over and we can rebuild again as we approach the end of the year. but then this lamesa with voting from monday law. thank you very much. and that's it from me and the new scene for now, i'll be back with the news update at the top of the i'm got alphas, fairly inform me of the news team. my name is the calls back said wow, thank you so much for joining in. welcome to don't hold bad. a lot of people do that. as soon about saying it's loud. as would have been nosy bay, like good everyone to king, to check out the award winning called called the hold back for

the 70 century and all that was the period where the country grew up. the wells came from all over the world and it was to bring the staggering and surprising for everybody. people wanted to express their wells and they, there was a new norm is amount of wealth prosperity here the, there isn't lawful art in the netherlands in, in grows and grows. something was moving and shaking here, there was a lot of artistic innovation going on in many different charters. the. the amount of good painters in holland incense center is, is kind of crazy in the mount. the good paintings produce the

if you really started to look at these paintings and interpret them in the right way of world opened the villa albertine, the french institute for culture and education. on 5th avenue in new york is an integral part of the french embassies presence in the city. it's a beautiful building, and thomas kaplan, an investor likes to stop by whenever he's in town, because france is kaplan's 2nd home. thomas kaplan owns one of the world's largest private collections of dutch masters . he's acquired pieces by everyone from reuben's to premiere,

but his pride and joy are the more than a dozen works by rembrandt. we don't have so many examples of arch that one can point to having an enduring, transcendent impact. the rooms rent has that impact still does. rembrandt lived during the dutch golden age a period when dutch society transformed, leading to a new understanding of art and a new commercialized art market. at the center of this development for cities like death, harlem and amsterdam, the one of the largest collections of works from that era can be found here in the

reich's museum. demonstrating that the 80 years war between the spanish empire and dutch provinces, which resulted in the netherlands independence, also brought about an art historical revolution. there is an influx of really very much talent artistic, but also wealthy merchants who gas producing so that that's, that's important. and they bring also a kind of taste with them. i mean, the nurse is really around 1600 financial incomes. patterson was the spouse there is half and for very 1st thing happens in the 16th century, and that comes over to the nursing home. i mean and them and finds a fertile ground. the war had been fueled by the persecution of protestants and the predominantly catholic spanish territories. and the netherlands citizens were granted religious freedom. this attracted protestants,

jews and other people persecuted due to their religion. most came from southern provinces, today's belgium, which largely remained loyal to spain and catholicism. among them were many painters, and they sparked artistic innovation. the they changed all that. all the shars landscapes still live for trans church and terriers . they try to find her own each with a kind of own style or on subjects. and that's what the argument world then makes extremely lives and millions of artworks were created in the 17th century, which is why so many renowned museums have treasures from this time in their collection. but what led to the

netherlands becoming such an art factory during this time the, the nobility, for example, had lost its importance, and the clergy too had become less important. but the bush was e and the merchants had gained welski and were suddenly able to afford art lice which the blossoming cultural period and with it. a flood of paintings was underpinned by a surplus of capital. this was largely generated through speculative and risky financial business transactions. seafaring and trade the netherlands was a large colonial power and accumulated a great deal of wealth by trading slaves and exploiting people in the colonies across you are very few people. questions such exploitation at the time. what happened overseas seemed to world apart in amsterdam, most people enjoyed their wealth and sought further growth by monday,

belief that somebody should be facing that funds again. for example, until you take into account that in 1620, around 100000 people lived in amsterdam. and that 50 years later, there were twice as many as you can get an idea of how many powerful people came here in northern netherlands and fuels. this hated the blue tale saki. this group of influential people consisted of rich merchants and nobility. among them, the family of yon 6. he was a patron and friend of the most famous painter. at the time rembrandt fun right. over the years rembrandt painted yon 6 his portraits, several times almost 500 years later, his descended beyond 6. the 11th is an art dealer for works by rembrandt and his contemporaries. rembrandt scouts introduced to the family

roughly around the early 60 forty's. environment was by then really, you know, big rockstar him and he wasn't the top of his career. he painted the riches people of times them and in the highest elite regions, he was known, the rembrandt painted numerous commission to works. one of the portraits he made of his patron. yeah. on 6 is considered one of his masterpiece. it's because of the skill with which he depicted the inner workings of his mind. but how did he gain such insights? what was the relationship between the 2 men like i'm still not really 100 percent sure what it was, because we don't have a little note saying there room brands and what a wonderful launch we're our kindred spirits and you know, we just,

