the we are all set and we're watching closely. we all seem to bring you the story behind the news. we're all about unbiased information, all 3 months. the culture of home is what's the space of take note today? i think that type of music process, especially the popular will influence decisions that have on the younger generation and which d j is a putting this stand point take no, now i would say these charts say a lot about the or societies as they don't say anything for me about the

underground scene, because that's like a power level or a tech to main tech know it's harder and more diverse than ever does like cobra. from berlin, a celebration to a stop conducting business pittman. right. and it's a multi $1000000.00 industry now. and a lot of people who are very successful within this on there. so i'm around to try to set the idea of people coming together as like a full month communion and sort of non hierarchical community. and i think in many ways has changed. culture has a reputation to being colorful, open minded, and tolerance. is that still the case? especially with things have changed fees. there's a real kind of this for community interesting experiences.

and i think nothing really, really wonderful things. i think when you start to move into the more mainstream capitalistic side of it, that's when of the lack of all set of tests they thought to appear. so where is the hype happening? before we look ahead, let's look back and really days of tech. no, it was a futuristic sound, but it's got people moving on. the dense flows of detroit, a low temperatures, tv show, they play the dishonest role, the promotion we keep, it sounds dense and outfit to go back and watch some of them and to see the outfits and see the dancing will always be extremely unique. and that type of thing will never be repeated. it just won't. and the influence that, that hit on generations will always be. and so anyone to look at them,

even though they look at and go back to what and see some of the moves and some of the things that people are doing it. oh, my gosh. the detroit sound is funky. i don't care what they say. i notice is the home a techno and yes, techno was created there, but the house came 1st then tech know when that type of music came to germany. it landed 1st in record stores like hot wax in berlin, but the to take no. it said to be in quarantine, frank, 1st in the 1918 by d. j. tyler, 2 x l. c. facts and wisdom and banking capital was one of the centers of the technician movement along with the lin. frankfurt boasted major events with well known dislikes, then fed one of the things 1st big sauce by the middle of the 19 ninety's techno it was a mainstream phenomenon in germany. first thing was the music has to be able to accommodate

it and i'll kind of cross, i think it's strong enough and then it will keep doing that. so if it's good, either it will catch you on have investigated this is such as techno is very active in the underground scene. just as it's blossoming on a commercial level canal. with the use of, of, of comments and down the lines between subculture and main screen. moving blood to the 1996 love parade. the building club chisel mounted a huge party featuring round the clock, d. j cents for 3 days and nights. how teacher you dropped what's the most everything that is happening in the, in the club culture, like in an underground music scene. so i like are slowly coming to the mainstream tech. no, continue to reach an ever growing audience. and now like every other musical genre, it's available on streaming platforms. what i see is that arrangement is off the

track they, they just become shorter because people want to listen to, to those subtracts on the spot if i or whatever. so whatever platform they have, and what i also discovered is that people want to have a pop arrangements in the top and technology. isn't that a contradiction in terms as a musician, john wagner has more time with classical music. as a sound designer, he works at the labor owned by the bill and techno club, the con, and does it produce, he makes his electronic music techno and talk. he says the future lies in combining shown risk to take out his auditor and pop. and if you combine them, this makes it special. 2019, wagner produced to some richard. but the trends media artist rosa unsure

the it was special because as she has her own style. and we were working with closely. and he decided to make a re mix of it because he heard the energy and the potential off. the track to rosa on chips has popped in spoken with experiments with mix with techno d, j called the sort of driving down speed. the mix of genres was considered a breakthrough in the scene. the track quickly went viral, being streamed to millions of times. to have this power of, of a for on the floor beat. and compared to a soft and soft vocal track. it was

a huge success to both the office that wasn't sure about what, what it meant for me because i was trying to be a big audience. of course, i was also very happy about the we mix. i mean, it's touched many people, but i don't necessarily agree how certain of things i'm being performed because of the under this also performed and made covers to a stop. i think it was the initial far artist. and what we did is we just opened a gate, a quiet back to the $138.00 beats per minute. also possible these days, the german d. j. bennett has re mixed the same as song from a popular film soundtrack of his childhood. the song was composed by bruno class,

the chorus, a french film about a boarding school for travelers. boys. give them the tech know treatment. the track became a viable kid landing in the top 5 demonstrating shots that could be the future of i think me pop music because it is so auntie, everything you have heard the d j is like max covers the amount on trip to knows who cell stylish fashion, as luxury merchandise tech know, has expanded and developed and become a business model. i think the main difference now is that everything's got very expensive and it staff will really difficult for to people to take risks often and even of that type of experimentation that is so vital to create of

