to hi, i will not offer you as i am. i'm a writer of the story and thank you right to welcome. this is my 5th, the, the white country. and this is the black task where the, this is why we celebrate the freedom and the independence of our country. and i'm here today to celebrate the creation of a t and engineering t o vast. it's a crime is on the atlantic ocean on the west coast of africa, around 5000000 people live in our class with them many different kinds of industries, including fishing, manufacturing, finance,

and transportation. amongst many of the vibrant city with much creativity. donner is made of several communities in kingdom instead of thousands of years old. the james town is one of the oldest areas of a crowd and home of the golf. people pay began intending with the forest areas and then reserves from outside, as opposed to use british dots, sweets and danes. what began as friends, the trade relationships between 10, vine, and especially with increasing har as of the trans atlantic space trains and creative expression and production was still grappling with the legacies of interest. there is, um, slavery, colonialism, nations buildings,

and what it means to make coffee, which is, and this is what we'll see in the works of the office that we'll meet today. performance as is elizabeth f for south and flies through her latest work that's coming up on the africa. and we'll meet carpenter and artist pods. are these coffins tell many story painter coffee o we take the political stones with his canvas will explode the author of our cross street. so of course he tackled and after escape takes a sketching robotic um to the venice via 90. so let's go see some off and the

i'm not going to meet the exciting out to and square. see that? come with me. i see. i see studio is always a great place to visit every time i'm here quest, he's always crazy and something mean i'm excited to see his latest pieces which involve him walking on ca doors. so tell me about this body of work that you're working on. this the title of this project of the one way edition 6, expiration from a lot of things amongst quest. these inspirations, albatross runs private e m. many buses that surface transportation across the country. the, the withdrawal comes from the gods, him for 3 pence, which was the bus. so when gunner was still using the furthest west african pound,

the cultural is that often personalized with sayings and because which are known as one way 6 is the name comes for most attendance pacific printing technique. i realized a lot of money and trust sports adopted this technique. and for me, i was curious about the fact that there's people way to routine images, some type of all life somehow for the car and the tools. so shall come and cheat. it's a will people just expressing delfino is without even seeing that was all says all around. even though we don't notice that it's ok. quest sees inspired by the creative a t and ways of expression. walk on the church was in a place where every thing is to make one way vision. quest, the spend time at the local structural station where he took photos and videos of all around him.

you know, it's almost like seeing the street as an exhibition space. so really exciting um, any citizen a our inspector as well. yes. so i can show you, chris, he has used or commented reality or a a to him that q r codes that link his videos and make them come to like the so it's a way to get people move in to the space. and so i was like on the streets and i saw somebody had written on their car in couple model which is community to raise love. i love that you're bringing in technology to bring these kind of exhibition levels to live. the do you want to be photographed? let's see. the soap. he's also a great photographer and we end up visit with

a friend. so she was home. and i love how you into his like much as the pots and so everything on the green and brown. and i mean before my, let's take a full exam. they're telling me like this thing so much for coming nice to see pen can. i'll see you very soon. my jenny, with the deputies of africa now takes me to the west. the if you're looking for someone to get objects, hannah crime center is the place to come to the

the op since it has many different kinds of outlets including cost with in c, g is used in many different contents, funerals and gama. i'm not say any of the time to move on, but also to celebrate life. and the past and ascending to the world and the answer, the in a pace when everything is on the coffins, i'll say t amongst the guy a tradition isn't much research, have been started by the carpenter county clay in the 1950s. what proverbs i made visible in coffins. this is the workshop of pod yeah. apprenticeship kind of play it full assessing up on his own the vendor evaluate you

it happens easy, the deceased person may highly proficient. very often, once he is known to have done while he was alive, that is what the family does to on the they did the, you know where this on he's been seen on the funeral procession ground. scott, why they got bigger tobacco many once the cost cookies lifted, if you want, we know the kind of proficient the deceased engaged and it's befitting the nicholas is for a fisherman and he loves this kind of fish. and he has requested that this cost could be used to bury him when he dies. so we have created, it's while he's still a life. this one, it is for an empty from the coca cola marketing company. there he has requested that this be created. so that he can be buried in this very cost kinda what we know of you and we made this concrete for some of the clients that we got time

