and you're up to date, logistical rounds. after a short break architectural shift takes a look at how immersive art is booming. wire brings love it so much. and remember, you can always get much more news on our website at w dot com or you can follow social media or handle is actually w news. timberland, thanks for joining us. the d. w. travels over here, besides the sea food. wow. fucking, let's go to so when it comes to sustain dependency information and trends, this is alex, texas on d. w. travel, you can have it wherever you want your opinion. feel free to write your thoughts and the comments. not just another day. so much is happening all at once. we take time to understand this is the day

in depth look at current use events analyzed by excess. i'm critical thinking. not just another news. so this is through the weekdays. on dw, the immersive art is appearing everywhere, color for expeditions, skittering digital art installations have proven extremely popular with the public . in theory, these exhibition should allow us to fully sink into the art. so how well do they work in practice? can they turn us all into art lovers? here's one example of immersive art me by turkish american artist for speak an adult. but before we get into his work, let's go over the basics immersive art one. 0 one. what exactly is it immersive? comes from the latin word, the mercy o, which means to plunge into many are already familiar with immersion from the

enrolled in virtual reality. when executed successfully, you feel like you're right in the middle of the action. some artists are using some of the same elements, huge digital artworks, sometimes even with sound effects and smells that offer just a full sensory experience. immersive art concepts are flourishing. the international or collective team lab brook, again, this world record for it's hugely successful immersive installations. more than 2000000 visitors came to see it and just one year, not that right. take a look at their new expedition team lead borderless is less of a place. you visit in more of a place you experience the museum in tokyo, created by the collective team lab showcases digital art. instead of standing in front of the works, guests are invited to step inside them. the immersive installation bubble universe comes to life as you move around the physical experience as an expression of the artist, concept and philosophy,

the people tend to perceive the world as having independent entities which exist independently share with team lab borderless. we want to create an experience to the ard works, where the world is continuous and where the continuity of the world itself is spelled as beautiful. this 3 dimensional artwork is made up of spheres to generate light according to movements. as a person moves closer to spirit, the bubble will shine brightly and the light will spread to the nearest. interacting with light started by other movements. as a result of the technology, viewers aren't just observers. they become contributors to the work itself the. and i think that

a space with the existence of other people changes the artwork. and that creates some sort of change for you. so that reciprocal relationship between you and the art work and other people can create an experience where people confer this to you of a sense of continuity in there to do studio team of artists are designing new immersive creations. it's a divers team that likes to experiment with new ways of making art. obviously it's on a google, but it's a specialist. it's uh, a uh, i can now holloway engineers, software engineers, a she's young majors, advocates, not as much as you think our reasons for me, so it defies tablet base of programmers this denise, to the use of this with defense, meteors, monitors, projectors, categories about x, whatever's we try to create some things, the team that isn't the only player in the immersive. our team

here in the galleries, institutions are developing numbers that are projects like these installations by japanese photographer, mika. mean, i don't want to, why doesn't? there's a very few to some of the people the i think to day more than ever we, we, we, we're kind of lead hearing a certain way when it comes to art. so we don't want to make that effort of contemplation of dialogue. and so with the traditional article it, it's up to us to go to the artwork while and this kind of immersive spectacle. it's the art work that comes to us that immersed us. the 2nd reason, which is a more recent reason i would say it's, it's, it's social media. these words are highly instagram level. and also there's

a 3rd ways into that, which is also contextual. i think it's cool that because we were so deprived of any santorial experience of real life experience ever fix happened on his screen. it's all flat. so i think we all needed to get out to experience with a full body. i'm a fan of most of our triggers, all of your senses, which can be exhilarating in an error when it's easy to get stuck staring at your phone. and the striking installations are basically predestined for social media, speaking of which does it cheap in the art when it feels like everyone on instagram has a picture of it. here's our traitor michael conner. see a lot of positives about it. and you know, this idea of like taking a picture and putting yourself in a way of expressing your relationship with that are. but there are critical voices to exhibitions that take classic paintings by famous artists and turn them into huge video installations are marketed as immersive experiences and solar installations like those by team lab,

which feature newly created immersive works. do they both count as are less impact this? some of these experiences are definitive. we are, there is no question that it's made by an artist for the purposes of rec to stick expression and advancing this medium in a new way. certainly when you're talking about something that's being offered as a commercial experience derived from an older or artist work calling that are with would be a bit more controversial. i mean this certainly as been free to colors art. can this be considered new art form your copy? this immersive exhibition on the life of free to colo displeased almost all of the mexican painters works in a way they've never been displayed before. moving larger than life and accompanied by traditional music, the visitors to the exhibition in berlin were impressed that the lovely thing about them less of experience, you just, you know, just so right and, but i'm, where is you might go to gallery and see one picture by hand here you get

