to make a film that is simply made with love for people, for those who we are, who they are, who they live in modern times, who present completely different characters, sometimes different points of view about their future, but they live, they are ukrainians, they are, well, they deserve to be told about them and treat them from the point of view of empathy , that's why i'm very grateful for every response, i'm really happy about it, like a child when it enters and gets into people's hearts. well, it really gets into the heart like that because well, there are characters that are different, just like them they're wrong, they do wrong things, but uh, well, you don't condemn them, so try to understand, but in general, the film is dedicated to ukrainian women . and why women, women, in principle, women, then i wouldn't , spoiler well, i wouldn't want to to spoil hm in general to the task of the whole picture because it is much more than just not simple it goes deeper than the ukrainian and russian

russian war it is about the fact that this is a huge confrontation and mental of people who want to live in itself will come to create values ​​and those who will always come with weapons and therefore occupy the place of women in such an existential conflict, the instincts of survival of life, in principle, they are very important and so far the bearer of these instincts is a woman, not only that, well, i have more there are some personal motivations, why did i actually feel that i have the right to write such a title, it seemed obvious. but at the moment when i watched the first editing, well, i definitely felt that i had to do it and i hope that i will have another chance viewers personally, after they watch the tape, i don't want to answer in more detail immediately after that. i also wanted to ask about that. well,

if oksana joins us from cherkaschyna, i would already like her to have a connection there. yes, she will later somewhere because i'm at the airport. i haven't slept yet today. and she's on the train. we're traveling around the world. we're rewinding the movie. we're showing it. it's a very big piece of work and i would be very grateful to oksana that she not only fulfilled the role, but that she is also active in the promotional company. yes, oksana, they tell me what oksana appeared now. thank god, i have a question for her, yes. and what i wanted to ask was about perception, then marina. i think you're better than that. oksana has probably told us about it now, she'll join us, er, about perception. this story abroad already has a huge experience of success. well, during this year of participation in various festivals, i also communicate at festivals and with the public very often, not only press conferences, but after the film is directed in

our audience, i tell the director or the director sits on the tire and it begins the so-called qr-day ie a question from the audience, how do you think people generally understand what is happening in our country now, or do they? they are still very, very far from understanding our situation. look, i have a very cool perspective, as it were, because we released it first in the states, it was the beginning of january. and people wrote to us a lot in personal messages in my terbox, well, that is, there were many reviews about the fact that this is discovery for them, that is, they did not understand at all what was happening at the border, or if there was any problem there at all, as if it all fell silent, somehow everything there in they somehow already figured it out, because there is no problem with themselves. in february, when we were in berlin, everyone was under great stress. they asked us if putin would attack. we asked instead to think about ukraine, to somehow think about how to be ukraine, to cope with any danger because it was obvious to me that putin and that there would be a war on the ground . that is, i did not expect that they would bomb, but that they would attack was all obvious and later,

when we were already in europe, everything depends on that, whether the country is so traumatized - which one wars, that is, if we talk about bosnia, for example. people even laughed. because we have many such moments of black so-called humor. in fact, it is just everyday life in which comic situations arise in one way or another even during life in war. and there are european countries, let's say, more elite, where are the viewers for them it is still a certain reflection on the fact that we ourselves did not provoke our war and when you address them with fairly simple categories, because we have a simple category, we have a house, a family, a border of countries that are initially violated by some unknown groups then violate the border of this family's house, and here they don't have the question that we are doing something against ourselves, and it seems to me that the reason is that people with such a skeptical attitude to the situation understand how absurd it is to subject m well, how can

someone be critical, critical, critical , some kind of attitude towards the very thought that we provoked something on our own, that's what they have, well, as it were, a little worm flies from them. it seems to me that for this category of people, the kalundaik is super it is useful and these people are talking about the fact that it should be shown in high schools in schools. that 's how we already see oksana, hello, can you hear us? how is communication? i can hear you very well, and you me. me too. i immediately want to compliment mar and marina and you because, well, you are definitely one of those actresses who are now, well, at least in the party of cinephiles, car fans of people who love ukrainian cinema, you are now in the first places, of course, i want to become one of the top actresses , so that you have and will continue many suggestions ago what ah, well, all the films that i saw with your participation

