is appeared without warning, need to reach to us as a north korean propaganda video was happens from north korea, which love starts october 25th on d w. the culture of home is what's the state of picnic today? i think that type of music, especially the popular will influence decisions that have on the younger generation and which d j is a putting this standpoint take no, now i would say these charts say a lot about the or societies as they don't say anything for me. about the underground scene, because that's like a power level or a tech to move the

tech. no, it's harder and more diverse than ever does like cobra. from bullying, a celebration, a star business testament, and it's a multi $1000000.00 industry. now a lot of people who are very successful within this on there. so i'm around to try to set the idea of people coming together as like a full month communion and sort of non hierarchical community. and i think in many ways has changed. culture has a reputation to being colorful, open minded, and tolerance. is that still the case? it's basically everything's clear to these. there's a real kind of this for community interesting experiences. and i think that's a really,

really wonderful thing. but i think when we start to move into the more mainstream, capitalistic side of technology is that, that span, that lack of all set of tests they thought set up here. so we have, is the hype happening? before we look ahead, let's look back community days of tech. no, it was a futuristic sound, but the people moving on the dense flows of detroit, a low temperature's t. v show applied to the source of rolled in promotion, the heat that sounds dense, needs and outfit. to go back and watch some of them and to see the outfits and see the dancing will always be extremely unique. and that type of thing will never be repeated, it just won't. and the influence that, that hit on generations will always be. and so any one to look at them, even though they look at and go back to that and see some of the moves and some of

the things that people are doing it. oh, my gosh. the detroit sound is something. i don't care what they say. i notice is the home a techno and yes, techno was created there, but the house came 1st, the tech know when that type of music came to germany. it landed 1st in record stores like hot wax in berlin. but the to take no, it's set to bring court in frankfurt in the 1918 by d. t. a ton of to excell see facts and wisdom and banking capital was one of the centers of the tech. now move much along with the lin frankfurt boasted major events with well known dislikes. then phase one of the seen 1st big sauce by the middle of the 19 ninety's take note was a mainstream phenomenon in germany. wisdom was an opportunity that costs to be able to accommodate that and i'll kind of cross, i think it's strong enough and then it will keep going to be

a bit skewed either they will catch up and have in the school just a such as i know is very active in the underground scene, just as it's blossoming on a commercial level, you know, the use of, of comments and down the lines between subculture and main screen moon being blood. so the 1996 love parade, the building club chisel mounted a huge party featuring round the clock, d j cents for 3 days and nights. how teacher you draw, what's the most everything that is happening in the, in the club culture, to take out this object pop. and if you, if you combine them, this makes it special. 2019, wagner produced the some rigid by the trans media artist rosa unsure the

it was special because she has her own style and we were working with closely closely. and so he decided to make a re max out of it because he heard the energy and the potential off the track to rosa on chips is pumped in. spoken word experiments were mixed with techno d. j called pursuit of driving down space. the, the mix of genres was considered a breakthrough in the scene. the track quickly went viral, being streamed to millions of times to half the power of, of a 4 on the floor beat, and compared to a soft and soft vocal tract. it was a huge success to both office that wasn't sure

about what, what it meant for me because i was trying to be a big audience. of course, i was also very happy about the limits. i mean has touched many people, but i don't necessarily agree how certain of things i'm being performed because the under this also for me and made call, this is a stop. i think it was the initial far artist. and what we did is we just opened, engage a quiet back to the $138.00 beats per minute. also possible these days, the german d. j. bennett has re mixed the same as song from a popular film soundtrack of his childhood. the song was composed by bruno class for the course of french film about

a boarding school. the trouble boys keeping the take no treatment. the track became a bible kit landing in the top 5 of the gym and streaming shots. that could be the future of pop music because it is so on to everything you have heard. the d j is like mike's called zill, a now on trip to knows who cell stylish fashion s luxury merchandise. techno has expanded and developed and become a business model. i think the main difference now is that everything's got very expensive and it's thoughtful, very difficult for to people to take risks often and email that type of experimentation that is so vital to create of a t and a comes then sometimes just the presence of, of people who,

who are privileged enough to be able to take those risks, they sign that from risk. the tech know it's a lot stop presented by major fashion magazines like vote with the message, be yourself. everything is allowed. the agenda, the generation is, i would say, is one of the 1st invasions, not who can really enjoy all those things that the earlier generations were really struggling today, then fights for and now they can play with their identity. they're more open to organize things or talk about things that are and maybe troubles before. the look at a career presents a young generation that wants to transcend boundaries. their album quantum stage is