a taste of of so many if it was c c, that's it. the whole catalogue of what the picnic between the technology, the sound, and it was also permit us to get a film worked really well. they said with high performance projectors bring 3 to colors, paintings to life on walls, 5 and a half meters tall. the story for light is told and visit detail the, the quotes for colors own words. taken from letters and diaries for family background. her relationship to her husband, the mexican revolution, and her health issues. tallow explore with all of these topics to her art places, but i'm, i'm impressed by her life in this colorful world. do you feel like you're right in the middle of it and experiencing the time the way the artist did? because the volkswagen could naples have other immersive expeditions. also try to give guess the feeling that they're right in the middle of the work to readers if

use popular works for renaissance masters. crowd monet's, colorful garden paintings. gustavo clips golden age works. and the vincent den goes . i. chronic paintings. immersive exhibitions can run in parallel in different locations, but not everyone is so enthusiastic about these new forms of presenting and repackaging are. there's no creation, they just use a name as a label just to attract people for something that is entirely fee. that also disregards in this respect the artwork of this painters. they were not supposed to be immersive, obviously, which you know, would frida kahlo would have thought about these immersive expeditions. but some living artists have no qualms about them. in fact, british painter david hockney worked on turning his own iconic paintings and to walk projections for this immersive showcase. no less striking, but far more abstract is work by artist for feet and at all. his use of artificial

intelligence has made him a pioneer in the field of media art. the beauty of data is central to the work of media artist received an adult. his heart is exhibited in the world, most influential museums. it's also displayed on building decides and in public spaces by starts imagining data is a pigment. data for me is not the number. data is a form of memory, and this memory can take any shape and form since 2016 or speak an adult has been using algorithms to create monumental data sculptures, constantly changing points, think nature, i get this. it gives the fluid dynamics that i love water and, and the move with the life. and i believe that if they paint, yvonne data becomes a pigment. it's one drive to feel like a water, always safe, shifting at the root economic form in davos, an adult and birth of artwork. visualize the biodiversity of the amazon rain forest

. i know my cup us, it is a human. i will never remember one me with an image of nature. i will never remember how familiar with the levels of amazon. yeah. but the, using a allows me to go beyond my comments, whether it's the bio diversity, the amazon brain, waves or observations collected by the us based agency nasa. the data for a few of those aren't is always chosen with the installation site in mind. for example, this project was created using 45 terabytes of data from the los angeles philharmonic digital archive. it was projected onto the exterior of the concert hall. immerse of our is also a topic in science, one of the pioneers, so called newest fedex is susan mex, them and from johns hopkins university school of medicine in the united states. her research focuses on how our impacts our brain. and she has

a scientific explanation for all of the hype around the verse of art. i feel like immersive art so much because they make us feel good. it brings to the forefront all of the sensory systems that we have been wired for and often don't use in our daily lives. so excited you being and want to touch just now to feel to see, to use the vibration of sound and music to really and live in our bodies and our brains, sensory experiences, activate synopsis, which connect different areas of the brain is to warm a new new ronald structure to be small changes, influence how we feel, think and behave for learning more and more that are well being our flourishing, our physical health and our role is highly influenced by the fact that we are wired for the arts. and for a long time,

i think we have set that aside and thought that the arts were a nice to have a luxury, something that you do when you have time. and now what we're finding is that they're as important as nutrition. good, sleep, and exercise. the parts are absolutely essential to our will be. so do you hate it or love it? what's your take on immersive expeditions? i think that can be a great way to learn more about art and artist. yes, there's an element of entertainment to them, but maybe that's not such a bad thing. do you think immersive art is worth type? let us know. take care and see you next time the most people are going to choose big business. it is what it is. this week we're

going to talk about big influence as making big money. and the question is, do they have a big responsibility to society? i don't think that the person that comes to my mind when i'm going to places to meet people say it is your duty, your own civic responsibility to participate in social discourse at the democratic society. the 77 percent next on d w, the new year. happy that way of boxing. the story we have a getting a visa is more difficult than finding gold. what the sales force the for the future in the stories and issues that are being discussed across the country. news africa. in 60 minutes on d. w. but he's got issues with

a lot say what the welcome to the 77. i am victory wilson and broadcast journalist times and events m . c. i am took a piece is simply too severe. we're asking the question to influence us carries to show responsibilities or is it just evicted? well, i received word of the business. i am in favor of a social responsibility. i make a living of journalism, but i also believe that would great risk.