, you have very cool characters, very different and they are all very cool, you also have good luck with the directors, oksana. tell me, please, tell me about your heroine , because she is very extraordinary, she is a little eccentric, like it seems to me that she doesn't want to leave her house, even though everything is flying here, the husband says we are leaving, tell me more about her. thank you very much for the question, you hear me so, so, so i hear it. it's wonderful. well, you know when i'm asked about irka and now i'm often asked to check i always i repeat the phrase of marina, who once said that this heroine is the kind of woman who for some reason believed that she could stop the war by herself and of course it is impossible and i already have no way out, so in reality she makes this choice to stay because it happened to live continue to give birth and give

life. i think what you are saying is that this heroine is very extraordinary. i think because i actually did not fully realize when i was playing what was happening to my heroine, i let go of such an intuitive flow and because i am very strong i trusted marina and the team. it seemed to me that it was really possible to create an authentic character and not some planned one, and i think that this is the big thing , yes, oksana. unfortunately, we have already lost contact with you, but i hope that we will still make broadcasts about the klondike and oksana and i will definitely get involved like this, and now let maxim

tell you quickly what happened to her. she really connected to women's instincts so much because first of all she is a woman's instinct . you need a guide and resistance, so really , it seems to me that oksana has done an incredible job, she is her body, soul, and everything, in general, she played all the instincts that she had to do with some kind of acting tools. well, if she just lived it in life thanks to the embodiment of instincts in the cinema, and not actually any of them, yes, if the role of the game, and in instinct, you live and are such a full-fledged character, because you can see her and such a one who cares, one who is gentle, very strong, well, in general, different. i really like of this work and what do you want to talk about about the reaction of the public? hmm, very often, our film crews now go to various film festivals, and if there is such a consensus

inside from the middle of the industry that we do not deal with the russians, we do not communicate with we recruit them on any panels, and with them even the best, the most good, because very often this happens. it turns out that the good russians are somehow not so good, and how was your whole practice of driving around well, the last one is there, well, almost there for six months is this a klondike? were there any cases when you were forced to? yes, there are such good russians here. let's do a panel discussion with him. discuss with them . talk and so on. well, this is the meaning , first of all, at the beginning, the ukrainians quite clearly stated that there are no talks while the cities are talking and while there is a war in general, there can be no conversations. the fact that we asked the festivals not to show russian

films was some kind of shock content for them. excuse me, this is absolutely normal reaction of ukrainians who are in the industry about the call for solidarity. it was a call for solidarity, not a call to destroy russian culture forever. then they don't understand it and start, well, in a bad sense, this is an intellectual discussion, behind which there is always funding, one way or another , so serebrynnikov just put a bold point when he openly started the afghan festival to support aborimovych, it was so uh, we all understand what exists in the film serebrynnikov, but just at the moment when he had the opportunity to become a good russian and express his solidarity , support from ukraine. although this is of course in the category of dreams, but still, he chose the line of support for the support of the oligarch. well,

they discredit themselves. well, what we are talking about here is that there is no need to do anything in their stead. absolutely , he did not only talk about gromovych, he also spoke and called to help the families of the fallen russian soldiers in ukraine, because they say they are also victims of these circumstances marina and how to convince the representatives of these western european countries, especially at the beginning of the full-scale invasion of in the cultural sense, they really didn't understand how it is to boycott russian culture, and that 's why our cinematographers invented another, softer term, that cooperation with russian culture has been suspended, but i very often heard such an argument we are not that we are traumatized we, er, we cannot think clearly and in general, it is not possible to emphasize all er, all under one meaning let's not be

like that, it means not being tolerant, and that's because this kind of position somewhat annoyed the western europeans there and the organizers, but i have my own personal train and point of view. when someone tells me that we are not tolerant there or something else, i say that what do you see when you start dividing russians? well, you yourself create art into good and bad, white and black. what is called blacklist, yes, that is, censorship begins, not a principled position. excuse me, then where is democracy, if you can give someone accreditation by checking him on facebook. what does he write, and another person who simply kept silent does not get accreditation, so then you create something like an institute of censorship. is it an institute ? censorship is better than just once per e during the war, this is a common position and to say to all completely russian cinematographers that while and where the war is. we cannot show your films, this does not mean that we

will never do it, that is, i am in these negotiations that i personally had to conduct when really well, we were on the verge of making a film we had several such cases a russian film is in the program already after the program was announced, although we were told that they would not be there marina, thank you very much i thank you very much for what you are doing for cultural diplomacy, for the film i will remind our viewers that i must the time to watch is november 3. klondike will be released in ukrainian cinemas. marina er horbach, the director, was in direct contact with us, now she continues to travel and the actress oksana cherkashina. thank you, travel to prepare this film and our culture. in the ukrainian box office very soon maxim osa, er, will be released maxim osa and the gold