about overcoming finery, will views about the chances and dangers of breaking new ground, including music. i took this as my impression is that there are lots of new scientist that takes a lot of maybe micro styles. of course, you know, that's good. i think there's still a lot of flight doris within the job, but i really reject that idea because i think tech know, has always been about doing something futuristic and pushing the boundaries. many of the tracks were made together with the john fox. not both musicians have their roots in classical music and experiment with different jo, morris and musical elements to create something new. technical gives you a structure. and in the structure there can be frank and techno, a so hard and so industrial and so auntie pop that people want

to be different and want to be seen as different than individuals. the techno scene celebrates the underground one at the same time, taking the main stream to represent yourself every minute and social media, and it seems becoming bigger and bigger. i want to show themselves they want to where they want to wear those clo. ready they already originally happened in the dark rooms, you know something, and this is what they, what they, where know so they perform for the future. fish with has becomes a dress code of the young generation keep focus 2 and counting the text though on social media with a present the showing wrong, everything is staged for an audience real or imagined including the visits to clubs . i think there's been a lot of negative developments coming from the presence of social media within the

community and the need for artist and for everything you're doing to be presented online. the tutorials for the right dance smooth and social media is even influencing music production. everything has to be bigger, costs are harder, stronger people, watch these videos and sometimes i go to a party and everyone, that's the thing. and that's so against the spirit of taking a form. it does the history of this musical style need to be told and you the legend of tech know is the sound of freedom started in the early 19 nineties after the full of the building will columbus like result popped up in disused or event building some the formerly divided sushi and club, its capacity out of bounce. we feel weekly people in from,

mainly from detroit as well. it's a from the okay. but mainly from the us and the it was such an excitement in society that was also for the big job because many clubs spotted in those days, you know, on an eagle base, but it help actually the musical development. yeah. taking a lot to yeah, it's techno just became the signing of the end of east germany. i thought that'd be that's the study was the stuff that was the music and the police as it was played on the east and west germans party together and wanted to for some of that as a very strong narrative and kind of lost his lift out that didn't fit into that, just want to invest in mission to start to find a post. so much so that to this day, many friends don't want to believe the tech note isn't a german invention. but an intercultural phenomenon. it's a john wrote with tangled roots, using technical equipment made in japan and electronic beats from europe,

brought to dance close by black american de chase. a welcome. one of the few surviving clouds from the early days of the building take no movement is truthful. the club mocked it's more than associate history in 2022 with a huge multi media exhibition. i think the sort of a sort of main framework was just kind of how to weave all of those different, the threads of the history together to form some sort of patchwork quote. but with the results and price, different events, you knew mckeathan was the project manager behind the crystal end of the 3 expedition. she focuses on electronic music and has worked the several record labels. she wants more diversity including female representation in the music industry. ultimately, the music industry is that that might cause them and what else?

this website design society. so if you look at like $4.00 to $100.00 companies where you look to spend money instead of lack of diversity, that's to unlock of representation. only now people starting to ask me what, when, and who contributed in what way? the field black to take no visits, the history of the genre, and highlights the women at the 10 tables. i don't care what it is. every type of music happens because of some other type of music. pushing accepted narrative, it's a neat so you're only still the linguistic media studies scholar has been studying electronic music since the early 2 thousands with a special focus on diversity. never one has 3. we're talking about thousands of different histories and stories, and that's how we silence out. people like the care come into or the female,

i think jason producers from the time because there is no books or sources existing on their stories. so this is why i think it's now we are in this moment that we have to push and no further their stories and not only who is asking the same people. what happened? the stacy hold likes, hale is a house, music, d, j. the style is considered as a for on it of take, the pale has spend some full, he is d, jane producing teaching and creating radio shows, i think what is happening that they're doing their homework, the 10 they're reaching out to, you know, says so thank god here's social media because of the time that i was evolving, there was no social. it was a pay paper flyer, a tx on a page or, or in a phone call. legendary house d j can. claudia was hales. mental in the 1919 stacy hale was able to establish