we just don't know what we do know, is it at a certain moment in 1642 to very early on was when they met each other. young 6 apparently gave his his friendship, both his album according to remembrance and said, can you do something for me? and women made a wonderful drawing of homer telling his versus to the people around him. and then underneath it says remembrance to young 6. so of course that's interesting because it could have roads to mr. 6 for he could have just wrote remembrance, but he makes that this thing notation of from rent to young 6. he puts them on equal par, and the silver all the moments where their lives crossed. so there must be more between the 2 that made the connection. beyond 6, the 11th began studying works from the 17th century. as a teenager,

there beauty oftentimes astounding, he believes it shouldn't be intimidating. i remember being very young, finding all these family porch was looking at you because they follow you wherever you go. quite scary and i just overcame, that's by really looking at them trying to understand that they weren't allowing me. but i was actually holding them by trying to understand the from a young age. our collector, thomas kaplan, also sought to understand the old masters. when i was 6 years old, my mother took me for the 1st time to the metropolitan museum. and i remember going up the steps and i certainly remember the impact that connecting with rembrandt had on me. it clicked and i asked my mother

continuously every week. please take me back to see remember, the since then, the investor has come to own several works by the artist more than anyone else in the world. i remember a week in which i inquired, the 2 paintings rembrandt for less than one andy warhol that went to auction. this is discordant. if you asked me why that could happen, i would have to look no further than myself. i did not know until 2003 that one could acquire a rembrandt the today. anyone

interested in collecting and understanding the works of the old masters? must delve into the history of the netherlands and it's art. doing so, leads back to one person, rembrandt fun, right. he created many of his iconic works on yogi place. tried in amsterdam this is a place where he created in almost 20 years, many of his greatest master plans. the interesting thing about this room is the fact that it has northern lights. so the light fall was very important for him as an artist. and we also know from drawings that rembrandt made how the room was furnished and what kind of props and materials he used. rembrandt made a profit from the art market, setting him apart from his contemporaries. but he did not allow himself to be taken

advantage of. he began taking on fewer commissions preferring to paint for patrons who granted him artistic freedom. as he on 6 did, rembrandt valued his independence in that regard. he can be seen as the 1st modern artist. he was also a collector of all kinds of interesting objects. objects that, of course, arrived here at the harbour of amsterdam from all over the world. he was very interested in what we would call exotic objects, stuffed animals, corals, shells, and weapons. and he created a small museum for himself, and he was one of the 1st artist to collect in this, in this fashion. and it was an inspiration for him. but some of the works. he collected some of the officers to use the menus, paintings and his work and others just for just an inspiration too. for his

creativity as an artist. rembrandt established his own, our dealership together with his wife saskia on the ground floor of their house. the it was said that any buyer who made the journey to amsterdam to purchase works could spend the night surrounded by them. the be created this fantastic business model. that was, you know, his own artwork. he also had many pupils here who paid quite a sum as a fee to be taught by vermont paint and too drawn to rich. but he also was an art dealer. so he sold his own work, of course, but also work by contemporaries by older artists. and by a, by his pupils. so he, you know,

unit all these different aspects of business and that really makes him a very interesting business man. today, rembrandts are rarely up for sale. only a fraction of his work is still privately owned. the remainder is in museums and will likely never be sold. meaning what is in circulation is highly coveted. we have the painting that we sold this year and the sale in new york, and it was a small restaurant. it was, it was this size of one of the smallest reynolds in existence and it was painted just the officer. he went through a very turbulent period in 1640. so you, you're trying see, to brush stroke, you've seen the lights any way he tries to create a scene which we all know it was a abram in the angels, but he puts a different sort of perspective to it. and, and we'll try to sort of grasp is fair rates and he is the way he wanted to enhance the story with his sort of magic. but i'm not sure if he viewed it himself like

that. but we don't want to be close to that sort of virtuoso spiritual him in 2003 remembrance self portrait was cheated. eyes was sold at a saw the beef auction for over $11000000.00. it's a self portrait of $1634.00 and the signature is here. but when this project came in with us, it actually looks quite different. it looks like this. so you will see actually the, you know, the whole closing has changed in the face is, has changed to summer, still the same, but more interesting, even from the 1935 there is a picture look like this or was very big catch with lower hair, with the same for color, then they removed the head and bit of the lower hair and it looked like this. this is around 1966. and then we had a cleaned by very good restore. together with the technical data they research was an x ray. and then the service was revealed, the for color,

