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tv   Arts Unveiled  Deutsche Welle  October 16, 2023 12:30am-1:01am CEST

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world wide and such you know, is a very difficult journey and one is very far, they beat you everything on you know stuff, find out about some on stores. and so migraines, reliable news from like when they made the culture or comb is what's the state of pick. now today i think that pushes especially the popular will influence decisions that have on the younger generation and which d j. 's are putting this sample in. take know, now i would say these charts say a lot about the or societies as they don't say anything for me about the
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underground scene. because that's like a power level or it's happening the tech know it's harder and more diverse than ever. does like cobra. from bullying, a celebration to a star, business tech men's life and it's a multi $1000000.00 industry. now, a lot of people who are very successful within this on there. so i'm around to try to set the idea of people coming together as like a full month communion and sort of non hierarchical community. and i think in many ways has changed. culture has a reputation to being colorful, open minded and tolerance. is that still the case? especially with unclear to these there's a real kind of this for community interesting experiences.
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and i think nothing really, really wonderful thing. but i think when you start to move into the more mainstream, capitalistic side of that is that not span of the, that lack of all set of tests they thought set up here. so we have, is the hype happening before we look ahead, let's look back community days of tech. no, it was a futuristic sound, but got people moving on. the dense flows of detroit, a low temperature use t, v show they play the dishonest of rolled in promotion, the heat that sounds dense and outfit to go back and watch some of them and to see the outfits and see the dancing will always be extremely unique. and that type of thing will never be repeated, it just won't. and the influence that, that hit on generations will always be. and so any one to look at them,
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even though they look at and go back to that and see some of the moves and some of the things that people are doing it. oh, my gosh. the detroit found a smoking. i don't care what they say. i notice is the home a techno and yes, techno was created there, but the house came 1st then tech know when that type of music came to germany. it landed 1st in record stores like hot wax in berlin. but the to take no is set to bring court in frankfurt in the 1918 by d. t. a ton of to excell see facts and wisdom and banking capital was one of the centers of the tech. now movement along with the lin frankfurt boasted major events with well known d j's likes, then fed one of the things 1st big sauce by the middle of the 19 ninety's take note was a mainstream phenomenon in germany. wisdom was an opportunity that costs to be able
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to accommodate it and i'm going across. i think it's strong enough. oh, and then it will keep going to be a bit skewed either they will catch all and have enough school just to such as techno is very active in the underground scene. just as it's blossoming on a commercial level, you know, the use of, of click on that then the down the lines between subculture and main screen moving blood. so the 1996 look parade, the building club to zoom mounted a huge party featuring round the clock, d j cents for 3 days and nights. how teacher you draw, what's the most everything that is happening in the, in the club culture, like in an underground music scene. so i was like, are slowly coming to the main street and check know, continue to reach an ever growing audience. and now like every other musical genre, it's available on streaming platforms. what i see is that arrangements off the
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track they, they just become shorter because people want to listen to, to those subtracts on the spot if i or whatever. so whatever platform they have. and what i also discovered is that people want to have a pop arrangements in it and technology isn't that a contradiction intense? as a musician, john wagner, is more time with classical music. as a sound designer, he works for the label owned by the bill and techno club, the con, and does it produce? he makes his electronic music techno and talk. he says the future lies in combining shown risk them take out his contract, pop. and if you combine them, this makes it special. 2019, wagner produced the sum rigid by the trans media artist,
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rosa unsure the it was special because as she has her own style. and we were working with closely closely. and he decided to make a re mix of it because he heard the energy and the potential off the track to rosa on chips is pumped and spoken word experiments were mixed with techno d. j called pursuit of driving down speed. the mix of genres was considered a breakthrough in the scene. the track quickly went virals being streamed to millions of times to half of the power of, of a 4 on the floor being compared to a soft and soft vocal tract. it was
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a huge success to both office that wasn't sure about what, what it meant for me because i was trying to be a big audience. of course, i was also very happy about the we mix. i mean, it's touched many people, but i don't necessarily agree how certain things i'm being performed because in the end of this also for me and made call, this is a stop. i think it was initial far artist. and what we did is we just opened, engage, apply a back to the $138.00 beats per minute. also possible these days, the gym and d, j. bennett has re mixed the same as song from a popular film soundtrack of his childhood. the song was composed by bruno class