of the headliners, this film is called it is one of the biggest long-builds in ukrainian cinema, that is, a film that has been filmed for years, i don't know how many years it already seems like 10 to me - this film is being shot for a very long time, and there was one version of this film, then it was completely reshot. it tells about such a cossack, quite brutal, who deals with pagans. here, let's see an excerpt with her, the cossacks were carrying the king's gold and the gold disappeared, let's see whore, it's better for you here, they slaughtered you at all, do you even know the rules of the head a-a kharkiv-madox

starts at the beginning of next month like this film festival it usually took place in kharkiv, but temporarily now only once. i hope it will take place in kyiv offline, online, there will be screenings there, the house will be shown at the same time, two films, a documentary and a play, i am about the famous house, the word will bring the shot revival, which is our famous writers who lived there about their incredible tragedy that easter, which they suffered because the soviet union created absolutely comfortable conditions for them there, even in this house there was a solarium, but they had to seriously pay for these comfortable conditions and for your lack of understanding of the situation, there is a documentary at the very beginning, i advise you to watch it first, and then watch the acting vyacheslav dovzhenko, from my point of view, he played mykola

khvylovy euro donbas - this is another documentary viewer the film will be shown at this festival, a special mountain, because euro donbas breaks stereotypes about this region and calls into question the name itself, in which cases can you say donbas, and in which cases is it better to say luhansk and donetsk region is a fairly informative and interesting tape about the incredible development of that region at the end of the last century, when very, very, very, very many investors from belgium, germany, france, and the united states came there and founded some incredible things. there were cinemas there. let's see an excerpt. the first hospitals and the party in mariupol were built by the americans, the first cinemas when they did not yet exist, for example, belgians opened in kyiv, the germans founded about 100 settlements, which the soviet authorities has turned into model villages with large enterprises, and also at the end of the month

there will be a week of film critics, and there will be shown, for example, the reflection of valentin vasinovych, one of the most warm films of recent times, valentin vasinovych, in general, our everything at film festivals. a very relevant topic about capture, the main character, i am an army, er, a military surgeon, he was captured, manifests before capture , and then returns, and it shows how much this process of return is a complicated panfir of the film by dmytro sukhlynsky sumchuk, which i also highly recommend watching. it is very brutal at the same time, very handsome. it tells about a man who comes to one of the western regions. he must make a choice whether to engage in smuggling for him or not to engage in a-a well, there are very wonderful landscapes there

. everything is very beautiful, but because of cuteness, also to people who like black humor and brutality, that's all well, felix and i will also be able to see this tape . at the end of the month, you can also see yuri izdrik, a famous writer of ours, in the lead role of a former afghan. this is a film by iryna tsilik based on the book by artem chekha, who are you? well, the vision of a butterfly will also show a film about polonsky, about a girl who but she was captured, she was a scout, she got there, and here she comes back and is also faced with that. how difficult it is to adapt, they are faced with a certain misunderstanding , let's see also an excerpt. come on, cheer up, you see. it’s good that you’re watching with us. now we ’ll go to the doctor and he’ll examine you, then we’ll sign a couple of bills, okay, and we’ll go. well

, regarding the film about which we are now talking with the director, it’s also one of the most tattooed ukrainian documentaries called this rain never it won't end, it will be in the box office from september 29, eh. well, the story is about 20-year-old andrii suleiman. he is waiting from syria, but here he also gets into the war, he becomes a volunteer of the red cross. and so the story continues to develop its director is elina horlova, she also has a lot of different ones there, you know, in particular, she spent , got into the 30 to 30 rating by forbes, that is, they award people who have achieved a certain success before the age of 30, you are now alina, we have a direct connection alina, i congratulate you, i congratulate you, so what ? today is my day of compliments. it's just that all the guests i have

today are simply incredible, they have achieved a lot, a lot there in the last few years, that's for sure, alina, uh, here's the next thing, we're talking about your main character, and uh, this situation is syria - this is the situation of ukraine. these two topics are intertwined, because very often i hear the opinion that we did not pay enough attention to syria, we did not unite with it enough, although it was necessary. what do you think, and thank you for this question? a person who cannot run away from the war. and i think that this topic will be relevant for many ukrainians. because some of them were worried about you. well, they are worried now. like the second time, because there are people who fled from donbas. for example, to kyiv or to some other cities to them

i had to run away like that again. and in principle, you are talking about a war from which, er, it seems that it is impossible to escape. i don't think that they paid enough attention to me. it seems to me that the whole world paid attention then, but here it's more interesting, you know. it's not about the conflict to talk about, it's more interesting to talk about the kursk people, which we show in this film, because it seems to me that our destinies are somewhat similar and what is the meaning of the struggle? continues, which continues in kurdistan and in ukraine , he is somewhat similar, and if i understand correctly, he is your main character, because i watched this film a year ago, and i will watch it

