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tv   Musica Maestra  Deutsche Welle  December 24, 2024 4:15pm-4:31pm CET

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or headlines for you at the top of the hour. in the meantime, you can always get lost for news and information on our website that's at the w dot com. and of course you can follow us on x and instagram. ask you to what you needed from me and the entire team in berlin. thanks for watching the people in trucks in judge west trying to see the city center and the straight pieces the around the world. more than 130000000 people us we of mine because no one should have to
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make up your own mind dw, may for mine's the, the soviet it's so beautiful and i think he's always trying to fit into the central european tradition. expectation. i hear that in the music all the time is both worlds. the are these opposing forces in terms of the ideas and themes and sentiments. and it's amazing to see the quality between the european and the dark and obscure eastern europe. and so i was amazed how much this took me all the
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hello, i am alone, the better. and i am in munich. the volume was 62 years working with the wonderful men's nav, symphonica, and vortex a, c k, a. hi, don't delays, just think. and then it's about landscape shining moments. beautiful. i'm free. it's full of spring. the i love the fact that this sense to me pest control panel together with problems 1st, because i think it offers more more lightness and more conviviality the country to a lot of the symphonies of the time that were to do with tragedy and said and, and struggle, vortex age is, is the happy happy pete?
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the let's just say does it say again and just relax that question. question question. it's one of my, my, my favorite symphonies. and one of the 1st ones i've ever conducted. and um, i think the difficulty of this piece lies in its simplicity. it sounds like like sometimes like children's music because it's very clean. no. a content in the nissan one full google for the yeah. give us a to to mention that to us. but for our success, for me,
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this is the toward the birds. and then suddenly the dark sound of the requirements, the, i feel it's exactly the opposite of what central european music is. and what he's really upbringing is more direct cause the son of a butcher. he really wanted to, to make it to be respected in vienna and by this stablish meant as a check composer, which was where he was always sitting like or less or thing and actually was brown . so oh, it says this is a talent is italians taking seriously and it was supposed to be played at the vienna philharmonic and then suddenly he didn't hear back. no, no calls back and a front of the musician said no the so what he was going to was was
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very serious. i hear that in the music all the time is both with the photos of the and i didn't need another was right there. the needed needed this a spice of difference the it sounds a bit like um like, uh, music books like the above like a door. mm hm. and when you have it says
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an arabic this, it reminds you of particular music that you feel it's where it's coming from. i'm from albania, and i started in the united states and i've never heard this since 18 before i move in. so i was quite young of a sofa and 6. and then the 1st, the rehearsal we had with an orchestra. i was amazed how much this took me home. fishing for me, especially the small notes that are such cruise gestures. i think absolute, the whole eastern european music and opinions and southern europe as well. course you can here is more in parts of the site. i think i can see that the i've been in composer. we're very to actually the 1st one is a lot in someone between the eastern europe and then the left in america. really because we come from down the
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you know, everything is beautiful. it's like a sun sizes like people sign relaxing and happiness every note. but there's also, don't forget, that was sort of difficult to get here. yes. the difference of the 2 worlds are always there. and you know, the pot on the, on the, on the. yeah. the, it's like you're seeing in a 11 place, you know, a beautiful landscape of europe. and then in the 2nd, when you see the eyes of an eastern european woman or something that's rocks and that's the thing, is always within like it. next of all there was always pain. there was always, don't forget which i like the major minor. yes. so typical east european i think
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that stuff to talk about that. yeah. the john bob bob up on find out. i think this is so strategy for it looks like in the middle of such a beauty that this is a yes, like the fates, like the weight of life, no more just price. the jump, it's marble. is that, that, that, that, that, that you have them. but that sometimes it sounds like there are these opposed and look forces in terms of the spirit of the music. but there are also so many common ideas and feelings and sentiments. personal evict london. so she's in san this plus and you had mentioned to me how the
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fee is free on the the what do you think are the influences in music of forger? i've been taught to phone us and please divine this investors to us. 10109 and 6 is deep. you may have uh, 2 nice on demand nadine speaking and also to the this is a nice description. the noun itself, the cost of deals that's to bombs, doesn't go to
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the middle east of the student is a $0.50 is vice stressed on chunk of skin spivey. it's ends on it as a sense disease when circle ski. ringback 10 steps isn't in the kitchen and vice nova medication of decisions and use of the listings of scale to read the tools and countries try me as a go for jack. in the 3rd moment he puts his mark, he does what nobody else can do. but in this, when you write this very much like the,
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it's so beautiful, it's so beautiful. and to me, the most interesting singles of georgia is when he's showing those routes. right. and those are the, the, the 2nd, the 2nd the is the original. i think he was, he was a, a person with humor kelly. because when you announce something like fun, oh, i'm fine. it's like, here comes the king and that the that and then the kink enters the is some big announcements for a very simple theme. the
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. there is a book of the memoirs of his son, the son. this explains about how his father was already a famous man and how he said, oh, let's go fishing and they would get to be fishing and then the minute they would be like the like. so we have to go, we have to go because i have an idea, and i have to get this out, i have to get it and then he would compose and then the next day. so we'll try again to go fishing. and the same thing would happen, and it just happened forever. and he says, i never was able to really fisher with my father. because the moment that the an idea came in, she couldn't, he couldn't function, you have to get it out. the
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