tv Arts Unveiled Deutsche Welle October 14, 2023 12:30pm-1:01pm CEST
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the platform for these issues, share ideas, you know, all this time i'm not afraid to pass and then it gets to talk to the young people clearly have the solution. the beauty of the 77 percent, every weekend on dw, the culture or home is what's the state of pick. now today, i think that type of music, especially the popular will influence decisions that have on the younger generation and which d j is a putting this stand on take know now i would say these charts say a lot about the or societies as they don't say anything for me about the
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underground scene, because that's like a power level or a tech to move the tech. no, it's harder and more diverse than ever. d j is like cobra, from bullying, a celebration to a star. business tech man and it's a multi $1000000.00 industry. now a lot of people who are very successful within this on there. so i'm around to try to set the idea of people coming together as like a full month communion and sort of non hierarchical community. and i think in many ways has changed. culture has a reputation to being colorful, open minded and tolerance. is that still the case? especially with things we have to these. there's a real kind of this for community interesting experiences.
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and i think nothing really, really wonderful thing, but i think when you start to move into the more mainstream, capitalistic side of that is that, that's when of the lack of all set of tests they thought to appear. so where is the hype happening? before we look ahead, let's look back. can we are the days of tech? no, it was a futuristic sound, but it's got people moving on. the dense flows of detroit. a low temperature use tv show they play the dishonest role. the promotion with people sounds dense and outfit to go back and watch some of them and to see the outfits and see the dancing will always be extremely unique and that type of thing will never be repeated. it just won't. and the influence that, that hit on generations will always be. and so anyone to look at them even though
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they look at and go back to what and see some of the moves and some of the things that people are doing it. oh, my gosh. the detroit sound is funky, i don't care what they say. i notice is the home a techno and yes, techno was created there, but the house came 1st, then tech no. with that type of music came to germany. it landed 1st in record stores like hot wax in berlin, but the to take know is set to be in court in frank 1st in the 1918 by d. j. tell us to x l. c. facts and wisdom and banking capital was one of the centers of the tech now movement, along with berlin. frankfort boasted major events with well known dislikes, then fed one of the things 1st big sauce by the middle of the 19 ninety's techno it was a mainstream phenomenon in germany. was thing was the music has to be able to accommodate
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it up and across. i think it's strong enough and then it will keep doing that if it's good, either it will catch on having the school just as such as techno is very active in the underground scene. just as it's blossoming on a commercial level can always, it will be it's, it's almost comments and down the lines between subculture and main screen. moving blood to the 1996 smoke parade. the building club chisel mounted a huge party featuring round the clock, d. j. cents for 3 days and nights. how teacher you dropped was the most i ever think that was happening in the, in the club culture like in an underground music scene. so i was like, are slowly coming to the main street and techno continued to reach an ever growing audience. and now like every other musical genre, it's available on streaming platforms. what i see is that arrangements off the
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track they, they just become shorter because people want to listen to, to those detracts on the spot if i or whatever. so whatever platform they have. and what i also discovered is that people want to have a pop arrangements in the top and technology isn't that a contradiction intense as a musician, john wagner is more time with classical music. as a sound designer, he works at the labor owned by the building techno club, the con, and does it produce, he makes his electronic music taking a talk. he says the future lies in combining shown risk to take out his auditor pop. and if you combine them, this makes it special in 2019, wagner produced to some richard. but the trends media artist rosa unsure
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the it was special because us, she has her own style. and we were working this closely closely. and he decided to make a re mix of it because he heard the energy and the potential off the track to rosa on chips is pumped in. spoken word experiments with mix with techno d j called the sort of driving down space. the, the mix of genres was considered a breakthrough in the scene. the track quickly went viral, being streamed to millions of times to have this power of awful for on the floor beat and compared to a softer and softer vocal track. it was
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a huge success to both the office that wasn't sure about what, what it meant for me because i was trying to be a big audience. of course, i was also very happy about the we mix. i mean, it's touched many people, but i don't necessarily agree how certain of things been performed because of the under. this also performed and made called, this is a stop. i think it was the initial far artist. and what we did is we just opened a gate, a quiet back to the $138.00 beats per minute. most possible these days, the german d. j. bennett has re mixed the same as song from a popular film soundtrack of his childhood. the song was composed by bruno class
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for the course of french film about a board in school for travelers. boys give them the take no treatment. the track became a bible kit landing in the top 5, but the demonstrating shots that could be the future of pop music because it is so onto everything you have heard. the d j is like max cobra, 0 a now on trip to knows who cell stylish fashion, as luxury merchandise tech know, has expanded and developed and become a business model. i think the main difference now is that everything's got very expensive and it staff will really difficult for to people to take risks often and even of that type of experimentation that is so vital to create of