for them to pick it up. what they would use it for an important band or what to from what the oldest among the god tribes over there. and here in a cross with grunted to the noun clause, play me again. and this one is going to a client in america, in los angeles, and i was, i goodness this coffin was voted by a client in america, collects rep town and had about todgers creation the funerals. a huge important inc donna, because they mediation between the wealth of the living and the dead. this new tradition of france, the coffins created in the form of the cover. some aphorism camps have him, take the forms of animals, of the professions and dreams of the deceased or terry's on the semantic traditions

and multi may of texas months have gone then office g the another. yeah. of language that communicate none of the video. i seldom attend fuels of my clients, but once i attended one and i set among the male eldest, i left immediately when the cost was lifted for burial. i didn't look around to show up for people to praise me for my work. okay. i thought maybe i didn't get that, you know that that's not who i am. yeah. yeah. and, and i know i've gotten a few minutes. he is out a diving who may have been better the patio and his work shop as well as those like him and hide them on the

next on i see africa, jeremy i had to the north of i cried to meet an office chairs and became phones that traveled out was he has a fax out. see there about to meet with the address? the coffee. oh yeah. hi coffee. nice to me or come to my space. thank you. tell me a bit about your what? the final specific painting and i love abstract. it took me a just too much that this technique. so in this technique you is sort of a mutual fit test at painting and was a combined together. you have 3 for leaders in the painting. isn't the tech lead used by phone gulf sam grant? thanks, thanks. so what is it that you want to express for you? what we have this police brutality. so is sort of like the history or what happened to us is still happening again. then i think i should address it. talk

about in i mounted on especially recently at 1957 inside this 5 star hotels, there was a commercial gallery which is a relatively new addition to across ecosystem of our spaces for lanes. but what i see in my country so months ago in that crap we had this blood test fix the country campaign. people were tired of the high ship, the suffering, and then it was unless, if protest me so i try as much as possible to, to name, to watch the news. a daily, if possible. i can, can, i'm using choosing. i think interest me the freedom to express myself without

boundaries. i take keepers in less than 10 and then i want to express myself in cubism, i'm sudden applicant the dangerous for me to talk about history, talk of a human existence. so for me, access the gift that i will use to talk about what is happening in the society, right? we use suspend, but i think my brush is my, is my gift. back in his seat here, coffee is getting his materials ready. he has invited needs create with him before i had all the okay, so what are we doing it way? so people what sir would start with a chuckle here?

what do you have in my um i don't know. i might try face. i just went straight for my my my, oh my god, i have them as far as what's the difference between these a lease crayons like, uh, some stuff is past due, but yeah. so so that this was in fact yeah. trying to mix the museum and yeah, it makes the tucker smell, but the funny thing joined it and love it. trying things out. anything going through your mind? mm. mostly i like painting with music. oh really nice. i think i like the choice of colors. you're going to keep going with it. i think.

oh, use this as an inspiration for painting. oh, wow. describe it, jenny. ok. maybe next time we'll get to some jazz. okay. sure. yeah. okay, sounds do like okay, fine that. okay, so you'll just about to me from scott who i chose for the donna pavilion for the venice being that i'm excited for you to meet him and see his what? every seconds here. then it has to be an alley which is like the lympics of the out well in 2022. the $90.00 fee to the office from $58.00 comes from the cold. the suspicion that the gun and pavilion lacks the museum as sweden after stoops installation fee to them or both um that he had trained to create

drawings in his office 6 style. i chose his way up to the gone to pavilion because of how he uses technology. 6 full freedom of expression and or being. a 1st catch block is futuristic, but also in wood and back with the king doing on a historical knowledge, systems and philosophies to create future. well. he lives in tamma, a community about an hour outside of kraft. my name is nana. i create arts under a pseudonym i for scope. a lot of my work is intuitive, very experimental, and very spontaneous. i started off with drawing in graduate, it's like bank of drawings on paper. f escape now spends most of his time freezing in the digital sphere. it's so much knowledge system dollars is cause mileage. is that for various reasons we aren't taught in school,

