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tv   Musica Maestra  Deutsche Welle  January 6, 2024 2:15am-2:30am CET

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you are the ones serving a life sentence, that's your update here on dw, coming up after a short break on music. show me play is from the danish radio symphony orchestra. don't go in the world and progress pop calls to everyone who wants to know more about this topic. the 2nd son of about this story is beyond the headline world in progress. the w cost cost not just another day. so much is happening all at once. we take time to understand this is the day i'm in that's look at current use
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events, analyzed by experts and critical thing is not just another muse. so weekdays on dw, the and hello, dear friends, welcome to most of them. i asked though, my name is so long as i look better. i'm a conductor from mexico. and i just want to invite you to enjoy this wonderful show where you will meet amazing musicians from all over the world. a see the back stage live and their stories of how they put this beautiful music together. the welcome to the next episode of music on last year. this time i'm in copenhagen in denmark. i will be working with the danish way to orchestra. and this episode we will get into the world of percussion. i will
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take you through what dislike to play in a large percussion section of a symphony orchestra. and what are the challenges and also the lots of joy and funds that they can have their job, da, da, da, da, da, da, da, da, da, da, da da da da da da da not dump the the tech ticket ticket. the ticket to pick that tech ticket ticket, the ticket to fix the
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so i have to come with a plan that whatever happens it will work. um, but then it's great when we can take it as much, much further and you came and said, you know that that's very good how, how we organize that. but do you think it should be a bit more flexible? yeah, i really loved that contribution because that's exactly what i wanted. the, the story of this film is a sort of romeo and juliet story. but between the my inferences and a spanish conky speller. so it's an impossible of story from my country. and the music is just incredible the
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when you plan to pick some for noticed the even the percussionist we used to just have the pulse and, but in the pico has like list always some small adjustments. we have 2 small adjustments all the time. so that's quite difficult because we are 13 players that needs to do the adjustments and sort of the same time so that it needs a lot of a lot of ice. a lot of is just set up like a football team in a way off from someone who are able to run fast and someone just doesn't know very experienced and know how to keep calm when when it's, you know, it's going on yours and you have to have or people experience people suggest this is, this is what happened with the to go was the,
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the sort of this is sort of a master class. we like this because in classical music, normally there is a place to the middle of the present at this time. the middle of it has to play to the rest of the time is like the black sheep of this i'm sounds of to because i'm not a classically trained decision. i am a self tort guess guy. i love it when be good, musicians from all those types of music is whole enriching. and many times i think that it's we've, we need we classical musicians need more of your where else to do what we do
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because it's all intertwine, is not separate. the, this is the big push of thing with someone like you who are risen because we see that immediately that you are risk. you'll have this extra ground for me as a conductor. it's always good to go to the source and talk to the, the ones for experts on each thing. and they've learned so much. most of what i've learned, i've learned from the players, i'm happy to meet us with while you are in the band. i'm in the it's another the
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oh the . ready we're here in corporate america after the rehearsal, with the danish right. new york. the yes. giving a concept with them with your pop now in life is something special. everybody imagines to be conflicts in doing the preparation and fights about who is in charge as well. i better don't question that the conductor is in charge and she better doesn't question that i'm attend. so this we can avoid a little fight. so i think i
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think union, i will always be able to work together well because we met working. so for us, the relationship through music and through me conducting and him singing was the way we actually met because we met well during the magic flute at the state over in berlin. so our 1st relationship west of colleagues and so i think for us is, is no problem and we both know and respect each other in a way that it's really pleasant. it's really nice. the what's are sitting about the model or song is the 1st year that's using them. it's
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the 1st time that i see the amount of songs with orchestra. so i have some the piano version and the chain division by shooting back. so today was the 1st time with the 1st time that i heard this orchestra like that. it was within the orchestra with this whole world of imagination. the, when i looked again at the, at the date of composition like 8485. this is and i know other music from the time of the song. awesome. thank you. on this problem, supervisor. which tells them it's so different in terms of simplicity,
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but also in terms of it has been the simplicity so many layers of course and of, of life. his approach to music is, is really like describing the world and not only describing as in painting, but making you live it as a view in the moment living all those elements. the, it's really, it's, and i'm, i think because we're in the center of the orchestra and the, you're hearing bars some on the horn close and, and, and trees and leaves. nature coming out for me. direction like, like, like i said, you are seeing it's the movies the
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and then you suggest as that in the 5 greek songs. what, why i think is a beautiful contrast of no suffering of no problems or less. and so it's 5 songs that talk about the beauty full day of waiting. it starts with waking up the dried, then see the church and how the families get together. then the posing of the room like to look how great i am of pistols and the saber. and i'm so handsome. and but the with the one that of the
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we have a combination of last service. when i counter this together to date. if you made me see that's a love as everywhere the same and almost always impossible. the the, [000:00:00;00] the
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