a t i a comes then sometimes just the presence of, of people who, who are privileged enough to be able to take those risks, they find that some risk, the tech know it's a lot stop presented by major fashion magazines like vogue with the message. be yourself. everything is allowed. the agenda, the generation is, i would say, is one of the 1st invasions now who can really enjoy all those things that the earlier generations were really struggling today, then fight for and now they can play with their identity. they're more open to organize things or talk about things that are maybe tumbled before the

a career presents a young generation that wants to transcend boundaries. their album, quantum states is about overcoming finery, will views about the chances and dangers of breaking new ground, including music. i took this as, my impression is that there are lots of new scientist that takes a lot of maybe micro styles. of course, you know, that's good. i think there's still another flight doris within the job, but i really reject that idea because i think tech know, has always been about doing something futuristic and pushing the boundaries. many of the tracks were made together with the john fox. not both musicians have the roots and classical music. an experiment with different show, morris and musical elements to create something new. technical gives you a structure. and in the structure it can be frank and tech,

though it's so hard and so industrial and so on to pop that people want to be different and want to be seen as defendant individuals. the techno scene celebrates the underground one at the same time, taking that main stream to represent yourself every minute and social media and it seems becoming bigger and bigger. they want to show themselves they want to, but i want to wear those closely. already originally happened in the dark rooms, you know something, and this is what they, what they were no phone calls. so they presume for the future, for fish with has become the dress code of the young generation of focus to encounter the text. though on social media with a present the show in wrong. everything is staged for an audience real or imagined, including the visits to clubs. i think there's been

a lot of negative developments coming from the presence of social media within the community and the need for artist and for everything you do to be presented online . there are tutorials for the right dance move and social media is even influencing music production a. everything has to be bigger, foster harder, stronger people, watch these videos. and sometimes i go to a party and everyone's answers and, and that's so against the spirit of taking a, for me just the history of this musical style need to be told a new the legend of tech know is the sound of freedom started in the early 19 nineties, after the full of the building will, columbus like result popped up and disused or event buildings, and the formerly divided sushi and club its capacity out of bounds. we feel

weekly people in from, mainly from detroit, also from the okay, but many from the us and it was such an excitement in society. it was also for the big child because many clubs spotted in those days, you know, on an illegal base. but it helped actually the music of development. yeah. taking a lot to yeah, it's techno just became the signing of the end of east germany. i thought you'd be at the study. it was the stuff that was the music and the police as it was played on the east and west germans party together and wanted to for some of that as a very strong narrative. and kind of lots has left out that didn't fit into that one unless in mission does not so much so that to this day, many friends don't want to believe the tech know isn't a german invention. but an intercultural phenomenon, it's a john wrote with tangled roots,

using technical equipment made in japan and electronic beats from europe, brought to dance close by black american de chase. a welcome. one of the few surviving clouds from the early days of the building take no movement is truthful, the club mocked it smells, and so she, history in 2022 with a huge multi media exhibition. i think the sort of, um, sort of main framework was just kind of how to weave all of those different, the threads of the history together to form some sort of patchwork quote. but with the results and price, different events, you know, to keep them was the project manager behind the crystal and it says 3 x sufficient . she focuses on electronic music and his work, the several record labels. she wants more diversity including female representation

in the music industry. oh somebody, the music industry is like i might cause them of what else is or if that doesn't society. so if you look at my foot, she went under the companies where you look to spend money instead of lack of diversity that's to unlock over at present patients only know people starting to ask me what when, and who contributed in what way? the film like to take no visits, the history of the genre, and highlights the women at the 10 tables. i don't care what it is. every type of music happens because of some other type of music. questioning, accepted narrative. it's a neat so you're only still the linguistic media studies scholar has been studying electronic music since the early 2, thousands with the special focus on diversity. never one has 3. we're talking about thousands of different histories and stories. and

that's how we silence out to people like the care come into or the female um, benches and producers from the time because there is no books or sources existing on their stories. so this is why i think it's now we are in this moment that we have to push the know further their stories and not only who is asking the same people. what happened? the stacy hall likes, hale is a house, music, d, j. the style is considered as a full run of taking a pale, has been some 40 years d jane producing teaching and creating radio shows, i think what is happening that they're doing their homework, the 10 they're reaching out to, you know, says so thank god, here's social media because at the time that i was evolving, there was no social. it was a paper flyer, a tx on a page, or an a phone call. legendary house

d j can. claudia was hale's mental. in the 1980s, stacy hale was able to establish itself in detroit as one of the few women teachers . and she helped her promote the cities music saying, this part of take those history is only gradually being re discovered. and only now is the interest in the land and discovering what has made house so successful on the other side of the atlantic. not just any way in the, in the didn't the cities most famous and infamous techno club, the con the club with the notorious duel policy is just as choose when it comes to d. j. in order to stay on top of the con is banking on gratian, musical variety and diversity in its programming, including getting black artists and the house music scene. a platform getting this