they've been wiped out. they've been whitewashed and doing that research a bit of archaeological and digging to find out what are the things that are for barriers and 4 or 5 days left for us. and so i find ways to now communicate what i'm learning with others after school started creating the tools like fletcher reality. these are some of his 3 d, v r images, which you can see in full expression with these kinds of headset. it's also the one to select the there's also this concept i'm fascinated by, which is one this. the genesis of all of this was in the illustrations that i do, that i have called do i dump. i see. i see a is a your, but term for a that's the serial invisible life force that connects everything and that makes

everything a life. so at venice, i'm trying to tell a story that talks about this journey from i see to now i did a 1024 of these drawings that i've scanned and run to machine learning algorithm. so i'm trying to create an experience that touches on these things and ask questions about whether or not computers can also be seen as artists can use. the computer has spiritual intelligence. the can help us see things that are not immediately apparent. putting together an exhibition can feel like out for me, like creating something where the whole is greater than the sum of its cost.

so i love this work, this building narratives. so whenever i do an exhibition, even i'm is found at the end of like this exhibition. for example, when i looked at this book, it says governance historic suspects, eliana event as being out of 2019 when i q raise has gone as fast of a pavilion for the event is to be a 90 and 2019 kind of freedom. arafat to our fast prizes, inquiring for my famously saying, donna, our beloved country is free forever and how that freedom has or hasn't developed for us to the eyes. and one of our grace is that something about the impact that an exhibition can have something about the space for experimentation to create new phones and new languages and to put different works and different artists together. and i'm come out of it to expand it in some way

the i come to places like this, the office alliance gallery here. now by the full inspiration and for reset. nobody has a beach right in the center of town where the office alliance got to reset. it was created by veteran office professor, athletic laser and suitcases, both historical and more than i became an eyesore in and stuff that's true, right? because i wanted to help frame some of the rich and multi layered culture that we have in this country. the, my at c, africa johnny now takes me this is where i encountered performance autism,

elizabeth sutherland. the elizabeth choreography comes from all the things she sees, has m fields around to the i think we saw africans. we defaults to dance, you know, when people feel joy, they feel sadness when we just even express in normal, everyday language of various physical about it. the, [000:00:00;00]

the, the piece is called weaving, and the while it involves ariel silt, fence vs, and a little bit of a physical theater. and it explores the tech so tradition of elizabeth will travel and perform weaving in the wilds and communities in the vault and region of government. so this would be shown to people who are actually taking part in leaving college i and see how the people doing that type of web connect to this performance the we have appropriate a time for different types of events. there's

a funeral that different types of class that you with the would really like to work to connect to young people. i think we are all very interested in the culture. and so i would like to to be connecting points for young people to the traditions the vehicle jim is most key man that we've kenzie saw and elizabeth is interrogating this by and citing him body practice within this tradition. the . the obviously seen in that cra, each cracking with was, is to be human, to be gone, then today, as in gauge of the past, present, and future as

a writer. these are things that concerned me to the whole the day. and this time for the last visit to the studio of coffee. oh, we are the high whatever we got here. so i money to $10.00. this thing to an actual painting. a sudden it's variation. great. well in a day, yes, very impressive. and it's a mother and child. thank you. same thing. nice. um. well, the only way to boost those out the, as my jenny comes to an end i had for the place that for best so was connects us

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unreasonable stuff. the sciences i want my son to become a doctor to in the clouds. it's time to to and then when generation nash dw documentary the, the hello and welcome to the 77 percent. i'm able to money, and today we're at the iconic gong hughes on the outskirts of ne ruby on our special. so on the great outdoors we'll hear what you guys like to do when you need a break. here's what we've prepared for you. my colleague,