i mean there's enough for another for color, not with the golden chain, whole face change and it turned out to be so fortunate by run run, but it was a painted over in the seventy's century. so the restore a had to free and remove 70 century paint from 70 century paint and i must be painstakingly difficult to do that. you have to use a scope on these very experience, but he could only do a few centimeters a day. it's amazing. what can happen to a painting which looks you know, totally difference in the beginning. so we should be careful with this sort of paintings. since 2008, this self portrait has been part of thomas kaplan's collection. and like all his rembrandts, it is always on loan. the, on the rare occasion when the works aren't on loan, they are kept in secure storage. a few hours outside of new york visitors are not

usually permitted. but naturally, for thomas kaplan, an exception is made. the collector has not seen some of the paintings for years. wow. it really kept. is you right from the the my god. it's like being back with old friends the she was my 1st. you always remember your 1st

she was the one i actually kissed on the lips. that's the truth. the year if you look, you have a doctor presumably taking rocks from the patients head. and if you look closely at the painting, if you look at his face, you feel the pain as she is in agony. he broke some mold in the conception of what beauty was. he put aside all of the classical italian late conventions and expressed his

own sense of beauty. and he did this without the condition. so whether it was intended or not by breaking all conventions, he was a liberator. and all those who followed. oh that the debt of gratitude to rembrandt . that's why i think he is so trying to send the dealer again. 6 was also able to on earth, a treasure. and 2016, he spotted an unknown rembrandt. the 1st to be discovered in some 40 years. his sharp i paired with his tenacity and rigorous research, resulted in him beating out the competition. i think the most important thing to realize when you look at the work of art, is that for some reason for a 100 years or so,

people have missed looked at that picture. they misinterpreted the picture because that's the only reason that is mostly in a big museum or it's not placed in a rice context. so something is wrong. and we tend to call that a sleeper. our dealers, like yeah, and 6 work with a painting for years in the hope that rember and scholars will confirm its authenticity in the end. exhaustive scientific analysis decides the fate of what is often discovered by intuition. look at a. busy by reverence, always the person who is portrays is looking at you. instead of you looking at the person. this is an easy feeling if somebody's looking at you. and if you turn your gaze away, you feel as somebody is looking at me this slightly all settling. that is sort of how i can explain it with fortress once you see it. it hits you and so there must

be an immediate contact. that's one that's sort of a stomach feeling concept. the, the moment 6 saw a portrait of young gentleman labeled as a work from rember and circle. he had a gut feeling the look to that painting and immediately salt hang on. this is much better than the ocean has, is, is this telling us? and that the moment that really made the click for me was a technical problem. this portrait shows the young man wearing a very distinct piece of lace work. and that lace came into fashion

a very distinct time. and so the pains and kindly, before 6031 or 32 and then with fashion, it's exactly the same as nowadays fashion codes for young people. it doesn't count for old people, but in this case you see a very young boy. you know, he literally doesn't really have it looks tash or beard. i mean it's, his cheeks are so pinkish, it is really young. and so he's wearing his legs the ocean house presented. it is as a painting from the circle of remembrance. well, if you look at the fashion that was just not possible because the fashion with the young boy, it had to be between 603126034 or 5 tops most likely around 33. 34. is that this thing? now remember that that time and it didn't have a circle. following the advice of the on 6,

an investor bought the painting in 2016 for a 137000 pounds. today, it has been confirmed as a genuine rembrandt and is worth many times that amount. typically, rembrandts, bread and butter for portraits, commissioned works for the wealthy bourgeois z nobility on the other hand, preferred historical paintings about such as your mother. he's 20 of the people should physical history, in fact, had always been at the top of the higher key. so once on a short while later, when 17th century netherlands landscape started to rise in popularity and followed by portraits and done. and then at some point, john wrote paintings and pet stations be showing model guy, john ro, paintings depicted ordinary people and every day seats, both educational and something of a cautionary tale for upper class observers. today, these works attracts less interest from museum goers, especially in comparison to

a large format of painting like this. rembrandts the night watch, visitors come in droves. it's one of the most valuable paintings in the netherlands . and recently the subject of an intensive research and conservation project. what becomes more and more aware is that we solved a little bit and all of the painting it has been painted it's, it's over the past and nothing changes. but of course, it's a, they're all kind of chemical reactions going on and this will continue away. so had a painful change in color. things will group out or, and this is a little bit extreme. but at the same thing isn't living material, or at least some things happen to 6th street really difficult if you want to paint 20 or 30 people in one group