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for the course of french film about a boarding school. the trouble boys keeping the tech know treatment the track became a viable kid landing in the top 5 demonstrating shots that could be the future of pop music because it is so auntie, everything you have heard the d j is like mike's called zill a now on trip to knows who cell stylish fashion s luxury merchandise. techno has expanded and developed and become a business model. i think the main difference now is that everything's got very expensive and it's thoughtful, very difficult for to people to take risks often and email that type of experimentation. but it's so vital to create of
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a t becomes then sometimes just the presence of, of people who, who are privileged enough to be able to take those risks. they find that some risk, the tech know it's a lot stop presented by major fashion magazines like vote with the message, be yourself. everything is allowed. the agenda, the generation is, i would say, is one of the 1st in nations now who can really enjoy all those things that the earlier generations were really struggling today, then fight for and now they can play with their identity. they're more open to organize things or talk about things that are and maybe troubles before. the
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look at a career presents a young generation that wants to transcend boundaries. their album quantum stage is about overcoming finery, will views about the chances and dangers of breaking new ground, including music like i told this is my impression is that there are lots of new scientist that takes a lot of maybe micro styles. you know, that's good. i think there's still a lot of flight doris within the job, but i really reject that idea because i think tech know, has always been about doing something futuristic and pushing the boundaries. many of the tracks were made together with the john fox. now, both musicians have their roots and classical music and experiment with different jobs, wrist and musical elements to create something new. technical gives you a structure. and in the structure there can be frank and techno,
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a so hard and so industrial and so on to pop that people want to be different and want to be seen as different than individuals. the techno scene celebrates the underground one at the same time, taking the main stream to represent yourself every minute and social media, and it seems becoming bigger and bigger. i want to show themselves they want to where they want to. where are those close? they already originally happened in the dark rooms, you know something, and this is what they, what they were. i don't know. so the salt lake city for fish with has becomes a dress code of the young generation of focus to encounter the text though on social media with a present the showing wrong. everything is staged for an audience real or imagined, including the visits to clubs. i think there's been
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a lot of negative developments coming from the presence of social media within the community and the need for artist and for everything you're doing to be presented online. there are tutorials for the right dance move and social media is even influencing music production. everything has to be bigger, costs are harder, stronger people, watch these videos and sometimes i go to a party and everyone, that's the thing. and that's so against the spirit of tag. no, for me, just the history of this musical style need to be told a new the legend of tech know is the sound of freedom sconces to near the 1990s. after the full of the building war club select result popped up in disused or event building some. the formerly divided sushi and columbus composite out of bounds. we
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feel weekly people in from, mainly from detroit, also from the okay. but mainly from the us. and it was such an excitement in the city that was also of ability in the big child because many clubs spotted in those days, you know, on an eagle base, but it help actually the musical development. yeah. taking a lot to yeah, it's techno just became the science at the end of east germany. i thought that'd be, that's the to the spot. it was the stuff that was the music and the police as it was played, was converts the east and west germans party together from that as a very strong narrative and kinda lost his lift that didn't fit into that one to unless in michigan to stop to find a pass so much so that to this day, many friends don't want to police of tech note isn't a german invention. but an intercultural phenomenon. it's a john wrote with tangled roots,
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using technical equipment made in japan and electronic beats from europe, brought to dance close by black american de chase. a welcome. one of the few surviving clouds from the early days of the building tech no movement is truthful. the club mocked it's more than associated history in 2022 with the huge multi media exhibition. i think this sort of, um, sort of main framework was just kind of how to weave all of those different, the threads of the history together to form some sort of patchwork quote. but with the results and price, different events, you know, to keep them was the project manager behind the crystal. and if the 3 exhibition she focuses on electronic music and has worked the civil record labels, she wants more diversity including female representation in the music industry. oh
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somebody, the music industry is like it might cause them and what else is it effective in society? so if you look at like $4.00 to $100.00 companies where you look to spend money, still a lot of diversity that's to unlock over at present patients only know people starting to ask me when and who contributed in what way? the film like to take no visits, the history of the genre, and highlights the women at the turn tables. i don't care what it is. every type of music happens because of some other type of music. questioning, accepted narrative, it's a neat to your is killed. the linguistic media studies scholar has been studying electronic music since the early 2, thousands with a special focus on diversity. never one has 3. we're talking about thousands of different histories and stories. and that's how we silence out.