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a t i a comes then sometimes just the presence of, of people who, who are privileged enough to be able to take those risks, they find that some risk, the tech know is a lot stop, consented by major fashion magazines like vote with the message, be yourself. everything is allowed. the agenda, the generation is, i would say, is one of the 1st in nations now who can really enjoy all those things that the earlier generations were really struggling to pay, then fight for. and now they can play with their identity. they're more open to organize things or talk about things that are maybe tumbled before the
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lucas. a career presents a young generation that wants to transcend boundaries. their album quantum stage is about overcoming finery, will views about the chances and dangers of breaking new ground, including music i took, this is my impression is that there are lots of new scientist that takes a lot of maybe micro styles. of course, you know, that's good. i think there's still a lot of flight doris within the job, but i really reject that idea because i think tech know, has always been about doing something futuristic and pushing the boundaries. many of the tracks were made together with the john fox. now, both musicians have their roots in classical music and experiment with different show morris and musical elements to create something new. technical gives you a structure. and in the structure there can be frank and techno,
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a so hard and so industrial and so on to pop that people want to be different and want to be seen as defendant individuals. the techno scene celebrates the underground one at the same time, taking the main stream to represent the south every minute and social media, and it seems becoming bigger and bigger. i want to show themselves i want to, well, i want to wear those close. they already originally happened in the dark rooms or something, and this is what they, what they were. i don't know a severe salt lake city for fish, which has become the dress code of the young generation of cheap filters to encounter the text. though on social media with a present the show in wrong. everything is staged for an audience real or imagined, including the visits to clubs. i think there's been
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a lot of negative developments coming from the presence of social media within the community and the need for artist and for everything you're doing to be presented online. the tutorials for the right dance move and social media is even influencing music production. everything has to be bigger, costs are harder, stronger people, watch these videos and sometimes i go to a party and everyone, that's the thing. and that's so against the spirit of tag. no, for me. just the history of this musical style need to be told a new the legend of techno is the sound of freedom started in the early 19 nineties . after the full of the building will clumps like trees, old popped up in disused or event buildings in the formally divided sushi and closets capacity out of bounce. we feel weekly people in from,
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mainly from detroit, also from the okay, but many from the us and it was such an excitement in the city. it was also for the big child because many clubs spotted in those days, you know, on an even legal base. but it help actually the musical development. yeah. taking a lot to yeah, it's techno just became the science of the end of east germany, a volume the to the spot. it was the stuff that was the music and the police as it was played. let's convert the east and west germans party together from that as a very strong narrative and kinda lost his lift that didn't fit into that one. to invest in mission deals not difficult to pass. so much so that to this day, many friends don't want to believe the tech note isn't a german invention. but an intercultural phenomenon. it's a john wrote with tangled roots,
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using technical equipment made in japan and electronic beats from europe, brought to dance close by black american de chase. a welcome. one of the few surviving clouds from the early days of the building take no movement is truthful. the club mocked it's mos associate history in 2022 with a huge multi media exhibition. i think the sort of a sort of main framework was just kind of how to weave all of those different threads of the history together to form some sort of patch. what quote, but with the results and prize different events and to keep them was the project manager behind the crystal. and if the 3 expedition she focuses on electronic music and has worked for several record labels. she wants more diversity including female representation in the music industry. ultimately, the music industry is like
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a my cousin of what else is website design society. so if you look at like $4.00 to $100.00, the companies where you look to spend money instead of lack of diversity, that's to unlock of representation. only now people starting to ask me, did when and who contributed in what way? the film like to take no visits, the history of the genre, and highlights the women at the 10 tables. i don't care what it is. every type of music happens because of some other type of music. pushing accepted narrative, it's a neat so you're only still the linguistic media studies scholar has been studying electronic music since the early 2, thousands with the special focus on diversity. never one has 3. we're talking about thousands of different histories and stories,
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and that's how we silence out to people like the care come into or the female. i think jason producers from the time because there is no books or sources existing on their stories. so this is why i think it's now we are in this moment that we have to push and no further their stories and not only who is asking the same people. what happened? the stacy halt likes, hale is the house music, d, j. the style is considered as a for on of tech. no pale has been some full. he is d jang, producing teaching and creating radio shows. i think what is happening that they're doing their homework, the 10 they're reaching out to, you know, says so thank god, here's social media because of the time that i was evolving there was no social. it was a paper flyer, a text on a page or, or in a phone call. legendary house d j ken claudia was hale's mental. in the 1919,
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stacy hale was able to establish itself in detroit as one of the few women teachers . and she helped to promote the cities music saying this part of take those history is only gradually being re discovered and only now is the interest in the land and discovering what has made house so successful on the other side of the atlantic. not just any way in building it into cities, most famous and infamous. take no club. the con the club with the notorious duel policy is just as choosing when it comes to d. j. in order to stay on top, the con is banking on gratian, musical variety and diversity in its programming. including getting black artists and the house music scene. a platform getting this opportunity to come here to