without the coming step. so here, full service with bringing that kind of movement in its and they are really well, they seem to walk out of the counselors and that's of course the assistant portraits founded in the early seventy's century and fortune to solve the problem. and nobody in an effort got that the level of life. rembrandt also looked outward for inspiration. artists and holland observed each other closely and engaged in lively competition. the painter was certainly aware of what his colleague, friends halls was doing in harlem. friends halls was the 1st artist even before rembrandt, to create a large scale commissioned works for the people of his hometown, the

even in his lifetime, friends halls was known outside of holland. despite his fame and wealthy clients, he struggled financially throughout his life, his legacy, his impressive collection of works. the son's house is certainly the 1st to show the news brushstroke. but he is a little bit separate, a find something and he full 15 develops with all his life and, and that is i think he wanted to paint the kinds of movements and dynamism he wants to pay as a life. the, as is often the case in the history of art,

the value of friends hall's paintings over the centuries was determined by contemporary taste. the . what does it sounds? house paintings, i very much cherish is the region test is of the st. elizabeth hospital. and it's one of the latest portrait steps and on the houses painted. he was probably in his 80. so almost it's geriatric, even for especially for the 17th century that was unusually old. well, they loved about the painting is that it's out of time. it doesn't fit with the 17th century, and at the same time, i also loved the fact that it was both hated and cherished all throughout history. in the 18th century, you see an old literature that this painting was seen as absolute garbage, as the proof of the fact that from charles when he was old, have no control over his handling,

was probably shaking that with him. i suggested that he had all time or that he didn't know how to paint anymore. that had a lot to do with the 18th century. focus on the academic, no painting needed to be precise according to the rules. and this was different. so it was really show of the side you see market price is a for on sales at the time, also going down. that was not appreciated. and then suddenly everything shifts around at the end of the 19th century. because i'm a french collector and could take thought a bit ago together with a large group of artists that hand cited from for a whole to my name on the sooner sergeant mary castle. whistler started loving this painting by cross halls. i said this isn't, it's an icon. no, it's a, this is the proof that sounds hall's wasn't on guard painter. he was ultimately modern. he was a head of his time. he baines, like, we do realist impressionists. he had something extraordinary and this painted was

then seen as the absolute proof because of his loose brush stroke. it's use of color and it's dimensions of black. so it's also, it's amazing how one painting that basically stays the same, go through all the stages of being valued and appreciative, but also of being absolutely discarded. and we are located, it's still here because i think if it wouldn't have been in a semi public institution in the 18th century, would probably have disappeared. most of the are created in 17th century netherlands, no longer exists. but collectors dealers and historians continue to hope another friends halls or rembrandt will be on earth. ringback the. busy the we come to people's connections, people's houses, castles, and we have to do events, race,

and sometimes you going to as a national event, 3 and things are not on it or are all there have been missed capital for not capital. can i love just go into a house or a call, so wherever and put the right name on this, even sometimes i can't find it. but my discuss with colleagues or i tried to do some research for that. just you discover who is, who, or even a small artist and i looked in bathrooms. i looked in kitchen as i look above the door cuz you never know what you're trying to find the around 10000000 pages for probably made of which we now have. they estimate is 5 percent less because of that. and then i think this last burned destroyed whatever happened the or not. many paintings remain from the artist dion for mere. his body of work is small in comparison to that of his peers, like rembrandt,

who created over 300 art works. the premier is an interesting example because we do think that he didn't paint so much because a he took right on to prepare the pigments for his paintings to paint. then he didn't have to paint for the money because he was very true, very rich wife. and he may, we believe actually he paid to, well, if we look at the air for now, i think around $37.00 acceptance ramirez daddy probably painted just one a year. but of course we're not sure because we, we weren't there and he didn't post this work on instagram at the time. the already, during his lifetime, beyond for me or could charge high prices for his few very detailed paintings. which he sold to wealthy patrons in death.

the if we look at the lenders painting, we talk about the trinity. you have that envelopes with mia phones, house and 3 big boyce monica that we still remember today. and if you look at the eval for me, it's very mysterious, it's very intimate. there's, it's very difficult to understand what the symbolical meaning was. what the intention was, it's very domestic for me or was not only a painter, but an art dealer to despite his talent for creating magnificent interior scenes and his proven expertise, he was impoverished. at the end of his life, the demons of human expression seemed as obviously i'd have even office if you consider the interior seems to portrayed like these young women by an open window. also shown in profile. did you brought out the details of their dress fabric,

