all the clubs as the space, except them as how they are the techs know, still assist space to be innovative and unexpected. the wheels are shown will really change the future of pop music, the
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