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people like the care come into or the female. um, think jason producers from the time because there is no books or sources existing on their stories. so this is why i think it's now we are in this moment that we have to push no further. their stories and not only who is asking the same people. what happened? the stacey halt likes, hale is the house music, d. j. the style is considered as a full run of taking a pale, has been some 40 years d jane producing teaching and creating radio shows, i think what is happening that they're doing their homework and they're reaching out to, you know, says so thank god, here's social media because at the time that i was evolving, there was no social. it was a paper flyer, a text on a page or, or in a phone call. legendary house d j ken claudia,
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was hales. mental in the 1919 stacy hale was able to establish yourself in detroit . this one is for a few women teachers. and she helped her promote the cities music saying this part of take those history is only gradually being re discovered and only now is the interest in the land and discovering what has made hail so successful on the other side of the atlantic. not just anyone in the, in the didn't the cities most famous and infamous techno club, the con, the club with the new tories do policy is just as choose when it comes to d. j. in order to stay on top, the con is banking on gratian, musical variety and diversity in its programming. including giving black artists and the house music scene. a platform getting this opportunity to come here to
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represent. i'm so excited. but it was a long road before the scene opened itself up. we had to still kick down doors to make things happen. and we're just now in this last decade, getting the recognition that like we weren't there. what defines dispute to the tech, not the is it the unifying power? this music is so often said to have the why is take know, being experienced today is fresh and liberation by new generation of artists and club. goes as seen here in the music video, to a truck by new click a new job, the,
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it's a, it's entering shaddick. it's deep, it's hypnotic, it's uh, it gives you the president's moment feeling. so when, when you're listening to talking to your, for me in the present new yob, i grew up in lebanon. she belongs to a younger generation, the discover, the tech, nice thing in the 20 ten's, where i felt was a homeless. when i started parking lot, it took some time to get to get to where i am now to to become a d. j. making music is an important creative outlet for java. she started watching her own compositions, 14 and deep into knowledge, while studying at boston spooky college of music, the hard fost, loud music as an antidote to the frightening memories of the 2006 in the afternoon
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. when i was in baby, which i didn't have time to think about these things because i was more on survival note. but then when you come to a place where you feel like comfortable and safe, then these trauma starts coming out of this this is what techno gave me when i, when i 1st came here and when i 1st discovered it, and very high and, and the parties around, i just felt that there was no more borders and it was really as well. but there are stories from the legendary early days of the tech. this meant to, to find less positive.
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in the many books is stored in a back room of billions of kinds of use culture. it's directed daniel schneider also collect stories that don't seem to fit with the spirit of tech note. and the contradicts the reputation of the early 19 ninety's boot. in techno, seen as being tolerant an open minded if you have an ultimately we have an issue of course magazine with a very long interview with jennifer hill and i looked into a few adjustments then as far as i knew that it's the 1st time he expressed the didn't support the narrative, the everything was great and wonderful. and everyone came together with discrimination on others, probably about. rather, he did actually experience racism in the berlin techno, seem as edited each house as it was a fall when i put in a tech mostly you know, how to the,
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the schools and all the historical and kinds of the techno seems that the racism is rarely mentioned to them and i have witness people who are active in the scene. then the key players thought i'd even deny if there was any races on this thing pulled up on this because i missed. and um, oh yeah, i couldn't like the top slip of the which is to report experiencing racism by glasgow into the device. tanya, despite the success of the view of them, she still is subject to discrimination, becoming an artist, me, me a more aware of that because for example, like when i tell people that i am and use the carts as they act, surprised because they don't think someone like me could be a success when it's curtis, or i'm paying somewhere on the boat so we won't let me on for some reason. doesn't believe that i am the passenger. i say i am
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a techno scene is meant to stand for pushing boundaries being open minded and diverse. is that just a cliche, lecturing benson is that culture is still on to the age bound on for being not the most divers, let's say, seen, but it's really changing fair, talking about the independent and underground scenes. they are very more diverse on like the commercial mainstream, the underground still office room for innovation, including artistically underground for me, it's a lot about extra inpatient to have a space of mutual respect. it's just really encouraging to try out new things and to push this home towards new sweet. there's also groceries,
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knowledge images, the vital role, korea, people play in the same. it's empowering the people or whoever they are, whatever agenda they have, whatever they feel like just to be their interest to be an artist, r a d j clots are really laboratory is they're here now this kind of experiments with different else living a life or a different way of experiencing things happen. the queer club scene also inspired tonia to make electronic music and gave her the courage to come out as a trans movement. today, she's an intimate artist. i very much fell into my music career. and then i think when i started going, i more of somebody not feeling the violation dissipated as i met people
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similar to me. that's when i started to get really interested because i was like a pro talks of my own environment for totally isn't just to sort of talk to d, jane. she's also considered a role model in terms of my career. that's all really that i wanted to to as to not necessarily make myself sizable, but to make my left experience possible. so people know that we assessed and read are really, really great things. especially with the boss marginalized groups, for example, marginalized communities. a club for them is a refuge. the is a place where they can really express themselves and they can experience their own
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identities. and they can be the people who they really want to be. the only clubs accept them and only clubs us to face, accept them as how they are the tech know still says to face the innovative and unexpected. the wheels are shown will really change the future of pop music. the
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