again . to the red cross, i remember correctly, tell me how much you rethought the red cross issue in general. how did you portray this organization when you filmed the film? and now , because we can see from our example that the red cross, well, let's just say, is not so effective the organization we wanted to see it as, you know me when i showed this er because i was filming this film, i never tried to realize at all implement something - this is not about the creative documentary work that i am engaged in and i will tell you. so, yes, unfortunately, unfortunately, we are now seeing such disappointment in all

organizations and we see how they really work, but you know, i can't say what i expected some phenomenal participation in all of this by the red cross and other organizations , you know the saying correctly, so as not to be disappointed , you must not be fascinated. and tell me, we previously spoke with maryna horbach, the director of klondike and the performer of this main role. they are also currently traveling to various film festivals you have also been to a lot of cool film festivals. please tell me, because you were there before the full-scale invasion, how did the foreign audience react to this film and did they understand it? in general, the situation in ukraine, according to your feelings, according to communication with the audience, it was clear to them that there was even a little something, or they had no idea what was happening in our country, you know, unfortunately, yes, for the

most part, people did not understand the bigger picture, some that the war, the war is still going on, so ah-ah some people well, what do we want from that audience if even in ukraine our people did not understand that this is not the end of that war, that it will not simply remain in this state, that the worst is still ahead, and that russia ah our er is such a stop one hundred percent enemy some people in ukraine did not understand this either, and were not at all interested in what is happening in the donbass. the western audience is not only western, but for many, the war ends when it appears in the newspapers. it affects

people's feelings that there is a war going on somewhere, and war is going on all the time in our world. unfortunately, what questions did you hear from them most often, yes, the director's communication with the audience, which questions were perhaps the most popular, the most significant the most questions were, of course, about the stylistics of the film . iraqi kurdistan and also about what how dangerous it was to shoot this is because we shot the film mostly in the front-line areas so and so there were questions of such and such a pattern and

of course about the form of the film because it is not as simple as it seems to me to other viewers about how we in general how did the creative process take place? i completely understand this question because the film this rain never ended is really very difficult, you know, i hear it especially from tv colleagues who want to shoot stylistics, i often think of a documentary film . a very complicated story with visual solutions, we only have a few minutes left alina would like to ask you about what you are filming now, because you are one of those female directors who are filming the current war this whole situation, but what can i say now about your filming? what can you say that you see, what you are shooting, and what will be the result? what

can i expect from you ? you are in the wrong project, we started filming from the beginning of the invasion and so far the working title is days that you want to forget and in principle the name speaks for itself we and we decided to focus on anthropology of violence on the study of these phenomena. i am directly focusing now, i am trying to film all the trials of the russian military . it is very important for me in this film to show the face of the enemy and to show his psychological portrait because without this understanding a-a who are a-a who are russian soldiers and who is that? what kind of russian society is it in general? it seems to me that we will not be able to tell about this war in full, we must talk about it

, and what i see really amazes me at the level of personal irresponsibility irresponsibility in russian society, it is also reflected in these russian military, that is why we are engaged in. of course, we are filming the consequences of military actions recently, the team is maksym nakonechnyi, he is also a director, a director of the vision of a butterfly, he also participates in this project, they went to raisins of course not they filmed this information and it's a terrible impression, the material is very difficult, it's almost every every shooting day , it's such that after these filming you have to rest for another week or two, because it's very terrible to shoot it's not easy, ah, alina, well, you are wonderful, i understand you. thank you very much for doing this work, because it is difficult , it is exhausting and psychologically, of course, one can only

imagine, but it is very necessary to document what the russians did, to film the russians, to explain in particular to the world, or i believe that you make your documentary as soon as possible, and you will also show it at various film festivals, because with the help of film, you can convince the world, yes, yes, yes, yes, yes, this is a very effective way. of course, culture is in the first place alina, thank you very much. continue to work psychologically. you , you are optimistic, keep it up. thank you, alina horlova , we had a direct call with the director. she told us a little bit about the filming that she and the documentarians are currently conducting in the most terrible ordinary parts of ukraine, and hmm, of course they will shoot some kind of film, which we

hope to see soon, but to see it what is important is the international audience. it is very, very important for us. well, go to the ukrainian cinema. while it is still being shown like this, because in a few years we don't know what will happen to it because there is no funding, as the minister of culture, information policy said. well, let's look for some other exits on this i have everything, friends, i wish you a nice, peaceful day. continue to watch with the press the ukraine-scotland match represents the network of shopping centers epicenter, the title partner of the national football team of ukraine, epicenter together with victories some creatures are not able to choose something else and we in ukraine like to choose everything even if it is insurance on hotline finance hotline finance insurance of course online