yourself in detroit. this one is for few women teachers. and she helped her promote the cities music saying this part of take those history is only gradually being re discovered and only now is the interest in the land and discovering what has made hail so successful on the other side of the atlantic. not just anywhere in the, in the didn't the cities most famous and infamous. take no club. the con, the club with the notorious dual policy is just as choosing when it comes to teaching. in order to stay on top of the kind is banking on gratian, musical variety and diversity in its programming. including giving black artists and the house music scene. a platform getting this opportunity to come here to represent. i'm so excited. but it was

a long road before the scene opened itself up. we had to still kick down doors to make things happen. and we're just now in this last decade, getting the recognition that like we weren't there. what defines dispute to the tech, not the is that the unifying power? this music is so often said to have the a m, y is take, know, being experienced today is fresh and liberation by new generation of artists and club. goes as seen here in the music video, to a truck by new click a new job. the,

it's a, it's under in shaddick. it's deep, it's hypnotic. it's uh, it gives you the president's moment feeling. so when, when you're listening to talking to your family in the present new yob, i grew up in lebanon. she belongs to a younger generation, the discover, the tech, nice thing in the 20 ten's, where i felt was the home was that when i started party a lot it took some time to get to get to where i am now to, to become a d. j making music is an important creative outlet for java. she started watching her own compositions, 14 and deep into knowledge, while studying at boston spooky college of music, the hard fost, loud music as an antidote to the frightening memories of the 2006. i will in let her know when i was in bed,

which i didn't have time to think about these things because i was more on survival note. but then when you come to a place where you feel like comfortable and safe, then these trauma starts coming out of this this is what techno gave me when i, when i 1st came here and when i 1st discovered it, and very high and, and the parties around, i just felt that there was no more borders and it was really as well. but there are stories from the legendary early days of detect and movement, the, to find less positive in the many books is stored in the background of buildings. all kinds of use culture. it's direct to daniel schneider also collect stories that don't seem to

fit with the spirit of tech note. and the contradicts the reputation of the early 19 ninety's building techno seen as being tolerant. an open minded. if you haven't also, we have an issue of course magazine with a very long interview with jennifer hill and i looked into if you would just move them as far as i knew. but it's the 1st time he expressed the didn't support the narrative. everything was great. and wonderful, and everyone came together with discrimination on this, talked about and rather he did actually experience racism in the berlin tech. no seem as editor. this process was a problem and i put in a tech most so you don't have to the

suppose in all the historical and kinds of the techno seems that the racism is rarely mentioned to them. and i have witness people who are active and the see not then the key players. he thought i'd even deny there was any races of this thing pulled up on this because i missed. and um, oh yeah, i couldn't like the top slip of the report experiencing racism by glasgow into the device tonia despite the success of the few of them. she still is subject to discrimination becoming an artist, me, me a more aware of that because for example, like when i tell people that i am and use the carts as they act, surprised because they don't think somebody like me can be a success. when is the car test or i'm staying somewhere on the boat so we won't let me on for some reason, doesn't believe that i am the passenger. i say i am a

particular scene is meant to stand for pushing boundaries being open minded and diverse. is that just a cliche election in benson? is that culture is still on to the age bound on for being not the most of the divers. uh lets say seen, but it's really changing fair talking about the independent and underground scenes. they are very more diverse on like the commercial mainstream, the underground still office room for innovation, including artistically underground for me, it's a lot about ex perente. she meant to have a space of mutual respect. it's just really encouraging to try out new things. and to push this home towards new sweets, there's also groceries, knowledge images, the vital role, korea,

people play in the same. it's empowering the people, whoever they are, whatever gender they have, whatever they feel like just to be their interest to be an artist, r a d j clots are really laboratory is there, you know, this kind of experiments with different else living a life or a different way of experiencing things happen. the queen club scene also inspired tonia to make electronic music and gave her the courage to come out as a transforming. today. she's an intimate artist. i very much failing to me is a career and then i think we're going to start going. i more of somebody not feeling the violation dissipated as i've met people similar to me. that's when i started to get really interested in it because i was like

a product of my own environment. totally isn't just a sole attempt to do jane. she's also considered a role model in terms of my career, that's all really that i wanted to to as to not necessarily make myself sizable, but to make my left experience possible. so people know that a we assessed and read are really, really great thing. the especially with those are both marginalized groups. for example, marginalize community is a club for them is a refuge. the is a place where they can really express themselves and they can experience their own identities and they can be the pickles. and they really want to be on the clubs,

accept them and all the clubs this, the space accept them as how they are the picks know, still assist space to be innovative and unexpected. the wheels are shown will really change the future of pop music. the,

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