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represent. i'm so excited. but it was a long road before the scene opened itself up. we had to still kick down doors to make things happen. and we're just now in this last decade, getting the recognition that like we weren't there. what defines dispute of tech, not the is it the unifying power? this music is so often said to have the a m, y is take, know, being experienced today is fresh liberation by new generation of artists and club. goes as seen here in the music video, to a truck by new click a new job, the,
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it's a, it's under in static. it's steve, it's hypnotic. it's uh, it gives you the president's moment feeling. so when, when you're listening to talking to your, for me in the present new yob, i grew up in 11 on, she belongs to a younger generation that discovered the tech. nice thing in the 20 ten's. where i felt was that home was when i started the parking lot, it took some time to get to get to where i am now to, to become a d. j. the making music is an important creative outlet for java. she started watching her own compositions, 14 and deep into knowledge, all studying at boston's book and college of music. hard fost, loud music as an antidote to the frightening memories of the 2006 i will in the
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afternoon when i was in may, which i didn't have time to think about these things because i was more on survival note. but then when you come to a place where you feel like comfortable and safe, then these trauma starts coming out. this is what techno gave me when i when i 1st came here and when i 1st discovered it and very high and then the parties around i just felt that there was no more borders. and it was really to put the raw stories from the legendary early days of protect and this meant to find less positive
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in the many books is stored in a back room of billions of kinds of use culture. it's directed daniels, schneider also collect stories that don't seem to fit with the spirit of tech note . and the contradicts the reputation of the early 19 nineties building take no seen as being polar and an open minded. if you have an old say, we have an issue of course magazine with a very long interview with john hill and i looked into a few adjustments to them as far as i knew. that is the 1st time you express that you didn't support the narrative. everything was great and wonderful and everyone came together without discrimination on others, probably about. rather, he did actually experience racism in the berlin tech. no seem as editor. these systems are following up and you just take them to see, you know, how to the
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schools and all the historical kinds of the techno seems that the racism is rarely mentioned to them. and i've witnessed people who are active in the same talk. then the key players, he thought i'd even deny if there was any racism would be sticking, pulled up on this because i missed. and i couldn't like the top slip of the which is to report experiencing racism by glasgow in london based tanya, despite the success of the view of them, she still is subject to discrimination becoming an artist, me, me a more aware of that because for example, like when i tell people that i am and use the carts as they act, surprised because they don't thank someone like me could be a success when he is caucus or i'm paying somewhere on the boat so we won't let me on for some reason. doesn't believe that i am the passenger. i say i am
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taking a scene is meant to stand for pushing boundaries being open minded and diverse. is that just a cliche, lecturing benson's that culture is still on to the 8 down on for being not the most divers, let's say see, but it's really changing fair, talking about the independent and underground scenes. they are very, more diverse. unlike the commercial mainstream, the underground still office room for innovation including artistically underground. for me it's a lot about extra annotation and to have a space of mutual respect. it's just really encouraging to try out new things and to push the sound towards news for you. there's also groceries
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knowledge. you mentioned, the vital role, korea people play in the same it's empower as the people or whoever they are, whatever gender they have, whatever they feel like just to be their interest to be an artist. r a d j clots are really laboratory is there, you know, this kind of experiments with different else living a life or a different way of experiencing things happen. the queer clubs scene also inspired tonia to make electronic music and gave to the courage to come out as a trans women. today, she's an intimate artists i very much failing to me as a career. and then i think when i started going, i more of somebody not feeling of isolation, dissipated as i've met people similar to me,
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that's what i've started to get really interested in. because i was like a product of my own environment. totally isn't just the sort of t j. she's also considered a role model in terms of my career, that's all really that i wanted to to as to not necessarily make myself sizable but to make my left experience possible. so people know that we assessed and read are really, really great things. especially if we talk about marginalized groups, for example, marginalized community is a club for them is a refuge. the is a place where they can really express themselves and they can experience their own
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minutes on d, w, we love us. we love diversity. anything unusual, no mountain is too high. the road is too long and such a faith ordinary. we all this specialist of lifestyle, 009. in 90 minutes on d w. the truth to jesus and stevio types still shapes the west views of africa. how do we change this? adapt to make it meets with congress these creations. together they exclude the
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contradictory nature of the general sense of security. and how these police can be changed. the stop filming us plea from the perspectives stuff. october 20th us dw, the shuttle a common key, more people than ever on the news world, volume in such a fashion, life on the bus. and so it does have committed absolutely cash to now the piano, is it a mac on is not the noun. the car is actually also condense. that's okay. that's the nanda foundation. one back to the find out about robina story in. so my twins reliable news for migraines,
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