their hair styles, the jewelry one, you can really get a sense of the wealth of the 17th century english disappears. no, not. today . several vermeer paintings can be seen in the ranks museum. among them is the milk made. in 1696, it was sold at auction for the considerable sum of 175 dutch guilders. it's hard to fathom the amount it would be worth today. but the milk made, it's a combination of, i guess the colors which really are lovely and the way that he puts that for me and puts a milk mate in the center of the painting. it's, it's so you're looking at another of a portrait of a noble person or an important person is it's a milk, right. and is there such self, smith and sweetness and there's this wonderful structure and, and, and i think for mirrors. but for me is

a very special painter because he was really, yeah, out of the ordinary, one of her kind. to some extent, the 17th century laid the foundation for the art world as we know it today. at the time auction houses begin opening their doors. the art dealer was developing as a profession, and collectors, emerged among the verge, was the art was starting to be democratized, and influence that can still be felt today. the, for many artists in the netherlands today, this rich history is something of a blessing and a curse. on some level, it's hard enough to measure themselves against the masters at the 17th century. and while they're inspired by the technique and artistry at their predecessors, they must set themselves apart and develop their own unique style. it's not

to, to hit to sit there is to fall asleep, but it's more of stick if you have to paint something very detailed. so you use this to lean on to get a step behind because to be paying something very small in detail. you eh, you can get shaky, but you use this as that and uh, an ice painting where you can see how it was used is the beauty of it for me, a painting in india, and then it comes to stores just where you say, painted from the back, leaning against the leaning his hand against the most stick to paint as more detail for swedish painter or bon larson, 17th century dutch art is an important point of reference the i think the similarity between how i

worked and accept the century master's work is i mean those separate things. one once is i work from like a nice thing is also using northern lights. i only work with daylight because i don't, i don't believe that that had a lamp can give the same sort of effect as a said they like that. and the materials are, you know, way i quite similar painters like larson are continuing the legacy of an important 17th century innovation. capturing the inner life of models on the canvas. to this day, it remains a key benchmark for what makes a commissioned portrait. a work of art for painting is like working on a tightrope on this line. above, you know, huge, doubtful. you have to use your intuition. you just have to laugh,

go at the same time as you have to really think about every stroke every, everything you put down on the canvas. and now i think the, when you use this intuition and when you really get into it, that's the part where the character or the personality or the spirit where it goes beyond just likeness. and that happens in the process if you are emotionally an completes into that no one was able to do that quite like rembrandt. which is why his portraits are so valuable. the loop and the reich's museum acquired these works together, spending 160000000 euros for martin, and option a couple and their ancestors are linked to a dark chapter in dutch history. they are symbols of the induction republic. they

are well see they are young, they show that they loved each other. do they bring a new ivan see? and then as that will show, and we tend to forget where to wells came from, the wells came from slavery from a lot of, of, uh, trading weapons and so on and, and colonialism. and it is good to, to be aware of those things. and those paintings don't change, or at least to me differently that them a long way and was a different thing. s at that age. that's how arch from the golden age and it's dark side should be approach. today is a subject of lively debate. scholars also considered to what extent artists like rembrandt profited from it while opinions diverge on those matters. there is consensus about one thing. there was never another golden age like it. it was one

that ran its natural course, the $6072.00 with a jar disaster year. so and then the district public is detected by the english by defense. bind a germans from all sides. so it's, it's, it's really a, it's, it's a narrow escape really for, for the debt, for public, they're almost gone. and off of that economy has to, well they, they revive in one way. and so still in the 18th century it's, it's still a very rich conference. you have to understand that all of us at that time show wealthy. so incredibly wealthy by all the, the, the, you know, the, the wealth they amassed in that whole century before that they didn't have to do a lot. they were actually retired, so to speak. and it starts to change in the middle of the 18th century, where the,

the fortunes are diminishing because they're doing nothing. they're just spending. and then around so $175070.00 sixty's. the have to sell art from holland was sold all over the world during the following centuries, and it remains scattered. it's rare that a painting finds its way back to the place where it was made. the i thought to myself, i'm not a 100 percent. sure what it is. but the whole build up and the, the, the, the approach it is very much like remember and was used to work. so i decided to do a little research. and for the last one of 2 years, i've been trying to place everything together to see if that could actually work if

this could actually fit within the of a rembrandt and room. it has a quite a sting methodology. and you can see this in a little detail as the way uses the grout for shadow areas for how he builds up the shadow part of a face with the reflection of something that is reflecting back to the shadow. all these little details, i'm looking at them, thinking about them, and that might eventually leads to a post. this is to try to prove that this is actually by reference. because again, this lady is looking at us. we're trying to look at her, but she's really making contact with you. this is very, very rare. important you. so maybe one day in the not too distant future, the next on nursed. rembrandt could be introduced to the world. the

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