opportunity to come here to represent. i'm so excited. but it was a long road before the scene opened itself up. we had to still kick down doors to make things happen. and we're just now in this last decade, getting the recognition that like we weren't there. what defines dispute of tech, not the is it the unifying power? this music is so often said to have the why is take know, being experienced today is fresh in liberation by new generation of autism. and club goes a scene here in the music video, to a truck by new click a new job. the,

it's a, it's under angelic. it's steve. it's hypnotic. it's uh, it gives you the president's moment feeling. so when, when you're listening to talking to your, for me in the present new job, i grew up in 11 on. she belongs to a younger generation to discover the tech. nice thing in the 20 ten's. where i felt most at home was that when i started parking lot, it took some time to get to get to where i am now to it to become a d. j. making music is an important creative outlet for java. she started watching her own compositions, 14 and deep into knowledge, all studying at boston's book and college of music. hard fost, loud music as an antidote to the frightening memories of the 2006 in the afternoon

. when i was in baby, which i didn't have time to think about these things because i was more on survival note. but then when you come to a place where you feel like comfortable and safe, then these trauma starts coming out of this this is what techno gave me when i, when i 1st came here and when i 1st discovered it, and very high and, and the parties around, i just felt that there was no more borders and it was really as well. but they're all stories from the legendary early days of the tech. this meant to, to find less positive.

in the many books is stored in a back room of billions of kinds of use culture. it's direct to done go. schneider also collect stories that don't seem to fit with the spirit of tech note. and the contradicts the reputation of the early 19 ninety's building. take no seen as being polar and an open minded if you have and also we have an issue of course magazine with a very long interview with jeff hill and i looked into a few adjustments to them as far as i knew, that is the 1st time you express that you didn't support the narrative, everything was great and wonderful. and everyone came together without discrimination. and i just talked about, and rather he did actually experience racism in the berlin tech. no, seem as if this was a problem and if it, in a tech mostly you know how to the

schools and all the historical kinds of the techno seems that racism is rarely mentioned to them. and i have witness people who are active in the scene. then the key players, he thought i'd even deny if there was any races of this thing pulled up on this because i missed. and i couldn't like the top slip of the which is to report experiencing racism by glasgow into the base tonia despite the success of the view of them. she still is subject to discrimination becoming an artist, me, me a more aware of it. because for example, like when i tell people that i am and use the carts as they are surprised because they don't think somebody like me can be a success. when is the car test or i'm paying somewhere on the boat so we won't let me on for some reason, doesn't believe that i am the passenger. i say i am taking

a scene is meant to stand for pushing boundaries being open minded and diverse. is that just a cliche election in benson? is that culture is still on to the age abound on for being not the most of the divers. uh lets say seen, but it's really changing fair talking about things dependent and underground scenes. they are very more divers on like the commercial mainstream, the underground still office room for innovation, including artistically underground for me, it's a lot about ex perente. she meant to have a space of mutual respect. it's just really encouraging to try out new things. and to push this home towards new sweets, there's also groceries,

knowledge images, the vital role, korea, people play in the same. it's empowering the people or whoever they are, whatever gender, they have, whatever they feel like just to be their interest to be an artist, r a d j clots are really laboratory is there, you know, this kind of experiments with different else living a life or a different way of experiencing things happen. the queen club scene also inspired tonia to make electronic music and gave her the courage to come out as a trans women. today, she's an intimate artist. i very much failing to me is a career and then i think, why don't we start going, i more of subbing feeling of isolation. dissipated as i've met people

similar to me as what i've started to get really interested in it because i was like a product of my own environment. totally isn't just to sort of t j. she's also considered a role model in terms of my career, that's all really that i wanted to to as to not necessarily make myself sizable, but to make my left experience possible. so people know that we assessed and read there are really, really great things, especially with those about marginalized groups. for example, marginalize community is a club for them is a refuge. the is a place where they can really express themselves and they can experience their own

identities. and they can be to pick both, and they really want to be the only clubs accept them and all the clubs that the space accept them as how they are the techs know, still space to be innovative and unexpected. the wheels are shown will really change the future of pop music the

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this is the w news live from the end, the u. s. president joe biden will travel to israel on wednesday. he will free of israel's right to defend itself and talk about the need to minimize civilian tests . because israel steps it's as strikes on government also on the program. another will lead to set to visit israel is germany's lot showing spots before leaving, so it's will hold about could be a tricky main thing here in bowling with jordan's king abdullah will bring you the

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